Search research publications and outputs

  1. 1987
  2. 1988
  3. 1989
  4. Jean Sibelius: Progressive Techniques in the Symphonies and Tone-Poems

    Howell, T., 1989, Garland Press. 275 p. (Outstanding Dissertations in Music from British Universities)

    Research output: Book/ReportBook

  5. 1990
  6. 1991
  7. Analysis and Performance: The Search for a Middleground

    Howell, T., 1991, A Companion to Contemporary Musical Thought. Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Eisler’s Serialism: Concepts and Methods

    Howell, T., 1991, Eisler – A Miscellany. Gordon & Breach

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Sibelius and the Fourth Dimension

    Howell, T., 1991, Sibelius-Akatemian Aikakauskirja. Sibelius Academy, Helsinki

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. 1992
  11. A Companion to Contemporary Musical Thought,

    Howell, T., Paynter, J., Orton, R. & Seymour, P., 1992, Routledge.

    Research output: Book/ReportAnthology

  12. 1994
  13. The Best Concords: Polyphonic Music in Thirteenth-century Britain

    Losseff, N., 1994, New York: Garland Press. 298 p.

    Research output: Book/ReportBook

  14. 1995
  15. Purcell and the English Baroque

    Wainwright, J., 1995, The Purcell Companion. Burden, M. (ed.). London: Faber & Faber

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Two Versions of the Fifth Symphony: A Study in Compositional Process

    Howell, T., 1995, Proceedings from the First International Jean Sibelius Conference, August, 1990, . Sibelius Academy, Helsinki

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  17. 1996
  18. The Christ Church Viol-Consort Manuscripts Reconsidered: Christ Church, Oxford Music Manuscripts 2, 497–408 & 436; 417–418 & 1080; and 432 & 612–613

    Wainwright, J., 1996, John Jenkins and his Time: Studies in English Consort Music. Ashbee, A. & Holman, P. (eds.). Oxford: Oxford University Press, p. 198-241

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. 1997
  20. Musical Patronage in Seventeenth-Century England: Christopher, First Baron Hatton (1605–70)

    Wainwright, J., 1997, Aldershot: Scholar Press. 470 p.

    Research output: Book/ReportBook

  21. Queen of Heavenly Virtue (Concertare): Music for Henrietta Maria’s Chapel in Oxford

    Wainwright, J., 1997

    Research output: Non-textual formDigital or Visual Products

  22. Sodzu Baba: music theatre piece for solo soprano

    Marsh, R. M. & Woolf, J., 1997

    Research output: Non-textual formComposition

  23. Ther is no rose of swych vertu (Cantores Collegiorum): Carols for a Medieval Christmas

    Wainwright, J., 1997

    Research output: Non-textual formDigital or Visual Products

  24. 1998
  25. Images of Virtue and War: Music in Civil War Oxford

    Wainwright, J., 1998, William Lawes: 1602–1645 Essays on His Life, Times and Work. Ashbee, A. (ed.). Aldershot: Ashgate Publishing Company, p. 121-42

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. Morton Feldman’s 'Neither’.

    Laws, C. A., 1998, Samuel Beckett and Music. Bryden, M. (ed.). Oxford: Clarendon Press, p. 57-86 31 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Sibelius’ Tapiola: Issues of Tonality and Timescale

    Howell, T., 1998, Sibelius Forum: Proceedings from the Second International Jean Sibelius Conference, November 1995. Sibelius Academy, Helsinki

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  28. Simunye

    Hollingworth, R. M., 1998

    Research output: Non-textual formDigital or Visual Products

  29. The Dissemination and Influence of Monteverdi’s Music in England in the Seventeenth Century

    Wainwright, J., 1998, Claudio Monteverdi und die Folgen: Bericht über das Internationale Symposium, Detmold 1993. Leopold, S. & Steinheuer, J. (eds.). Kassel: Barenreiter, p. 105-121

    Research output: Chapter in Book/Report/Conference proceedingChapter

  30. 1999
  31. Braham, John

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  32. Burney, Charles

    Cowgill, R., 1999, The Reader’s Guide to Music. Steib, M. (ed.). Chicago: Fitzroy Dearborn, p. 110-112 3 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. Catalani, Angelica

