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  1. 2019
  2. 7Be(n,p)7 Li Cross Section Measurement for the Cosmological Lithium Problem at the n_TOF Facility at CERN

    The n-TOF Collaboration, 20 Aug 2019, Nuclei in the Cosmos XV. Gialanella, L., Imbriani, G., Formicola, A. & Junker, M. (eds.). Springer Science and Business Media, LLC, Vol. 219. p. 25-32 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  3. Data for the s Process from n_TOF

    The n-TOF Collaboration, 20 Aug 2019, Nuclei in the Cosmos XV. Gialanella, L., Imbriani, G., Formicola, A. & Junker, M. (eds.). Springer Science and Business Media, LLC, Vol. 219. p. 63-70 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  4. Crowdsourcing and Scholarly Culture: Understanding Expertise in an Age of Popularism

    Dix, A., Cowgill, R. E., Bashford, C., McVeigh, S. & Ridgewell, R., 7 Aug 2019, Macrotask Crowdsourcing. Khan, VJ., Papangelis, K., Lykourentzou, I. & Markopoulos, P. (eds.). Springer, p. 189-214 (Human-Computer Interaction).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Icebreaker meets Hoketus

    Haddon, H. E., May 2019, Writing to Louis Andriessen: Commentaries on life in music. Amsterdam: Uitgeverij Lecturis, p. 198-209

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Algorithmic music curation in audio branding: Commercial and critical perspectives on an international research and innovation project

    Edwards, J. & Egermann, H. W., 2019, Algorithmic Music: Value, Creativity and Artificial Intelligence A One-day Symposium.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  7. An Interactive Spatial Audio Experience for Children with Autism Spectrum Disorder

    Johnston, D. I., Egermann, H. W. & Kearney, G. C., 2019, Proceedings of the 2019 AES International Conference on Immersive and Interactive Audio. Audio Engineering Society

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  8. Of Stars, Soldiers, Mothers, and Mourning

    Brooks, W. F., 2019, (Accepted/In press) Over Here, Over There: Transatlantic conversations on the music of World War I. Brooks, W., Bashford, C. & Magee, G. (eds.). Champaign, IL: University of Illinois Press, (Music in American Life).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Online technology in music education

    King, A., Prior, H. & Waddington-Jones, C. E., 2019, (Accepted/In press) The Oxford Handbook of Music and Social Media. Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Widening the Cambridge Circle: Further High Church Musical Connections

    Wainwright, J. P., 2019, (Accepted/In press) Music, Politics, and Religion in Early Seventeenth-Century Cambridge: The Peterhouse Partbooks in Context. Mandelbrote, S. (ed.). Boydell & Brewer

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. 2018
  12. Fellowes, Edmund H(orace)

    Wainwright, J. P., 6 Sep 2018, The Cambridge Encyclopedia of Historical Performance in Music. Lawson, C. & Stowell, R. (eds.). Cambridge: Cambridge University Press, p. 224 1 p.

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  13. Smartphone-Assessed Movement Predicts Music Properties: Towards Integrating Embodied Music Cognition into Music Recommender Services via Accelerometer

    Irrgang, M., Steffens, J. & Egermann, H. W., 28 Jun 2018, Proceedings of the 5th International Conference on Movement and Computing, MOCO 2018. ACM Digital Library, 4 p. 31

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  14. Musical Dialogues in the Paston Treasure

    Brooks, J. & Wainwright, J. P., Feb 2018, The Paston Treasure: Microcosm of the Known World. Moore, A., Flis, N. & Vanke, F. (eds.). New Haven CT & London: Yale University Press, p. 162–172, 332-3,, 444, & 553–9 13, Appendix 3, & Catalogue entries 63 & 140

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Creating an Image through Music: Understanding the Psychological Mechanisms Behind Audio Branding

    Egermann, H., 2018, (Accepted/In press) The Oxford Handbook of Sound & Imagination. Grimshaw, M., Walther-Hansen, M. & Knakkergaard, M. (eds.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Performers' perspectives on 'feel' in music

    King, E. & Waddington-Jones, C. E., 2018, Music analysis and the body: Experiments, explorations and embodiments. Thumpston, R. & Reyland, N. (eds.). Leuven: Peeters, p. 241-258

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Telling the Time: Communication and Temporality in Nordic New Music

    Howell, T., 2018, (Accepted/In press) The Nature of Nordic Music. Howell, T. (ed.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. This Is Not A...

