Search research publications and outputs

  1. Chapter (peer-reviewed) › Research › Peer-reviewed
  2. Historical Precedents for Artistic Research in Music: The Case of William Butler Yeats

    Brooks, W., Sep 2014, Artistic Experimentation in Music: An Anthology. Gilmore, B. & Crispin, D. (eds.). Leuven, Belgium: Leuven University Press, p. 185-196 12 p. (Orpheus Institute Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  3. Chapter (peer-reviewed) › Research › Not peer-reviewed
  4. Early Western Pioneers: John Foulds and Maud MacCarthy

    Sorrell, N., 2010, Hindustani Music Thirteenth to Twentieth Centuries. Bor, J., Delvoye, F. N., Harvey, J. & Nijenhuis, E. T. (eds.). New Delhi: Codarts Manohar, p. 511-519

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  5. “I could show you all I know”: Elements of co-creativity in a music theatre context.

    Laws, C., 2013, (In preparation) Productive Tensions : Co-creative Practices in Music. Brooks, W. & Laws, C. (eds.). Leuven University Press, (Collected Writings of the Orpheus Research Centre in Music ).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  6. Featured article › Research
  7. Process and systems in computer Music: from meta to matter

    Myatt, T., 2011, Quadern d'àudio, 5, p. 1-9 9 p.

    Research output: Contribution to specialist publicationFeatured article

  8. Article › Research
  9. A New Lease of Life

    Marsh, R. M., 2016, cmrc website.

    Research output: Contribution to specialist publicationArticle

  10. What does it mean to study music at university in the UK today?

    Haddon, E., Mar 2013, National Association of Music Educators Magazine.

    Research output: Contribution to specialist publicationArticle

  11. snd

    Myatt, T., 2008, CYNETart.08.

    Research output: Contribution to specialist publicationArticle

  12. Discussion paper › Research
  13. A Climbing Vine Through Concrete: Jazz in 1960s apartheid South Africa

    Eato, J. E., 3 Dec 2014.

    Research output: Working paperDiscussion paper

  14. Contemporary Composers in the Here and Now

    Eato, J. E., 24 May 2011, (Unpublished).

    Research output: Working paperDiscussion paper

  15. Home Cooking Abroad: Chris McGregor and the Brotherhood of Breath, an editing project in progress

    Eato, J. E., 12 Apr 2010, (Unpublished).

    Research output: Working paperDiscussion paper

  16. Re-composing the saxophone: three twenty-first century examples

    Eato, J. E., 24 May 2008, (Unpublished).

    Research output: Working paperDiscussion paper

  17. The Politics of Musical Space – some personal encounters in South Africa

    Eato, J. E., 5 Nov 2008, (Unpublished).

    Research output: Working paperDiscussion paper

  18. Thoughts towards a rhythmic understanding of jazz in South Africa: an update

    Eato, J. E., 28 Jul 2008, (Unpublished).

    Research output: Working paperDiscussion paper

  19. What can historians of music in performance tell performers: progressing the Saul Seminar debate

    Eato, J. E., 7 Apr 2008, (Unpublished).

    Research output: Working paperDiscussion paper

  20. Why Would We Want To Repeat That? Understandings of text for the musical here and now

    Eato, J. E., 26 Apr 2011, (Unpublished).

    Research output: Working paperDiscussion paper

  21. Other chapter contribution › Research
  22. Linking Theories of Emotion-Induction to Applications in Audio Branding

    Egermann, H., 2013, Audio Branding Yearbook 2012-2013. Bronner, K., Hirt, R. & Ringe, C. (eds.). Baden-Baden: Nomos, p. 155-166 12 p.

    Research output: Chapter in Book/Report/Conference proceedingOther chapter contribution

  23. Radio station jingles: How statistical learning applies to a special genre of audio logos

    Muellensiefen, D., Egermann, H. & Burrows, S., 2015, Audio Branding Yearbook 2014-2015. Bronner, K., Hirt, R. & Ringe, C. (eds.). Baden-Baden: Nomos, p. 1-21 21 p.

    Research output: Chapter in Book/Report/Conference proceedingOther chapter contribution

  24. Foreword/postscript › Research
  25. Introduction

    Haddon, E., 19 May 2016, Creative Teaching for Creative Learning in Higher Music Education. Haddon, E. & Burnard, P. (eds.). Abingdon, Oxon: Routledge, 6 p.

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  26. Preface

    Brooks, W., Nov 2014, Ohne Worte: Instrumentality and Vocality in 19th-century Music. Brooks, W. (ed.). Leuven: Leuven University Press, p. 7-13 7 p. (Collected Writings of the Orpheus Institute; vol. 12).

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  27. Conference contribution › Research
  28. 3D audio as an information environment

    Lennox, P. P., Vaughan, J. M. & Myatt, T., 2001, PROCEEDINGS OF THE AES 19TH INTERNATIONAL CONFERENCE SURROUND SOUND: TECHNIQUES, TECHNOLOGY AND PERCEPTION. NEW YORK: AUDIO ENGINEERING SOC INC, p. 295-306 12 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  29. 3DMIN - Challenges and Interventions for the Design, Development and Dissemination of New Musical Instruments.

    Bovermann, T., Egermann, H., Foerstel, A., Hardjowirogo, S-I., Hinrichsen, A., Hildebrand Marques Lopes, D., Pysiewicz, A., Weinzierl, S. & de Campo, A., 2014, Proceedings of the 40th International Computer Music Conference. International Computer Music Association, Vol. 2014. 5 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  30. 7Be(n,p)7 Li Cross Section Measurement for the Cosmological Lithium Problem at the n_TOF Facility at CERN

    The n-TOF Collaboration, 20 Aug 2019, Nuclei in the Cosmos XV. Gialanella, L., Imbriani, G., Formicola, A. & Junker, M. (eds.). Springer Science and Business Media, LLC, Vol. 219. p. 25-32 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  31. A Scalable Architecture for General Real-Time Array-Based DSP on FPGAs with Application to the Wave Equation

    Kirk, R. & Wells, J., Sep 2013, Proceedings of the 16th International Conference on Digital Audio Effects (DAFx13).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  32. A Shadow, An Aura and Some Notes on Light: Re-defining the Sibelius Legacy

    Howell, T., 2012, (Accepted/In press) Proceedings of the Fifth International Sibelius Conference, Oxford 2010. Helsinki: http://sibeliusone.com/sibelius-reconsidered/

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  33. A comparison of analysis and resynthesis methods for directional segmentation of stereo audio

    Wells, J., Sep 2011, Proceedings of the 14th International Conference on Digital Audio Effects (DAFx-11), Paris, France, September 19-23, 2011. Peeters, G. (ed.). Paris: IRCAM, p. 191-198 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  34. A video system for recognizing gestures by artificial neural networks for expressive musical control

    Modler, P. & Myatt, T., 2003, GESTURE-BASED COMMUNICATION IN HUMAN-COMPUTER INTERACTION. Camurri, A. & Volpe, G. (eds.). BERLIN: SPRINGER-VERLAG BERLIN, p. 541-548 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  35. Algorithmic music curation in audio branding: Commercial and critical perspectives on an international research and innovation project

    Edwards, J. & Egermann, H. W., 2019, Algorithmic Music: Value, Creativity and Artificial Intelligence A One-day Symposium.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  36. An Experimental Investigation on Empathy as an Emotion-Induction Mechanism in Music Listening

    Ditter, D., Schmidt, L., Tessmer, N. & Egermann, H., 2013, Abstract Book of the 3rd International Conference on Music Emotion.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  37. An Interactive Spatial Audio Experience for Children with Autism Spectrum Disorder

    Johnston, D. I., Egermann, H. W. & Kearney, G. C., 2019, Proceedings of the 2019 AES International Conference on Immersive and Interactive Audio. Audio Engineering Society

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  38. Auditive and Audiotactile Music Perception of Cochlear Implant Users

    Papadogianni-Kouranti, M., Egermann, H. & Weinzierl, S., 2015, Fortschritte der Akustik: Tagungsband d. 41. DAGA. Becker, S. (ed.). Oldenburg: Deutsche Gesellschaft für Akustik, p. 1203-1205 3 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  39. Authority and judgement in the digital archive

    Dix, A., Cowgill, R., Bashford, C., McVeigh, S. & Ridgewell, R., 12 Sep 2014, Proceedings of the 1st International Workshop on Digital Libraries for Musicology. Association for Computing Machinery (ACM), p. 1-8 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  40. Bewegungsmuster von DJs im Club-Kontext

    Foerstel, A. & Egermann, H., 2014, Tagungsband der 13. Jahrestagung der Gesellschaft für Musikpsychologie.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  41. Co-performer empathy and peak performance in expert ensemble playing

    Waddington-Jones, C. E., 2013, Proceedings of the International Symposium of Performance Science . Williamon, A. & Goebl, W. (eds.). Brussels: European Association of Conservatoires, p. 331-336 6 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  42. Communicating National and Temporal Origin of Music: An Experimental Approach to Applied Musical Semantics

    Egermann, H. & Stiegler, C., 2014, Abstract Book of the 13th International Conference of Music Perception and Cognition.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  43. Concepts of perceptual significance for composition and reproduction of explorable surround sound fields

    Lennox, P., Myatt, T. & Scavone, G. P. (ed.), 2007, Proceedings of the 13th International Conference on Auditory Display. p. 208-212 4 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  44. Data for the s Process from n_TOF

    The n-TOF Collaboration, 20 Aug 2019, Nuclei in the Cosmos XV. Gialanella, L., Imbriani, G., Formicola, A. & Junker, M. (eds.). Springer Science and Business Media, LLC, Vol. 219. p. 63-70 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  45. Der Einfluss von sozialem Feedback auf die emotionale Wirkung von Musik

    Egermann, H., Altenmüller, E., Grewe, O. & Kopiez, R., 2007, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie, Gießen. Gieße, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  46. Der negative Synchronisierungsfehler (NSF) - Effekte unterschiedlicher musikalischer Expertise?

    Egermann, H., Nagel, F., Kopiez, R. & Drescher, D., 2005, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie, Würzburg. Würzburg, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  47. Development and Evaluation of an Interface with Four-Finger Pitch Selection

    von Coler, H., Treindl, G., Egermann, H. W. & Weinzierl, S., 11 May 2017, Proceedings of the 142nd AES Convention - Audio Engineering Society. Audio Engineering Society, p. 1-8 8 p. 9792

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  48. Die Verwendung von hierachrischen linearen Modellen zur Audio-Feature-basierten Vorhersage von kontinuierlichen emotionalen Reaktionen auf Musik

    Graefe, C. & Egermann, H., 2014, Fortschritte der Akustik: DAGA 2014. Deutsche Gesellschaft für Akustik, Vol. 2014. p. 786-787 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  49. Emotionales Erleben beim Musikhören - eine Online-Studie zur kontinuierlichen Emotionsmessung unter Verwendung des Internets.