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. Corri family

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  35. Crouch, Anna Maria

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  36. Harrison, Samuel

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  37. Kelly, Michael William

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  38. Linley family

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. Mara, Gertrud Elisabeth

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  40. Mozart, Wolfgang Amadeus

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. Opera: English

    Cowgill, R., 1999, The Reader’s Guide to Music. Steib, M. (ed.). Chicago: Fitzroy Dearborn

    Research output: Chapter in Book/Report/Conference proceedingChapter

  42. Potter, (Philip) Cipriani

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  43. Sibelius’ Tapiola: The Full Monty

    Howell, T., 1999.

    Research output: Contribution to conferencePaper

  44. The King’s Music

    Wainwright, J., 1999, The Royal Image: Representations of Charles I. Corns, T. (ed.). Cambridge: Cambridge University Press, p. 162-75

    Research output: Chapter in Book/Report/Conference proceedingChapter

  45. ‘Freedom of Choice: Project-based Learning’,

    Howell, T., 1999, Making Music Work – The Professional Integration Project. Barnes, J. (ed.). London: Royal College of Music Publications , p. 73-84 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  46. ‘The Practical Project’

    Howell, T., 1999, Making Music Work – The Professional Integration Project. Barnes, J. (ed.). London: Royal College of Music Publications , p. 51-57 7 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  47. 2000
  48. The Papers of C.I. Latrobe: New Light on Magicians, Music and the Christian Family in Late Eighteenth-Century England

    Cowgill, R., 2000, Music in Eighteenth-Century Britain. D. W. J. (ed.). Aldershot, UK: Farnham: Ashgate Publishing Ltd, p. 234-258 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  49. "Wise Men from the East": Mozart's Operas and their Advocates in Early-Nineteenth Century London

    Cowgill, R., 21 Dec 2000, Music and British Culture, 1785-1914. Bashford, C. & Langley, L. (eds.). Oxford, UK: Oxford University Press, p. 39-64 26 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  50. 2001
  51. 3D audio as an information environment

    Lennox, P. P., Vaughan, J. M. & Myatt, T., 2001, PROCEEDINGS OF THE AES 19TH INTERNATIONAL CONFERENCE SURROUND SOUND: TECHNIQUES, TECHNOLOGY AND PERCEPTION. NEW YORK: AUDIO ENGINEERING SOC INC, p. 295-306 12 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  52. Carnevale Veneziano

    I Fagiolini, 2001

    Research output: Non-textual formDigital or Visual Products

  53. Carter, Richard

    Cowgill, R. & Fiske, R., 2001, The New Grove Dictionary of Music and Musicians. London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  54. Corri family

    Cowgill, R., Ward Jones, P., Bunker Clark, J. & Nathan, B., 2001, The New Grove Dictionary of Music and Musicians. London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  55. Harrison, Samuel

    Cowgill, R., 2001, The New Grove Dictionary of Music and Musicians. London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  56. Savage, Jane

    Cowgill, R., 2001, The New Grove Dictionary of Music and Musicians. London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  57. Smith, Theodore

    Cowgill, R. & Fiske, R., 2001, The New Grove Dictionary of Music and Musicians. London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  58. The Piano Concertos and the Sonata for Two Pianos and Percussion

    Losseff, N., 2001, Cambridge University Press. Bayley, A. (ed.). p. 118-132 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  59. The Viola da Gamba Society’s Index of Manuscripts Containing Consort Music, Vol. 1

    Wainwright, J., Ashbee, A. & Thompson, R., 2001, Aldershot: Ashgate Publishing Company.

