Search research publications and outputs

  1. “Rhythm or Gestalt?” – Towards Integrating Embodied Music Cognition into Music Recommender Services via Smartphone-Assessed Movement

    Irrgang, M., Egermann, H. W., Steffens, J. & Weinzierl, S., 2018. 1 p.

    Research output: Contribution to conferenceAbstractpeer-review

  2. ‘A Shadow, An Aura and Some Notes on Light: Re-defining the Sibelius Legacy’

    Howell, T., 2012, (Accepted/In press).

    Research output: Contribution to conferencePaperpeer-review

  3. You say microtone, I say macrotone: Julian Anderson's expanded pitch space

    Suckling, M. C., 20 Oct 2017, (Unpublished).

    Research output: Contribution to conferencePaper

  4. Yasunao Tone and MP3 Disruption

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaperpeer-review

  5. Worldscape Laptop Orchestra

    Field, A. E., Harker, A. J. & Atmadjaja, A., 2008. 5 p.

    Research output: Contribution to conferencePaperpeer-review

  6. Workshop: Improvisation with Live Instruments using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferenceOtherpeer-review

  7. Verwendung automatischer Gesichtsanalyse und Selbstbericht zur Erforschung musik-induzierter Emotion im Konzertsaal

    Kayser, D. & Egermann, H., 2019.

    Research output: Contribution to conferenceAbstractpeer-review

  8. VOXed: Technology as a meaningful teaching aid in the singing studio

    Welch, G. F., Himonides, E., Howard, D. M. & Brereton, J., 1 Apr 2004.

    Research output: Contribution to conferenceOther

  9. University Music Students and Masterclass Learning

    Haddon, E., 2010, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  10. Umhlaba Wethu: landscape in the Eastern Cape jazz imaginary

    Eato, J. E. & Dalamba, L., Sep 2013.

    Research output: Contribution to conferencePaperpeer-review

  11. Township Comets: the impact of South African jazz on the UK scene

    Eato, J. E., 27 Jun 2011.

    Research output: Contribution to conferencePaperpeer-review

  12. Towards automatic music recommendation for audio branding scenarios

    Herzog, M., Lepa, S. & Egermann, H. W., 2016. 3 p.

    Research output: Contribution to conferencePaperpeer-review

  13. Towards a novel real-time visual display for singing training

    Howard, D. M., Welch, G. F., Brereton, J. & Himonides, E., 1 Dec 2003, p. 179-182.

    Research output: Contribution to conferenceOther

  14. Thoughts Towards a Rhythmic Understanding of Jazz in South Africa

    Eato, J., 2008.

    Research output: Contribution to conferencePaperpeer-review

  15. The ‘Jazz Voice’ in South Africa: A Developmental Physiology

    Eato, J., 2008.

    Research output: Contribution to conferencePaperpeer-review

  16. The sound of white

    Suckling, M. C., 2016, (Unpublished).

    Research output: Contribution to conferencePaper

  17. The effect of different acoustic environments on singing voice performance

    Brereton, J. & Howard, D. M., 1 Feb 2008.

    Research output: Contribution to conferenceOther

  18. The development of the individual voice within the institutional community

    Haddon, E., 2013, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  19. The control of early decay time on auralization results based on geometric acoustic modelling

    Foteinou, A. & Murphy, D. T., 18 Jun 2012.

    Research output: Contribution to conferencePaperpeer-review

  20. The Writing’s on the Wall? The piano in co-creative contexts.

    Laws, C., Apr 2011.

    Research output: Contribution to conferencePaper

  21. The Virtual Singing Studio: a loudspeaker-based room acoustics simulation for real-time musical performance

    Brereton, J. S., Murphy, D. T. & Howard, D. M., 2012, p. 1-8. 8 p.

    Research output: Contribution to conferencePaper

  22. The Online Orchestra: Latency in Network Performance

    Reuben, F., 2016.

    Research output: Contribution to conferencePaperpeer-review

  23. The Legacy of Beckett in Music Theatre

    Laws, C., 10 Apr 2015.

    Research output: Contribution to conferencePaper

  24. The Effect of Temperament Systems on Goodness-of-Fit Ratings in Turkish Makam Music

    Altun, F. & Egermann, H., 2019.

    Research output: Contribution to conferencePosterpeer-review

  25. The Effect of Temperament Systems on Emotion-Induction and Learning

    Altun, F. & Egermann, H. W., 2018. 1 p.

    Research output: Contribution to conferenceAbstractpeer-review

  26. THIS IS… IS IT?

    Laws, C. A., 29 Apr 2017.

    Research output: Contribution to conferencePaper

  27. Studio Report, Music Research Centre, University of York

    Myatt, T., 2010.

    Research output: Contribution to conferencePaperpeer-review

  28. Sounded gesture and enacted sounds (preliminary report)

    Laws, C., Brooks, W. & Harron, D., May 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  29. Sounded Gestures and Enacted Sounds (updated version)

    Laws, C., Brooks, W. & Harron, D., Jul 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  30. SoundFields: A mixed reality spatial audio game for children with autism spectrum disorder

    Johnston, D., Egermann, H. & Kearney, G., 1 Jan 2018.

