Search research publications and outputs

  1. 1991
  2. Analysis and Performance: The Search for a Middleground

    Howell, T., 1991, A Companion to Contemporary Musical Thought. Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Eisler’s Serialism: Concepts and Methods

    Howell, T., 1991, Eisler – A Miscellany. Gordon & Breach

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Sibelius and the Fourth Dimension

    Howell, T., 1991, Sibelius-Akatemian Aikakauskirja. Sibelius Academy, Helsinki

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. 1995
  6. Purcell and the English Baroque

    Wainwright, J., 1995, The Purcell Companion. Burden, M. (ed.). London: Faber & Faber

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. 1996
  8. The Christ Church Viol-Consort Manuscripts Reconsidered: Christ Church, Oxford Music Manuscripts 2, 497–408 & 436; 417–418 & 1080; and 432 & 612–613

    Wainwright, J., 1996, John Jenkins and his Time: Studies in English Consort Music. Ashbee, A. & Holman, P. (eds.). Oxford: Oxford University Press, p. 198-241

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. 1998
  10. Images of Virtue and War: Music in Civil War Oxford

    Wainwright, J., 1998, William Lawes: 1602–1645 Essays on His Life, Times and Work. Ashbee, A. (ed.). Aldershot: Ashgate Publishing Company, p. 121-42

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Morton Feldman’s 'Neither’.

    Laws, C. A., 1998, Samuel Beckett and Music. Bryden, M. (ed.). Oxford: Clarendon Press, p. 57-86 31 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. The Dissemination and Influence of Monteverdi’s Music in England in the Seventeenth Century

    Wainwright, J., 1998, Claudio Monteverdi und die Folgen: Bericht über das Internationale Symposium, Detmold 1993. Leopold, S. & Steinheuer, J. (eds.). Kassel: Barenreiter, p. 105-121

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. 1999
  14. The King’s Music

    Wainwright, J., 1999, The Royal Image: Representations of Charles I. Corns, T. (ed.). Cambridge: Cambridge University Press, p. 162-75

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. ‘Freedom of Choice: Project-based Learning’,

    Howell, T., 1999, Making Music Work – The Professional Integration Project. Barnes, J. (ed.). London: Royal College of Music Publications , p. 73-84 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. ‘The Practical Project’

    Howell, T., 1999, Making Music Work – The Professional Integration Project. Barnes, J. (ed.). London: Royal College of Music Publications , p. 51-57 7 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. 2001
  18. The Piano Concertos and the Sonata for Two Pianos and Percussion

    Losseff, N., 2001, Cambridge University Press. Bayley, A. (ed.). p. 118-132 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. ‘Sibelius the Progressive’

    Howell, T., 2001, Sibelius Studies. Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. 2003
  21. Beethoven’s Haunting of Beckett’s 'Ghost Trio'

    Laws, C. A., 2003, Drawing on Beckett: Portraits, Performances, and Cultural Contexts. Ben-Zvi, L. (ed.). Tel Aviv: Assaph, p. 197-214 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. 2004
  23. The voice, the breath and the soul: song and poverty in Thyrza, Mary Barton, Alton Locke and A Child of the Jago

    Losseff, N., 2004, The Idea of Music in Victorian Fiction. Ashgate Publishing Company, p. 3-26 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. 2006
  25. A Question of Identity: Die Meistersinger von Nürnberg in Weimar Germany

    Sheil, Á., 2006, Music, Theatre and Politics in Germany: 1848 to the Third Reich. Bacht, N. (ed.). Aldershot: Ashgate Aldershot, UK:, p. 93 112 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. England, ii: 1603–1642

    Wainwright, J., 2006, European Music, 1520-1640. Haar, J. (ed.). Woodbridge: Boydell & Brewer, p. 509-26

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. 2007
  28. Silent music and the eternal silence

    Losseff, N., 2007, Ashgate. p. 205 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  29. New forms of composition, and how to enable them

    Field, A. E., 13 Sep 2007, Music Education with Digital Technology. Finney, J. & Burnard, P. (eds.). London and New York: Continuum, p. 156 - 168

    Research output: Chapter in Book/Report/Conference proceedingChapter

  30. 2008
  31. Multispatial Sound

    Myatt, T., 2008, The Morning Line: Seville Biennial of Contemporary Art. Zyman, D. & Ebersberger, E. (eds.). Vienna: Thyssen-Bornemizsa Art Contemporary

    Research output: Chapter in Book/Report/Conference proceedingChapter

  32. Sounds of Piety and Devotion: Music in the Queen’s Chapel

    Wainwright, J., 2008, Henrietta Maria: Piety, Politics and Patronage. Griffey, E. (ed.). Aldershot : Ashgate Publishing Company, p. 195-213 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. 2009
  34. Feldman – Beckett – Johns: Patterning, Memory and Subjectivity

    Laws, C. A., 2009, The Modernist Legacy: Essays on New Music. Heile, B. (ed.). Aldershot: Ashgate, p. 135-158 24 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  35. Internationalization and the Irish state’s relationship with theatre and opera

    Sheil, Á. & Edelman, J., 2009, Global Changes, Local Stages: How theatre functions in smaller European countries. van Maanen, H., Kotte, A. & Saro, A. (eds.). Amsterdam: Rodopi, p. 146-175 30 p. (Themes in Theatre - Collective Approaches to Theatre and Performance; vol. 5).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  36. 2010
  37. Beckett and Unheard Sound

    Laws, C. A., 2010, Beckett and Nothing: Trying to understand Beckett. Caselli, D. (ed.). Manchester: Manchester University Press, p. 176-191 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  38. Multispatial Sound

    Myatt, T., 2010, The Morning Line: Istanbul. Zyman, D. & Ebersberger, E. (eds.). Thyssen-Bornemizsa Art Contemporary

    Research output: Chapter in Book/Report/Conference proceedingChapter

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