    Research output: Book/ReportBook

  60. Weichsel, Charles

    Cowgill, R., 2001, The New Grove Dictionary of Music and Musicians. London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  61. ‘Sibelius the Progressive’

    Howell, T., 2001, Sibelius Studies. Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  62. 2002
  63. Barthelemon family; Burney, Charles; Crotch, William; Gardiner, William; Horn family; Latrobe, Christian Ignatius; Peploe, Mrs; Novello

    Cowgill, R., 2002, Oxford Composer Companions. Jones, D. W. (ed.). Oxford: Oxford University Press, (Oxford Composer Companions).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  64. Pierrot Lunaire - 50 Rondels Bergamasques: For multiple voices

    Marsh, R. M., 2002

    Research output: Non-textual formComposition

  65. The Concert Life in Nineteenth-Century London Database Project

    Cowgill, R., Bashford, C. & McVeigh, S., 2002, Nineteenth-Century British Music Studies. Dibble, J. & Zon, B. (eds.). Aldershot, UK: Farnham: Ashgate Publishing Ltd, Vol. 2. p. 1-12 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  66. The Triumphs of Oriana

    Hollingworth, R. M., 2002

    Research output: Non-textual formDigital or Visual Products

  67. Thomas Tomkins - Music Divine

    Hollingworth, R. M., 2002

    Research output: Non-textual formDigital or Visual Products

  68. H-mode pedestal characteristics and MHD stability of the edge plasma in Alcator C-Mod

    Mossessian, D. A., Snyder, P. B., Greenwald, M., Hughes, J. W., Lin, Y., Mazurenko, A., Medvedev, S., Wilson, H. R. & Wolfe, S., Apr 2002

    Article in Plasma Physics and Controlled Fusion

  69. Conversion electron cascades in NO

    Butler, P. A., Humphreys, R. D., Greenlees, P. T., Herzberg, R-D., Jenkins, D. G., Jones, G. D., Kankaanpää, H., Kettunen, H., Rahkila, P., Scholey, C., Uusitalo, J., Amzal, N., Bastin, J. E., Brew, P. M. T., Eskola, K., Gerl, J., Hammond, N. J., Hauschild, K., Helariutta, K., Heßberger, F-P. & 20 othersHürstel, A., Jones, P. M., Julin, R., Juutinen, S., Keenan, A., Khoo, T-L., Korten, W., Kuusiniemi, P., Le Coz, Y., Leino, M., Leppänen, A-P., Muikku, M., Nieminen, P., Ødegård, S. W., Page, T., Pakarinen, J., Reiter, P., Sletten, G., Theisen, C. & Wollersheim, H-J., 11 Nov 2002

    Article in Physical Review Letters

  70. 2003
  71. A video system for recognizing gestures by artificial neural networks for expressive musical control

    Modler, P. & Myatt, T., 2003, GESTURE-BASED COMMUNICATION IN HUMAN-COMPUTER INTERACTION. Camurri, A. & Volpe, G. (eds.). BERLIN: SPRINGER-VERLAG BERLIN, p. 541-548 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  72. Beethoven’s Haunting of Beckett’s 'Ghost Trio'

    Laws, C. A., 2003, Drawing on Beckett: Portraits, Performances, and Cultural Contexts. Ben-Zvi, L. (ed.). Tel Aviv: Assaph, p. 197-214 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  73. Daddy, buy me a radio monkey

    Reuben, F., 2003

    Research output: Non-textual formComposition

  74. Indefinite Ockeghem

    Reuben, F., 2003

    Research output: Non-textual formComposition

  75. L'Amfiparnaso

    Hollingworth, R. M., 2003

    Research output: Non-textual formDigital or Visual Products

  76. Signals

    Stringer, J. C., 2003

    Research output: Non-textual formComposition

  77. Andrea Gabrieli -The Madrigal in Venice: Politics, Dialogues and Pastorales

    Hollingworth, R. M., May 2003

    Research output: Non-textual formDigital or Visual Products

  78. High-confinement-mode edge stability of Alcator C-mod plasmas

    Mossessian, D. A., Snyder, P., Hubbard, A., Hughes, J. W., Greenwald, M., LaBombard, B., Snipes, J. A., Wolfe, S. & Wilson, H., May 2003

    Article in Physics of Plasmas

  79. Towards a novel real-time visual display for singing training

    Howard, D. M., Welch, G. F., Brereton, J. & Himonides, E., 1 Dec 2003, p. 179-182.

