Search research publications and outputs

  1. 2021
  2. The Music of Angelo Notari

    Wainwright, J. P., 2021, (Accepted/In press) Middleton WI: A-R Editions.

    Research output: Book/ReportScholarly edition

  3. 2019
  4. Handel Italian solo and duet cantatas

    Seymour, P. G., 10 Jul 2019

    Research output: Non-textual formPerformance

  5. Ornate and Ornamented Lieder

    Seymour, P. G., 8 Jul 2019

    Research output: Non-textual formPerformance

  6. Ornate and ornamented Lieder

    Seymour, P. G., 7 Jul 2019

    Research output: Non-textual formPerformance

  7. Eton Choirbook

    Seymour, P. G., 18 May 2019

    Research output: Non-textual formPerformance

  8. Icebreaker meets Hoketus

    Haddon, H. E., May 2019, Writing to Louis Andriessen: Commentaries on life in music. Amsterdam: Uitgeverij Lecturis, p. 198-209

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Leonardo - Shaping the invisible

    Hollingworth, R. M. & Kemp, M., 28 Apr 2019

    Research output: Non-textual formDigital or Visual Products

  10. Interactive Reverberation Modelling System

    Wells, J., 19 Mar 2019

    Research output: Non-textual formSoftware

  11. Bach - St Matthew Passion

    Seymour, P. G., 16 Mar 2019

    Research output: Non-textual formPerformance

  12. Investigating the Behaviour of a Recursive Mutual Compression System in a Two-Track Environment

    Hasnan, H. H. B. & Wells, J., 10 Mar 2019. 7 p.

    Research output: Contribution to conferenceOther

  13. Modified structure of protons and neutrons in correlated pairs

    The CLAS Collaboration & Wei, X., 21 Feb 2019

    Letter in Nature

  14. Measuring the audience experience - How can we capture audience experience with quantitative and qualitative methods?

    Egermann, H. W., Toelle, J. & Weining, C., 1 Feb 2019.

    Research output: Contribution to conferenceAbstract

  15. Huddle: For four percussionists

    Marsh, R. M., 10 Jan 2019

    Research output: Non-textual formComposition

  16. Chains Like the Sea: The music of Bernard Rands

    Marsh, R. M., 2 Jan 2019, 4 p. London : NMC records.

    Research output: Other contribution

  17. This Departing Landscape for symphony orchestra

    Suckling, M. C., 2019, (Accepted/In press)

    Research output: Non-textual formComposition

  18. Algorithmic music curation in audio branding: Commercial and critical perspectives on an international research and innovation project

    Edwards, J. & Egermann, H. W., 2019, Algorithmic Music: Value, Creativity and Artificial Intelligence A One-day Symposium.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  19. An Interactive Spatial Audio Experience for Children with Autism Spectrum Disorder

    Johnston, D. I., Egermann, H. W. & Kearney, G. C., 2019, Proceedings of the 2019 AES International Conference on Immersive and Interactive Audio. Audio Engineering Society

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  20. Henry Lawes: Sacred Works

    Wainwright, J. P., 2019, (Accepted/In press) Stainer & Bell on behalf of The British Academy. (Early English Church Music)

    Research output: Book/ReportScholarly edition

  21. Of Stars, Soldiers, Mothers, and Mourning

    Brooks, W. F., 2019, (Accepted/In press) Over Here, Over There: Transatlantic conversations on the music of World War I. Brooks, W., Bashford, C. & Magee, G. (eds.). Champaign, IL: University of Illinois Press, (Music in American Life).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Over Here, Over There: the Great War and its Musical Consequences

    Brooks, W. F. (ed.), Magee, G. S. (ed.) & Bashford, C. (ed.), 2019, (Accepted/In press) Urbana, IL: University of Illinois Press. (Music in American Life)

    Research output: Book/ReportAnthology

  23. Psychosocial Work Environment of Musicians: How does it differ from the general workforce?

    Detari, A., Vaag, J. & Egermann, H. W., 2019.

    Research output: Contribution to conferenceAbstract

  24. The Tuning: Five Donaghy Songs

    Suckling, M. C., 2019, (Accepted/In press)

    Research output: Non-textual formComposition

  25. Widening the Cambridge Circle: Further High Church Musical Connections

    Wainwright, J. P., 2019, (Accepted/In press) Music, Politics, and Religion in Early Seventeenth-Century Cambridge: The Peterhouse Partbooks in Context. Mandelbrote, S. (ed.). Boydell & Brewer

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. 2018
  27. Baza

    Reuben Paris, F. & Korolczuk, K., 12 Nov 2018

    Research output: Non-textual formArtefact

  28. A Hundred Years of British Piano Miniatures

    Wells, J., Power, D., Reynolds, P. & Honeybourne, D., Oct 2018

    Research output: Non-textual formDigital or Visual Products

  29. Her High Noise

    Reuben Paris, F., Hanslip, M. W. & Hession, P., 20 Sep 2018

    Research output: Non-textual formArtefact

  30. Fellowes, Edmund H(orace)

    Wainwright, J. P., 6 Sep 2018, The Cambridge Encyclopedia of Historical Performance in Music. Lawson, C. & Stowell, R. (eds.). Cambridge: Cambridge University Press, p. 224 1 p.

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  31. James Edward Myers World War I Sheet Music Collection

    Brooks, W. F., Sep 2018, University Library, University of Illinois.

    Research output: Other contribution

  32. World War I Sheet Music from the James Francis Driscoll Collection of American Sheet Music

    Brooks, W. F., Sep 2018, Urbana, IL : University Library, University of Illinois.

    Research output: Other contribution

  33. Cantatas for soprano and trumpet by Purcell, Handel, A Scarlatti.

    Seymour, P. G., 31 Aug 2018

    Research output: Non-textual formPerformance

  34. Schütz - Music from the 30 Years' War

    Seymour, P. G., 13 Jul 2018

    Research output: Non-textual formPerformance

  35. Smartphone-Assessed Movement Predicts Music Properties: Towards Integrating Embodied Music Cognition into Music Recommender Services via Accelerometer

    Irrgang, M., Steffens, J. & Egermann, H. W., 28 Jun 2018, Proceedings of the 5th International Conference on Movement and Computing, MOCO 2018. ACM Digital Library, 4 p. 31

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  36. JS Bach Sonatas for violin and harpsichord

    Seymour, P. G., 23 Jun 2018

    Research output: Non-textual formPerformance

  37. JS Bach motets

    Seymour, P. G., 23 Jun 2018

    Research output: Non-textual formPerformance

  38. Words and Music 14: Music and Beckett 1

    Marsh, R. M., 27 May 2018, cmrc york.

    Research output: Other contribution

  39. Beckett in Contemporary Music: Intermedial Considerations

    Laws, C. A., 3 May 2018.

    Research output: Contribution to conferencePaper

  40. Walking Away: for speaking voice and marimba

    Marsh, R. M., 23 Apr 2018, Decipherer Arts Press.

    Research output: Other contribution

  41. 6d696b75474f44

    Reuben, F. & Luck, N., 2 Apr 2018

    Research output: Non-textual formArtefact

  42. Gaia Songs: For Soprano and Marimba

    Marsh, R. M., 1 Apr 2018

    Research output: Non-textual formComposition

  43. Music Matters

    Hollingworth, R. M., 31 Mar 2018

    Research output: Non-textual formDigital or Visual Products

  44. Case Notes - The Gesualdo Murders

    Hollingworth, R. M., 22 Mar 2018

    Research output: Non-textual formDigital or Visual Products

  45. Bach - St John Passion

    Seymour, P. G., 17 Mar 2018

    Research output: Non-textual formPerformance

  46. Songs from the Heart - Ornate and Ornamented Lieder

    Seymour, P. G., 17 Feb 2018

    Research output: Non-textual formPerformance

  47. Songs from the Heart - Ornate and Ornamented Lieder

    Seymour, P. G., 17 Feb 2018

    Research output: Non-textual formPerformance

  48. Musical Dialogues in the Paston Treasure

    Brooks, J. & Wainwright, J. P., Feb 2018, The Paston Treasure: Microcosm of the Known World. Moore, A., Flis, N. & Vanke, F. (eds.). New Haven CT & London: Yale University Press, p. 162–172, 332-3,, 444, & 553–9 13, Appendix 3, & Catalogue entries 63 & 140

    Research output: Chapter in Book/Report/Conference proceedingChapter

  49. Words and Music 13 – Il Cor Tristo

    Marsh, R. M., Jan 2018, cmrc york.

    Research output: Other contribution

  50. An Investigation into The Effect of Induced Empathy On Emotional Responses to Music

    O'Neill, K. & Egermann, H. W., 2018. 1 p.

    Research output: Contribution to conferenceAbstract

  51. Are musical aesthetic emotions embodied?

    Egermann, H. W. & Kayser, D., 2018. 1 p.

    Research output: Contribution to conferenceAbstract

  52. Audience's Breath: Collective Respiratory Coordination in Response to Music

    Upham, F., Egermann, H. W. & McAdams, S., 2018. 1 p.

    Research output: Contribution to conferenceAbstract

  53. Bodies of Evidence: movement, music, meaning

    Laws, C. A., Coessens, K. & Sewell, S., 2018, Leuven: Leuven University Press.

