Search research publications and outputs

  1. "America, I Love You": Music and the Nation in 1915

    Brooks, W., 7 Mar 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  2. "America, I Love You": Music and the Nation in 1915

    Brooks, W., 10 Mar 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  3. "Headaches Among the Overtones": Music in Beckett/ Beckett in Music

    Laws, C., Dec 2013, Amsterdam/ New York: Rodopi. 508 p.

    Research output: Book/ReportBook

  4. "Hence, base intruder, hence": Rejection and Assimilation in the Early English Reception of Mozart's Requiem

    Cowgill, R., 2006, Europe, Empire, and Spectacle in Nineteenth-Century British Music. Cowgill, R. & Rushton, J. (eds.). Aldershot, UK: Farnham: Ashgate Publishing Ltd, p. 9-28 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. "Shake it out" - How Motion Capture and Smartphone-Assessed Movement Can Predict Properties of Music

    Irrgang, M., Steffens, J., Egermann, H. W. & Weinzierl, S., 2017.

    Research output: Contribution to conferenceAbstract

  6. "Wise Men from the East": Mozart's Operas and their Advocates in Early-Nineteenth Century London

    Cowgill, R., 21 Dec 2000, Music and British Culture, 1785-1914. Bashford, C. & Langley, L. (eds.). Oxford, UK: Oxford University Press, p. 39-64 26 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. 'Embodiment and Gesture in Performance: Practice-led Perspectives

    Laws, C. A., 2014, Artistic Experimentation in Music: An Anthology. Gilmore, B. & Crispin, D. (eds.). Leuven: Leuven University Press, p. 131-142 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. 'Forming the New from the Old: Rautavaarra’s Perspectives on Modernism’

    Howell, T., 2008.

    Research output: Contribution to conferencePaper

  9. 'Headaches Among the Overtones': Thinking Through Music in Beckett.

    Laws, C., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  10. 'I could show you all I know’: Elements of co-creativity in a music theatre context

    Laws, C., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  11. 'Such scientific and profound harmonies': The Italian Opera Orchestra and Early Performances of Mozart's Don Giovanni in London

    Cowgill, R., 2008, The Opera Orchestra in 18th- and 19th-Century Europe. Jensen, N. M. & Piperno, F. (eds.). Berlin: Berliner Wissenschafts-Verlag, (Musical Life in Europe 1600-1900: Circulation, Institutions, Representation).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. 'The Scream' for String Orchestra

    Simaku, T., 2017

    Research output: Non-textual formComposition

  13. (sweet-ERROR: miku) - βv.

    Reuben, F., Luck, N. & de la Cour, A., 7 Dec 2016

    Research output: Non-textual formPerformance

  14. 1612 Italian Vespers

    Hollingworth, R. M., 2012, Decca Records.

    Research output: Other contribution

  15. 3D audio as an information environment

    Lennox, P. P., Vaughan, J. M. & Myatt, T., 2001, PROCEEDINGS OF THE AES 19TH INTERNATIONAL CONFERENCE SURROUND SOUND: TECHNIQUES, TECHNOLOGY AND PERCEPTION. NEW YORK: AUDIO ENGINEERING SOC INC, p. 295-306 12 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  16. 3DMIN - Challenges and Interventions for the Design, Development and Dissemination of New Musical Instruments.

    Bovermann, T., Egermann, H., Foerstel, A., Hardjowirogo, S-I., Hinrichsen, A., Hildebrand Marques Lopes, D., Pysiewicz, A., Weinzierl, S. & de Campo, A., 2014, Proceedings of the 40th International Computer Music Conference. International Computer Music Association, Vol. 2014. 5 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  17. 6d696b75474f44

    Reuben, F. & Luck, N., 2 Apr 2018

    Research output: Non-textual formArtefact

  18. This Departing Landscape for symphony orchestra

    Suckling, M. C., 2019, (Accepted/In press)

    Research output: Non-textual formComposition

  19. A Child Went Forth: Hanns Eisler, American Progressives, and Folk Song

    Brooks, W., Feb 2014, Crosscurrents: American and European Music in Interaction, 1900–2000. Meyer, F., Oja, C. J., Rathert, W. & Shreffler, A. C. (eds.). Woodbridge, UK: Boydell Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. A Climbing Vine Through Concrete: Jazz in 1960s apartheid South Africa

    Eato, J. E., 2017, Jazz and Totalitarianism. Johnson, B. (ed.). Routledge: Taylor and Francis Group, 11. (Transnational Studies in Jazz).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. A Climbing Vine Through Concrete: jazz in 1960s apartheid South Africa

    Eato, J. E., 6 Sep 2014.