    Research output: Contribution to conferenceOther

  80. 2004
  81. Billington, Elizabeth

    Cowgill, R., 2004, The Oxford Dictionary of National Biography. Matthew, H. C. G. & Harrison, B. (eds.). London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  82. Stephens, Catherine

    Cowgill, R., 2004, The Oxford Dictionary of National Biography. Matthew, H. C. G. & Harrison, B. (eds.). London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  83. The Idea of Music in Victorian Fiction

    Losseff, N. (ed.) & Fuller, S. (ed.), 2004, Ashgate Publishing Company. 318 p.

    Research output: Book/ReportBook

  84. The Nolan’s Supper: Inspired by the life and work of Giordano Bruno

    Reuben, F., 2004

    Research output: Non-textual formComposition

  85. The voice, the breath and the soul: song and poverty in Thyrza, Mary Barton, Alton Locke and A Child of the Jago

    Losseff, N., 2004, The Idea of Music in Victorian Fiction. Ashgate Publishing Company, p. 3-26 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  86. VOXed: Technology as a meaningful teaching aid in the singing studio

    Welch, G. F., Himonides, E., Howard, D. M. & Brereton, J., 1 Apr 2004.

    Research output: Contribution to conferenceOther

  87. WinSingad: a real-time display for the singing studio

    Howard, D. M., Welch, G. F., Brereton, J., Himonides, E., DeCosta, M., Williams, J. & Howard, A. W., 1 Sep 2004

    Article in Logopedics Phoniatrics Vocology

  88. 2005
  89. Der negative Synchronisierungsfehler (NSF) - Effekte unterschiedlicher musikalischer Expertise?

    Egermann, H., Nagel, F., Kopiez, R. & Drescher, D., 2005, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie, Würzburg. Würzburg, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  90. Esférica Cantándote

    Reuben, F., 2005

    Research output: Non-textual formComposition

  91. Getting Even

    Stringer, J. C., 2005

    Research output: Non-textual formComposition

  92. Growing Music: Musical Interpretations of L-Systems

    Worth, P. & Stepney, S., 2005, p. 545-550.

    Research output: Contribution to conferencePaper

  93. Growing music: Musical interpretations of L-systems

    Worth, P. & Stepney, S., 2005, APPLICATIONS OF EVOLUTIONARY COMPUTING, PROCEEDINGS. Rothlauf, F., Branke, J., Cagnoni, S., Corne, DW., Drechsler, R., Jin, Y., Machado, P., Marchiori, E., Romero, J., Smith, GD. & Squillero, G. (eds.). BERLIN: SPRINGER-VERLAG BERLIN, p. 545-550 6 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  94. Hinterland

    Stringer, J. C., 2005

    Research output: Non-textual formComposition

  95. Studies of the self-ordering process in FePt self-ordered magnetic array media

    Verdes, C., Ahner, J., Jones, P. M., Shukla, N., Chantrell, R. W. & Weller, D., 27 Jun 2005

    Article in Applied Physics Letters

  96. Perspectives on Matching New Technology for Displaying the Acoustics of the Singing Voice with an Appropriate Pedagogical Model

    Welch, G. F., Howard, D. M., Himonides, E. & Brereton, J., 1 Aug 2005, p. 147.

    Research output: Contribution to conferenceOther

  97. Probing the three shapes in 186Pb using in-beam γ-ray spectroscopy

    Pakarinen, J., Darby, I., Eeckhaudt, S., Enqvist, T., Grahn, T., Greenlees, P., Johnston-Theasby, F., Jones, P., Julin, R., Juutinen, S., Kettunen, H., Leino, M., Leppänen, A-P., Nieminen, P., Nyman, M., Page, R., Raddon, P., Rahkila, P., Scholey, C., Uusitalo, J. & 1 othersWadsworth, R., 1 Sep 2005

    Article in European physical journal A : Hadrons & Nuclei

  98. 2006
  99. "Hence, base intruder, hence": Rejection and Assimilation in the Early English Reception of Mozart's Requiem

    Cowgill, R., 2006, Europe, Empire, and Spectacle in Nineteenth-Century British Music. Cowgill, R. & Rushton, J. (eds.). Aldershot, UK: Farnham: Ashgate Publishing Ltd, p. 9-28 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  100. A Question of Identity: Die Meistersinger von Nürnberg in Weimar Germany

    Sheil, Á., 2006, Music, Theatre and Politics in Germany: 1848 to the Third Reich. Bacht, N. (ed.). Aldershot: Ashgate Aldershot, UK:, p. 93 112 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  101. After Sibelius: Studies in Finnish Music

    Howell, T., 2006, Aldershot: Ashgate Publishing Company.