    Research output: Book/ReportBook

  54. Coppel (video)

    Marsh, R. M., 2018

    Research output: Non-textual formDigital or Visual Products

  55. Creating an Image through Music: Understanding the Psychological Mechanisms Behind Audio Branding

    Egermann, H., 2018, (Accepted/In press) The Oxford Handbook of Sound & Imagination. Grimshaw, M., Walther-Hansen, M. & Knakkergaard, M. (eds.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  56. How do Musical Means of Expression Affect the Perception of Musical Meaning?

    Herzog, M., Lepa, S., Steffens, J., Egermann, H. W. & Schoenrock, A., 2018. 1 p.

    Research output: Contribution to conferenceAbstract

  57. La Leggiadra Luna: for mixed choir a cappella

    Simaku, T., 2018

    Research output: Non-textual formComposition

  58. Mental health and well-being – university music students and academic supervisors

    Haddon, H. E., 2018, (Unpublished).

    Research output: Contribution to conferencePaper

  59. Playful Production: Collaborative Devising in a Music Ensemble Context

    Haddon, H. E. & Laws, C. A., 2018.

    Research output: Contribution to conferencePaper

  60. Telling the Time: Communication and Temporality in Nordic New Music

    Howell, T., 2018, (Accepted/In press) The Nature of Nordic Music. Howell, T. (ed.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  61. The Effect of Temperament Systems on Emotion-Induction and Learning

    Altun, F. & Egermann, H. W., 2018. 1 p.

    Research output: Contribution to conferenceAbstract

  62. The Nature of Nordic Music

    Howell, T. (ed.), 2018, (Accepted/In press) Routledge.

    Research output: Book/ReportAnthology

  63. This Is Not A...

    Laws, C. A., 2018, Collaborative and Distributed Processes in Contemporary Music-Making. Redhead, L. & Glover, R. (eds.). Cambridge Scholars Publishing

    Research output: Chapter in Book/Report/Conference proceedingChapter

  64. Touch and Go

    Laws, C., Marsh, R. M. & Im, M., 2018

    Research output: Non-textual formDigital or Visual Products

  65. Touch and Go (video)

    Marsh, R. M., 2018

    Research output: Non-textual formDigital or Visual Products

  66. Vivanco - Missa Assumpsit Iesus

    Hollingworth, R. M. & Turner, B., 2018

    Research output: Non-textual formDigital or Visual Products

  67. When the Wind Blows

    Laws, C. A., Hodkinson, J. & Im, M., 2018

    Research output: Non-textual formDigital or Visual Products

  68. Work for Contrabass clarinet

    Stringer, J. C., 2018, (Unpublished)

    Research output: Non-textual formComposition

  69. Yarn: for flute and piano

    Marsh, R. M., 2018

    Research output: Non-textual formComposition

  70. “Rhythm or Gestalt?” – Towards Integrating Embodied Music Cognition into Music Recommender Services via Smartphone-Assessed Movement

    Irrgang, M., Egermann, H. W., Steffens, J. & Weinzierl, S., 2018. 1 p.

    Research output: Contribution to conferenceAbstract

  71. 2017
  72. Haydn Missa in Angustiis, Handel Dixit Dominus, Vivaldi Gloria

    Seymour, P. G., 9 Dec 2017

    Research output: Non-textual formPerformance

  73. Learning to accompany: How music students learn to accompany

    Haddon, H. E., 12 Nov 2017, (Unpublished).

    Research output: Contribution to conferencePaper

  74. Amore traditore - Drama and Turmoil

    Seymour, P. G., 25 Oct 2017

    Research output: Non-textual formPerformance

  75. You say microtone, I say macrotone: Julian Anderson's expanded pitch space

    Suckling, M. C., 20 Oct 2017, (Unpublished).

    Research output: Contribution to conferencePaper

  76. Words and Music 12: What is a Song?

    Marsh, R. M., Oct 2017, cmrc york.

    Research output: Other contribution

  77. Purcell - Dido & Aeneas

    Seymour, P. G., 21 Sep 2017

    Research output: Non-textual formPerformance

  78. Overground endoscopic findings and respiratory sound analysis in horses with recurrent laryngeal neuropathy after unilateral laser ventriculocordectomy

    Barakzai, S., Baldwin, C., Wells, J. & Cramp, P., 16 Sep 2017. 1 p.

    Research output: Contribution to conferenceAbstract

  79. Predicting Musical Meaning in Audio Branding Scenarios

    Herzog, M., Lepa, S., Steffens, J., Schoenrock, A. & Egermann, H. W., 31 Jul 2017, Proceedings of the 25th Anniversary Conference of the European Society for Cognitive Science of Music, Ghent, Belgium, 31 July – 4 August 2017. Van Dyck, E. (ed.). ESCOM, p. 75-79 5 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  80. Music of the Reformation

    Hollingworth, R. M., 14 Jul 2017

    Research output: Non-textual formPerformance

  81. Bach - St Matthew Passion

    Seymour, P. G., 12 Jul 2017

    Research output: Non-textual formPerformance

  82. Draw on, sweet night

    Hollingworth, R. M., 1 Jul 2017

    Research output: Non-textual formPerformance

  83. In re: Experimental Politics

    Brooks, W. F., 1 Jul 2017, (Unpublished).

    Research output: Contribution to conferencePaper

  84. Jean Sibelius: Progressive or Modernist?

    Howell, T., Jul 2017, Jean Sibelius’ Legacy – Research at his 150th Anniversary, . Howell, T., Grimley, D., Murtomaki, V. & Virtanen, T. (eds.). Cambridge Scholars Publishing, p. 241-255 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  85. Jean Sibelius’ Legacy – Research on his 150th Anniversary

    D. Grimley, T. Howell, V. Murtomaki, T. Virtanen, Jul 2017, Cambridge Scholars Publishing.

    Research output: Book/ReportAnthology

  86. Words and Music 11: British Values and Joe Steele

    Marsh, R. M., Jul 2017, cmrc york.

    Research output: Other contribution

  87. Monteverdi Psalms from Selva morale 1641,1650

    Seymour, P. G., 30 Jun 2017

    Research output: Non-textual formPerformance

  88. Performing Indeterrminacy

    Laws, C. A., 30 Jun 2017.

    Research output: Contribution to conferencePaper

  89. Monteverdi - The Other Vespers

    Hollingworth, R. M., 31 May 2017

    Research output: Non-textual formPerformance

  90. Monteverdi - L'Orfeo

    Hollingworth, R. M., 18 May 2017

    Research output: Non-textual formPerformance

  91. Poor Yorick: Singing Laurence Sterne

    Marsh, R. M., 17 May 2017.

    Research output: Contribution to conferencePaper

  92. Development and Evaluation of an Interface with Four-Finger Pitch Selection

    von Coler, H., Treindl, G., Egermann, H. W. & Weinzierl, S., 11 May 2017, Proceedings of the 142nd AES Convention - Audio Engineering Society. Audio Engineering Society, p. 1-8 8 p. 9792

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  93. Sculpting sound: metaphor, material and contemporary music

    Suckling, M. C., 8 May 2017, (Unpublished).

    Research output: Contribution to conferencePaper

  94. A.I.LOVEs2scream

    Reuben, F. & Owczarek, P., 30 Apr 2017

    Research output: Non-textual formArtefact

  95. THIS IS… IS IT?

    Laws, C. A., 29 Apr 2017.

    Research output: Contribution to conferencePaper

  96. But Still

    Marsh, R. M., 28 Apr 2017, (Unpublished) Decipherer Arts Press.

    Research output: Other contribution

  97. Monteverdi 'The Other Vespers'

    Hollingworth, R. M., 28 Apr 2017

    Research output: Non-textual formDigital or Visual Products

  98. Walter Porter: Collected Works

    Wainwright, J. P., 5 Apr 2017, Recent Researches in the Music of the Baroque Era ed. Middleton WI: A-R Editions.

    Research output: Book/ReportScholarly edition

  99. Playing and Instruments; Sound and Embodiment: Ceci n'est pas un piano; is it a pianist?

    Laws, C. A., 31 Mar 2017.

    Research output: Contribution to conferencePaper

  100. Divers Elegies, set in Musick by sev’rall Friends, upon the death of William Lawes

    Wainwright, J. P., 26 Mar 2017, York Early Music Press. 50 p.

    Research output: Book/ReportScholarly edition

  101. John Wilson: Psalterium Carolinum (1657)

    Wainwright, J. P., 26 Mar 2017, York: York Early Music Press. 104 p.

    Research output: Book/ReportScholarly edition

  102. Bach - Mass in B minor

    Seymour, P. G., 18 Mar 2017

    Research output: Non-textual formPerformance

  103. Purcell King Arthur

    Seymour, P. G., 8 Mar 2017

    Research output: Non-textual formPerformance

  104. Cracks: for piano trio

    Marsh, R. M., 18 Feb 2017, London : Decipherer Arts Press.

    Research output: Other contribution

  105. Music oft hath such a charm – settings of Shakespeare

    Seymour, P. G., 18 Feb 2017

    Research output: Non-textual formPerformance

  106. Words and Music 10: Pierrot Lunaire - Voicing Albert Giraud

    Marsh, R. M., 7 Feb 2017, cmrc york.

    Research output: Other contribution

  107. Music for Watt (by Samuel Beckett)

    Marsh, R. M., Feb 2017, Audible.

    Research output: Other contribution

  108. Living Monteverdi

    Hollingworth, R. M., 30 Jan 2017

    Research output: Non-textual formPerformance

  109. Martin Peerson - A Treatie of Humane Love

    Hollingworth, R. M. & Rastall, R., 17 Jan 2017

    Research output: Non-textual formDigital or Visual Products

  110. Barry Guy

    Marsh, R. M., 9 Jan 2017, 1 p. cmrc york.

