Search research publications and outputs

  1. "America, I Love You": Music and the Nation in 1915

    Brooks, W., 10 Mar 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  2. "America, I Love You": Music and the Nation in 1915

    Brooks, W., 7 Mar 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  3. 'Forming the New from the Old: Rautavaarra’s Perspectives on Modernism’

    Howell, T., 2008.

    Research output: Contribution to conferencePaper

  4. 'Headaches Among the Overtones': Thinking Through Music in Beckett.

    Laws, C., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  5. 'I could show you all I know’: Elements of co-creativity in a music theatre context

    Laws, C., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  6. A Climbing Vine Through Concrete: jazz in 1960s apartheid South Africa

    Eato, J. E., 6 Sep 2014.

    Research output: Contribution to conferencePaper

  7. A Collection of Small Choices

    Eato, J. E. & Bruce, H., 14 May 2015.

    Research output: Contribution to conferencePaper

  8. Achieving convolution-based reverberation through use of geometric acoustic modeling techniques

    Oxnard, S. & Murphy, D. T., 17 Sep 2012, p. 105. 4 p.

    Research output: Contribution to conferencePaper

  9. Audio Spatialization for The Morning Line

    Myatt, T. & Malham, D. G., 2010.

    Research output: Contribution to conferencePaper

  10. Bach and the Belly Dancer: Jacky Lansley’s 'Guest Suites'

    Eato, J. E., 8 May 2012.

    Research output: Contribution to conferencePaper

  11. Beckett in Contemporary Music: Intermedial Considerations

    Laws, C. A., 3 May 2018.

    Research output: Contribution to conferencePaper

  12. Bergman's Modernism: Colours & Improvisations; coherence & integration

    Howell, T., 26 Sep 2011.

    Research output: Contribution to conferencePaper

  13. Continuing Development for the Musician as Teacher in a University Context

    Haddon, E., 2011, (Accepted/In press).

    Research output: Contribution to conferencePaper

  14. Creative Accounting: Beckett and the re-imagining of musical authority

    Laws, C., Jun 2011, (In preparation).

    Research output: Contribution to conferencePaper

  15. Culture and Context: the influence of institutional culture on undergraduate musicians' attitudes to learning and performance

    Haddon, E. & Papageorgi, I., 2008, (Unpublished).

    Research output: Contribution to conferencePaper

  16. Dakar: articulating the tremendous

    Eato, J. E. & Wells, J., 30 Jun 2015.

    Research output: Contribution to conferencePaper

  17. Evol, direct approaches to the auralisation of mathematical algorithms

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaper

  18. Feldman's Piano Music and Experimental Practising

    Laws, C., 2009.

    Research output: Contribution to conferencePaper

  19. Fissures, fragments and the prospect of silence in the work of Samuel Beckett

    Laws, C., 7 Aug 2013.

    Research output: Contribution to conferencePaper

  20. Growing Music: Musical Interpretations of L-Systems

    Worth, P. & Stepney, S., 2005, p. 545-550.

    Research output: Contribution to conferencePaper

  21. Horatio Oratorio: Composing Using Historic Sound Recordings

    Kolkowski, A. & Reuben, F., 2008. 15 p.

    Research output: Contribution to conferencePaper

  22. Identity, Antagonism and Terre Thaemlitz

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaper

  23. In Preparation: A Performance-led Approach and a New Research Methodology for Dance Science.

    Vahla, A., Redding, E., Hushlak, M. A., Sentler, S., Chin, S., Reuben, F. & Luck, N., 2011.

    Research output: Contribution to conferencePaper

  24. In re: "Experimental Music"

    Brooks, W., 21 Jun 2012, p. 37-62.

    Research output: Contribution to conferencePaper

  25. In re: Experimental Politics

    Brooks, W. F., 1 Jul 2017, (Unpublished).

    Research output: Contribution to conferencePaper

  26. Investigation of Factors Influencing Acoustic Characteristics in Geometric Acoustics Based Auralization

    Foteinou, A., Murphy, D. T. & Masinton, A., 1 Sep 2010, p. 171-181.

    Research output: Contribution to conferencePaper

  27. Johnnies, Tommies, and Sammies: Music and transnational identities

    Brooks, W. F., Magee, G., Bashford, C., Matheson, L. & Vickers, J., 15 Nov 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  28. Know Where You Are: Kenny Wheeler, the performers’ composer

    Eato, J. E., 27 Mar 2012.

    Research output: Contribution to conferencePaper

  29. Know Where You Are: Kenny Wheeler, the performers' composer

    Eato, J. E., 7 Apr 2011.

    Research output: Contribution to conferencePaper

  30. Knowing ‘I’?: Musical Subjectivity, Embodiment and Interaction

    Laws, C., 1 Dec 2014.

    Research output: Contribution to conferencePaper

  31. Learning to accompany: How music students learn to accompany

    Haddon, H. E., 12 Nov 2017, (Unpublished).

    Research output: Contribution to conferencePaper

  32. Making Sense of the Self: music students and self-identity

    Haddon, E., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  33. Mental health and well-being – university music students and academic supervisors

    Haddon, H. E., 2018, (Unpublished).

    Research output: Contribution to conferencePaper

  34. Modalities of Memorial: The Double Trauma of 1918 and Its Aftermaths

    Brooks, W. F. & Ertan, D., 23 Nov 2016, (Unpublished).

    Research output: Contribution to conferencePaper

  35. Modularity, Immediacy and Exchange in Improvisation using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferencePaper

  36. Multiple Teachers: multiple gains?

    Haddon, E., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  37. Music in Beckett’s Nacht und Träume: Vocality and Imagination

    Laws, C., 2012.