    Research output: Book/ReportBook

  102. Emotionales Erleben beim Musikhören - eine Online-Studie zur kontinuierlichen Emotionsmessung unter Verwendung des Internets.

    Egermann, H., Nagel, F., Kopiez, R. & Altenmüller, E., 2006, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie, Freiburg. Freiburg, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  103. England, ii: 1603–1642

    Wainwright, J., 2006, European Music, 1520-1640. Haar, J. (ed.). Woodbridge: Boydell & Brewer, p. 509-26

    Research output: Chapter in Book/Report/Conference proceedingChapter

  104. Latin Motets: John Blow

    Wainwright, J., 2006, York: York Early Music Press.

    Research output: Book/ReportScholarly edition

  105. Making Music in Britain: Interviews with those behind the notes

    Haddon, E., 2006, Aldershot: Ashgate Publishing Company. 234 p.

    Research output: Book/ReportBook

  106. Mozart Productions and the Emergence of Werktreue at London's Italian Opera House, 1780-1830

    Cowgill, R., 2006, Operatic Migrations. Marvin, R. M. & Thomas, D. A. (eds.). Aldershot, UK: Farnham: Ashgate Publishing Ltd, p. 145-186 42 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  107. Online measurement of emotional musical experiences using internet-based methods - An exploratory approach

    Egermann, H., Nagel, F., Kopiez, R. & Altenmüller, E., 2006, Proceedings of the 9th International Conference of Music Perception and Cognition (ICMPC), Bologna, Italy.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  108. Reinita amarilla termina en el charco

    Reuben, F., 2006

    Research output: Non-textual formComposition

  109. Six Mediaeval Lyrics: for three female singers

    Brooks, W., 2006, (Unpublished)

    Research output: Non-textual formComposition

  110. The effect of subliminal messages in music on choice behaviour.

    Egermann, H. & Kopiez, R., 2006, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Freiburg, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  111. Tussen aarde en hemenl

    Reuben, F., 2006

    Research output: Non-textual formComposition

  112. Callas, Maria; lang, k.d.; Opera queen; Opera: women en travesti; Sutherland, Joan

    Cowgill, R., 1 Mar 2006, Routledge International Encyclopaedia of Queer Culture. Gerstner, D. A. (ed.). London: Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  113. A mirror for sound: introduction and practical exploration of the WinSingad software for teaching singing

    Howard, D. M., Williams, J., Brereton, J., Welch, G. F., Himonides, E., Howard, A. & DeCosta, M., 1 May 2006, p. 33.

    Research output: Contribution to conferenceOther

  114. Pilot study of the effects of period instruments on the voice

    Daffern, H., Howard, D. M. & Seymour, P., 1 May 2006, p. 43.

    Research output: Contribution to conferenceOther

  115. SPACE-Net: The Spatial Audio Creative Engineering Network

    Murphy, D. T., Brereton, J. & Brookes, T. S., 1 Jun 2006, p. 279-282.

    Research output: Contribution to conferenceOther

  116. Monteverdi - Flaming Heart

    Hollingworth, R. M., Nov 2006

    Research output: Non-textual formDigital or Visual Products

  117. Europe, Empire, and Spectacle in Nineteenth-Century British Music

    Cowgill, R. (ed.) & Rushton, J. (ed.), 1 Dec 2006, Aldershot & Burlington: Farnham: Ashgate Publishing Ltd. (Music in the Nineteenth-Century Britain)

    Research output: Book/ReportBook

  118. 2007
  119. Concepts of perceptual significance for composition and reproduction of explorable surround sound fields

    Lennox, P., Myatt, T. & Scavone, G. P. (ed.), 2007, Proceedings of the 13th International Conference on Auditory Display. p. 208-212 4 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  120. Der Einfluss von sozialem Feedback auf die emotionale Wirkung von Musik

    Egermann, H., Altenmüller, E., Grewe, O. & Kopiez, R., 2007, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie, Gießen. Gieße, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  121. Nicolas Gombert: Missa Media Vita

    Wainwright, J., 2007, York : York Early Music Press.