    Research output: Other contribution

  111. The White Road (after Edmund de Waal): Flute Concerto

    Suckling, M. C., Jan 2017

    Research output: Non-textual formComposition

  112. "Shake it out" - How Motion Capture and Smartphone-Assessed Movement Can Predict Properties of Music

    Irrgang, M., Steffens, J., Egermann, H. W. & Weinzierl, S., 2017.

    Research output: Contribution to conferenceAbstract

  113. 'The Scream' for String Orchestra

    Simaku, T., 2017

    Research output: Non-textual formComposition

  114. A Climbing Vine Through Concrete: Jazz in 1960s apartheid South Africa

    Eato, J. E., 2017, Jazz and Totalitarianism. Johnson, B. (ed.). Routledge: Taylor and Francis Group, 11. (Transnational Studies in Jazz).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  115. Automatische Vorhersage musik-induzierter Attributassoziationen im Kontext von Audio-Branding

    Egermann, H. W., Lepa, S., Herzog, M., Schoenrock, A. & Steffens, J., 2017.

    Research output: Contribution to conferenceAbstract

  116. Coppel for recorder: Work for solo recorder player, playing multiple instruments

    Marsh, R. M. & Troncoso Caceres, C., 2017

    Research output: Non-textual formComposition

  117. ENgREnage

    Simaku, T., 2017

    Research output: Non-textual formComposition

  118. Entwicklung eines Systems zur automatischen Musikempfehlung im Kontext des Music Brandings

    Steffens, J., Egermann, H. W., Schoenrock, A., Herzog, M. & Lepa, S., 2017, (Accepted/In press) Fortschritte der Akustik: Tagungsband d. 43. DAGA. Deutsche Gesellschaft für Akustik

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  119. High-Level Chord Features Extracted From Audio Can Predict Perceived Musical Expression

    Steffens, J., Lepa, S., Schoenrock, A., Herzog, M., Peeters, G. & Egermann, H. W., 2017, Extended abstracts for the Late-Breaking Demo Session of the 18th In- ternational Society for Music Information Retrieval Conference, Suzhou, China, 2017. 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  120. How to Do Things with Music Criticism: Performances of Victory in German Wagner Reception, 1918–33

    Sheil, A. C., 2017, Performance in a Militarized Culture. Brady, S. & Mantoan, L. (eds.). London: Routledge , p. 99-109 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  121. Imagining Radio Sound: Interference and Collaboration in the BBC Radio Production of Beckett’s All That Fall

    Laws, C., 2017, Samuel Beckett and BBC Radio : A Reassessment. Addyman, D., Feldman, M. & Tonning, E. (eds.). Palgrave Macmillan, p. 103-138 35 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  122. Musikforschung 2.0 – Internet-basierte Erhebungsmethoden

    Egermann, H. & Lothwesen, K., 2017, Methoden empirischer Forschung in der Musikpädagogik: Eine anwendungsbezogene Einführung. Schulten, M. & Lothwesen, K. (eds.). Münster: Waxmann Verlag GMBH, p. 83-102

    Research output: Chapter in Book/Report/Conference proceedingChapter

  123. Pansori

    Stringer, J. C., 2017

    Research output: Non-textual formComposition

  124. String Quintet, Emily's Electrical Absence

    Suckling, M. C., 2017

    Research output: Non-textual formComposition

  125. Winter Music

    Laws, C. A., Thomas, P., Tilbury, J. & Knoop, M., 2017

    Research output: Non-textual formDigital or Visual Products

  126. 2016
  127. Magnificat settings by Bach, CPE and Bach, JS.

    Seymour, P. G., 10 Dec 2016

    Research output: Non-textual formPerformance

  128. Mapping, Causality and the Perception of Instrumentality: Theoretical and Empirical Approaches to the Audience’s Experience of Digital Musical Instruments

    Emerson, G. & Egermann, H., 9 Dec 2016, Musical Instruments in the 21st Century. Bovermann, T., de Campo, A., Egermann, H., Hardjowirogo, S-I. & Weinzierl, S. (eds.). Springer, p. 363-370 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  129. Musical Instrument Identities in the 21st Century

    Bovermann, T., de Campo, A., Egermann, H., Hardjowirogo, S-I. & Weinzierl, S., 9 Dec 2016, Springer.

    Research output: Book/ReportAnthology

  130. (sweet-ERROR: miku) - βv.

    Reuben, F., Luck, N. & de la Cour, A., 7 Dec 2016

    Research output: Non-textual formPerformance

  131. Modalities of Memorial: The Double Trauma of 1918 and Its Aftermaths

    Brooks, W. F. & Ertan, D., 23 Nov 2016, (Unpublished).

    Research output: Contribution to conferencePaper

  132. Voci - Celesti - String Quartet No 3 - Prague Academy of Performing Arts

    Simaku, T., 2 Nov 2016

    Research output: Non-textual formPerformance

  133. Traces of Sound and Light

    Wells, J. & Robinson, A., 19 Oct 2016

    Research output: Non-textual formExhibition

  134. Piano Concerto

    Suckling, M. C., Sep 2016

    Research output: Non-textual formComposition

  135. Words and Music 9: Pierrot Lunaire: re-discovering Albert Giraud

    Marsh, R. M., 24 Aug 2016, cmrc york.

    Research output: Other contribution

  136. Negra Sombra

    Brooks, W. F., de Castro, R. & Capón, X. M., 2 Aug 2016, (Unpublished)

    Research output: Non-textual formPerformance

  137. Piano Personae: Performance, Subjectivity and Experimentation

    Laws, C. A., 17 Jul 2016.

    Research output: Contribution to conferencePaper

  138. Where the Bard Lurks

    Seymour, P. G., 14 Jul 2016

    Research output: Non-textual formPerformance

  139. Purcell Fairy Queen

    Seymour, P. G., 13 Jul 2016

    Research output: Non-textual formPerformance

  140. For Orpheus

    Brooks, W. F. & Joris, P., 8 Jul 2016

    Research output: Non-textual formComposition

  141. Scarlatti, A, Arias for soprano, trumpet and continuo

    Seymour, P. G., 30 Jun 2016

    Research output: Non-textual formPerformance

  142. Sacred music of Croce, G; Clinio, T; Monteverdi, C

    Seymour, P. G., 18 Jun 2016

    Research output: Non-textual formPerformance

  143. Fostering effective group creativity

    Field, A. E., 16 Jun 2016, Creative Teaching for Creative Learning in Higher Music Education. Haddon, E. & Burnard, P. (eds.). Routledge, p. 240-253

    Research output: Chapter in Book/Report/Conference proceedingChapter

  144. Music for Oedipus Rex, Oedipus Colonus and Antigone

    Marsh, R. M., 1 Jun 2016, Audible.

    Research output: Other contribution

  145. Creative teaching for creative learning in higher music education

    Haddon, E. (ed.) & Burnard, P. (ed.), Jun 2016, Abingdon, Oxon: Routledge.

    Research output: Book/ReportBook

  146. Film: The Writing's on the Wall

    Laws, C. A., Harron, D. & Productions, S. A., Jun 2016, (Accepted/In press)

    Research output: Non-textual formDigital or Visual Products

  147. Edgelands

    Eato, J. E., Worth, P., Burt, T., Scott, S., Bruce, H. & Malham, D., 23 May 2016

    Research output: Non-textual formSoftware

  148. Introduction

    Haddon, E., 19 May 2016, Creative Teaching for Creative Learning in Higher Music Education. Haddon, E. & Burnard, P. (eds.). Abingdon, Oxon: Routledge, 6 p.

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  149. Vivaldi, A - Juditha triumphans

    Seymour, P. G., 19 May 2016

    Research output: Non-textual formPerformance

  150. Amuse-Bouche

    Hollingworth, R. M., 16 May 2016

    Research output: Non-textual formPerformance

  151. Player Piano

    Laws, C. A., 5 May 2016

    Research output: Non-textual formPerformance

  152. Imagined structures: Creative approaches for musical analysis

    Howell, T. & Hutchinson, M., May 2016, Creative Teaching for Creative Learning in Higher Music Education. Haddon, L. & Burnard, P. (eds.). Oxford UK and New York USA: Routledge, p. 153-167 15 p. Chapter 11

    Research output: Chapter in Book/Report/Conference proceedingChapter

  153. Amuse-Bouche

    Hollingworth, R. M., 1 Apr 2016

    Research output: Non-textual formDigital or Visual Products

  154. Madness and Torment (3)

    Seymour, P. G., 16 Feb 2016

    Research output: Non-textual formPerformance

  155. Atomic and electronic structure of twin growth defects in magnetite

    Gilks, D., Nedelkoski, Z., Lari, L., Kuerbanjiang, B., Matsuzaki, K., Susaki, T., Kepaptsoglou, D., Ramasse, Q., Evans, R., McKenna, K. & Lazarov, V. K., 15 Feb 2016

    Article in Scientific Reports

  156. Composers' and Performers' ornamentation in early 19th century Lieder

    Seymour, P. G., 13 Feb 2016

    Research output: Non-textual formPerformance

  157. Victoria Psalms and Antiphons

    Seymour, P. G., 6 Feb 2016

    Research output: Non-textual formPerformance

  158. Angels and Demons

    Hollingworth, R. M., 4 Feb 2016

    Research output: Non-textual formPerformance

  159. Composing for the resonance: finding new relationships between architecture and musical composition.

    Field, A. E., 1 Jan 2016, IRCAM Open Music Composer’s Book . Bresson, J., Assayag, G. & Agon, C. (eds.). Paris: Editions Delatour/IRCAM, Paris, Vol. 3. 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  160. A New Lease of Life

    Marsh, R. M., 2016, cmrc website.