    Research output: Contribution to conferencePaper

  22. A Climbing Vine Through Concrete: Jazz in 1960s apartheid South Africa

    Eato, J. E., 3 Dec 2014.

    Research output: Working paperDiscussion paper

  23. A Collection of Small Choices

    Eato, J. E., Bruce, H., Morrison, M., Worth, P., Burt, T. & Dave, M., 18 Nov 2015

    Research output: Non-textual formComposition

  24. A Collection of Small Choices

    Eato, J. E. & Bruce, H., 14 May 2015.

    Research output: Contribution to conferencePaper

  25. A Companion to Contemporary Musical Thought,

    Howell, T., Paynter, J., Orton, R. & Seymour, P., 1992, Routledge.

    Research output: Book/ReportAnthology

  26. A History of Singing

    Potter, J. & Sorrell, N., Jan 2012, Cambridge University Press.

    Research output: Book/ReportBook

  27. A Hundred Years of British Piano Miniatures

    Wells, J., Power, D., Reynolds, P. & Honeybourne, D., Oct 2018

    Research output: Non-textual formDigital or Visual Products

  28. A Lyke Wake Dirge: for choir

    Marsh, R. M., 2010

    Research output: Non-textual formComposition

  29. A New Lease of Life

    Marsh, R. M., 2016, cmrc website.

    Research output: Contribution to specialist publicationArticle

  30. A Question of Identity: Die Meistersinger von Nürnberg in Weimar Germany

    Sheil, Á., 2006, Music, Theatre and Politics in Germany: 1848 to the Third Reich. Bacht, N. (ed.). Aldershot: Ashgate Aldershot, UK:, p. 93 112 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. A Scalable Architecture for General Real-Time Array-Based DSP on FPGAs with Application to the Wave Equation

    Kirk, R. & Wells, J., Sep 2013, Proceedings of the 16th International Conference on Digital Audio Effects (DAFx13).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  32. A Sentimental Journey

    Vear, C. & Eato, J. E., 8 Feb 2011

    Research output: Non-textual formPerformance

  33. A Shadow, An Aura and Some Notes on Light: Re-defining the Sibelius Legacy

    Howell, T., 2012, (Accepted/In press) Proceedings of the Fifth International Sibelius Conference, Oxford 2010. Helsinki: http://sibeliusone.com/sibelius-reconsidered/

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  34. A Wake of Music: four songs for soprano, clarinet, cello, and piano

    Brooks, W., 2011

    Research output: Non-textual formComposition

  35. A Worcester Ladymass

    Losseff, N., 2010

    Research output: Non-textual formDigital or Visual Products

  36. A comparison of analysis and resynthesis methods for directional segmentation of stereo audio

    Wells, J., Sep 2011, Proceedings of the 14th International Conference on Digital Audio Effects (DAFx-11), Paris, France, September 19-23, 2011. Peeters, G. (ed.). Paris: IRCAM, p. 191-198 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  37. A mirror for sound: introduction and practical exploration of the WinSingad software for teaching singing

    Howard, D. M., Williams, J., Brereton, J., Welch, G. F., Himonides, E., Howard, A. & DeCosta, M., 1 May 2006, p. 33.

    Research output: Contribution to conferenceOther

  38. A video system for recognizing gestures by artificial neural networks for expressive musical control

    Modler, P. & Myatt, T., 2003, GESTURE-BASED COMMUNICATION IN HUMAN-COMPUTER INTERACTION. Camurri, A. & Volpe, G. (eds.). BERLIN: SPRINGER-VERLAG BERLIN, p. 541-548 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  39. A.I.LOVEs2scream

    Reuben, F. & Owczarek, P., 30 Apr 2017

    Research output: Non-textual formArtefact

  40. Achieving convolution-based reverberation through use of geometric acoustic modeling techniques

    Oxnard, S. & Murphy, D. T., 17 Sep 2012, p. 105. 4 p.