    Research output: Other contribution

  122. On the Beat: The Victorian Policeman as Musician

    Cowgill, R., 2007, Victorian Soundscapes Revisited. Cowgill, R. & Hewitt, M. (eds.). Leeds: Leeds Centre for Victorian Studies, Vol. 9. p. 191-214 24 p. (Leeds Working Papers in Victorian Studies).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  123. Pierrot Lunaire: 50 Rondels Bergamasques

    Marsh, R. M., 2007

    Research output: Non-textual formDigital or Visual Products

  124. Silence, Music, Silent Music

    Losseff, N. (ed.) & Doctor, J. R. (ed.), 2007, Ashgate Publishing Company. 253 p.

    Research output: Book/ReportBook

  125. Silent music and the eternal silence

    Losseff, N., 2007, Ashgate. p. 205 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  126. Victorian Soundscapes Revisited

    Hewitt, M. (ed.) & Cowgill, R. (ed.), 2007, Leeds: Leeds Centre for Victorian Studies. (Leeds Working Papers in Victorian Studies)

    Research output: Book/ReportBook

  127. What does mental imagery mean to university music students and their professors?

    Haddon, E., 2007, Proceedings of the International Symposium on Performance Science 2007. Williamon, A. & Coimbra, D. (eds.). The Netherlands: Association Europeenne des Conservatoires, Academies de Musique et Musikhochschulen (AEC), p. 301-306

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  128. Are real-time displays of benefit in the singing studio? An exploratory study

    Howard, D. M., Brereton, J., Welch, G. F., Himonides, E., DeCosta, M., Williams, J. & Howard, A. W., 1 Jan 2007

    Article in Journal of Voice

  129. Elgar's War Requiem

    Cowgill, R., 19 Aug 2007, Edward Elgar and His World. Adams, B. (ed.). Princeton: Princeton University Press, p. 317-362 46 p. (The Bard Music Festival Book Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  130. Defining the limits of tuning for tones with and without vibrato

    van Besouw, R., Brereton, J. & Howard, D. M., 1 Sep 2007.

    Research output: Contribution to conferenceOther

  131. New forms of composition, and how to enable them

    Field, A. E., 13 Sep 2007, Music Education with Digital Technology. Finney, J. & Burnard, P. (eds.). London and New York: Continuum, p. 156 - 168

    Research output: Chapter in Book/Report/Conference proceedingChapter

  132. Disputing Choruses in 1760s Halifax: Joah Bates, William Herschel, and the Messiah Club

    Cowgill, R., Nov 2007, Music and the British Provinces, 1690-1914. Cowgill, R. & Holman, P. (eds.). Aldershot, UK: Farnham: Ashgate Publishing Ltd, p. 87-113 27 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  133. Music in the British Provinces, 1690-1914

    Cowgill, R. (ed.) & Holman, P., 28 Nov 2007, Abingdon & New York: Farnham: Ashgate Publishing Ltd.

    Research output: Book/ReportBook

  134. 2008
  135. 'Forming the New from the Old: Rautavaarra’s Perspectives on Modernism’

    Howell, T., 2008.

    Research output: Contribution to conferencePaper

  136. 'Such scientific and profound harmonies': The Italian Opera Orchestra and Early Performances of Mozart's Don Giovanni in London

    Cowgill, R., 2008, The Opera Orchestra in 18th- and 19th-Century Europe. Jensen, N. M. & Piperno, F. (eds.). Berlin: Berliner Wissenschafts-Verlag, (Musical Life in Europe 1600-1900: Circulation, Institutions, Representation).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  137. Culture and Context: the influence of institutional culture on undergraduate musicians' attitudes to learning and performance

    Haddon, E. & Papageorgi, I., 2008, (Unpublished).

    Research output: Contribution to conferencePaper

  138. Emotionen@Musik. Was Musikhörer empfinden - Eine Internet-Studie zur Emotionsmessung

    Egermann, H., 2008, Marburg: Tectum Verlag.