    Research output: Contribution to specialist publicationArticle

  161. Audio recording: 'Ceci n'est pas un piano,' for piano, recorded voice and electronics

    Laws, C. A. & Hughes, J. M., 2016

    Research output: Non-textual formDigital or Visual Products

  162. Creativity in higher music education: Views of university music lecturers

    Haddon, E., 2016, (Accepted/In press) Creative teaching for creative learning in higher music education. Haddon, E. & Burnard, P. (eds.). Abingdon, Oxon: Routledge, p. 22-34 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  163. Singing Arcs: Sounding the Early History of Electronic Music

    Reuben, F. & Kolkowski, A., 2016.

    Research output: Contribution to conferencePaper

  164. The Online Orchestra: Latency in Network Performance

    Reuben, F., 2016.

    Research output: Contribution to conferencePaper

  165. The sound of white

    Suckling, M. C., 2016, (Unpublished).

    Research output: Contribution to conferencePaper

  166. Towards automatic music recommendation for audio branding scenarios

    Herzog, M., Lepa, S. & Egermann, H. W., 2016. 3 p.

    Research output: Contribution to conferencePaper

  167. 2015
  168. Words and Music 8: Samson and Pasolini

    Marsh, R. M., 7 Dec 2015

    Research output: Other contribution

  169. Haydn Creation

    Seymour, P. G., 5 Dec 2015

    Research output: Non-textual formPerformance

  170. Experimental Affinities in Music

    Brooks, W. F. & de Assis, P. (ed.), Dec 2015, Leuven: Leuven University Press. 247 p. (Orpheus Institute)

    Research output: Book/ReportAnthology

  171. A Collection of Small Choices

    Eato, J. E., Bruce, H., Morrison, M., Worth, P., Burt, T. & Dave, M., 18 Nov 2015

    Research output: Non-textual formComposition

  172. Madness and Torment (2)

    Seymour, P. G., 18 Nov 2015

    Research output: Non-textual formPerformance

  173. Johnnies, Tommies, and Sammies: Music and transnational identities

    Brooks, W. F., Magee, G., Bashford, C., Matheson, L. & Vickers, J., 15 Nov 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  174. Words and Music 6-7: Lamentations; The Song of Abigail.

    Marsh, R. M., 13 Nov 2015

    Research output: Other contribution

  175. Words and Music 5: Silly Love Songs

    Marsh, R. M., 20 Oct 2015

    Research output: Other contribution

  176. Java

    Sorrell, N. F. I., 16 Oct 2015, (Accepted/In press) The Other Classical Musics: Fifteen Great Traditions. Church, M. (ed.). Boydell & Brewer, 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  177. Draw on, sweet night

    Hollingworth, R. M., 1 Oct 2015

    Research output: Other contribution

  178. Performance, Subjectivity and Experimentation

    Laws, C., 30 Sep 2015.

    Research output: Contribution to conferencePaper

  179. Premiere of Ten Bellows (for piano, electronics and assistant) by Edward Jessen

    Laws, C., 30 Sep 2015

    Research output: Non-textual formPerformance

  180. Words and Music 1-4: Words Matter; James Joyce;Dum; Not a soul but ourselves.

    Marsh, R. M., 28 Sep 2015, 1 p. cmrc york.

    Research output: Other contribution

  181. William Child: The First Set of Psalmes of .III.Voyces (1639)

    Wainwright, J. (ed.), 14 Aug 2015, York: York Early Music Press. 48 p.

    Research output: Book/ReportScholarly edition

  182. Dakar: articulating the tremendous

    Eato, J. E. & Wells, J., 30 Jun 2015.

    Research output: Contribution to conferencePaper

  183. ‘Madness and Torment’

    Seymour, P. G., 23 May 2015

    Research output: Non-textual formPerformance

  184. A Collection of Small Choices

    Eato, J. E. & Bruce, H., 14 May 2015.

    Research output: Contribution to conferencePaper

  185. Betrayal - A polyphonic crime drama

    Hollingworth, R. M., 11 May 2015

    Research output: Non-textual formPerformance

  186. The Legacy of Beckett in Music Theatre

    Laws, C., 10 Apr 2015.

    Research output: Contribution to conferencePaper

  187. "America, I Love You": Music and the Nation in 1915

    Brooks, W., 10 Mar 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  188. "America, I Love You": Music and the Nation in 1915

    Brooks, W., 7 Mar 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  189. Music and words of WW1

    Seymour, P. G., 7 Mar 2015

    Research output: Non-textual formPerformance

  190. Bach, JS Matthäus-Passion BWV 244b

    Seymour, P. G., Feb 2015

    Research output: Non-textual formPerformance

  191. Heard above the Battle's roar

    Seymour, P. G., 31 Jan 2015

    Research output: Non-textual formPerformance

  192. Musical creativities and entrepreneurship in higher music education: Activating new possibilities

    Haddon, E. & Burnard, P., 1 Jan 2015, Activating Diverse Musical Creativities: Teaching and learning in higher music education. Burnard, P. & Haddon, E. (eds.). London: Bloomsbury Academic, p. 261-281 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  193. The imperative of diverse musical creativities in academia and industry: Training the next generation of musical entrepreneurs

    Burnard, P. & Haddon, E., 1 Jan 2015, Activating Diverse Musical Creativities: Teaching and learning in higher music education. Burnard, P. & Haddon, E. (eds.). London: Bloomsbury Academic, p. 3-18 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  194. Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education

    Burnard, P. (ed.) & Haddon, H. E. (ed.), 2015, Paperback ed. London: Bloomsbury Academic. 272 p.

    Research output: Book/ReportBook

  195. After Vicentino: for alto, viola, and electronic keyboard

    Brooks, W. & Trio Scordatura, ., 2015, (Accepted/In press)

    Research output: Non-textual formComposition

  196. After Yeats

    Brooks, W., 2015, (Accepted/In press)

    Research output: Non-textual formComposition

  197. Auditive and Audiotactile Music Perception of Cochlear Implant Users

    Papadogianni-Kouranti, M., Egermann, H. & Weinzierl, S., 2015, Fortschritte der Akustik: Tagungsband d. 41. DAGA. Becker, S. (ed.). Oldenburg: Deutsche Gesellschaft für Akustik, p. 1203-1205 3 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  198. Capriccioso for Solo Violin

    Simaku, T., 2015

    Research output: Non-textual formComposition

  199. Gesture-sound causality from the audience's perspective: investigating the influence of mapping design on the reception of new digital musical instruments

    Emerson, G., Förstel, A. & Egermann, H., 2015, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Kreutz, G. (ed.). Oldenburg, Germany: Deutsche Gesellschaft für Musikpsychologie, p. 1-2 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  200. In re: Experimental Education

    Brooks, W., 2015, Patterns of Intuition: Musical Creativity in the Light of Algorithmic Composition. Nierhaus, G. (ed.). Dordrecht: Springer-Verlag, p. 329-347 19 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  201. Kinshi: For ensemble

    Marsh, R. M., 2015

    Research output: Non-textual formComposition

  202. Learning Statistical Regularities of a Simple Musical 'Genre': The Case of Radio Station Jingles

    Müllensiefen, D., Egermann, H. & Burrows, S., 2015, Proceedings of the European Conference on Data Analysis. Lausen, B. (ed.). Colchester: Gesellschaft für Klassifikation, p. 1 1 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  203. Performance expertise of DJs in the club-context

    Förstel, A. & Egermann, H., 2015, Escom Manchester 2015: Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music, Programme and abstracts . Ginsborg, J., Lamont, A. & Bramley, S. (eds.). Manchester: ESCOM, p. 367 1 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  204. Piano performance: Group classes for the lifelong learner

    Haddon, L., 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  205. Predicting GEMS Based on PDA-Assessed Gestural Motion Data

    Irrgang, M., Egermann, H., Acar, E. & Lommatzsch, A., 2015, Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR) Music, Mind, and Embodiment. Kronland-Martinet, R., Aramaki, M., Ystad, S. & Eaton, J. (eds.). Interdisciplinary Centre for Computer Music Research, p. 472-485 14 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  206. Propositions, after Georges Bataille

    Reuben, F., Gotman, K., de la Cour, A. & Jackson, T., 2015

    Research output: Non-textual formComposition

  207. Psalm (after Celan): for harp and three groups of four instruments

    Suckling, M. C., 2015

    Research output: Non-textual formComposition

  208. Radio station jingles: How statistical learning applies to a special genre of audio logos

    Muellensiefen, D., Egermann, H. & Burrows, S., 2015, Audio Branding Yearbook 2014-2015. Bronner, K., Hirt, R. & Ringe, C. (eds.). Baden-Baden: Nomos, p. 1-21 21 p.