    Research output: Contribution to conferencePaper

  38. Musical Subjectivity in Action: Piano Personae.

    Laws, C., 2 Oct 2014.

    Research output: Contribution to conferencePaper

  39. Networks of meaning in the audio-visual work of Ryoichi Kurokowa

    Field, A. E., 27 Oct 2012, p. 318-326.

    Research output: Contribution to conferencePaper

  40. Partners in time: Developing a piano duet partnership

    Haddon, E. & Hutchinson, M. A., 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  41. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Lennox, P., 2011.

    Research output: Contribution to conferencePaper

  42. Performance, Subjectivity and Experimentation

    Laws, C., 30 Sep 2015.

    Research output: Contribution to conferencePaper

  43. Performing Indeterrminacy

    Laws, C. A., 30 Jun 2017.

    Research output: Contribution to conferencePaper

  44. Piano Personae: Performance, Subjectivity and Experimentation

    Laws, C. A., 17 Jul 2016.

    Research output: Contribution to conferencePaper

  45. Piano performance: Group classes for the lifelong learner

    Haddon, L., 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  46. Playful Production: Collaborative Devising in a Music Ensemble Context

    Haddon, H. E. & Laws, C. A., 2018.

    Research output: Contribution to conferencePaper

  47. Playing and Instruments; Sound and Embodiment: Ceci n'est pas un piano; is it a pianist?

    Laws, C. A., 31 Mar 2017.

    Research output: Contribution to conferencePaper

  48. Poor Yorick: Singing Laurence Sterne

    Marsh, R. M., 17 May 2017.

    Research output: Contribution to conferencePaper

  49. Real-time Plunderphonics: Appropriating Keyboard Performances as they Occur

    Reuben, F., 2012.

    Research output: Contribution to conferencePaper

  50. Research Findings: from implications to implementation?

    Haddon, E., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  51. Samuel Beckett: Dramatic text as music, music as text (invited paper)

    Laws, C., 19 May 2014.

    Research output: Contribution to conferencePaper

  52. Sculpting sound: metaphor, material and contemporary music

    Suckling, M. C., 8 May 2017, (Unpublished).

    Research output: Contribution to conferencePaper

  53. Serve with Curry and Rice: the Ghoemaisation of Jazz at the Cape

    Eato, J. E., 28 Jun 2013.

    Research output: Contribution to conferencePaper

  54. Sibelius’ Tapiola: The Full Monty

    Howell, T., 1999.

    Research output: Contribution to conferencePaper

  55. Singing Arcs: Sounding the Early History of Electronic Music

    Reuben, F. & Kolkowski, A., 2016.

    Research output: Contribution to conferencePaper

  56. Single or Triple Threat? University music students and musical theatre learning

    Haddon, E., 2010.

    Research output: Contribution to conferencePaper

  57. Sound and Music in Beckett's All That Fall

    Laws, C., 9 Dec 2013.

    Research output: Contribution to conferencePaper

  58. Sounded Gestures and Enacted Sounds (updated version)

    Laws, C., Brooks, W. & Harron, D., Jul 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  59. Sounded gesture and enacted sounds (preliminary report)

    Laws, C., Brooks, W. & Harron, D., May 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  60. Studio Report, Music Research Centre, University of York

    Myatt, T., 2010.

    Research output: Contribution to conferencePaper

  61. THIS IS… IS IT?

    Laws, C. A., 29 Apr 2017.

    Research output: Contribution to conferencePaper

  62. The Legacy of Beckett in Music Theatre

    Laws, C., 10 Apr 2015.

    Research output: Contribution to conferencePaper

  63. The Online Orchestra: Latency in Network Performance

    Reuben, F., 2016.

    Research output: Contribution to conferencePaper

  64. The Writing’s on the Wall? The piano in co-creative contexts.

    Laws, C., Apr 2011.

    Research output: Contribution to conferencePaper

  65. The control of early decay time on auralization results based on geometric acoustic modelling

    Foteinou, A. & Murphy, D. T., 18 Jun 2012.

    Research output: Contribution to conferencePaper

  66. The development of the individual voice within the institutional community

    Haddon, E., 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  67. The sound of white

    Suckling, M. C., 2016, (Unpublished).

    Research output: Contribution to conferencePaper

  68. The ‘Jazz Voice’ in South Africa: A Developmental Physiology

    Eato, J., 2008.

    Research output: Contribution to conferencePaper

  69. Thoughts Towards a Rhythmic Understanding of Jazz in South Africa

    Eato, J., 2008.

    Research output: Contribution to conferencePaper

  70. Towards automatic music recommendation for audio branding scenarios

    Herzog, M., Lepa, S. & Egermann, H. W., 2016. 3 p.

    Research output: Contribution to conferencePaper

  71. Township Comets: the impact of South African jazz on the UK scene

    Eato, J. E., 27 Jun 2011.

    Research output: Contribution to conferencePaper

  72. Umhlaba Wethu: landscape in the Eastern Cape jazz imaginary

    Eato, J. E. & Dalamba, L., Sep 2013.

    Research output: Contribution to conferencePaper

  73. University Music Students and Masterclass Learning

    Haddon, E., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  74. Worldscape Laptop Orchestra

    Field, A. E., Harker, A. J. & Atmadjaja, A., 2008. 5 p.

    Research output: Contribution to conferencePaper

  75. Yasunao Tone and MP3 Disruption

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaper

  76. You say microtone, I say macrotone: Julian Anderson's expanded pitch space

    Suckling, M. C., 20 Oct 2017, (Unpublished).

    Research output: Contribution to conferencePaper

  77. ‘A Shadow, An Aura and Some Notes on Light: Re-defining the Sibelius Legacy’

    Howell, T., 2012, (Accepted/In press).

    Research output: Contribution to conferencePaper