    Research output: Book/ReportBook

  139. Horatio Oratorio: A performance & sound installation by Aleks Kolkowski and Federico Reuben

    Reuben, F. & Kolkowski, A., 2008

    Research output: Non-textual formPerformance

  140. Horatio Oratorio: Composing Using Historic Sound Recordings

    Kolkowski, A. & Reuben, F., 2008. 15 p.

    Research output: Contribution to conferencePaper

  141. Il Cor Tristo: For male vocal quartet

    Marsh, R. M., 2008

    Research output: Non-textual formComposition

  142. Monteverdi - Fire & Ashes

    Hollingworth, R. M., 2008, Chandos Records Ltd.

    Research output: Other contribution

  143. Multispatial Sound

    Myatt, T., 2008, The Morning Line: Seville Biennial of Contemporary Art. Zyman, D. & Ebersberger, E. (eds.). Vienna: Thyssen-Bornemizsa Art Contemporary

    Research output: Chapter in Book/Report/Conference proceedingChapter

  144. Musical genre and gender as factors in higher education learning in music

    Welch, G., Papageorgi, I., Haddon, L., Creech, A., Morton, F., de Bezenac, C., Duffy, C., Potter, J., Whyton, T. & Himonides, E., 2008

    Article in Research Papers in Education

  145. Opera Orchestras in Georgian and Early Victorian London

    Cowgill, R. & Dideriksen, G., 2008, The Opera Orchestra in 18th- and 19th-Century Europe. Jensen, N. M. & Piperno, F. (eds.). Berlin: Berliner Wissenschafts-Verlag, Vol. 1. p. 259-321 63 p. (Musical Life in Europe, 1600-1900: Circulation, Institutions, Representation).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  146. Richard Dering: Motets for One, Two or Three Voices and Basso Continuo

    Wainwright, J., 2008, Musica Britannica ed. London: Stainer & Bell. 162 p. (Musica Britannica; vol. 87)

    Research output: Book/ReportScholarly edition

  147. Social feedback influences emotional feelings of music

    Egermann, H., Grewe, O., Kopiez, R. & Altenmüller, E., 2008, Proceedings of the 10th International Conference of Music Perception and Cognition, Sapporo, Japan..

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  148. Sounds of Piety and Devotion: Music in the Queen’s Chapel

    Wainwright, J., 2008, Henrietta Maria: Piety, Politics and Patronage. Griffey, E. (ed.). Aldershot : Ashgate Publishing Company, p. 195-213 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  149. The Morning Line Multispatial Sound System

    Myatt, T., 2008

    Research output: Non-textual formExhibition

  150. The Viola da Gamba Society Index of Manuscripts Containing Consort Music. Vol. 2

    Wainwright, J., Ashbee, A. & Thompson, R., 2008, Aldershot: Ashgate Publishing Company. 424 p.

    Research output: Book/ReportBook

  151. The ‘Jazz Voice’ in South Africa: A Developmental Physiology

    Eato, J., 2008.

    Research output: Contribution to conferencePaper

  152. Thoughts Towards a Rhythmic Understanding of Jazz in South Africa

    Eato, J., 2008.

    Research output: Contribution to conferencePaper

  153. Worldscape Laptop Orchestra

    Field, A. E., Harker, A. J. & Atmadjaja, A., 2008. 5 p.

    Research output: Contribution to conferencePaper

  154. snd

    Myatt, T., 2008, CYNETart.08.

    Research output: Contribution to specialist publicationArticle

  155. The effect of different acoustic environments on singing voice performance

    Brereton, J. & Howard, D. M., 1 Feb 2008.

    Research output: Contribution to conferenceOther

  156. What can historians of music in performance tell performers: progressing the Saul Seminar debate

    Eato, J. E., 7 Apr 2008, (Unpublished).

    Research output: Working paperDiscussion paper

  157. Pianthology: 7 contemporary compositions for piano

    Losseff, N., 8 May 2008, University of York Music Press (UYMP). 73 p.