    Research output: Chapter in Book/Report/Conference proceedingOther chapter contribution

  209. Richard Dering: Motets and Anthems

    Wainwright, J., 2015, London: Stainer & Bell. (Musica Britannica)

    Research output: Book/ReportScholarly edition

  210. Signale -- Entwicklung und Evaluation eines Open Source Ensembles elektronischer Musikinstrumente zur Vermittlung elektronischer/elektroakustischer Musik und ihrer technischen Grundlagen

    Schultz, C. M., Seedorf, M., Förstel, A. & Egermann, H., 2015, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Kreutz, G. (ed.). Oldenburg, Germany: Deutsche Gesellschaft für Musikpsychologie, p. 1-2 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  211. Spielbewegungen von Musikinstrumenten und deren Bedeutung für das Klangergebnis: Ein experimenteller Zugang durch Motion Tracking klassischer Orchesterinstrumente und Auralisation der Bewegungsdaten

    Steger, D., Egermann, H., Weinzierl, S. & Bewegung, D., 2015, Fortschritte der Akustik: Tagungsband d. 41. DAGA. Becker, S. (ed.). Oldenburg: Deutsche Gesellschaft für Akustik, p. 1425-1428 4 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  212. Spir­i­tus Telecom­mu­ni­tas

    Reuben, F., Kolkowski, A. & Har­g­reaves, J., 2015

    Research output: Non-textual formComposition

  213. String Quartet No 5

    Simaku, T., 2015

    Research output: Non-textual formComposition

  214. Swinging to the beat: Movement induction in electronic dance music

    Egermann, H., Förstel, A., Lehrbach, N. & Wende, M., 2015, Proceedings of the Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music. Ginsborg, J., Lamont, A. & Bramley, S. (eds.). Manchester: Chapel Press, p. 338-340 3 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  215. The Actions that Make a Musical Instrument. Exploring Club-DJing as an Instrumental

    Förstel, A., Hardjowirogo, S-I. & Egermann, H., 2015, Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR) Music, Mind, and Embodiment. Kronland-Martinet, R., Aramaki, M., Ystad, S. & Eaton, J. (eds.). Marseille, France: The Laboratory of Mechanics and Acoustics, p. 762-769 8 p. (Publications of the LMA).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  216. The Performance Legacy of Die Meistersinger

    Sheil, Á., 2015, Die Meistersinger von Nürnberg. Kahn, G. (ed.). Richmond: Overture Publishing, p. 55 72 p. (Overture Opera Guides in association with ENO).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  217. The Rose of the World: Based on W. B. Yeats poem of the same title

    Simaku, T., 2015

    Research output: Non-textual formComposition

  218. Visiones: after Goya

    Suckling, M. C., 2015

    Research output: Non-textual formComposition

  219. Walking Away: Three songs for soprano and marimba

    Marsh, R. M., 2015, (Unpublished)

    Research output: Non-textual formComposition

  220. Wikipedia articles: American composers, lyricists, performers, publishers

    Brooks, W., 2015, 30 p. wikipedia.

    Research output: Other contribution

  221. in memoriam reducere studemus: for choir, soloists, and piano: revised edition

    Brooks, W., 2015, (Accepted/In press)

    Research output: Non-textual formComposition

  222. 2014
  223. A Climbing Vine Through Concrete: Jazz in 1960s apartheid South Africa

    Eato, J. E., 3 Dec 2014.

    Research output: Working paperDiscussion paper

  224. Knowing ‘I’?: Musical Subjectivity, Embodiment and Interaction

    Laws, C., 1 Dec 2014.

    Research output: Contribution to conferencePaper

  225. Feldman Pianos

    Laws, C., Thomas, P., Tilbury, J. & Knoop, M., 25 Nov 2014

    Research output: Non-textual formPerformance

  226. Vale, dulcis amice [composition issued as recording]: for three female singers

    Brooks, W., 24 Nov 2014

    Research output: Non-textual formComposition

  227. Ohne Worte: Vocality and Instrumentality in the Era of Schumann and Chopin

    Brooks, W. (ed.), Bartoli, J-P., Torbianelli, E., Roudet, J., Moßburger, H. & Seaton, D., Nov 2014, Leuven: Leuven University Press. 227 p. (Collected Writings of the Orpheus Institute; vol. 12)

    Research output: Book/ReportBook

  228. Preface

    Brooks, W., Nov 2014, Ohne Worte: Instrumentality and Vocality in 19th-century Music. Brooks, W. (ed.). Leuven: Leuven University Press, p. 7-13 7 p. (Collected Writings of the Orpheus Institute; vol. 12).

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  229. Music in Beckett’s Nacht und Träume: Vocality and Imagination

    Laws, C., 28 Oct 2014, Beckett and Musicality. Till, N. & Bailes, S. J. (eds.). Ashgate, p. 233-254 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  230. Musical Subjectivity in Action: Piano Personae.

    Laws, C., 2 Oct 2014.

    Research output: Contribution to conferencePaper

  231. After Vicentino: for alto, viola, and electronic keyboard

    Brooks, W. & Trio Scordatura, ., 1 Oct 2014

    Research output: Non-textual formPerformance

  232. Touch and Go: for solo piano

    Marsh, R. M., 30 Sep 2014

    Research output: Non-textual formComposition

  233. A Climbing Vine Through Concrete: jazz in 1960s apartheid South Africa

    Eato, J. E., 6 Sep 2014.

    Research output: Contribution to conferencePaper

  234. Semi-Blind Audio Source Separation of Linearly Mixed Two-Channel Recordings via Guided Matching Pursuit

    Zantalis, D. & Wells, J., 1 Sep 2014, (Accepted/In press) Proceedings of the 17th International Conference on Digital Audio Effects (DAFx-14).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  235. Historical Precedents for Artistic Research in Music: The Case of William Butler Yeats

    Brooks, W., Sep 2014, Artistic Experimentation in Music: An Anthology. Gilmore, B. & Crispin, D. (eds.). Leuven, Belgium: Leuven University Press, p. 185-196 12 p. (Orpheus Institute Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  236. Multiple Paths: Bach / Parra / Tenney

    Brooks, W. (ed.), Cancino, J. P., Gilmore, B. & Bhagwati, S., Sep 2014

    Research output: Non-textual formDigital or Visual Products

  237. Six mediaeval lyrics: for three female singers: No. 6: Vale, dulcis amice

    Brooks, W., 16 Jul 2014

    Research output: Non-textual formPerformance

  238. CPE Bach: Die lezten Leiden des Erlösers

    Seymour, P. G., 12 Jul 2014

    Research output: Non-textual formPerformance

  239. Early Lieder: Devising, editing and performing

    Seymour, P. G., 12 Jul 2014

    Research output: Non-textual formPerformance

  240. Chronic health issues of adolescents: Is the World Listening? Jane's Story: 3Sixty Audio-Visual Animation

    Mason-Jones, A. J., Morris, N. J., Pauletto, S., Armstrong, K-M., Wells, J., Walus, B., Hall, A., Mikocka-Walus, A. A., Mensah, J., Kerrigan, P. & Titley, P. P. (ed.), 17 Jun 2014

    Research output: Non-textual formExhibition

  241. Venetian Carnival

    Hollingworth, R. M., 21 May 2014

    Research output: Non-textual formPerformance

  242. Samuel Beckett: Dramatic text as music, music as text (invited paper)

    Laws, C., 19 May 2014.

    Research output: Contribution to conferencePaper

  243. Composing under the Skin: The Music-making Body at the Composer's Desk

    Brooks, W. & Craenen, P., Apr 2014, Leuven: Leuven University Press. 284 p. (Orpheus Institute)

    Research output: Book/ReportBook

  244. The Claim

    Eato, J. E., Bruce, H., Morrison, M., Worth, P., Burt, T., Arstall, S., Lawrence, S., Gavin, E., Hill, G., Bernath, V., Goulding, S., Adams, T., Longworth, H. & Stocker, B., 28 Mar 2014

    Research output: Non-textual formComposition

  245. Concert and live EBU/NEMA streaming: Handel, Blavet, Purcell

    Seymour, P. G., 21 Mar 2014

    Research output: Non-textual formPerformance

  246. Cosi-Cosi

    Eato, J. E., Dlamini, S., Bruce, H., Mgijima, V., Jansen, E., Antonio, C., Kadhimo, N., Vaalbooi, I., Scholtz, M., Goulding, S., Gulliey, M. K., Paul, D., Happiness, B., Jonas, D., Dasheka, N., Naidoo, S., Moon, M., Dax, H., Mahleza, N., Essery, I. & 1 othersNazier, E., 11 Mar 2014

    Research output: Non-textual formComposition

  247. Far from home

    Hollingworth, R. M., Mar 2014

    Research output: Non-textual formPerformance

  248. A Child Went Forth: Hanns Eisler, American Progressives, and Folk Song

    Brooks, W., Feb 2014, Crosscurrents: American and European Music in Interaction, 1900–2000. Meyer, F., Oja, C. J., Rathert, W. & Shreffler, A. C. (eds.). Woodbridge, UK: Boydell Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  249. 'Embodiment and Gesture in Performance: Practice-led Perspectives

    Laws, C. A., 2014, Artistic Experimentation in Music: An Anthology. Gilmore, B. & Crispin, D. (eds.). Leuven: Leuven University Press, p. 131-142 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  250. 3DMIN - Challenges and Interventions for the Design, Development and Dissemination of New Musical Instruments.