    Research output: Contribution to conferencePaper

  41. Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education

    Burnard, P. (ed.) & Haddon, H. E. (ed.), 2015, Paperback ed. London: Bloomsbury Academic. 272 p.

    Research output: Book/ReportBook

  42. After Sibelius: Studies in Finnish Music

    Howell, T., 2006, Aldershot: Ashgate Publishing Company.

    Research output: Book/ReportBook

  43. After Vicentino: for alto, viola, and electronic keyboard

    Brooks, W. & Trio Scordatura, ., 2015, (Accepted/In press)

    Research output: Non-textual formComposition

  44. After Vicentino: for alto, viola, and electronic keyboard

    Brooks, W. & Trio Scordatura, ., 1 Oct 2014

    Research output: Non-textual formPerformance

  45. After Yeats

    Brooks, W., 2015, (Accepted/In press)

    Research output: Non-textual formComposition

  46. Alessandro Striggio - Mass in 40 parts

    Hollingworth, R. M., 2011, Decca Records.

    Research output: Other contribution

  47. Algorithmic music curation in audio branding: Commercial and critical perspectives on an international research and innovation project

    Edwards, J. & Egermann, H. W., 2019, Algorithmic Music: Value, Creativity and Artificial Intelligence A One-day Symposium.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  48. Amore traditore - Drama and Turmoil

    Seymour, P. G., 25 Oct 2017

    Research output: Non-textual formPerformance

  49. Amuse-Bouche

    Hollingworth, R. M., 1 Apr 2016

    Research output: Non-textual formDigital or Visual Products

  50. Amuse-Bouche

    Hollingworth, R. M., 16 May 2016

    Research output: Non-textual formPerformance

  51. An Experimental Investigation on Empathy as an Emotion-Induction Mechanism in Music Listening

    Ditter, D., Schmidt, L., Tessmer, N. & Egermann, H., 2013, Abstract Book of the 3rd International Conference on Music Emotion.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  52. An Interactive Spatial Audio Experience for Children with Autism Spectrum Disorder

    Johnston, D. I., Egermann, H. W. & Kearney, G. C., 2019, Proceedings of the 2019 AES International Conference on Immersive and Interactive Audio. Audio Engineering Society

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  53. An Investigation into The Effect of Induced Empathy On Emotional Responses to Music

    O'Neill, K. & Egermann, H. W., 2018. 1 p.

    Research output: Contribution to conferenceAbstract

  54. Analysis and Performance: The Search for a Middleground

    Howell, T., 1991, A Companion to Contemporary Musical Thought. Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  55. Andrea Gabrieli -The Madrigal in Venice: Politics, Dialogues and Pastorales

    Hollingworth, R. M., May 2003

    Research output: Non-textual formDigital or Visual Products

  56. Angels and Demons

    Hollingworth, R. M., 4 Feb 2016

    Research output: Non-textual formPerformance

  57. Are musical aesthetic emotions embodied?

    Egermann, H. W. & Kayser, D., 2018. 1 p.

    Research output: Contribution to conferenceAbstract

  58. Are real-time displays of benefit in the singing studio? An exploratory study

    Howard, D. M., Brereton, J., Welch, G. F., Himonides, E., DeCosta, M., Williams, J. & Howard, A. W., 1 Jan 2007

    Article in Journal of Voice

  59. Art and Ideology in European Opera: Essays in Honour of Julian Rushton

    Cowgill, R. (ed.), Cooper, D. & Brown, C. (ed.), Oct 2010, Woodbridge: Boydell and Brewer Ltd.

    Research output: Book/ReportBook

  60. Atomic and electronic structure of twin growth defects in magnetite

    Gilks, D., Nedelkoski, Z., Lari, L., Kuerbanjiang, B., Matsuzaki, K., Susaki, T., Kepaptsoglou, D., Ramasse, Q., Evans, R., McKenna, K. & Lazarov, V. K., 15 Feb 2016

    Article in Scientific Reports

  61. Attitudes with a Shawl: Performance, Femininity, and Spectatorship at the Italian Opera in Early Nineteenth-Century London

    Cowgill, R., 12 Jul 2012, The Arts of the Prima Donna in the Long Nineteenth Century. Cowgill, R. & Poriss, H. (eds.). New York: Oxford University Press, p. 217-251 35 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  62. Audience's Breath: Collective Respiratory Coordination in Response to Music

    Upham, F., Egermann, H. W. & McAdams, S., 2018. 1 p.