    Laws, C. A., 2018, Collaborative and Distributed Processes in Contemporary Music-Making. Redhead, L. & Glover, R. (eds.). Cambridge Scholars Publishing

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. 2017
  20. Predicting Musical Meaning in Audio Branding Scenarios

    Herzog, M., Lepa, S., Steffens, J., Schoenrock, A. & Egermann, H. W., 31 Jul 2017, Proceedings of the 25th Anniversary Conference of the European Society for Cognitive Science of Music, Ghent, Belgium, 31 July – 4 August 2017. Van Dyck, E. (ed.). ESCOM, p. 75-79 5 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  21. Jean Sibelius: Progressive or Modernist?

    Howell, T., Jul 2017, Jean Sibelius’ Legacy – Research at his 150th Anniversary, . Howell, T., Grimley, D., Murtomaki, V. & Virtanen, T. (eds.). Cambridge Scholars Publishing, p. 241-255 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Development and Evaluation of an Interface with Four-Finger Pitch Selection

    von Coler, H., Treindl, G., Egermann, H. W. & Weinzierl, S., 11 May 2017, Proceedings of the 142nd AES Convention - Audio Engineering Society. Audio Engineering Society, p. 1-8 8 p. 9792

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  23. A Climbing Vine Through Concrete: Jazz in 1960s apartheid South Africa

    Eato, J. E., 2017, Jazz and Totalitarianism. Johnson, B. (ed.). Routledge: Taylor and Francis Group, 11. (Transnational Studies in Jazz).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Entwicklung eines Systems zur automatischen Musikempfehlung im Kontext des Music Brandings

    Steffens, J., Egermann, H. W., Schoenrock, A., Herzog, M. & Lepa, S., 2017, (Accepted/In press) Fortschritte der Akustik: Tagungsband d. 43. DAGA. Deutsche Gesellschaft für Akustik

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  25. High-Level Chord Features Extracted From Audio Can Predict Perceived Musical Expression

    Steffens, J., Lepa, S., Schoenrock, A., Herzog, M., Peeters, G. & Egermann, H. W., 2017, Extended abstracts for the Late-Breaking Demo Session of the 18th In- ternational Society for Music Information Retrieval Conference, Suzhou, China, 2017. 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  26. How to Do Things with Music Criticism: Performances of Victory in German Wagner Reception, 1918–33

    Sheil, A. C., 2017, Performance in a Militarized Culture. Brady, S. & Mantoan, L. (eds.). London: Routledge , p. 99-109 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Imagining Radio Sound: Interference and Collaboration in the BBC Radio Production of Beckett’s All That Fall

    Laws, C., 2017, Samuel Beckett and BBC Radio : A Reassessment. Addyman, D., Feldman, M. & Tonning, E. (eds.). Palgrave Macmillan, p. 103-138 35 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. Musikforschung 2.0 – Internet-basierte Erhebungsmethoden

    Egermann, H. & Lothwesen, K., 2017, Methoden empirischer Forschung in der Musikpädagogik: Eine anwendungsbezogene Einführung. Schulten, M. & Lothwesen, K. (eds.). Münster: Waxmann Verlag GMBH, p. 83-102

    Research output: Chapter in Book/Report/Conference proceedingChapter

  29. 2016
  30. Mapping, Causality and the Perception of Instrumentality: Theoretical and Empirical Approaches to the Audience’s Experience of Digital Musical Instruments