    Egermann, H., Nagel, F., Kopiez, R. & Altenmüller, E., 2006, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie, Freiburg. Freiburg, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  50. Entwicklung eines Systems zur automatischen Musikempfehlung im Kontext des Music Brandings

    Steffens, J., Egermann, H. W., Schoenrock, A., Herzog, M. & Lepa, S., 2017, (Accepted/In press) Fortschritte der Akustik: Tagungsband d. 43. DAGA. Deutsche Gesellschaft für Akustik

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  51. Expectation and Emotion in a Live Concert Experiment

    Egermann, H., Pearce, M., Wiggins, G. & McAdams, S., 2011, Abstract Book of the Meeting of the Society for Music Perception and Cognition Rochester, New York 11.-14. August 2011.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  52. Gesture-sound causality from the audience's perspective: investigating the influence of mapping design on the reception of new digital musical instruments

    Emerson, G., Förstel, A. & Egermann, H., 2015, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Kreutz, G. (ed.). Oldenburg, Germany: Deutsche Gesellschaft für Musikpsychologie, p. 1-2 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  53. Growing music: Musical interpretations of L-systems

    Worth, P. & Stepney, S., 2005, APPLICATIONS OF EVOLUTIONARY COMPUTING, PROCEEDINGS. Rothlauf, F., Branke, J., Cagnoni, S., Corne, DW., Drechsler, R., Jin, Y., Machado, P., Marchiori, E., Romero, J., Smith, GD. & Squillero, G. (eds.). BERLIN: SPRINGER-VERLAG BERLIN, p. 545-550 6 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  54. High-Level Chord Features Extracted From Audio Can Predict Perceived Musical Expression

    Steffens, J., Lepa, S., Schoenrock, A., Herzog, M., Peeters, G. & Egermann, H. W., 2017, Extended abstracts for the Late-Breaking Demo Session of the 18th In- ternational Society for Music Information Retrieval Conference, Suzhou, China, 2017. 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  55. Learning Statistical Regularities of a Simple Musical 'Genre': The Case of Radio Station Jingles

    Müllensiefen, D., Egermann, H. & Burrows, S., 2015, Proceedings of the European Conference on Data Analysis. Lausen, B. (ed.). Colchester: Gesellschaft für Klassifikation, p. 1 1 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  56. Negotiating Tradition, Modernity, and Cultural Identity in Contemporary South Africa: the music of Tete Mbambisa, Louis Moholo-Moholo and Zim Ngqawana

    Eato, J. E., 2014, Readings in Ethnomusicology: a collection of papers presented at Ethnomusicology Symposium 2013. Dar es Salaam: University of Dar es Salaam, p. 119-126 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  57. New Media Use and Music Appreciation: Connections Between Contemporary Access to Music and its Perceived Value

    Egermann, H., Kahlhoefer, D., Schultz, C-M. & Seedorf, M., 2014, Abstract Book of the 13th International Conference of Music Perception and Cognition.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  58. Online measurement of emotional musical experiences using internet-based methods - An exploratory approach

    Egermann, H., Nagel, F., Kopiez, R. & Altenmüller, E., 2006, Proceedings of the 9th International Conference of Music Perception and Cognition (ICMPC), Bologna, Italy.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  59. Perception and Emotional Effect of Fade-outs in Song Endings in Popular Music

    Egermann, H., Gaulin, M. & McAdams, S., 2012, Tagungsband der Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Bremen, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  60. Performance expertise of DJs in the club-context

    Förstel, A. & Egermann, H., 2015, Escom Manchester 2015: Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music, Programme and abstracts . Ginsborg, J., Lamont, A. & Bramley, S. (eds.). Manchester: ESCOM, p. 367 1 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  61. Predicting GEMS Based on PDA-Assessed Gestural Motion Data

    Irrgang, M., Egermann, H., Acar, E. & Lommatzsch, A., 2015, Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR) Music, Mind, and Embodiment. Kronland-Martinet, R., Aramaki, M., Ystad, S. & Eaton, J. (eds.). Interdisciplinary Centre for Computer Music Research, p. 472-485 14 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  62. Predicting Musical Meaning in Audio Branding Scenarios

    Herzog, M., Lepa, S., Steffens, J., Schoenrock, A. & Egermann, H. W., 31 Jul 2017, Proceedings of the 25th Anniversary Conference of the European Society for Cognitive Science of Music, Ghent, Belgium, 31 July – 4 August 2017. Van Dyck, E. (ed.). ESCOM, p. 75-79 5 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  63. Psychological and physiological correlates of expectation and emotion in a live concert experiment

    Egermann, H. & McAdams, S., 2011, Abstracts for the 51st Annual Meeting Society for Psychophysiological Research. Psychophysiology.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  64. Recognition is different from feeling: experimental evidence for two different types of emotional processes in music using a between-subjects design in a web experiment

    Egermann, H. & McAdams, S., 2010, Proceedings of the 11th International Conference on Music Perception and Cognition (ICMPC11). Seattle, Washington, USA.. Demorest, S. M., Morrison, S. J. & Campbell, P. S. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  65. Semi-Blind Audio Source Separation of Linearly Mixed Two-Channel Recordings via Guided Matching Pursuit

    Zantalis, D. & Wells, J., 1 Sep 2014, (Accepted/In press) Proceedings of the 17th International Conference on Digital Audio Effects (DAFx-14).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  66. Sibelius’ Tapiola: Issues of Tonality and Timescale

    Howell, T., 1998, Sibelius Forum: Proceedings from the Second International Jean Sibelius Conference, November 1995. Sibelius Academy, Helsinki

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  67. Signale -- Entwicklung und Evaluation eines Open Source Ensembles elektronischer Musikinstrumente zur Vermittlung elektronischer/elektroakustischer Musik und ihrer technischen Grundlagen

    Schultz, C. M., Seedorf, M., Förstel, A. & Egermann, H., 2015, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Kreutz, G. (ed.). Oldenburg, Germany: Deutsche Gesellschaft für Musikpsychologie, p. 1-2 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  68. Smartphone-Assessed Movement Predicts Music Properties: Towards Integrating Embodied Music Cognition into Music Recommender Services via Accelerometer

    Irrgang, M., Steffens, J. & Egermann, H. W., 28 Jun 2018, Proceedings of the 5th International Conference on Movement and Computing, MOCO 2018. ACM Digital Library, 4 p. 31. (ACM Proceedings).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  69. Social feedback influences emotional feelings of music

    Egermann, H., Grewe, O., Kopiez, R. & Altenmüller, E., 2008, Proceedings of the 10th International Conference of Music Perception and Cognition, Sapporo, Japan..

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  70. Spielbewegungen von Musikinstrumenten und deren Bedeutung für das Klangergebnis: Ein experimenteller Zugang durch Motion Tracking klassischer Orchesterinstrumente und Auralisation der Bewegungsdaten

    Steger, D., Egermann, H., Weinzierl, S. & Bewegung, D., 2015, Fortschritte der Akustik: Tagungsband d. 41. DAGA. Becker, S. (ed.). Oldenburg: Deutsche Gesellschaft für Akustik, p. 1425-1428 4 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  71. Spreadsheets as user interfaces

    Dix, A., Cowgill, R., Bashford, C., Mcveigh, S. & Ridgewell, R., 7 Jun 2016, Proceedings of the International Working Conference on Advanced Visual Interfaces. Buono, P., Lanzilotti, R. & Matera, M. (eds.). New York: Association for Computing Machinery (ACM), p. 192-195 4 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  72. Swinging to the beat: Movement induction in electronic dance music

    Egermann, H., Förstel, A., Lehrbach, N. & Wende, M., 2015, Proceedings of the Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music. Ginsborg, J., Lamont, A. & Bramley, S. (eds.). Manchester: Chapel Press, p. 338-340 3 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  73. Systematising History: A Database for Electronic and Digital Musical Instruments Including Functional and Aesthetical Properties

    Hardjowirogo, S-I. & Egermann, H., 2014, Proceedings of the 9th Conference on Interdisciplinary Musicology. Staatliches Institut für Musikforschung, 4 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  74. The Actions that Make a Musical Instrument. Exploring Club-DJing as an Instrumental

    Förstel, A., Hardjowirogo, S-I. & Egermann, H., 2015, Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR) Music, Mind, and Embodiment. Kronland-Martinet, R., Aramaki, M., Ystad, S. & Eaton, J. (eds.). Marseille, France: The Laboratory of Mechanics and Acoustics, p. 762-769 8 p. (Publications of the LMA).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  75. The Effects of Continuous Subjective Music Experience Ratings on Physiological and Psychological Measures of Activation and Valence

    Foerstel, A., Egermann, H. & McAdams, S., 2014, Abstract Book of the 13th International Conference of Music Perception and Cognition. Seoul: International Conference of Music Perception and Cognition

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  76. The Influence of Social Situations on Music Listening: A Physiological and Psychological Perspective on Strong Emotions

    Egermann, H., Sutherland, E. M., Kopiez, R. & Altenmüller, E., 2009, Abstract Book of the 7th Triennial ESCOM Conference.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  77. The effect of subliminal messages in music on choice behaviour.

    Egermann, H. & Kopiez, R., 2006, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Freiburg, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  78. Township comets: The impact of South African jazz on the UK scene

    Eato, J. E., Dec 2012, iaspm 2011 proceedings: Situating popular musics. Montano, E. & Nardi, C. (eds.). International Association for the Study of Popular Music, Vol. IASPM 16th International Conference Proceedings. p. 112-118

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  79. Two Versions of the Fifth Symphony: A Study in Compositional Process

    Howell, T., 1995, Proceedings from the First International Jean Sibelius Conference, August, 1990, . Sibelius Academy, Helsinki

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  80. Ultrafast magnetism as seen by x-rays

    Radu, I., Vahaplar, K., Stamm, C., Kachel, T., Pontius, N., Radu, F., Abrudan, R., Dürr, H., Ostler, T., Barker, J., Evans, R., Chantrell, R., Tsukamoto, A., Itoh, A., Kirilyuk, A., Rasing, T., Kimel, A. & Evans, R. F. L., 23 Mar 2012, Proceedings of SPIE - The International Society for Optical Engineering. Vol. 8260. 82601M

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  81. Untersuchung zur Validität von Hörversuchen im Internet

    Pysiewicz, A. & Egermann, H., 2014, Fortschritte der Akustik - DAGA 2014. Deutsche Gesellschaft für Akustik, p. 788-789 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  82. What does mental imagery mean to university music students and their professors?

    Haddon, E., 2007, Proceedings of the International Symposium on Performance Science 2007. Williamon, A. & Coimbra, D. (eds.). The Netherlands: Association Europeenne des Conservatoires, Academies de Musique et Musikhochschulen (AEC), p. 301-306

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  83. Entry for encyclopedia/dictionary › Research
  84. Fellowes, Edmund H(orace)

    Wainwright, J. P., 6 Sep 2018, The Cambridge Encyclopedia of Historical Performance in Music. Lawson, C. & Stowell, R. (eds.). Cambridge: Cambridge University Press, p. 224 1 p.