    Bovermann, T., Egermann, H., Foerstel, A., Hardjowirogo, S-I., Hinrichsen, A., Hildebrand Marques Lopes, D., Pysiewicz, A., Weinzierl, S. & de Campo, A., 2014, Proceedings of the 40th International Computer Music Conference. International Computer Music Association, Vol. 2014. 5 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  251. Bewegungsmuster von DJs im Club-Kontext

    Foerstel, A. & Egermann, H., 2014, Tagungsband der 13. Jahrestagung der Gesellschaft für Musikpsychologie.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  252. Communicating National and Temporal Origin of Music: An Experimental Approach to Applied Musical Semantics

    Egermann, H. & Stiegler, C., 2014, Abstract Book of the 13th International Conference of Music Perception and Cognition.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  253. Creativity and the institutional mindset

    Haddon, E. & Potter, J., 2014, Advanced Musical Performance: Investigations in Higher Education Learning. Papageorgi, I. (ed.). Aldershot: Ashgate Publishing Company, p. 129-142 14 p. (SEMPRE Studies in The Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  254. Die Verwendung von hierachrischen linearen Modellen zur Audio-Feature-basierten Vorhersage von kontinuierlichen emotionalen Reaktionen auf Musik

    Graefe, C. & Egermann, H., 2014, Fortschritte der Akustik: DAGA 2014. Deutsche Gesellschaft für Akustik, Vol. 2014. p. 786-787 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  255. Experiment in Practice

    Laws, C., 2014, Artistic Experimentation in Music: An Anthology. Crispin, D. & Gilmore, B. (eds.). Leuven: Leuven University Press, Vol. 262. p. 565-574 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  256. Hidden instrumental and vocal learning in Undergraduate University Music Education

    Haddon, E., 2014, Advanced Musical Performance: Investigations in Higher Education Learning. Aldershot: Ashgate Publishing Company, p. 247-264 18 p. (Sempre Studies in the Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  257. Morton Feldman: Music for 3 and 4 pianos

    Laws, C., Thomas, P. & Tilbury, J., 2014

    Research output: Non-textual formDigital or Visual Products

  258. Negotiating Tradition, Modernity, and Cultural Identity in Contemporary South Africa: the music of Tete Mbambisa, Louis Moholo-Moholo and Zim Ngqawana

    Eato, J. E., 2014, Readings in Ethnomusicology: a collection of papers presented at Ethnomusicology Symposium 2013. Dar es Salaam: University of Dar es Salaam, p. 119-126 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  259. New Media Use and Music Appreciation: Connections Between Contemporary Access to Music and its Perceived Value

    Egermann, H., Kahlhoefer, D., Schultz, C-M. & Seedorf, M., 2014, Abstract Book of the 13th International Conference of Music Perception and Cognition.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  260. Nocturn

    Losseff, N., 2014, Czech radio.

    Research output: Other contribution

  261. Reappraising the Seicento: Compositional Procedure in Italy and England

    Cheetham, A. (ed.), Knowles, J. (ed.) & Wainwright, J. (ed.), 2014, Newcastle upon Tyne: Cambridge Scholars Publishing. 240 p.

    Research output: Book/ReportBook

  262. Recording of Martin Iddon's head down among the stems and bells (2010): Catherine Laws: amplified, prepared piano.

    Laws, C. & Iddon, M., 2014

    Research output: Non-textual formDigital or Visual Products

  263. Running Jumping and Standing Still: for ensemble

    Marsh, R. M., 2014

    Research output: Non-textual formComposition

  264. Songs from a Bright September

    Suckling, M. C. & Sergeant, D., 2014

    Research output: Non-textual formComposition

  265. Systematising History: A Database for Electronic and Digital Musical Instruments Including Functional and Aesthetical Properties

    Hardjowirogo, S-I. & Egermann, H., 2014, Proceedings of the 9th Conference on Interdisciplinary Musicology. Staatliches Institut für Musikforschung, 4 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  266. The Effects of Continuous Subjective Music Experience Ratings on Physiological and Psychological Measures of Activation and Valence

    Foerstel, A., Egermann, H. & McAdams, S., 2014, Abstract Book of the 13th International Conference of Music Perception and Cognition. Seoul: International Conference of Music Perception and Cognition

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  267. The Walk to the Tarn: for pianist

    Brooks, W., 2014, (Accepted/In press)

    Research output: Non-textual formComposition

  268. Untersuchung zur Validität von Hörversuchen im Internet

    Pysiewicz, A. & Egermann, H., 2014, Fortschritte der Akustik - DAGA 2014. Deutsche Gesellschaft für Akustik, p. 788-789 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  269. World Music, World Literature

    Sorrell, N. F. I., 2014, (Unpublished)

    Research output: Non-textual formDigital or Visual Products

  270. Yestervisions of the Futurepast

    Reuben, F. & Kolkowski, A., 2014

    Research output: Non-textual formPerformance

  271. 2013
  272. Concert of music edited by Seymour, P (Conti, Corelli, Scarlatti)

    Seymour, P. G., 13 Dec 2013

    Research output: Non-textual formPerformance

  273. Sound and Music in Beckett's All That Fall

    Laws, C., 9 Dec 2013.

    Research output: Contribution to conferencePaper

  274. "Headaches Among the Overtones": Music in Beckett/ Beckett in Music

    Laws, C., Dec 2013, Amsterdam/ New York: Rodopi. 508 p.

    Research output: Book/ReportBook

  275. Il Cor Tristo: for male vocal quartet. Settings of Dante 'Inferno' Cantos XXXii and XXXiii

    Marsh, R. M., Nov 2013

    Research output: Non-textual formDigital or Visual Products

  276. Poor Yorick

    Marsh, R. M., Nov 2013

    Research output: Non-textual formComposition

  277. The Ian Bruce Huntley Archive

    Eato, J. E., Nov 2013, Keeping Time: Photographs and Cape Town Jazz Recordings - 1964-1974 . Albertyn, C. (ed.). Chris Albertyn and Associates CC, p. 23-37 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  278. Participatory scenario development for environmental management: A methodological framework illustrated with experience from the UK uplands

    Reed, M. S., Kenter, J., Bonn, A., Broad, K., Burt, T. P., Fazey, I. R., Fraser, E. D. G., Hubacek, K., Nainggolan, D., Quinn, C. H., Stringer, L. C. & Ravera, F., 5 Oct 2013

    Article in Journal of Environmental Management

  279. Ceci n'est pas une pianiste

    Laws, C., 2 Oct 2013

    Research output: Non-textual formPerformance

  280. Continuing professional development for the musician as teacher in a university context

    Haddon, E., Oct 2013, Developing the Musician: Contemporary Perspectives on Teaching and Learning. Stakelum, M. (ed.). Aldershot: Ashgate Publishing Company, p. 191-206 16 p. (SEMPRE Studies in the Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  281. Experimental Systems: Future Knowledge in Artistic Research

    Brooks, W. & Schwab, M. (ed.), Oct 2013, Leuven: Leuven University Press. 229 p. (Orpheus Institute)

    Research output: Book/ReportBook

  282. Exploring Expressivity and Emotion
 with Artificial Voice and Speech Technologies

    Pauletto, S., Balentine, B., Pidcock, C., Jones, K., Bottaci, L., Aretoulaki, M., Wells, J., Mundy, D. & Balentine, J., Oct 2013

    Article in Logopedics Phoniatrics Vocology

  283. Sound & Score: Essays on Sound, Score and Notation

    Brooks, W. (ed.), de Assis, P. (ed.) & Coessens, K. (ed.), Oct 2013, Leuven: Leuven University Press. 228 p. (Orpheus Institute Series)

    Research output: Book/ReportBook

  284. Northern Loop: Northern Loop - dur 80 mins

    Field, A. E. & Fretwell, P., 25 Sep 2013

    Research output: Non-textual formComposition

  285. A Scalable Architecture for General Real-Time Array-Based DSP on FPGAs with Application to the Wave Equation

    Kirk, R. & Wells, J., Sep 2013, Proceedings of the 16th International Conference on Digital Audio Effects (DAFx13).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  286. Umhlaba Wethu: landscape in the Eastern Cape jazz imaginary

    Eato, J. E. & Dalamba, L., Sep 2013.

    Research output: Contribution to conferencePaper

  287. Fissures, fragments and the prospect of silence in the work of Samuel Beckett

    Laws, C., 7 Aug 2013.

    Research output: Contribution to conferencePaper

  288. Serve with Curry and Rice: the Ghoemaisation of Jazz at the Cape

    Eato, J. E., 28 Jun 2013.

    Research output: Contribution to conferencePaper

  289. Capturing protein-coding genes across highly divergent species

    Li, C., Hofreiter, M., Straube, N., Corrigan, S. & Naylor, G. J. P., 1 Jun 2013

    Article in Biotechniques

  290. How Like An Angel

    Hollingworth, R. M., 10 May 2013, IAR.