    Research output: Contribution to conferenceAbstract

  63. Audio Spatialization for The Morning Line

    Myatt, T. & Malham, D. G., 2010.

    Research output: Contribution to conferencePaper

  64. Audio recording: 'Ceci n'est pas un piano,' for piano, recorded voice and electronics

    Laws, C. A. & Hughes, J. M., 2016

    Research output: Non-textual formDigital or Visual Products

  65. Auditive and Audiotactile Music Perception of Cochlear Implant Users

    Papadogianni-Kouranti, M., Egermann, H. & Weinzierl, S., 2015, Fortschritte der Akustik: Tagungsband d. 41. DAGA. Becker, S. (ed.). Oldenburg: Deutsche Gesellschaft für Akustik, p. 1203-1205 3 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  66. Automatische Vorhersage musik-induzierter Attributassoziationen im Kontext von Audio-Branding

    Egermann, H. W., Lepa, S., Herzog, M., Schoenrock, A. & Steffens, J., 2017.

    Research output: Contribution to conferenceAbstract

  67. Bach - Mass in B minor

    Seymour, P. G., 18 Mar 2017

    Research output: Non-textual formPerformance

  68. Bach - St John Passion

    Seymour, P. G., 17 Mar 2018

    Research output: Non-textual formPerformance

  69. Bach - St Matthew Passion

    Seymour, P. G., 12 Jul 2017

    Research output: Non-textual formPerformance

  70. Bach - St Matthew Passion

    Seymour, P. G., 16 Mar 2019

    Research output: Non-textual formPerformance

  71. Bach Johannes-Passion; Ampleforth Abbey; Ryedale Festival

    Seymour, P. G., 23 Jul 2010

    Research output: Non-textual formPerformance

  72. Bach Singet dem Herrn; Byrd Ne irascaris Domine

    Seymour, P. G., 17 Jun 2008

    Research output: Non-textual formPerformance

  73. Bach and the Belly Dancer: Jacky Lansley’s 'Guest Suites'

    Eato, J. E., 8 May 2012.

    Research output: Contribution to conferencePaper

  74. Bach, JS B Minor Mass

    Seymour, P. G., 29 Jul 2011

    Research output: Non-textual formPerformance

  75. Bach, JS - Mass in B Minor

    Seymour, P. G., 27 Jun 2011

    Research output: Non-textual formPerformance

  76. Bach, JS Matthäus-Passion BWV 244b

    Seymour, P. G., Feb 2015

    Research output: Non-textual formPerformance

  77. Bach, JS – St John Passion

    Seymour, P. G., 23 Aug 2010

    Research output: Non-textual formPerformance

  78. Barry Guy

    Marsh, R. M., 9 Jan 2017, 1 p. cmrc york.

    Research output: Other contribution

  79. Barthelemon family; Burney, Charles; Crotch, William; Gardiner, William; Horn family; Latrobe, Christian Ignatius; Peploe, Mrs; Novello

    Cowgill, R., 2002, Oxford Composer Companions. Jones, D. W. (ed.). Oxford: Oxford University Press, (Oxford Composer Companions).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  80. Baza

    Reuben Paris, F. & Korolczuk, K., 12 Nov 2018

    Research output: Non-textual formArtefact

  81. Beckett and Unheard Sound

    Laws, C. A., 2010, Beckett and Nothing: Trying to understand Beckett. Caselli, D. (ed.). Manchester: Manchester University Press, p. 176-191 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  82. Beckett in Contemporary Music: Intermedial Considerations

    Laws, C. A., 3 May 2018.

    Research output: Contribution to conferencePaper

  83. Beckett in contemporary music

    Laws, C., 2012

    Research output: Non-textual formPerformance

  84. Beethoven’s Haunting of Beckett’s 'Ghost Trio'

    Laws, C. A., 2003, Drawing on Beckett: Portraits, Performances, and Cultural Contexts. Ben-Zvi, L. (ed.). Tel Aviv: Assaph, p. 197-214 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

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