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  85. Chapter › Research
  86. "Hence, base intruder, hence": Rejection and Assimilation in the Early English Reception of Mozart's Requiem

    Cowgill, R., 2006, Europe, Empire, and Spectacle in Nineteenth-Century British Music. Cowgill, R. & Rushton, J. (eds.). Aldershot, UK: Farnham: Ashgate Publishing Ltd, p. 9-28 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  87. "Wise Men from the East": Mozart's Operas and their Advocates in Early-Nineteenth Century London

    Cowgill, R., 21 Dec 2000, Music and British Culture, 1785-1914. Bashford, C. & Langley, L. (eds.). Oxford, UK: Oxford University Press, p. 39-64 26 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  88. 'Embodiment and Gesture in Performance: Practice-led Perspectives

    Laws, C. A., 2014, Artistic Experimentation in Music: An Anthology. Gilmore, B. & Crispin, D. (eds.). Leuven: Leuven University Press, p. 131-142 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  89. 'Strange and dead the ghosts appear': Mythic absence in Hölderlin, Adorno and Kurtág

    Hutchinson, M. A., 2016, (Accepted/In press) Intertextuality in Music: Dialogic Composition. Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  90. 'Such scientific and profound harmonies': The Italian Opera Orchestra and Early Performances of Mozart's Don Giovanni in London

    Cowgill, R., 2008, The Opera Orchestra in 18th- and 19th-Century Europe. Jensen, N. M. & Piperno, F. (eds.). Berlin: Berliner Wissenschafts-Verlag, (Musical Life in Europe 1600-1900: Circulation, Institutions, Representation).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  91. A Child Went Forth: Hanns Eisler, American Progressives, and Folk Song

    Brooks, W., Feb 2014, Crosscurrents: American and European Music in Interaction, 1900–2000. Meyer, F., Oja, C. J., Rathert, W. & Shreffler, A. C. (eds.). Woodbridge, UK: Boydell Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  92. A Climbing Vine Through Concrete: Jazz in 1960s apartheid South Africa

    Eato, J. E., 2017, Jazz and Totalitarianism. Johnson, B. (ed.). Routledge: Taylor and Francis Group, 11. (Transnational Studies in Jazz).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  93. A Question of Identity: Die Meistersinger von Nürnberg in Weimar Germany

    Sheil, Á., 2006, Music, Theatre and Politics in Germany: 1848 to the Third Reich. Bacht, N. (ed.). Aldershot: Ashgate Aldershot, UK:, p. 93 112 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  94. Analysis and Performance: The Search for a Middleground

    Howell, T., 1991, A Companion to Contemporary Musical Thought. Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  95. Angelo Notari's Music for the English Court

    Wainwright, J. P., 22 Jun 2020, Musical exchanges between Britain and the Continent 1500–1800: Essays in Honour of Peter Holman. Cunningham, J. & White, B. (eds.). Boydell & Brewer, p. 313–43 30 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  96. Attitudes with a Shawl: Performance, Femininity, and Spectatorship at the Italian Opera in Early Nineteenth-Century London

    Cowgill, R., 12 Jul 2012, The Arts of the Prima Donna in the Long Nineteenth Century. Cowgill, R. & Poriss, H. (eds.). New York: Oxford University Press, p. 217-251 35 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  97. Barthelemon family; Burney, Charles; Crotch, William; Gardiner, William; Horn family; Latrobe, Christian Ignatius; Peploe, Mrs; Novello

    Cowgill, R., 2002, Oxford Composer Companions. Jones, D. W. (ed.). Oxford: Oxford University Press, (Oxford Composer Companions).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  98. Beckett and Unheard Sound

    Laws, C. A., 2010, Beckett and Nothing: Trying to understand Beckett. Caselli, D. (ed.). Manchester: Manchester University Press, p. 176-191 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  99. Beethoven’s Haunting of Beckett’s 'Ghost Trio'

    Laws, C. A., 2003, Drawing on Beckett: Portraits, Performances, and Cultural Contexts. Ben-Zvi, L. (ed.). Tel Aviv: Assaph, p. 197-214 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  100. Billington, Elizabeth

    Cowgill, R., 2004, The Oxford Dictionary of National Biography. Matthew, H. C. G. & Harrison, B. (eds.). London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  101. Braham, John

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  102. Burney, Charles

    Cowgill, R., 1999, The Reader’s Guide to Music. Steib, M. (ed.). Chicago: Fitzroy Dearborn, p. 110-112 3 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  103. Callas, Maria; lang, k.d.; Opera queen; Opera: women en travesti; Sutherland, Joan

    Cowgill, R., 1 Mar 2006, Routledge International Encyclopaedia of Queer Culture. Gerstner, D. A. (ed.). London: Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  104. Carter, Richard

    Cowgill, R. & Fiske, R., 2001, The New Grove Dictionary of Music and Musicians. London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  105. Catalani, Angelica

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  106. Composing for the resonance: finding new relationships between architecture and musical composition.

    Field, A. E., 1 Jan 2016, IRCAM Open Music Composer’s Book . Bresson, J., Assayag, G. & Agon, C. (eds.). Paris: Editions Delatour/IRCAM, Paris, Vol. 3. 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  107. Concurrent Design: Building composition through co-design

    Field, A. E., 1 Nov 2020, Creative and Critical Projects in Classroom Music: Fifty Years of Sound and Silence. Taylor & Francis;, 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  108. Connect Resound as a Support for Music Making in Rural England

    King, A., Prior, H. & Waddington-Jones, C. E., 2019, (Accepted/In press) The Oxford Handbook of Social Media and Music Learning. Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  109. Continuing professional development for the musician as teacher in a university context

    Haddon, E., Oct 2013, Developing the Musician: Contemporary Perspectives on Teaching and Learning. Stakelum, M. (ed.). Aldershot: Ashgate Publishing Company, p. 191-206 16 p. (SEMPRE Studies in the Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  110. Corri family

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  111. Corri family

    Cowgill, R., Ward Jones, P., Bunker Clark, J. & Nathan, B., 2001, The New Grove Dictionary of Music and Musicians. London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  112. Creating a Brand Image through Music: Understanding the Psychological Mechanisms behind Audio Branding

    Egermann, H., Sep 2019, The Oxford Handbook of Sound and Imagination. Grimshaw, M., Walther-Hansen, M. & Knakkergaard, M. (eds.). Oxford: Oxford University Press, Vol. 2.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  113. Creativity and the institutional mindset

    Haddon, E. & Potter, J., 2014, Advanced Musical Performance: Investigations in Higher Education Learning. Papageorgi, I. (ed.). Aldershot: Ashgate Publishing Company, p. 129-142 14 p. (SEMPRE Studies in The Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  114. Creativity in higher music education: Views of university music lecturers

    Haddon, E., 2016, (Accepted/In press) Creative teaching for creative learning in higher music education. Haddon, E. & Burnard, P. (eds.). Abingdon, Oxon: Routledge, p. 22-34 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  115. Crouch, Anna Maria

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  116. Crowdsourcing and Scholarly Culture: Understanding Expertise in an Age of Popularism

    Dix, A., Cowgill, R. E., Bashford, C., McVeigh, S. & Ridgewell, R., 7 Aug 2019, Macrotask Crowdsourcing. Khan, VJ., Papangelis, K., Lykourentzou, I. & Markopoulos, P. (eds.). Springer, p. 189-214 (Human-Computer Interaction).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  117. Disputing Choruses in 1760s Halifax: Joah Bates, William Herschel, and the Messiah Club

    Cowgill, R., Nov 2007, Music and the British Provinces, 1690-1914. Cowgill, R. & Holman, P. (eds.). Aldershot, UK: Farnham: Ashgate Publishing Ltd, p. 87-113 27 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  118. Dualities and Dialogues: Saariaho’s Concertos

    Howell, T., 19 Sep 2011, Kaija Saariaho: Visions, Narratives, Dialogues. England: Ashgate Publishing Company, p. 133 -157 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  119. Eisler’s Serialism: Concepts and Methods

    Howell, T., 1991, Eisler – A Miscellany. Gordon & Breach

    Research output: Chapter in Book/Report/Conference proceedingChapter

  120. Elgar's War Requiem

    Cowgill, R., 19 Aug 2007, Edward Elgar and His World. Adams, B. (ed.). Princeton: Princeton University Press, p. 317-362 46 p. (The Bard Music Festival Book Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  121. Engineering and Recording

    Wells, J., 2020, Audio Education: Theory, Culture, and Practice. Lopez, M. & Walzer, D. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  122. England, ii: 1603–1642

    Wainwright, J., 2006, European Music, 1520-1640. Haar, J. (ed.). Woodbridge: Boydell & Brewer, p. 509-26

    Research output: Chapter in Book/Report/Conference proceedingChapter

  123. Experiment in Practice

    Laws, C., 2014, Artistic Experimentation in Music: An Anthology. Crispin, D. & Gilmore, B. (eds.). Leuven: Leuven University Press, Vol. 262. p. 565-574 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  124. Feldman – Beckett – Johns: Patterning, Memory and Subjectivity

    Laws, C. A., 2009, The Modernist Legacy: Essays on New Music. Heile, B. (ed.). Aldershot: Ashgate, p. 135-158 24 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  125. Footnotes

    Brooks, W., Östersjö, S. & Wells, J., 25 Nov 2019, Voices, Bodies, Practices: Performing Musical Subjectivites. Laws, C., Brooks, W., Gorton, D., Nguyễn, T. T., Östersjö, S. & Wells, J. (eds.). Leuven, Belgium: Leuven University Press, p. 171-232 62 p. (Orpheus Institute Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  126. Fostering effective group creativity

    Field, A. E., 16 Jun 2016, Creative Teaching for Creative Learning in Higher Music Education. Haddon, E. & Burnard, P. (eds.). Routledge, p. 240-253

    Research output: Chapter in Book/Report/Conference proceedingChapter

  127. From the Air to the Earth: Reading the Ashes

    March, D. T., 2011, Kaija Saariaho: Visions, Narratives, Dialogues. Howell, T., Hargreaves, J. & Rofe, M. (eds.). Ashgate, p. 15-40

    Research output: Chapter in Book/Report/Conference proceedingChapter

  128. Harrison, Samuel

    Cowgill, R., 2001, The New Grove Dictionary of Music and Musicians. London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  129. Harrison, Samuel

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  130. Hearing the past in the present: an augmented reality approach to site reconstruction through architecturally informed new music

    Field, A. E., 25 Mar 2021, Music and Heritage: New Perspectives on Place-making and Sonic Identity. Schofield, J. & Maloney, L. (eds.). Taylor & Francis;

    Research output: Chapter in Book/Report/Conference proceedingChapter

  131. Hidden instrumental and vocal learning in Undergraduate University Music Education

    Haddon, E., 2014, Advanced Musical Performance: Investigations in Higher Education Learning. Aldershot: Ashgate Publishing Company, p. 247-264 18 p. (Sempre Studies in the Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  132. How to Do Things with Music Criticism: Performances of Victory in German Wagner Reception, 1918–33

    Sheil, A. C., 2017, Performance in a Militarized Culture. Brady, S. & Mantoan, L. (eds.). London: Routledge , p. 99-109 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  133. Icebreaker meets Hoketus

    Haddon, H. E., May 2019, Writing to Louis Andriessen: Commentaries on life in music. Amsterdam: Uitgeverij Lecturis, p. 198-209

    Research output: Chapter in Book/Report/Conference proceedingChapter

  134. Images of Virtue and War: Music in Civil War Oxford

    Wainwright, J., 1998, William Lawes: 1602–1645 Essays on His Life, Times and Work. Ashbee, A. (ed.). Aldershot: Ashgate Publishing Company, p. 121-42

    Research output: Chapter in Book/Report/Conference proceedingChapter

  135. Imagined structures: Creative approaches towards teaching music analysis

    Hutchinson, M. A. & Howell, T., 19 May 2016, Creative teaching for creative learning in higher music education. Haddon, E. & Burnard, P. (eds.). Abingdon: Routledge, p. 153-167 15 p. (Sempre Studies in the Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  136. Imagined structures: Creative approaches for musical analysis