    Research output: Other contribution

  291. Choral Music for 25 Voices: Pod Twoją obronę : In memoriam H.M. Górecki

    Field, A. E., 1 May 2013

    Research output: Non-textual formPerformance

  292. Developing a national 'low risk' febrile neutropenia framework for use in children and young people's cancer care

    Gibson, F., Chisholm, J., Blandford, E., Donachie, P., Hartley, J., Lane, S., Selwood, K., Skinner, R. & Phillips, R., 1 May 2013

    Article in Supportive care in cancer

  293. Some Reflections

    Bruce, H., Lawrence, S., Eato, J. E., Morrison, M., Kolesova, J., Lampshire, S., Lloyd-Curtis, T., Newman, C., Roberts, A., Taylor, S., Wall, C., Bernath, V., Eato, J. & Longworth, H., May 2013

    Research output: Non-textual formComposition

  294. Six Mediaeval Lyrics [composition issued as recording]: for women's choir

    Brooks, W., 30 Apr 2013

    Research output: Non-textual formComposition

  295. Schubert Winterreise with Stephen Varcoe (bass); Corfu Academy

    Seymour, P. G., 6 Apr 2013

    Research output: Non-textual formPerformance

  296. Samuel Beckett and Music

    Laws, C., Apr 2013, Samuel Beckett in Context. Uhlmann, A. (ed.). Cambridge University Press, p. 266-278 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  297. Live BBC lunchtime: Biber, Purcell

    Seymour, P. G., 15 Mar 2013

    Research output: Non-textual formPerformance

  298. Purcell: Dido & Aeneas (semi-staged) with theatre songs

    Seymour, P. G., 1 Mar 2013

    Research output: Non-textual formPerformance

  299. What does it mean to study music at university in the UK today?

    Haddon, E., Mar 2013, National Association of Music Educators Magazine.

    Research output: Contribution to specialist publicationArticle

  300. Schubert Winterreise with James Gilchrist (tenor)

    Seymour, P. G., 19 Feb 2013

    Research output: Non-textual formPerformance

  301. Lombardiran: theatre piece for alto and baritone, with auxiliary instruments

    Brooks, W., Feb 2013

    Research output: Non-textual formComposition

  302. An Experimental Investigation on Empathy as an Emotion-Induction Mechanism in Music Listening

    Ditter, D., Schmidt, L., Tessmer, N. & Egermann, H., 2013, Abstract Book of the 3rd International Conference on Music Emotion.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  303. Black Heroes (Tete Mbambisa)

    Eato, J. E., 2013, International Library of African Music / Red Location Museum.

    Research output: Other contribution

  304. Chimes at Midnight: for string orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  305. Concerto for Orchestra

    Simaku, T., 2013

    Research output: Non-textual formComposition

  306. Disjointed

    Laws, C., Brooks, W. & Harron, D., 2013

    Research output: Non-textual formDigital or Visual Products

  307. Everlasting Voices: for bass clarinet, actor and fixed media

    Brooks, W., 2013

    Research output: Non-textual formComposition

  308. Hoichi: for solo alto flute with live electronics

    Marsh, R. M., 2013

    Research output: Non-textual formDigital or Visual Products

  309. Kinderproducts

    Reuben, F., Potter, S. & Chirstensen, J., 2013

    Research output: Non-textual formComposition

  310. Linking Theories of Emotion-Induction to Applications in Audio Branding

    Egermann, H., 2013, Audio Branding Yearbook 2012-2013. Bronner, K., Hirt, R. & Ringe, C. (eds.). Baden-Baden: Nomos, p. 155-166 12 p.

    Research output: Chapter in Book/Report/Conference proceedingOther chapter contribution

  311. Manifesto: A Performance and Exhibition of 20th Century Music and Sound Manifestos

    Lixenberg, L., Reuben, F. & Kolkowski, A., 2013

    Research output: Non-textual formPerformance

  312. Nocturne: for violin and cello

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  313. Notari, Angelo

    Wainwright, J. P., 2013, Dizionario biografico degli Italiani . Rome: Istituto della Enciclopedia Italiana, Vol. 78. p. 770-2

    Research output: Chapter in Book/Report/Conference proceedingChapter

  314. Partners in time: Developing a piano duet partnership

    Haddon, E. & Hutchinson, M. A., 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  315. Postcards (previously titled 'Short Stories'): for String Orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  316. Ravi Shankar

    Sorrell, N. F. I., 2013, (Unpublished)

    Research output: Other contribution

  317. Release: for symphony orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  318. Six Speechless Songs: for chamber orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  319. The development of the individual voice within the institutional community

    Haddon, E., 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  320. Touch: for string orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  321. Tracce: for SATB quartet, amplified

    Brooks, W., 2013, (Accepted/In press)

    Research output: Non-textual formComposition

  322. Trois Esquisses: Written for and dedicated to Joseph Houston

    Simaku, T., 2013, (Accepted/In press)

    Research output: Non-textual formComposition

  323. “I could show you all I know”: Elements of co-creativity in a music theatre context.

    Laws, C., 2013, (In preparation) Productive Tensions : Co-creative Practices in Music. Brooks, W. & Laws, C. (eds.). Leuven University Press, (Collected Writings of the Orpheus Research Centre in Music ).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  324. 2012
  325. Township comets: The impact of South African jazz on the UK scene

    Eato, J. E., Dec 2012, iaspm 2011 proceedings: Situating popular musics. Montano, E. & Nardi, C. (eds.). International Association for the Study of Popular Music, Vol. IASPM 16th International Conference Proceedings. p. 112-118

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  326. Networks of meaning in the audio-visual work of Ryoichi Kurokowa

    Field, A. E., 27 Oct 2012, p. 318-326.

    Research output: Contribution to conferencePaper

  327. London Sinfonietta Label: New Music Show

    Suckling, M. C., Finnis, E., Khroustaliov, I., Hodgkinson, T., Feshareki, S. & Duncan, M., 15 Oct 2012

    Research output: Non-textual formDigital or Visual Products

  328. Achieving convolution-based reverberation through use of geometric acoustic modeling techniques

    Oxnard, S. & Murphy, D. T., 17 Sep 2012, p. 105. 4 p.

    Research output: Contribution to conferencePaper

  329. L'Olimpiade: an opera, as set by Pergolesi, Vivaldi, Caldara and Jommelli

    Seymour, P. G., 13 Jul 2012

    Research output: Non-textual formPerformance

  330. In re: "Experimental Music"

    Brooks, W., 21 Jun 2012, p. 37-62.

    Research output: Contribution to conferencePaper

  331. The control of early decay time on auralization results based on geometric acoustic modelling

    Foteinou, A. & Murphy, D. T., 18 Jun 2012.

    Research output: Contribution to conferencePaper

  332. Bach and the Belly Dancer: Jacky Lansley’s 'Guest Suites'

    Eato, J. E., 8 May 2012.

    Research output: Contribution to conferencePaper

  333. Mendelssohn, Suckling, Dvořák: Aronowitz Ensemble

    Suckling, M. C., Mendelssohn, F. & Dvorak, A., May 2012

    Research output: Non-textual formDigital or Visual Products

  334. Know Where You Are: Kenny Wheeler, the performers’ composer

    Eato, J. E., 27 Mar 2012.

    Research output: Contribution to conferencePaper

  335. Ultrafast magnetism as seen by x-rays

    Radu, I., Vahaplar, K., Stamm, C., Kachel, T., Pontius, N., Radu, F., Abrudan, R., Dürr, H., Ostler, T., Barker, J., Evans, R., Chantrell, R., Tsukamoto, A., Itoh, A., Kirilyuk, A., Rasing, T., Kimel, A. & Evans, R. F. L., 23 Mar 2012, Proceedings of SPIE - The International Society for Optical Engineering. Vol. 8260. 82601M

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  336. Suite Inserts

    Eato, J. E., Feb 2012

    Research output: Non-textual formComposition

  337. A History of Singing

    Potter, J. & Sorrell, N., Jan 2012, Cambridge University Press.

    Research output: Book/ReportBook

  338. 1612 Italian Vespers

    Hollingworth, R. M., 2012, Decca Records.

    Research output: Other contribution

  339. A Shadow, An Aura and Some Notes on Light: Re-defining the Sibelius Legacy

    Howell, T., 2012, (Accepted/In press) Proceedings of the Fifth International Sibelius Conference, Oxford 2010. Helsinki: http://sibeliusone.com/sibelius-reconsidered/

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  340. Beckett in contemporary music

    Laws, C., 2012

    Research output: Non-textual formPerformance

  341. Bird

    Reuben, F. & Lixenberg, L., 2012

    Research output: Non-textual formPerformance

  342. Black Heroes liner notes / discography

    Eato, J. E., 2012, 13 p. JISA Records.

    Research output: Other contribution

  343. Disjointed (live performances linked to the project 'Sounded Gesture and Enacted Sounds')

    Laws, C. & Harron, D., 2012

    Research output: Non-textual formPerformance

  344. HMS Concert: London Improvisers Orchestra

    Reuben, F., Blunt, A., Bohman, A., Ramanan, R., Beresford, S., Taylor, N., Northover, A. & Tejero, R., 2012

    Research output: Non-textual formArtefact

  345. In memoriam EMS: for string orchestra

    Suckling, M. C., 2012

    Research output: Non-textual formComposition

  346. Modularity, Immediacy and Exchange in Improvisation using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferencePaper

  347. Monteverdi Vespers (1610)

    Wainwright, J., 2012, The Cambridge History of Musical Performance. Lawson, C. & Stowell, R. (eds.). Cambridge: Cambridge University Press, p. 448–469

    Research output: Chapter in Book/Report/Conference proceedingChapter

  348. Mr Jonathan Morton, His Ground: for string orchestra

    Suckling, M. C., 2012

    Research output: Non-textual formComposition

  349. Music in Beckett’s Nacht und Träume: Vocality and Imagination

    Laws, C., 2012.

    Research output: Contribution to conferencePaper

  350. New Music from Old York: The 24 and Gamelan Sekar Petak

    Sorrell, N. F. I., 2012

    Research output: Non-textual formDigital or Visual Products

  351. On Violence

    Reuben, F., 2012

    Research output: Non-textual formComposition

  352. Perception and Emotional Effect of Fade-outs in Song Endings in Popular Music

    Egermann, H., Gaulin, M. & McAdams, S., 2012, Tagungsband der Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Bremen, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  353. Real-time Plunderphonics: Appropriating Keyboard Performances as they Occur

    Reuben, F., 2012.