    Research output: Contribution to conferencePaperpeer-review

  31. Sound and Music in Beckett's All That Fall

    Laws, C., 9 Dec 2013.

    Research output: Contribution to conferencePaper

  32. Single or Triple Threat? University music students and musical theatre learning

    Haddon, E., 2010.

    Research output: Contribution to conferencePaperpeer-review

  33. Singing Arcs: Sounding the Early History of Electronic Music

    Reuben, F. & Kolkowski, A., 2016.

    Research output: Contribution to conferencePaperpeer-review

  34. Sibelius’ Tapiola: The Full Monty

    Howell, T., 1999.

    Research output: Contribution to conferencePaperpeer-review

  35. Serve with Curry and Rice: the Ghoemaisation of Jazz at the Cape

    Eato, J. E., 28 Jun 2013.

    Research output: Contribution to conferencePaper

  36. Sculpting sound: metaphor, material and contemporary music

    Suckling, M. C., 8 May 2017, (Unpublished).

    Research output: Contribution to conferencePaper

  37. Samuel Beckett: Dramatic text as music, music as text (invited paper)

    Laws, C., 19 May 2014.

    Research output: Contribution to conferencePaper

  38. SPACE-Net: The Spatial Audio Creative Engineering Network

    Murphy, D. T., Brereton, J. & Brookes, T. S., 1 Jun 2006, p. 279-282.

    Research output: Contribution to conferenceOther

  39. Research Findings: from implications to implementation?

    Haddon, E., 2011, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  40. Real-time Plunderphonics: Appropriating Keyboard Performances as they Occur

    Reuben, F., 2012.

    Research output: Contribution to conferencePaperpeer-review

  41. Psychosocial Work Environment of Musicians: How does it differ from the general workforce?

    Detari, A., Vaag, J. & Egermann, H. W., 2019.

    Research output: Contribution to conferenceAbstractpeer-review

  42. Psychological and Environmental Factors in the Onset of Musician’s Focal Dystonia: An Exploratory Grounded Theory Study

    Detari, A. & Egermann, H., 2019.

    Research output: Contribution to conferenceAbstractpeer-review

  43. Poor Yorick: Singing Laurence Sterne

    Marsh, R. M., 17 May 2017.

    Research output: Contribution to conferencePaper

  44. Playing and Instruments; Sound and Embodiment: Ceci n'est pas un piano; is it a pianist?

    Laws, C. A., 31 Mar 2017.

    Research output: Contribution to conferencePaper

  45. Playful Production: Collaborative Devising in a Music Ensemble Context

    Haddon, H. E. & Laws, C. A., 2018.

    Research output: Contribution to conferencePaperpeer-review

  46. Pilot study of the effects of period instruments on the voice

    Daffern, H., Howard, D. M. & Seymour, P., 1 May 2006, p. 43.

    Research output: Contribution to conferenceOther

  47. Piano performance: Group classes for the lifelong learner

    Haddon, L., 2015, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  48. Piano Personae: Performance, Subjectivity and Experimentation

    Laws, C. A., 17 Jul 2016.

    Research output: Contribution to conferencePaper

  49. Piano Archives, Piano Practices

    Laws, C., 29 Jun 2019.

    Research output: Contribution to conferencePaper

  50. Perspectives on Matching New Technology for Displaying the Acoustics of the Singing Voice with an Appropriate Pedagogical Model

    Welch, G. F., Howard, D. M., Himonides, E. & Brereton, J., 1 Aug 2005, p. 147.

    Research output: Contribution to conferenceOther

  51. Performing Indeterrminacy

    Laws, C. A., 30 Jun 2017.

    Research output: Contribution to conferencePaper

  52. Performance, Subjectivity and Experimentation

    Laws, C., 30 Sep 2015.

    Research output: Contribution to conferencePaper

  53. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Lennox, P., 2011.

    Research output: Contribution to conferencePaperpeer-review

  54. Pedagogy in Practice: how do music students learn to become instrumental and vocal teachers?

    Haddon, E., 2008.

    Research output: Contribution to conferencePaperpeer-review

  55. Partners in time: Developing a piano duet partnership

    Haddon, E. & Hutchinson, M. A., 2013, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  56. Overground endoscopic findings and respiratory sound analysis in horses with recurrent laryngeal neuropathy after unilateral laser ventriculocordectomy

    Barakzai, S., Baldwin, C., Wells, J. & Cramp, P., 16 Sep 2017. 1 p.

    Research output: Contribution to conferenceAbstractpeer-review

  57. Networks of meaning in the audio-visual work of Ryoichi Kurokowa

    Field, A. E., 27 Oct 2012, p. 318-326.

    Research output: Contribution to conferencePaperpeer-review

  58. Musical Subjectivity in Action: Piano Personae.

    Laws, C., 2 Oct 2014.

    Research output: Contribution to conferencePaper

  59. Music in Beckett’s Nacht und Träume: Vocality and Imagination

    Laws, C., 2012.