    Howell, T. & Hutchinson, M., May 2016, Creative Teaching for Creative Learning in Higher Music Education. Haddon, L. & Burnard, P. (eds.). Oxford UK and New York USA: Routledge, p. 153-167 15 p. Chapter 11

    Research output: Chapter in Book/Report/Conference proceedingChapter

  137. Imagining Radio Sound: Interference and Collaboration in the BBC Radio Production of Beckett’s All That Fall

    Laws, C., 2017, Samuel Beckett and BBC Radio : A Reassessment. Addyman, D., Feldman, M. & Tonning, E. (eds.). Palgrave Macmillan, p. 103-138 35 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  138. In re: Experimental Education

    Brooks, W., 2015, Patterns of Intuition: Musical Creativity in the Light of Algorithmic Composition. Nierhaus, G. (ed.). Dordrecht: Springer-Verlag, p. 329-347 19 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  139. Interlude: The Middle

    Brooks, W., Magee, G. & Bashford, C., 1 Oct 2019, Over Here, Over There: Transatlantic Conversations on the Music of World War I. Brooks, W., Bashford, C. & Magee, G. (eds.). Urbana, IL: University of Illinois Press, p. 115-124 10 p. (Music in American Life).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  140. Internationalization and the Irish state’s relationship with theatre and opera

    Sheil, Á. & Edelman, J., 2009, Global Changes, Local Stages: How theatre functions in smaller European countries. van Maanen, H., Kotte, A. & Saro, A. (eds.). Amsterdam: Rodopi, p. 146-175 30 p. (Themes in Theatre - Collective Approaches to Theatre and Performance; vol. 5).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  141. Introduction

    Bovermann, T., de Campo, A., Egermann, H., Hardjowirogo, S. & Weinzierl, S., 1 Jan 2016, Musical Instruments in the 21st Century: Identities, Configurations, Practices. Springer Singapore, p. 1-5 6 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  142. Java

    Sorrell, N. F. I., 16 Oct 2015, (Accepted/In press) The Other Classical Musics: Fifteen Great Traditions. Church, M. (ed.). Boydell & Brewer, 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  143. Jean Sibelius: Progressive or Modernist?

    Howell, T., Jul 2017, Jean Sibelius’ Legacy – Research at his 150th Anniversary, . Howell, T., Grimley, D., Murtomaki, V. & Virtanen, T. (eds.). Cambridge Scholars Publishing, p. 241-255 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  144. Kelly, Michael William

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  145. Linley family

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  146. Mapping, Causality and the Perception of Instrumentality: Theoretical and Empirical Approaches to the Audience’s Experience of Digital Musical Instruments

    Emerson, G. & Egermann, H., 9 Dec 2016, Musical Instruments in the 21st Century. Bovermann, T., de Campo, A., Egermann, H., Hardjowirogo, S-I. & Weinzierl, S. (eds.). Springer, p. 363-370 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  147. Mara, Gertrud Elisabeth

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  148. Monteverdi Vespers (1610)

    Wainwright, J., 2012, The Cambridge History of Musical Performance. Lawson, C. & Stowell, R. (eds.). Cambridge: Cambridge University Press, p. 448–469

    Research output: Chapter in Book/Report/Conference proceedingChapter

  149. Morton Feldman’s 'Neither’.

    Laws, C. A., 1998, Samuel Beckett and Music. Bryden, M. (ed.). Oxford: Clarendon Press, p. 57-86 31 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  150. Morton Feldman’s Late Piano Music: Experimentalism in Practice

    Laws, C. A., 2011, The Practice of Practising . Laws, C. (ed.). Leuven University Press, (Collected Writings of the Orpheus Research Centre in Music; vol. 4).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  151. Mozart Productions and the Emergence of Werktreue at London's Italian Opera House, 1780-1830

    Cowgill, R., 2006, Operatic Migrations. Marvin, R. M. & Thomas, D. A. (eds.). Aldershot, UK: Farnham: Ashgate Publishing Ltd, p. 145-186 42 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  152. Mozart, Wolfgang Amadeus

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  153. Multispatial Sound

    Myatt, T., 2008, The Morning Line: Seville Biennial of Contemporary Art. Zyman, D. & Ebersberger, E. (eds.). Vienna: Thyssen-Bornemizsa Art Contemporary

    Research output: Chapter in Book/Report/Conference proceedingChapter

  154. Multispatial Sound

    Myatt, T., 2011, The Morning Line Vienna. Zyman, D. & Ebersberger, E. (eds.). Vienna: Thyssen-Bornemizsa Art Contemporary, (Verlag für moderne Kunst Nürnberg).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  155. Multispatial Sound

    Myatt, T., 2010, The Morning Line: Istanbul. Zyman, D. & Ebersberger, E. (eds.). Thyssen-Bornemizsa Art Contemporary

    Research output: Chapter in Book/Report/Conference proceedingChapter

  156. Music in Beckett’s Nacht und Träume: Vocality and Imagination

    Laws, C., 28 Oct 2014, Beckett and Musicality. Till, N. & Bailes, S. J. (eds.). Ashgate, p. 233-254 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  157. Musical Dialogues in the Paston Treasure

    Brooks, J. & Wainwright, J. P., Feb 2018, The Paston Treasure: Microcosm of the Known World. Moore, A., Flis, N. & Vanke, F. (eds.). New Haven CT & London: Yale University Press, p. 162–172, 332-3,, 444, & 553–9 13, Appendix 3, & Catalogue entries 63 & 140

    Research output: Chapter in Book/Report/Conference proceedingChapter

  158. Musical creativities and entrepreneurship in higher music education: Activating new possibilities

    Haddon, E. & Burnard, P., 1 Jan 2015, Activating Diverse Musical Creativities: Teaching and learning in higher music education. Burnard, P. & Haddon, E. (eds.). London: Bloomsbury Academic, p. 261-281 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  159. Musikforschung 2.0 – Internet-basierte Erhebungsmethoden

    Egermann, H. & Lothwesen, K., 2017, Methoden empirischer Forschung in der Musikpädagogik: Eine anwendungsbezogene Einführung. Schulten, M. & Lothwesen, K. (eds.). Münster: Waxmann Verlag GMBH, p. 83-102

    Research output: Chapter in Book/Report/Conference proceedingChapter

  160. New Light and the Man of Might: Revisiting Early Interpretations of Mozart's Die Zauberflote

    Cowgill, R., 2010, Art and Ideology in European Opera. Cowgill, R., Cooper, D. & Brown, C. (eds.). Woodbridge: Boydell and Brewer Ltd, p. 194-221 28 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  161. New forms of composition, and how to enable them

    Field, A. E., 13 Sep 2007, Music Education with Digital Technology. Finney, J. & Burnard, P. (eds.). London and New York: Continuum, p. 156 - 168

    Research output: Chapter in Book/Report/Conference proceedingChapter

  162. Notari, Angelo

    Wainwright, J. P., 2013, Dizionario biografico degli Italiani . Rome: Istituto della Enciclopedia Italiana, Vol. 78. p. 770-2

    Research output: Chapter in Book/Report/Conference proceedingChapter

  163. Of Science and Nature: Mozart versus the Modern Bel Canto in Early Nineteenth-Century London

    Cowgill, R., 2010, Mozart, Marcos Portugal e o seu tempo. Cranmer, D. (ed.). Lisbon: Centro de Estudos da Sociologia e Estetica Musical, p. 35-51 and 197-280

    Research output: Chapter in Book/Report/Conference proceedingChapter

  164. Of Stars, Soldiers, Mothers, and Mourning

    Brooks, W. F., 1 Oct 2019, Over Here, Over There: Transatlantic conversations on the music of World War I. Brooks, W., Bashford, C. & Magee, G. (eds.). Champaign, IL: University of Illinois Press, p. 199-223 24 p. (Music in American Life).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  165. On the Beat: The Victorian Policeman as Musician

    Cowgill, R., 2007, Victorian Soundscapes Revisited. Cowgill, R. & Hewitt, M. (eds.). Leeds: Leeds Centre for Victorian Studies, Vol. 9. p. 191-214 24 p. (Leeds Working Papers in Victorian Studies).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  166. On the Beat: The Victorian Policeman as Musician

    Cowgill, R., 28 Oct 2012, Music and Institutions in Nineteenth-Century Britain. Rodmell, P. (ed.). Farnham: Farnham: Ashgate Publishing Ltd, p. 221-245 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  167. Opera: English

    Cowgill, R., 1999, The Reader’s Guide to Music. Steib, M. (ed.). Chicago: Fitzroy Dearborn

    Research output: Chapter in Book/Report/Conference proceedingChapter

  168. Opera Orchestras in Georgian and Early Victorian London

    Cowgill, R. & Dideriksen, G., 2008, The Opera Orchestra in 18th- and 19th-Century Europe. Jensen, N. M. & Piperno, F. (eds.). Berlin: Berliner Wissenschafts-Verlag, Vol. 1. p. 259-321 63 p. (Musical Life in Europe, 1600-1900: Circulation, Institutions, Representation).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  169. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Peter Lennox, P., 2011, Proceedings of the 17th International Conference on Auditory Display. Budapest, Hungary: I.C.A.D., Vol. 2011.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  170. Performance Alfresco: Music-Making in London's Pleasure Gardens

    Cowgill, R., Jan 2012, The Pleasure Garden. Conlin, J. (ed.). University of Pennsylvania Press, p. 100-126 27 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  171. Performers' perspectives on 'feel' in music

    King, E. & Waddington-Jones, C. E., 2018, Music analysis and the body: Experiments, explorations and embodiments. Thumpston, R. & Reyland, N. (eds.). Leuven: Peeters, p. 241-258

    Research output: Chapter in Book/Report/Conference proceedingChapter

  172. Playful production: collaborative facilitation in a music ensemble context

    Haddon, E. & Laws, C., 2021, (Accepted/In press) Together in music: Participation, coordination, and creativity in ensembles. Timmers, R., Bailes, F. & Daffern, H. (eds.). Oxford: Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  173. Postlude: Not an End

    Brooks, W., Bashford, C. & Magee, G., 1 Oct 2019, Over Here, Over There: Transatlantic Conversations on the Music of World War I. Brooks, W., Bashford, C. & Magee, G. (eds.). Urbana, IL: University of Illinois Press, p. 241-244 5 p. (Music in American Life).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  174. Potter, (Philip) Cipriani

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  175. Prelude: Beginnings

    Brooks, W., Bashford, C. & Magee, G. S., 1 Oct 2019, Over Here, Over There: Transatlantic Conversations on the Music of World War I. Brooks, W., Magee, G. & Bashford, C. (eds.). Urbana, IL: University of Illinois Press, p. 1-11 12 p. (Music in American Life).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  176. Preludes and Codas

    Howell, T., 2011, Kaija Saariaho: Visions, Narratives, Dialogues. England: Ashgate Publishing Company, p. xv -xxiii 9 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  177. Proofs of Genius: Wolfgang Amadeus Mozart and the Construction of Musical Prodigies in Early Georgian London

    Cowgill, R., 2016, Musical Prodigies. McPherson, G. E. (ed.). Oxford: Oxford University Press, p. 511-549 39 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  178. Purcell and the English Baroque

    Wainwright, J., 1995, The Purcell Companion. Burden, M. (ed.). London: Faber & Faber

    Research output: Chapter in Book/Report/Conference proceedingChapter

  179. Samuel Beckett and Music

    Laws, C., Apr 2013, Samuel Beckett in Context. Uhlmann, A. (ed.). Cambridge University Press, p. 266-278 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  180. Savage, Jane

    Cowgill, R., 2001, The New Grove Dictionary of Music and Musicians. London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  181. Sibelius and the Fourth Dimension

    Howell, T., 1991, Sibelius-Akatemian Aikakauskirja. Sibelius Academy, Helsinki

    Research output: Chapter in Book/Report/Conference proceedingChapter

  182. Silent music and the eternal silence

    Losseff, N., 2007, Ashgate. p. 205 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  183. Smith, Theodore

    Cowgill, R. & Fiske, R., 2001, The New Grove Dictionary of Music and Musicians. London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  184. Sounds of Piety and Devotion: Music in the Queen’s Chapel

    Wainwright, J., 2008, Henrietta Maria: Piety, Politics and Patronage. Griffey, E. (ed.). Aldershot : Ashgate Publishing Company, p. 195-213 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  185. Space In The Ambience: Is Ambient Music Socially Relevant?