    Emerson, G. & Egermann, H., 9 Dec 2016, Musical Instruments in the 21st Century. Bovermann, T., de Campo, A., Egermann, H., Hardjowirogo, S-I. & Weinzierl, S. (eds.). Springer, p. 363-370 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Fostering effective group creativity

    Field, A. E., 16 Jun 2016, Creative Teaching for Creative Learning in Higher Music Education. Haddon, E. & Burnard, P. (eds.). Routledge, p. 240-253

    Research output: Chapter in Book/Report/Conference proceedingChapter

  32. Spreadsheets as user interfaces

    Dix, A., Cowgill, R., Bashford, C., Mcveigh, S. & Ridgewell, R., 7 Jun 2016, Proceedings of the International Working Conference on Advanced Visual Interfaces. Buono, P., Lanzilotti, R. & Matera, M. (eds.). New York: Association for Computing Machinery (ACM), p. 192-195 4 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  33. Introduction

    Haddon, E., 19 May 2016, Creative Teaching for Creative Learning in Higher Music Education. Haddon, E. & Burnard, P. (eds.). Abingdon, Oxon: Routledge, 6 p.

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  34. Imagined structures: Creative approaches for musical analysis

    Howell, T. & Hutchinson, M., May 2016, Creative Teaching for Creative Learning in Higher Music Education. Haddon, L. & Burnard, P. (eds.). Oxford UK and New York USA: Routledge, p. 153-167 15 p. Chapter 11

    Research output: Chapter in Book/Report/Conference proceedingChapter

  35. Composing for the resonance: finding new relationships between architecture and musical composition.

    Field, A. E., 1 Jan 2016, IRCAM Open Music Composer’s Book . Bresson, J., Assayag, G. & Agon, C. (eds.). Paris: Editions Delatour/IRCAM, Paris, Vol. 3. 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  36. Creativity in higher music education: Views of university music lecturers

    Haddon, E., 2016, (Accepted/In press) Creative teaching for creative learning in higher music education. Haddon, E. & Burnard, P. (eds.). Abingdon, Oxon: Routledge, p. 22-34 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  37. Proofs of Genius: Wolfgang Amadeus Mozart and the Construction of Musical Prodigies in Early Georgian London

    Cowgill, R., 2016, Musical Prodigies. McPherson, G. E. (ed.). Oxford: Oxford University Press, p. 511-549 39 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  38. 2015
  39. Java

    Sorrell, N. F. I., 16 Oct 2015, (Accepted/In press) The Other Classical Musics: Fifteen Great Traditions. Church, M. (ed.). Boydell & Brewer, 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  40. Musical creativities and entrepreneurship in higher music education: Activating new possibilities

    Haddon, E. & Burnard, P., 1 Jan 2015, Activating Diverse Musical Creativities: Teaching and learning in higher music education. Burnard, P. & Haddon, E. (eds.). London: Bloomsbury Academic, p. 261-281 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. The imperative of diverse musical creativities in academia and industry: Training the next generation of musical entrepreneurs

    Burnard, P. & Haddon, E., 1 Jan 2015, Activating Diverse Musical Creativities: Teaching and learning in higher music education. Burnard, P. & Haddon, E. (eds.). London: Bloomsbury Academic, p. 3-18 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  42. Auditive and Audiotactile Music Perception of Cochlear Implant Users

    Papadogianni-Kouranti, M., Egermann, H. & Weinzierl, S., 2015, Fortschritte der Akustik: Tagungsband d. 41. DAGA. Becker, S. (ed.). Oldenburg: Deutsche Gesellschaft für Akustik, p. 1203-1205 3 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  43. Gesture-sound causality from the audience's perspective: investigating the influence of mapping design on the reception of new digital musical instruments

    Emerson, G., Förstel, A. & Egermann, H., 2015, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Kreutz, G. (ed.). Oldenburg, Germany: Deutsche Gesellschaft für Musikpsychologie, p. 1-2 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  44. In re: Experimental Education