    Research output: Contribution to conferencePaper

  60. Multiple Teachers: multiple gains?

    Haddon, E., 2009, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  61. Modularity, Immediacy and Exchange in Improvisation using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferencePaperpeer-review

  62. Modernity with Roots and Fragrance: Chris McGregor’s late Brotherhood of Breath compositions

    Eato, J., 2010.

    Research output: Contribution to conferencePaperpeer-review

  63. Modalities of Memorial: The Double Trauma of 1918 and Its Aftermaths

    Brooks, W. F. & Ertan, D., 23 Nov 2016, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  64. Mental health and well-being – university music students and academic supervisors

    Haddon, H. E., 2018, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  65. Measuring the audience experience - How can we capture audience experience with quantitative and qualitative methods?

    Egermann, H. W., Toelle, J. & Weining, C., 1 Feb 2019.

    Research output: Contribution to conferenceAbstractpeer-review

  66. Making Sense of the Self: music students and self-identity

    Haddon, E., 2010, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  67. Mahler's Kindertotenlieder: a pianist's perspective on listening and learning: Paper and Performance with Dr John Potter

    Haddon, E., 2008, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  68. MAIA Util: An NPM package for bridging web audio with music-theoretic concepts

    Collins, T. & Coulon, C., 2019, p. 47-52.

    Research output: Contribution to conferencePaperpeer-review

  69. Learning to accompany: How music students learn to accompany

    Haddon, H. E., 12 Nov 2017, (Unpublished).

    Research output: Contribution to conferencePaper

  70. Knowing ‘I’?: Musical Subjectivity, Embodiment and Interaction

    Laws, C., 1 Dec 2014.

    Research output: Contribution to conferencePaper

  71. Know Where You Are: Kenny Wheeler, the performers' composer

    Eato, J. E., 7 Apr 2011.

    Research output: Contribution to conferencePaperpeer-review

  72. Know Where You Are: Kenny Wheeler, the performers’ composer

    Eato, J. E., 27 Mar 2012.

    Research output: Contribution to conferencePaperpeer-review

  73. Johnnies, Tommies, and Sammies: Music and transnational identities

    Brooks, W. F., Magee, G., Bashford, C., Matheson, L. & Vickers, J., 15 Nov 2015, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  74. Jazz In South Africa Research Pages (JISA): An online education and research resource

    Eato, J., 2010.

    Research output: Contribution to conferencePaperpeer-review

  75. Investigation of Factors Influencing Acoustic Characteristics in Geometric Acoustics Based Auralization

    Foteinou, A., Murphy, D. T. & Masinton, A., 1 Sep 2010, p. 171-181.

    Research output: Contribution to conferencePaperpeer-review

  76. Investigating the Behaviour of a Recursive Mutual Compression System in a Two-Track Environment

    Hasnan, H. H. B. & Wells, J., 10 Mar 2019. 7 p.

    Research output: Contribution to conferenceOtherpeer-review

  77. Interaction between Aesthetic Judgement and Emotional Processing: Studying a Concert Audience Listening to Contemporary Music

    Egermann, H. W., Reuben, F. & McCall, C. A., 2017, (Accepted/In press) p. 150-151.

    Research output: Contribution to conferenceAbstractpeer-review

  78. In re: Experimental Politics

    Brooks, W. F., 1 Jul 2017, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  79. In re: "Experimental Music"

    Brooks, W., 21 Jun 2012, p. 37-62.

    Research output: Contribution to conferencePaperpeer-review

  80. In Preparation: A Performance-led Approach and a New Research Methodology for Dance Science.

    Vahla, A., Redding, E., Hushlak, M. A., Sentler, S., Chin, S., Reuben, F. & Luck, N., 2011.

    Research output: Contribution to conferencePaperpeer-review

  81. Identity, Antagonism and Terre Thaemlitz

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaperpeer-review

  82. How do Musical Means of Expression Affect the Perception of Musical Meaning?

    Herzog, M., Lepa, S., Steffens, J., Egermann, H. W. & Schoenrock, A., 2018. 1 p.

    Research output: Contribution to conferenceAbstractpeer-review

  83. Horatio Oratorio: Composing Using Historic Sound Recordings

    Kolkowski, A. & Reuben, F., 2008. 15 p.

    Research output: Contribution to conferencePaperpeer-review

  84. Has Anyone Heard Yakhal’ Inkomo? Listening to the voices of South Africa’s Jazz Community

    Eato, J. E., 3 Sep 2011.

    Research output: Contribution to conferencePaperpeer-review

  85. Growing Music: Musical Interpretations of L-Systems

    Worth, P. & Stepney, S., 2005, p. 545-550.

    Research output: Contribution to conferencePaper

  86. Fissures, fragments and the prospect of silence in the work of Samuel Beckett

    Laws, C., 7 Aug 2013.

    Research output: Contribution to conferencePaper

  87. Feldman's Piano Music and Experimental Practising

    Laws, C., 2009.

    Research output: Contribution to conferencePaperpeer-review

  88. Evol, direct approaches to the auralisation of mathematical algorithms

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaperpeer-review

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