    Field, A. E., 1 Sep 2019, Music Beyond Airports. Adkins, M. & Cummings, S. (eds.). Huddersfield: The University of Huddersfield, p. 21-50 29 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  186. Stephens, Catherine

    Cowgill, R., 2004, The Oxford Dictionary of National Biography. Matthew, H. C. G. & Harrison, B. (eds.). London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  187. Telling the Time: Communication and Temporality in Nordic New Music

    Howell, T. & Powell, R., 20 Sep 2019, The Nature of Nordic Music. Howell, T. (ed.). Abingdon UK and New York: Routledge, 26 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  188. The Christ Church Viol-Consort Manuscripts Reconsidered: Christ Church, Oxford Music Manuscripts 2, 497–408 & 436; 417–418 & 1080; and 432 & 612–613

    Wainwright, J., 1996, John Jenkins and his Time: Studies in English Consort Music. Ashbee, A. & Holman, P. (eds.). Oxford: Oxford University Press, p. 198-241

    Research output: Chapter in Book/Report/Conference proceedingChapter

  189. The Concert Life in Nineteenth-Century London Database Project

    Cowgill, R., Bashford, C. & McVeigh, S., 2002, Nineteenth-Century British Music Studies. Dibble, J. & Zon, B. (eds.). Aldershot, UK: Farnham: Ashgate Publishing Ltd, Vol. 2. p. 1-12 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  190. The Dissemination and Influence of Monteverdi’s Music in England in the Seventeenth Century

    Wainwright, J., 1998, Claudio Monteverdi und die Folgen: Bericht über das Internationale Symposium, Detmold 1993. Leopold, S. & Steinheuer, J. (eds.). Kassel: Barenreiter, p. 105-121

    Research output: Chapter in Book/Report/Conference proceedingChapter

  191. The Ian Bruce Huntley Archive

    Eato, J. E., Nov 2013, Keeping Time: Photographs and Cape Town Jazz Recordings - 1964-1974 . Albertyn, C. (ed.). Chris Albertyn and Associates CC, p. 23-37 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  192. The King’s Music

    Wainwright, J., 1999, The Royal Image: Representations of Charles I. Corns, T. (ed.). Cambridge: Cambridge University Press, p. 162-75

    Research output: Chapter in Book/Report/Conference proceedingChapter

  193. The Papers of C.I. Latrobe: New Light on Magicians, Music and the Christian Family in Late Eighteenth-Century England

    Cowgill, R., 2000, Music in Eighteenth-Century Britain. D. W. J. (ed.). Aldershot, UK: Farnham: Ashgate Publishing Ltd, p. 234-258 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  194. The Performance Legacy of Die Meistersinger

    Sheil, Á., 2015, Die Meistersinger von Nürnberg. Kahn, G. (ed.). Richmond: Overture Publishing, p. 55 72 p. (Overture Opera Guides in association with ENO).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  195. The Piano Concertos and the Sonata for Two Pianos and Percussion

    Losseff, N., 2001, Cambridge University Press. Bayley, A. (ed.). p. 118-132 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  196. The imperative of diverse musical creativities in academia and industry: Training the next generation of musical entrepreneurs

    Burnard, P. & Haddon, E., 1 Jan 2015, Activating Diverse Musical Creativities: Teaching and learning in higher music education. Burnard, P. & Haddon, E. (eds.). London: Bloomsbury Academic, p. 3-18 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  197. The opera director’s voice: DVD 'extras' and the question of authority

    Sheil, Á., 2012, Opera and Video : Technology and spectatorship. Pérez, H. J. (ed.). Bern: Peter Lang, p. 129-150 22 p. (Film Cultures).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  198. The role of community in defining 21st-century creative practice: A design-led approach

    Field, A. E., 5 Nov 2020, Creative and Critical Projects in Classroom Music: Fifty Years of Sound and Silence. Finney, J., Philpott, C. & Spruce, G. (eds.). Taylor & Francis;, 11 p. 8

    Research output: Chapter in Book/Report/Conference proceedingChapter

  199. The voice, the breath and the soul: song and poverty in Thyrza, Mary Barton, Alton Locke and A Child of the Jago

    Losseff, N., 2004, The Idea of Music in Victorian Fiction. Ashgate Publishing Company, p. 3-26 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  200. This Is Not A...

    Laws, C. A., 2018, Collaborative and Distributed Processes in Contemporary Music-Making. Redhead, L. & Glover, R. (eds.). Cambridge Scholars Publishing

    Research output: Chapter in Book/Report/Conference proceedingChapter

  201. Weichsel, Charles

    Cowgill, R., 2001, The New Grove Dictionary of Music and Musicians. London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  202. Widening the Cambridge Circle: Further High Church Musical Connections

    Wainwright, J. P., 2019, (Accepted/In press) Music, Politics, and Religion in Early Seventeenth-Century Cambridge: The Peterhouse Partbooks in Context. Mandelbrote, S. (ed.). Boydell & Brewer

    Research output: Chapter in Book/Report/Conference proceedingChapter

  203. Yasunao Tone and MP3 Disruption

    Myatt, T., Fell, M. J., Worth, P. J. & Blake, T., 2010, Proceedings of the International Computer Music Conference 2010. Vol. 2010.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  204. ‘Freedom of Choice: Project-based Learning’,

    Howell, T., 1999, Making Music Work – The Professional Integration Project. Barnes, J. (ed.). London: Royal College of Music Publications , p. 73-84 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  205. ‘Sibelius the Progressive’

    Howell, T., 2001, Sibelius Studies. Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  206. ‘The Practical Project’

    Howell, T., 1999, Making Music Work – The Professional Integration Project. Barnes, J. (ed.). London: Royal College of Music Publications , p. 51-57 7 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  207. “No delicacies of tone”: bells and identity in Gissing’s London

    Losseff, N., 2010, Writing Otherness: The Pathways of George Gissing’s Imagination. Huguet, C. (ed.). Groningen: Equilibris, p. 71-82 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  208. Other contribution › Research
  209. 1612 Italian Vespers

    Hollingworth, R. M., 2012, Decca Records.

    Research output: Other contribution

  210. Alessandro Striggio - Mass in 40 parts

    Hollingworth, R. M., 2011, Decca Records.

    Research output: Other contribution

  211. Barry Guy

    Marsh, R. M., 9 Jan 2017, 1 p. cmrc york.

    Research output: Other contribution

  212. Black Heroes (Tete Mbambisa)

    Eato, J. E., 2013, International Library of African Music / Red Location Museum.

    Research output: Other contribution

  213. Black Heroes liner notes / discography

    Eato, J. E., 2012, 13 p. JISA Records.

    Research output: Other contribution

  214. But Still

    Marsh, R. M., 28 Apr 2017, (Unpublished) Decipherer Arts Press.

    Research output: Other contribution

  215. Chains Like the Sea: The music of Bernard Rands

    Marsh, R. M., 2 Jan 2019, 4 p. London : NMC records.

    Research output: Other contribution

  216. Cracks: for piano trio

    Marsh, R. M., 18 Feb 2017, London : Decipherer Arts Press.

    Research output: Other contribution

  217. Draw on, sweet night

    Hollingworth, R. M., 1 Oct 2015

    Research output: Other contribution

  218. How Like An Angel

    Hollingworth, R. M., 10 May 2013, IAR.

    Research output: Other contribution

  219. James Edward Myers World War I Sheet Music Collection

    Brooks, W. F., Sep 2018, University Library, University of Illinois.

    Research output: Other contribution

  220. Monteverdi - Fire & Ashes

    Hollingworth, R. M., 2008, Chandos Records Ltd.

    Research output: Other contribution

  221. Monteverdi - Sweet Torment

    Hollingworth, R. M., 2009, Chandos Records Ltd.

    Research output: Other contribution

  222. Music for Oedipus Rex, Oedipus Colonus and Antigone

    Marsh, R. M., 1 Jun 2016, Audible.

    Research output: Other contribution

  223. Music for Watt (by Samuel Beckett)

    Marsh, R. M., Feb 2017, Audible.

    Research output: Other contribution

  224. Nicolas Gombert: Missa Media Vita

    Wainwright, J., 2007, York : York Early Music Press.

    Research output: Other contribution

  225. Nicolas Gombert: Six Motets

    Wainwright, J., 2009, York : York Early Music Press.

    Research output: Other contribution

  226. Nocturn

    Losseff, N., 2014, Czech radio.

    Research output: Other contribution

  227. Popular Music of World War I

    Brooks, W., 31 Dec 2020, 55 p.

    Research output: Other contribution

  228. Ravi Shankar

    Sorrell, N. F. I., 2013, (Unpublished)

    Research output: Other contribution

  229. Signals

    Stringer, J. C. (ed.) & Maxwell, M. (ed.), 2011, 31 p. York : University of York Music Press (UYMP).

    Research output: Other contribution

  230. The Online Orchestra: Connecting Remote Communities through Music

    Reuben Paris, F., Rofe, M. & Kolkowski, A., 1 Dec 2017

    Research output: Other contribution

  231. Voices, Bodies, Practices: performance research and book

    Laws, C., 2019, Leuven University Press.

    Research output: Other contribution

  232. Walking Away: for speaking voice and marimba

    Marsh, R. M., 23 Apr 2018, Decipherer Arts Press.

    Research output: Other contribution

  233. Wikipedia articles: American composers, lyricists, performers, publishers

    Brooks, W., 2015, 30 p. wikipedia.

    Research output: Other contribution

  234. Words and Music 1-4: Words Matter; James Joyce;Dum; Not a soul but ourselves.

    Marsh, R. M., 28 Sep 2015, 1 p. cmrc york.

    Research output: Other contribution

  235. Words and Music 10: Pierrot Lunaire - Voicing Albert Giraud

    Marsh, R. M., 7 Feb 2017, cmrc york.

    Research output: Other contribution

  236. Words and Music 11: British Values and Joe Steele

    Marsh, R. M., Jul 2017, cmrc york.

    Research output: Other contribution

  237. Words and Music 12: What is a Song?

    Marsh, R. M., Oct 2017, cmrc york.

    Research output: Other contribution

  238. Words and Music 13 – Il Cor Tristo

    Marsh, R. M., Jan 2018, cmrc york.