    Brooks, W., 2015, Patterns of Intuition: Musical Creativity in the Light of Algorithmic Composition. Nierhaus, G. (ed.). Dordrecht: Springer-Verlag, p. 329-347 19 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  45. Learning Statistical Regularities of a Simple Musical 'Genre': The Case of Radio Station Jingles

    Müllensiefen, D., Egermann, H. & Burrows, S., 2015, Proceedings of the European Conference on Data Analysis. Lausen, B. (ed.). Colchester: Gesellschaft für Klassifikation, p. 1 1 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  46. Performance expertise of DJs in the club-context

    Förstel, A. & Egermann, H., 2015, Escom Manchester 2015: Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music, Programme and abstracts . Ginsborg, J., Lamont, A. & Bramley, S. (eds.). Manchester: ESCOM, p. 367 1 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  47. Predicting GEMS Based on PDA-Assessed Gestural Motion Data

    Irrgang, M., Egermann, H., Acar, E. & Lommatzsch, A., 2015, Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR) Music, Mind, and Embodiment. Kronland-Martinet, R., Aramaki, M., Ystad, S. & Eaton, J. (eds.). Interdisciplinary Centre for Computer Music Research, p. 472-485 14 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  48. Radio station jingles: How statistical learning applies to a special genre of audio logos

    Muellensiefen, D., Egermann, H. & Burrows, S., 2015, Audio Branding Yearbook 2014-2015. Bronner, K., Hirt, R. & Ringe, C. (eds.). Baden-Baden: Nomos, p. 1-21 21 p.

    Research output: Chapter in Book/Report/Conference proceedingOther chapter contribution

  49. Signale -- Entwicklung und Evaluation eines Open Source Ensembles elektronischer Musikinstrumente zur Vermittlung elektronischer/elektroakustischer Musik und ihrer technischen Grundlagen

    Schultz, C. M., Seedorf, M., Förstel, A. & Egermann, H., 2015, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Kreutz, G. (ed.). Oldenburg, Germany: Deutsche Gesellschaft für Musikpsychologie, p. 1-2 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  50. Spielbewegungen von Musikinstrumenten und deren Bedeutung für das Klangergebnis: Ein experimenteller Zugang durch Motion Tracking klassischer Orchesterinstrumente und Auralisation der Bewegungsdaten

    Steger, D., Egermann, H., Weinzierl, S. & Bewegung, D., 2015, Fortschritte der Akustik: Tagungsband d. 41. DAGA. Becker, S. (ed.). Oldenburg: Deutsche Gesellschaft für Akustik, p. 1425-1428 4 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  51. Swinging to the beat: Movement induction in electronic dance music

    Egermann, H., Förstel, A., Lehrbach, N. & Wende, M., 2015, Proceedings of the Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music. Ginsborg, J., Lamont, A. & Bramley, S. (eds.). Manchester: Chapel Press, p. 338-340 3 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  52. The Actions that Make a Musical Instrument. Exploring Club-DJing as an Instrumental

    Förstel, A., Hardjowirogo, S-I. & Egermann, H., 2015, Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR) Music, Mind, and Embodiment. Kronland-Martinet, R., Aramaki, M., Ystad, S. & Eaton, J. (eds.). Marseille, France: The Laboratory of Mechanics and Acoustics, p. 762-769 8 p. (Publications of the LMA).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  53. The Performance Legacy of Die Meistersinger

    Sheil, Á., 2015, Die Meistersinger von Nürnberg. Kahn, G. (ed.). Richmond: Overture Publishing, p. 55 72 p. (Overture Opera Guides in association with ENO).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  54. 2014
  55. Preface

    Brooks, W., Nov 2014, Ohne Worte: Instrumentality and Vocality in 19th-century Music. Brooks, W. (ed.). Leuven: Leuven University Press, p. 7-13 7 p. (Collected Writings of the Orpheus Institute; vol. 12).

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  56. Music in Beckett’s Nacht und Träume: Vocality and Imagination

    Laws, C., 28 Oct 2014, Beckett and Musicality. Till, N. & Bailes, S. J. (eds.). Ashgate, p. 233-254 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

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