    Research output: Contribution to conferencePaper

  354. Six Mediaeval Lyrics [composition issued in print]: for women's choir

    Brooks, W., 2012

    Research output: Non-textual formComposition

  355. Tenebrae: For flute, viola, and harp

    Suckling, M. C., 2012

    Research output: Non-textual formComposition

  356. The Look of the Thing

    Eato, J. E., Bruce, H., Lawrence, S., Ganz, L., Arstall, S., Starkey, D. & Morrison, M., 2012

    Research output: Non-textual formComposition

  357. The opera director’s voice: DVD 'extras' and the question of authority

    Sheil, Á., 2012, Opera and Video : Technology and spectatorship. Pérez, H. J. (ed.). Bern: Peter Lang, p. 129-150 22 p. (Film Cultures).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  358. Workshop: Improvisation with Live Instruments using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferenceOther

  359. ‘A Shadow, An Aura and Some Notes on Light: Re-defining the Sibelius Legacy’

    Howell, T., 2012, (Accepted/In press).

    Research output: Contribution to conferencePaper

  360. 2011
  361. Charles E. Ives: Symphony No. 4

    Brooks, W. (ed.), Sinclair, J. (ed.), Singleton, K. (ed.) & Shirley, W. (ed.), 31 Dec 2011, Milwaukee, Wisconsin: Associated Music Publishers, Inc. 214 p.

    Research output: Book/ReportScholarly edition

  362. Bergman's Modernism: Colours & Improvisations; coherence & integration

    Howell, T., 26 Sep 2011.

    Research output: Contribution to conferencePaper

  363. Dualities and Dialogues: Saariaho’s Concertos

    Howell, T., 19 Sep 2011, Kaija Saariaho: Visions, Narratives, Dialogues. England: Ashgate Publishing Company, p. 133 -157 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  364. Kaija Saariaho: Visions, Narratives, Dialogues

    Howell, T. (ed.), 19 Sep 2011, England: Ashgate Publishing Company. 225 p.

    Research output: Book/ReportAnthology

  365. A comparison of analysis and resynthesis methods for directional segmentation of stereo audio

    Wells, J., Sep 2011, Proceedings of the 14th International Conference on Digital Audio Effects (DAFx-11), Paris, France, September 19-23, 2011. Peeters, G. (ed.). Paris: IRCAM, p. 191-198 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  366. Effect of N2, Ne and Ar seeding on Alcator C-Mod H-mode confinement

    Reinke, M. L., Hughes, J. W., Loarte, A., Brunner, D., Hutchinson, I. H., LaBombard, B., Payne, J. & Terry, J. L., 1 Aug 2011

    Article in Journal of Nuclear Materials

  367. Bach, JS B Minor Mass

    Seymour, P. G., 29 Jul 2011

    Research output: Non-textual formPerformance

  368. Sounded Gestures and Enacted Sounds (updated version)

    Laws, C., Brooks, W. & Harron, D., Jul 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  369. Bach, JS - Mass in B Minor

    Seymour, P. G., 27 Jun 2011

    Research output: Non-textual formPerformance

  370. Township Comets: the impact of South African jazz on the UK scene

    Eato, J. E., 27 Jun 2011.

    Research output: Contribution to conferencePaper

  371. Creative Accounting: Beckett and the re-imagining of musical authority

    Laws, C., Jun 2011, (In preparation).

    Research output: Contribution to conferencePaper

  372. Contemporary Composers in the Here and Now

    Eato, J. E., 24 May 2011, (Unpublished).

    Research output: Working paperDiscussion paper

  373. Sounded gesture and enacted sounds (preliminary report)

    Laws, C., Brooks, W. & Harron, D., May 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  374. Why Would We Want To Repeat That? Understandings of text for the musical here and now

    Eato, J. E., 26 Apr 2011, (Unpublished).

    Research output: Working paperDiscussion paper

  375. Know Where You Are: Kenny Wheeler, the performers' composer

    Eato, J. E., 7 Apr 2011.

    Research output: Contribution to conferencePaper

  376. The Writing’s on the Wall? The piano in co-creative contexts.

    Laws, C., Apr 2011.

    Research output: Contribution to conferencePaper

  377. A Sentimental Journey

    Vear, C. & Eato, J. E., 8 Feb 2011

    Research output: Non-textual formPerformance

  378. A Wake of Music: four songs for soprano, clarinet, cello, and piano

    Brooks, W., 2011

    Research output: Non-textual formComposition

  379. Alessandro Striggio - Mass in 40 parts

    Hollingworth, R. M., 2011, Decca Records.

    Research output: Other contribution

  380. Candlebird: for baritone and 18 players

    Suckling, M. C. & Paterson, D., 2011

    Research output: Non-textual formComposition

  381. Chambre 119

    Laws, C. & Jessen, E., 2011

    Research output: Non-textual formDigital or Visual Products

  382. Continuing Development for the Musician as Teacher in a University Context

    Haddon, E., 2011, (Accepted/In press).

    Research output: Contribution to conferencePaper

  383. Expectation and Emotion in a Live Concert Experiment

    Egermann, H., Pearce, M., Wiggins, G. & McAdams, S., 2011, Abstract Book of the Meeting of the Society for Music Perception and Cognition Rochester, New York 11.-14. August 2011.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  384. From the Air to the Earth: Reading the Ashes

    March, D. T., 2011, Kaija Saariaho: Visions, Narratives, Dialogues. Howell, T., Hargreaves, J. & Rofe, M. (eds.). Ashgate, p. 15-40

    Research output: Chapter in Book/Report/Conference proceedingChapter

  385. In Preparation: A Performance-led Approach and a New Research Methodology for Dance Science.

    Vahla, A., Redding, E., Hushlak, M. A., Sentler, S., Chin, S., Reuben, F. & Luck, N., 2011.

    Research output: Contribution to conferencePaper

  386. Lieder Ohne Worte: for piano solo

    Suckling, M. C., 2011

    Research output: Non-textual formComposition

  387. Morton Feldman’s Late Piano Music: Experimentalism in Practice

    Laws, C. A., 2011, The Practice of Practising . Laws, C. (ed.). Leuven University Press, (Collected Writings of the Orpheus Research Centre in Music; vol. 4).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  388. Multispatial Sound

    Myatt, T., 2011, The Morning Line Vienna. Zyman, D. & Ebersberger, E. (eds.). Vienna: Thyssen-Bornemizsa Art Contemporary, (Verlag für moderne Kunst Nürnberg).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  389. Not a soul but ourselves: for four amplified voices

    Marsh, R. M., 2011

    Research output: Non-textual formDigital or Visual Products

  390. Orwell Fragments

    Reuben, F., Lash, D. & Laubrock, I., 2011

    Research output: Non-textual formArtefact

  391. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Lennox, P., 2011.

    Research output: Contribution to conferencePaper

  392. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Peter Lennox, P., 2011, Proceedings of the 17th International Conference on Auditory Display. Budapest, Hungary: I.C.A.D., Vol. 2011.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  393. Pianthology: 7 piano pieces

    Losseff, N., 2011

    Research output: Non-textual formDigital or Visual Products

  394. Preludes and Codas

    Howell, T., 2011, Kaija Saariaho: Visions, Narratives, Dialogues. England: Ashgate Publishing Company, p. xv -xxiii 9 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  395. Process and systems in computer Music: from meta to matter

    Myatt, T., 2011, Quadern d'àudio, 5, p. 1-9 9 p.

    Research output: Contribution to specialist publicationFeatured article

  396. Psychological and physiological correlates of expectation and emotion in a live concert experiment

    Egermann, H. & McAdams, S., 2011, Abstracts for the 51st Annual Meeting Society for Psychophysiological Research. Psychophysiology.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  397. Research Findings: from implications to implementation?

    Haddon, E., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  398. Reworking Musical Strategies In the Digital Age

    Reuben, F., 2011, 137 p.

    Research output: ThesisDoctoral Thesis

  399. Shadow Prophets

    Reuben, F., Luck, N., de la Cour, A. & Knowles, M. L., 2011

    Research output: Non-textual formComposition

  400. Shadows of a Brass Line for Orchestra

    Simaku, T., 2011

    Research output: Non-textual formComposition

  401. Signals

    Stringer, J. C. (ed.) & Maxwell, M. (ed.), 2011, 31 p. York : University of York Music Press (UYMP).

    Research output: Other contribution

  402. Sporcizia Accademica

    Reuben, F., 2011

    Research output: Non-textual formArtefact

  403. String Quartet No 4: Written for and dedicated to Quatuor Diotima

    Simaku, T., 2011

    Research output: Non-textual formComposition

  404. The Master of Music: for mixed choir

    Brooks, W., 2011, (Unpublished)

    Research output: Non-textual formComposition

  405. The Moon, the moon! for symphony orchestra

    Suckling, M. C., 2011

    Research output: Non-textual formComposition

  406. The Practice of Practising

    Laws, C. (ed.), 2011, Leuven: Leuven University Press. 92 p. (Collected Writings of the Orpheus Research Centre in Music; vol. 4)

    Research output: Book/ReportAnthology

  407. Three Folksongs: for mixed choir

    Brooks, W., 2011, (Unpublished)

    Research output: Non-textual formComposition

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