    Research output: Other contribution

  239. Words and Music 14: Music and Beckett 1

    Marsh, R. M., 27 May 2018, cmrc york.

    Research output: Other contribution

  240. Words and Music 5: Silly Love Songs

    Marsh, R. M., 20 Oct 2015

    Research output: Other contribution

  241. Words and Music 6-7: Lamentations; The Song of Abigail.

    Marsh, R. M., 13 Nov 2015

    Research output: Other contribution

  242. Words and Music 8: Samson and Pasolini

    Marsh, R. M., 7 Dec 2015

    Research output: Other contribution

  243. Words and Music 9: Pierrot Lunaire: re-discovering Albert Giraud

    Marsh, R. M., 24 Aug 2016, cmrc york.

    Research output: Other contribution

  244. World War I Sheet Music from the James Francis Driscoll Collection of American Sheet Music

    Brooks, W. F., Sep 2018, Urbana, IL : University Library, University of Illinois.

    Research output: Other contribution

  245. Other › Research › Peer-reviewed
  246. Investigating the Behaviour of a Recursive Mutual Compression System in a Two-Track Environment

    Hasnan, H. H. B. & Wells, J., 10 Mar 2019. 7 p.

    Research output: Contribution to conferenceOther

  247. Workshop: Improvisation with Live Instruments using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferenceOther

  248. Other › Research › Not peer-reviewed
  249. A mirror for sound: introduction and practical exploration of the WinSingad software for teaching singing

    Howard, D. M., Williams, J., Brereton, J., Welch, G. F., Himonides, E., Howard, A. & DeCosta, M., 1 May 2006, p. 33.

    Research output: Contribution to conferenceOther

  250. Defining the limits of tuning for tones with and without vibrato

    van Besouw, R., Brereton, J. & Howard, D. M., 1 Sep 2007.

    Research output: Contribution to conferenceOther

  251. Perspectives on Matching New Technology for Displaying the Acoustics of the Singing Voice with an Appropriate Pedagogical Model

    Welch, G. F., Howard, D. M., Himonides, E. & Brereton, J., 1 Aug 2005, p. 147.

    Research output: Contribution to conferenceOther

  252. Pilot study of the effects of period instruments on the voice

    Daffern, H., Howard, D. M. & Seymour, P., 1 May 2006, p. 43.

    Research output: Contribution to conferenceOther

  253. SPACE-Net: The Spatial Audio Creative Engineering Network

    Murphy, D. T., Brereton, J. & Brookes, T. S., 1 Jun 2006, p. 279-282.

    Research output: Contribution to conferenceOther

  254. The effect of different acoustic environments on singing voice performance

    Brereton, J. & Howard, D. M., 1 Feb 2008.

    Research output: Contribution to conferenceOther

  255. Towards a novel real-time visual display for singing training

    Howard, D. M., Welch, G. F., Brereton, J. & Himonides, E., 1 Dec 2003, p. 179-182.

    Research output: Contribution to conferenceOther

  256. VOXed: Technology as a meaningful teaching aid in the singing studio

    Welch, G. F., Himonides, E., Howard, D. M. & Brereton, J., 1 Apr 2004.

    Research output: Contribution to conferenceOther

  257. Abstract › Research › Peer-reviewed
  258. "Shake it out" - How Motion Capture and Smartphone-Assessed Movement Can Predict Properties of Music

    Irrgang, M., Steffens, J., Egermann, H. W. & Weinzierl, S., 2017.

    Research output: Contribution to conferenceAbstract

  259. An Investigation into The Effect of Induced Empathy On Emotional Responses to Music

    O'Neill, K. & Egermann, H. W., 2018. 1 p.

    Research output: Contribution to conferenceAbstract

  260. Are musical aesthetic emotions embodied?

    Egermann, H. W. & Kayser, D., 2018. 1 p.

    Research output: Contribution to conferenceAbstract

  261. Are musical emotions different from emotions experienced in everyday life?

    Kayser, D. & Egermann, H., 2019.

    Research output: Contribution to conferenceAbstract

  262. Audience's Breath: Collective Respiratory Coordination in Response to Music

    Upham, F., Egermann, H. W. & McAdams, S., 2018. 1 p.

    Research output: Contribution to conferenceAbstract

  263. Automatische Vorhersage musik-induzierter Attributassoziationen im Kontext von Audio-Branding

    Egermann, H. W., Lepa, S., Herzog, M., Schoenrock, A. & Steffens, J., 2017.

    Research output: Contribution to conferenceAbstract

  264. How do Musical Means of Expression Affect the Perception of Musical Meaning?

    Herzog, M., Lepa, S., Steffens, J., Egermann, H. W. & Schoenrock, A., 2018. 1 p.

    Research output: Contribution to conferenceAbstract

  265. Measuring the audience experience - How can we capture audience experience with quantitative and qualitative methods?

    Egermann, H. W., Toelle, J. & Weining, C., 1 Feb 2019.

    Research output: Contribution to conferenceAbstract

  266. Overground endoscopic findings and respiratory sound analysis in horses with recurrent laryngeal neuropathy after unilateral laser ventriculocordectomy

    Barakzai, S., Baldwin, C., Wells, J. & Cramp, P., 16 Sep 2017. 1 p.

    Research output: Contribution to conferenceAbstract

  267. Psychosocial Work Environment of Musicians: How does it differ from the general workforce?

    Detari, A., Vaag, J. & Egermann, H. W., 2019.

    Research output: Contribution to conferenceAbstract

  268. The Effect of Temperament Systems on Emotion-Induction and Learning

    Altun, F. & Egermann, H. W., 2018. 1 p.

    Research output: Contribution to conferenceAbstract

  269. “Rhythm or Gestalt?” – Towards Integrating Embodied Music Cognition into Music Recommender Services via Smartphone-Assessed Movement

    Irrgang, M., Egermann, H. W., Steffens, J. & Weinzierl, S., 2018. 1 p.

    Research output: Contribution to conferenceAbstract

  270. Poster › Research › Peer-reviewed
  271. The Effect of Temperament Systems on Goodness-of-Fit Ratings in Turkish Makam Music

    Altun, F. & Egermann, H., 2019.

    Research output: Contribution to conferencePoster

  272. Paper › Research › Peer-reviewed
  273. "America, I Love You": Music and the Nation in 1915

    Brooks, W., 7 Mar 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  274. 'Forming the New from the Old: Rautavaarra’s Perspectives on Modernism’

    Howell, T., 2008.

    Research output: Contribution to conferencePaper

  275. A Climbing Vine Through Concrete: jazz in 1960s apartheid South Africa

    Eato, J. E., 6 Sep 2014.

    Research output: Contribution to conferencePaper

  276. Achieving convolution-based reverberation through use of geometric acoustic modeling techniques

    Oxnard, S. & Murphy, D. T., 17 Sep 2012, p. 105. 4 p.

    Research output: Contribution to conferencePaper

  277. Algorithmic ability to predict the musical future: Datasets and evaluation

    Janssen, B., Collins, T. & Ren, I., 2019, p. 208-215. 8 p.

    Research output: Contribution to conferencePaper

  278. An initial computational model for musical schemata theory

    Katsiavalos, A., Battey, B. & Collins, T., 2019, p. 166-172.

    Research output: Contribution to conferencePaper

  279. Bergman's Modernism: Colours & Improvisations; coherence & integration

    Howell, T., 26 Sep 2011.

    Research output: Contribution to conferencePaper

  280. Continuing Development for the Musician as Teacher in a University Context

    Haddon, E., 2011, (Accepted/In press).

    Research output: Contribution to conferencePaper

  281. Culture and Context: the influence of institutional culture on undergraduate musicians' attitudes to learning and performance

    Haddon, E. & Papageorgi, I., 2008, (Unpublished).

    Research output: Contribution to conferencePaper

  282. Dakar: articulating the tremendous

    Eato, J. E. & Wells, J., 30 Jun 2015.

    Research output: Contribution to conferencePaper

  283. Democratising Digitisation: Making History with Community Music Societies in Digitally Enabled Collaborations

    Cowgill, R. E., Dix, A., Bashford, C., Downie, J. S., Twidale, M., Reagan, M., Ridgwell, R. & McVeigh, S., 16 Oct 2020. 2 p.

    Research output: Contribution to conferencePaper

  284. Evol, direct approaches to the auralisation of mathematical algorithms

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaper

  285. Feldman's Piano Music and Experimental Practising

    Laws, C., 2009.

    Research output: Contribution to conferencePaper

  286. Horatio Oratorio: Composing Using Historic Sound Recordings

    Kolkowski, A. & Reuben, F., 2008. 15 p.

    Research output: Contribution to conferencePaper

  287. Identity, Antagonism and Terre Thaemlitz

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaper

  288. In Preparation: A Performance-led Approach and a New Research Methodology for Dance Science.

    Vahla, A., Redding, E., Hushlak, M. A., Sentler, S., Chin, S., Reuben, F. & Luck, N., 2011.

    Research output: Contribution to conferencePaper

  289. In re: "Experimental Music"

    Brooks, W., 21 Jun 2012, p. 37-62.

    Research output: Contribution to conferencePaper

  290. In re: Experimental Politics

    Brooks, W. F., 1 Jul 2017, (Unpublished).

    Research output: Contribution to conferencePaper

  291. Investigation of Factors Influencing Acoustic Characteristics in Geometric Acoustics Based Auralization

    Foteinou, A., Murphy, D. T. & Masinton, A., 1 Sep 2010, p. 171-181.

    Research output: Contribution to conferencePaper

  292. Johnnies, Tommies, and Sammies: Music and transnational identities

    Brooks, W. F., Magee, G., Bashford, C., Matheson, L. & Vickers, J., 15 Nov 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  293. Know Where You Are: Kenny Wheeler, the performers’ composer

    Eato, J. E., 27 Mar 2012.

    Research output: Contribution to conferencePaper

  294. Know Where You Are: Kenny Wheeler, the performers' composer

    Eato, J. E., 7 Apr 2011.

    Research output: Contribution to conferencePaper

  295. MAIA Util: An NPM package for bridging web audio with music-theoretic concepts

    Collins, T. & Coulon, C., 2019, p. 47-52.

    Research output: Contribution to conferencePaper

  296. Making Sense of the Self: music students and self-identity

    Haddon, E., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  297. Mental health and well-being – university music students and academic supervisors

    Haddon, H. E., 2018, (Unpublished).

    Research output: Contribution to conferencePaper

  298. Modalities of Memorial: The Double Trauma of 1918 and Its Aftermaths

    Brooks, W. F. & Ertan, D., 23 Nov 2016, (Unpublished).

    Research output: Contribution to conferencePaper

  299. Modularity, Immediacy and Exchange in Improvisation using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferencePaper

  300. Multiple Teachers: multiple gains?

    Haddon, E., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  301. Networks of meaning in the audio-visual work of Ryoichi Kurokowa

    Field, A. E., 27 Oct 2012, p. 318-326.

    Research output: Contribution to conferencePaper

  302. Partners in time: Developing a piano duet partnership

    Haddon, E. & Hutchinson, M. A., 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  303. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Lennox, P., 2011.

    Research output: Contribution to conferencePaper

  304. Piano performance: Group classes for the lifelong learner

    Haddon, L., 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  305. Playful Production: Collaborative Devising in a Music Ensemble Context

    Haddon, H. E. & Laws, C. A., 2018.

    Research output: Contribution to conferencePaper

  306. Real-time Plunderphonics: Appropriating Keyboard Performances as they Occur

    Reuben, F., 2012.

    Research output: Contribution to conferencePaper

  307. Research Findings: from implications to implementation?

    Haddon, E., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  308. Sibelius’ Tapiola: The Full Monty

    Howell, T., 1999.

    Research output: Contribution to conferencePaper

  309. Singing Arcs: Sounding the Early History of Electronic Music

    Reuben, F. & Kolkowski, A., 2016.

    Research output: Contribution to conferencePaper

  310. Single or Triple Threat? University music students and musical theatre learning

    Haddon, E., 2010.

    Research output: Contribution to conferencePaper

  311. SoundFields: A mixed reality spatial audio game for children with autism spectrum disorder

    Johnston, D., Egermann, H. & Kearney, G., 1 Jan 2018.

    Research output: Contribution to conferencePaper

  312. Studio Report, Music Research Centre, University of York

    Myatt, T., 2010.

    Research output: Contribution to conferencePaper

  313. The Online Orchestra: Latency in Network Performance

    Reuben, F., 2016.

    Research output: Contribution to conferencePaper

  314. The control of early decay time on auralization results based on geometric acoustic modelling

    Foteinou, A. & Murphy, D. T., 18 Jun 2012.

    Research output: Contribution to conferencePaper

  315. The development of the individual voice within the institutional community

    Haddon, E., 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  316. The ‘Jazz Voice’ in South Africa: A Developmental Physiology

    Eato, J., 2008.

    Research output: Contribution to conferencePaper

  317. Thoughts Towards a Rhythmic Understanding of Jazz in South Africa

    Eato, J., 2008.

    Research output: Contribution to conferencePaper

  318. Towards automatic music recommendation for audio branding scenarios

    Herzog, M., Lepa, S. & Egermann, H. W., 2016. 3 p.

    Research output: Contribution to conferencePaper

  319. Township Comets: the impact of South African jazz on the UK scene

    Eato, J. E., 27 Jun 2011.

    Research output: Contribution to conferencePaper

  320. Umhlaba Wethu: landscape in the Eastern Cape jazz imaginary

    Eato, J. E. & Dalamba, L., Sep 2013.

    Research output: Contribution to conferencePaper

  321. University Music Students and Masterclass Learning

    Haddon, E., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  322. Worldscape Laptop Orchestra

    Field, A. E., Harker, A. J. & Atmadjaja, A., 2008. 5 p.

    Research output: Contribution to conferencePaper

  323. Yasunao Tone and MP3 Disruption

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaper

  324. ‘A Shadow, An Aura and Some Notes on Light: Re-defining the Sibelius Legacy’

    Howell, T., 2012, (Accepted/In press).

    Research output: Contribution to conferencePaper

  325. Paper › Research › Not peer-reviewed
  326. "America, I Love You": Music and the Nation in 1915

    Brooks, W., 10 Mar 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  327. 'Headaches Among the Overtones': Thinking Through Music in Beckett.

    Laws, C., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  328. 'I could show you all I know’: Elements of co-creativity in a music theatre context

    Laws, C., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  329. A Collection of Small Choices

    Eato, J. E. & Bruce, H., 14 May 2015.

    Research output: Contribution to conferencePaper

  330. Audio Spatialization for The Morning Line

    Myatt, T. & Malham, D. G., 2010.

    Research output: Contribution to conferencePaper

  331. Bach and the Belly Dancer: Jacky Lansley’s 'Guest Suites'

    Eato, J. E., 8 May 2012.

    Research output: Contribution to conferencePaper

  332. Beckett in Contemporary Music: Intermedial Considerations

    Laws, C. A., 3 May 2018.

    Research output: Contribution to conferencePaper

  333. Creative Accounting: Beckett and the re-imagining of musical authority

    Laws, C., Jun 2011, (In preparation).

    Research output: Contribution to conferencePaper

  334. Fissures, fragments and the prospect of silence in the work of Samuel Beckett

    Laws, C., 7 Aug 2013.

    Research output: Contribution to conferencePaper

  335. Growing Music: Musical Interpretations of L-Systems

    Worth, P. & Stepney, S., 2005, p. 545-550.

    Research output: Contribution to conferencePaper

  336. Knowing ‘I’?: Musical Subjectivity, Embodiment and Interaction

    Laws, C., 1 Dec 2014.

    Research output: Contribution to conferencePaper

  337. Learning to accompany: How music students learn to accompany

    Haddon, H. E., 12 Nov 2017, (Unpublished).

    Research output: Contribution to conferencePaper

  338. Music in Beckett’s Nacht und Träume: Vocality and Imagination

    Laws, C., 2012.

    Research output: Contribution to conferencePaper

  339. Musical Subjectivity in Action: Piano Personae.

    Laws, C., 2 Oct 2014.

    Research output: Contribution to conferencePaper

  340. Performance, Subjectivity and Experimentation

    Laws, C., 30 Sep 2015.

    Research output: Contribution to conferencePaper

  341. Performing Indeterrminacy

    Laws, C. A., 30 Jun 2017.

    Research output: Contribution to conferencePaper

  342. Piano Archives, Piano Practices

    Laws, C., 29 Jun 2019.

    Research output: Contribution to conferencePaper

  343. Piano Personae: Performance, Subjectivity and Experimentation

    Laws, C. A., 17 Jul 2016.

    Research output: Contribution to conferencePaper

  344. Playing and Instruments; Sound and Embodiment: Ceci n'est pas un piano; is it a pianist?

    Laws, C. A., 31 Mar 2017.

    Research output: Contribution to conferencePaper

  345. Poor Yorick: Singing Laurence Sterne

    Marsh, R. M., 17 May 2017.

    Research output: Contribution to conferencePaper

  346. Samuel Beckett: Dramatic text as music, music as text (invited paper)

    Laws, C., 19 May 2014.

    Research output: Contribution to conferencePaper

  347. Sculpting sound: metaphor, material and contemporary music

    Suckling, M. C., 8 May 2017, (Unpublished).

    Research output: Contribution to conferencePaper

  348. Serve with Curry and Rice: the Ghoemaisation of Jazz at the Cape

    Eato, J. E., 28 Jun 2013.

    Research output: Contribution to conferencePaper

  349. Sound and Music in Beckett's All That Fall

    Laws, C., 9 Dec 2013.

    Research output: Contribution to conferencePaper

  350. Sounded Gestures and Enacted Sounds (updated version)

    Laws, C., Brooks, W. & Harron, D., Jul 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  351. Sounded gesture and enacted sounds (preliminary report)

    Laws, C., Brooks, W. & Harron, D., May 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  352. THIS IS… IS IT?

    Laws, C. A., 29 Apr 2017.

    Research output: Contribution to conferencePaper

  353. The Legacy of Beckett in Music Theatre

    Laws, C., 10 Apr 2015.

    Research output: Contribution to conferencePaper

  354. The Virtual Singing Studio: a loudspeaker-based room acoustics simulation for real-time musical performance

    Brereton, J. S., Murphy, D. T. & Howard, D. M., 2012, p. 1-8. 8 p.

    Research output: Contribution to conferencePaper

  355. The Writing’s on the Wall? The piano in co-creative contexts.

    Laws, C., Apr 2011.

    Research output: Contribution to conferencePaper

  356. The sound of white

    Suckling, M. C., 2016, (Unpublished).

    Research output: Contribution to conferencePaper

  357. You say microtone, I say macrotone: Julian Anderson's expanded pitch space

    Suckling, M. C., 20 Oct 2017, (Unpublished).

    Research output: Contribution to conferencePaper

  358. Scholarly edition › Research
  359. Charles E. Ives: Symphony No. 4

    Brooks, W. (ed.), Sinclair, J. (ed.), Singleton, K. (ed.) & Shirley, W. (ed.), 31 Dec 2011, Milwaukee, Wisconsin: Associated Music Publishers, Inc. 214 p.

    Research output: Book/ReportScholarly edition

  360. Divers Elegies, set in Musick by sev’rall Friends, upon the death of William Lawes

    Wainwright, J. P., 26 Mar 2017, York Early Music Press. 50 p.

    Research output: Book/ReportScholarly edition

  361. George Jeffreys (c.1610–1685): English Secular Vocal Music

    Wainwright, J. (ed.), 12 Mar 2020, York: York Early Music Press. 64 p.

    Research output: Book/ReportScholarly edition

  362. George Jeffreys (c.1610–1685): Instrumental Music

    Wainwright, J., 12 Mar 2020, York Early Music Press. 42 p.

    Research output: Book/ReportScholarly edition

  363. George Jeffreys (c.1610–1685): Italian Secular Vocal Music

    Wainwright, J., 2020, (Accepted/In press) York Early Music Press.

    Research output: Book/ReportScholarly edition

  364. George Jeffreys English Sacred Music

    Wainwright, J., 1 Jan 2021, Musica Britannica ed. London: Stainer & Bell.

    Research output: Book/ReportScholarly edition

  365. Henry Lawes: Sacred Works

    Wainwright, J. P., 2020, Stainer & Bell. 216 p. (Early English Church Music; vol. 61)

    Research output: Book/ReportScholarly edition

  366. John Wilson: Psalterium Carolinum (1657)

    Wainwright, J. P., 26 Mar 2017, York: York Early Music Press. 104 p.

    Research output: Book/ReportScholarly edition

  367. Latin Motets: John Blow

    Wainwright, J., 2006, York: York Early Music Press.

    Research output: Book/ReportScholarly edition

  368. Pianthology: 7 contemporary compositions for piano

    Losseff, N., 8 May 2008, University of York Music Press (UYMP). 73 p.

    Research output: Book/ReportScholarly edition

  369. Richard Dering: Motets for One, Two or Three Voices and Basso Continuo

    Wainwright, J., 2008, Musica Britannica ed. London: Stainer & Bell. 162 p. (Musica Britannica; vol. 87)

    Research output: Book/ReportScholarly edition

  370. Richard Dering: Motets and Anthems

    Wainwright, J., 2015, London: Stainer & Bell. (Musica Britannica)

    Research output: Book/ReportScholarly edition

  371. The Music of Angelo Notari

    Wainwright, J. P., 2021, (Accepted/In press) Middleton WI: A-R Editions.

    Research output: Book/ReportScholarly edition

  372. Walter Porter: Collected Works

    Wainwright, J. P., 5 Apr 2017, Middleton WI: A-R Editions. 256 p. (Recent Researches in the Music of the Baroque Era; vol. 194)

    Research output: Book/ReportScholarly edition

  373. William Child: The First Set of Psalmes of .III.Voyces (1639)

    Wainwright, J. (ed.), 14 Aug 2015, York: York Early Music Press. 48 p.

    Research output: Book/ReportScholarly edition

  374. Anthology › Research
  375. A Companion to Contemporary Musical Thought,

    Howell, T., Paynter, J., Orton, R. & Seymour, P., 1992, Routledge.

    Research output: Book/ReportAnthology

  376. Experimental Affinities in Music

    Brooks, W. F. & de Assis, P. (ed.), Dec 2015, Leuven: Leuven University Press. 247 p. (Orpheus Institute)

    Research output: Book/ReportAnthology

  377. Jean Sibelius’ Legacy – Research on his 150th Anniversary

    D. Grimley, T. Howell, V. Murtomaki, T. Virtanen, Jul 2017, Cambridge Scholars Publishing.

    Research output: Book/ReportAnthology

  378. Kaija Saariaho: Visions, Narratives, Dialogues

    Howell, T. (ed.), 19 Sep 2011, England: Ashgate Publishing Company. 225 p.

    Research output: Book/ReportAnthology

  379. MetaCage: Essays on and around Freeman Etudes / Fontana Mix / Aria

    Brooks, W. (ed.), 2009, Ghent : Orpheus Institute. 98 p. (Collected Writings of the Orpheus Institute: Subseries Orpheus Research Centre in Music [ORCiM]; vol. 2)

    Research output: Book/ReportAnthology

  380. Musical Instrument Identities in the 21st Century

    Bovermann, T., de Campo, A., Egermann, H., Hardjowirogo, S-I. & Weinzierl, S., 9 Dec 2016, Springer.

    Research output: Book/ReportAnthology

  381. Over Here, Over There: the Great War and its Musical Consequences

    Brooks, W. F. (ed.), Bashford, C. (ed.) & Magee, G. S. (ed.), 1 Oct 2019, Urbana, IL: University of Illinois Press. 266 p. (Music in American Life)

    Research output: Book/ReportAnthology

  382. The Nature of Nordic Music

    Howell, T. (ed.), 20 Sep 2019, Abingdon and New York: Routledge. 294 p.

    Research output: Book/ReportAnthology

  383. The Practice of Practising

    Laws, C. (ed.), 2011, Leuven: Leuven University Press. 92 p. (Collected Writings of the Orpheus Research Centre in Music; vol. 4)

    Research output: Book/ReportAnthology

  384. Book › Research
  385. "Headaches Among the Overtones": Music in Beckett/ Beckett in Music

    Laws, C., Dec 2013, Amsterdam/ New York: Rodopi. 508 p.

    Research output: Book/ReportBook

  386. A History of Singing

    Potter, J. & Sorrell, N., Jan 2012, Cambridge University Press.

    Research output: Book/ReportBook

  387. Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education

    Burnard, P. (ed.) & Haddon, H. E. (ed.), 2015, Paperback ed. London: Bloomsbury Academic. 272 p.

    Research output: Book/ReportBook

  388. After Sibelius: Studies in Finnish Music

    Howell, T., 2006, Aldershot: Ashgate Publishing Company.

    Research output: Book/ReportBook

  389. Art and Ideology in European Opera: Essays in Honour of Julian Rushton

    Cowgill, R. (ed.), Cooper, D. & Brown, C. (ed.), Oct 2010, Woodbridge: Boydell and Brewer Ltd.

    Research output: Book/ReportBook

  390. Bodies of Evidence: movement, music, meaning

    Laws, C. A., Coessens, K. & Sewell, S., 2018, Leuven: Leuven University Press.

    Research output: Book/ReportBook

  391. Coherence in new music: Experience, aesthetics, analysis

    Hutchinson, M. A., Jul 2016, Abingdon: Routledge. 230 p.

    Research output: Book/ReportBook

  392. Composing under the Skin: The Music-making Body at the Composer's Desk

    Brooks, W. & Craenen, P., Apr 2014, Leuven: Leuven University Press. 284 p. (Orpheus Institute)

    Research output: Book/ReportBook

  393. Creative teaching for creative learning in higher music education

    Haddon, E. (ed.) & Burnard, P. (ed.), Jun 2016, Abingdon, Oxon: Routledge.

    Research output: Book/ReportBook

  394. Emotionen@Musik. Was Musikhörer empfinden - Eine Internet-Studie zur Emotionsmessung

    Egermann, H., 2008, Marburg: Tectum Verlag.

    Research output: Book/ReportBook

  395. Europe, Empire, and Spectacle in Nineteenth-Century British Music

    Cowgill, R. (ed.) & Rushton, J. (ed.), 1 Dec 2006, Aldershot & Burlington: Farnham: Ashgate Publishing Ltd. (Music in the Nineteenth-Century Britain)

    Research output: Book/ReportBook

  396. Experimental Systems: Future Knowledge in Artistic Research

    Brooks, W. & Schwab, M. (ed.), Oct 2013, Leuven: Leuven University Press. 229 p. (Orpheus Institute)

    Research output: Book/ReportBook

  397. Jean Sibelius: Progressive Techniques in the Symphonies and Tone-Poems

    Howell, T., 1989, Garland Press. 275 p. (Outstanding Dissertations in Music from British Universities)

    Research output: Book/ReportBook

  398. Making Music in Britain: Interviews with those behind the notes

    Haddon, E., 2006, Aldershot: Ashgate Publishing Company. 234 p.

    Research output: Book/ReportBook

  399. Music and empathy

    King, E. (ed.) & Waddington, C. (ed.), 23 Mar 2017, Taylor and Francis AS. 308 p.

    Research output: Book/ReportBook

  400. Music in the British Provinces, 1690-1914

    Cowgill, R. (ed.) & Holman, P., 28 Nov 2007, Abingdon & New York: Farnham: Ashgate Publishing Ltd.

    Research output: Book/ReportBook

  401. Musical Patronage in Seventeenth-Century England: Christopher, First Baron Hatton (1605–70)

    Wainwright, J., 1997, Aldershot: Scholar Press. 470 p.

    Research output: Book/ReportBook

  402. Ohne Worte: Vocality and Instrumentality in the Era of Schumann and Chopin

    Brooks, W. (ed.), Bartoli, J-P., Torbianelli, E., Roudet, J., Moßburger, H. & Seaton, D., Nov 2014, Leuven: Leuven University Press. 227 p. (Collected Writings of the Orpheus Institute; vol. 12)

    Research output: Book/ReportBook

  403. Performance, Subjectivity, and Experimentation

    Laws, C. A. (ed.), Jul 2020, Leuven: Leuven University Press. 240 p.

    Research output: Book/ReportBook

  404. Reappraising the Seicento: Compositional Procedure in Italy and England

    Cheetham, A. (ed.), Knowles, J. (ed.) & Wainwright, J. (ed.), 2014, Newcastle upon Tyne: Cambridge Scholars Publishing. 240 p.

    Research output: Book/ReportBook

  405. Silence, Music, Silent Music

    Losseff, N. (ed.) & Doctor, J. R. (ed.), 2007, Ashgate Publishing Company. 253 p.

    Research output: Book/ReportBook

  406. Sound & Score: Essays on Sound, Score and Notation

    Brooks, W. (ed.), de Assis, P. (ed.) & Coessens, K. (ed.), Oct 2013, Leuven: Leuven University Press. 228 p. (Orpheus Institute Series)

    Research output: Book/ReportBook

  407. The Arts of the Prima Donna in the Long Nineteenth Century

    Cowgill, R. (ed.) & Poriss, H. (ed.), 12 Jul 2012, New York: Oxford University Press.

    Research output: Book/ReportBook

  408. The Best Concords: Polyphonic Music in Thirteenth-century Britain

    Losseff, N., 1994, New York: Garland Press. 298 p.

    Research output: Book/ReportBook

  409. The Idea of Music in Victorian Fiction

    Losseff, N. (ed.) & Fuller, S. (ed.), 2004, Ashgate Publishing Company. 318 p.

    Research output: Book/ReportBook

  410. The Viola da Gamba Society Index of Manuscripts Containing Consort Music. Vol. 2

    Wainwright, J., Ashbee, A. & Thompson, R., 2008, Aldershot: Ashgate Publishing Company. 424 p.

    Research output: Book/ReportBook

  411. The Viola da Gamba Society’s Index of Manuscripts Containing Consort Music, Vol. 1

    Wainwright, J., Ashbee, A. & Thompson, R., 2001, Aldershot: Ashgate Publishing Company.

    Research output: Book/ReportBook

  412. Victorian Soundscapes Revisited

    Hewitt, M. (ed.) & Cowgill, R. (ed.), 2007, Leeds: Leeds Centre for Victorian Studies. (Leeds Working Papers in Victorian Studies)

    Research output: Book/ReportBook

  413. Voices, Bodies, Practices: Performing Musical Subjectivities

    Laws, C. A., Brooks, W., Gorton, D., Thuy, N. T., Östersjö, S. & Wells, J., Nov 2019, Leuven University Press. 328 p. (Orpheus Institute Series )

    Research output: Book/ReportBook

  414. Doctoral Thesis › Research
  415. Reworking Musical Strategies In the Digital Age

    Reuben, F., 2011, 137 p.

    Research output: ThesisDoctoral Thesis

  416. Special issue › Research › Peer-reviewed
  417. Special issue › Research › Not peer-reviewed
  418. Editorial › Research › Peer-reviewed
  419. Editorial › Research › Not peer-reviewed
  420. Book/Film/Article review › Research › Peer-reviewed
  421. Book/Film/Article review › Research › Not peer-reviewed
  422. Article › Research › Peer-reviewed
  423. Are real-time displays of benefit in the singing studio? An exploratory study

    Howard, D. M., Brereton, J., Welch, G. F., Himonides, E., DeCosta, M., Williams, J. & Howard, A. W., 1 Jan 2007

    Article in Journal of Voice

  424. Atomic and electronic structure of twin growth defects in magnetite

    Gilks, D., Nedelkoski, Z., Lari, L., Kuerbanjiang, B., Matsuzaki, K., Susaki, T., Kepaptsoglou, D., Ramasse, Q., Evans, R., McKenna, K. & Lazarov, V. K., 15 Feb 2016

    Article in Scientific Reports

  425. Capturing protein-coding genes across highly divergent species

    Li, C., Hofreiter, M., Straube, N., Corrigan, S. & Naylor, G. J. P., 1 Jun 2013

    Article in Biotechniques

  426. Conversion electron cascades in NO

    Butler, P. A., Humphreys, R. D., Greenlees, P. T., Herzberg, R-D., Jenkins, D. G., Jones, G. D., Kankaanpää, H., Kettunen, H., Rahkila, P., Scholey, C., Uusitalo, J., Amzal, N., Bastin, J. E., Brew, P. M. T., Eskola, K., Gerl, J., Hammond, N. J., Hauschild, K., Helariutta, K., Heßberger, F-P. & 20 others, Hürstel, A., Jones, P. M., Julin, R., Juutinen, S., Keenan, A., Khoo, T-L., Korten, W., Kuusiniemi, P., Le Coz, Y., Leino, M., Leppänen, A-P., Muikku, M., Nieminen, P., Ødegård, S. W., Page, T., Pakarinen, J., Reiter, P., Sletten, G., Theisen, C. & Wollersheim, H-J., 11 Nov 2002

    Article in Physical Review Letters

  427. Developing a national 'low risk' febrile neutropenia framework for use in children and young people's cancer care

    Gibson, F., Chisholm, J., Blandford, E., Donachie, P., Hartley, J., Lane, S., Selwood, K., Skinner, R. & Phillips, R., 1 May 2013

    Article in Supportive care in cancer

  428. Effect of N2, Ne and Ar seeding on Alcator C-Mod H-mode confinement

    Reinke, M. L., Hughes, J. W., Loarte, A., Brunner, D., Hutchinson, I. H., LaBombard, B., Payne, J. & Terry, J. L., 1 Aug 2011

    Article in Journal of Nuclear Materials

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