    Research output: Book/ReportScholarly edition

  158. Re-composing the saxophone: three twenty-first century examples

    Eato, J. E., 24 May 2008, (Unpublished).

    Research output: Working paperDiscussion paper

  159. Michael Howard: A Choral Pioneer: Historic recordings from Ely and Arundel Cathedrals

    Wells, J., Jun 2008

    Research output: Non-textual formDigital or Visual Products

  160. Bach Singet dem Herrn; Byrd Ne irascaris Domine

    Seymour, P. G., 17 Jun 2008

    Research output: Non-textual formPerformance

  161. Thoughts towards a rhythmic understanding of jazz in South Africa: an update

    Eato, J. E., 28 Jul 2008, (Unpublished).

    Research output: Working paperDiscussion paper

  162. Here, at home

    Bruce, H., Bruce, H., Eato, J., Fouche, N., Gericke, C., Iles, G., Iles, S., Mgijima, L., Mntuyedwa, V. & Mntuyedwa, V., 9 Aug 2008

    Research output: Non-textual formComposition

  163. The Politics of Musical Space – some personal encounters in South Africa

    Eato, J. E., 5 Nov 2008, (Unpublished).

    Research output: Working paperDiscussion paper

  164. 2009
  165. 'Headaches Among the Overtones': Thinking Through Music in Beckett.

    Laws, C., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  166. Being Dufay (Recorded album, Studio Realisation)

    Field, A. E., 2009

    Research output: Non-textual formComposition

  167. Disquiet

    Stringer, J. C., 2009

    Research output: Non-textual formComposition

  168. E-tudes

    Reuben, F., 2009

    Research output: Non-textual formComposition

  169. Feldman – Beckett – Johns: Patterning, Memory and Subjectivity

    Laws, C. A., 2009, The Modernist Legacy: Essays on New Music. Heile, B. (ed.). Aldershot: Ashgate, p. 135-158 24 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  170. Feldman's Piano Music and Experimental Practising

    Laws, C., 2009.

    Research output: Contribution to conferencePaper

  171. Feldman's late piano music

    Laws, C., 2009

    Research output: Non-textual formPerformance

  172. Internationalization and the Irish state’s relationship with theatre and opera

    Sheil, Á. & Edelman, J., 2009, Global Changes, Local Stages: How theatre functions in smaller European countries. van Maanen, H., Kotte, A. & Saro, A. (eds.). Amsterdam: Rodopi, p. 146-175 30 p. (Themes in Theatre - Collective Approaches to Theatre and Performance; vol. 5).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  173. Lullaby

    Marsh, R. M., 2009

    Research output: Non-textual formDigital or Visual Products

  174. Lullaby: Song for Soprano and Marimba

    Marsh, R. M., 2009

    Research output: Non-textual formComposition

  175. MetaCage: Essays on and around Freeman Etudes / Fontana Mix / Aria

    Brooks, W. (ed.), 2009, Ghent : Orpheus Institute. 98 p. (Collected Writings of the Orpheus Institute: Subseries Orpheus Research Centre in Music [ORCiM]; vol. 2)

    Research output: Book/ReportAnthology

  176. Monteverdi - Sweet Torment

    Hollingworth, R. M., 2009, Chandos Records Ltd.

    Research output: Other contribution

  177. Multiple Teachers: multiple gains?

    Haddon, E., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  178. Nicolas Gombert: Six Motets

    Wainwright, J., 2009, York : York Early Music Press.

    Research output: Other contribution

  179. Piano and Other Things

    Laws, C., 2009

    Research output: Non-textual formPerformance

  180. Soliloquy IV for Bass Clarinet

    Simaku, T., 2009

    Research output: Non-textual formComposition

  181. Soliloquy V: Flauto Acerbo for Alto & Tenor Recorders

    Simaku, T., 2009

    Research output: Non-textual formComposition

  182. Sweet: for soprano and flute

    Brooks, W., 2009, (Unpublished)

    Research output: Non-textual formComposition

  183. The Influence of Social Situations on Music Listening: A Physiological and Psychological Perspective on Strong Emotions

    Egermann, H., Sutherland, E. M., Kopiez, R. & Altenmüller, E., 2009, Abstract Book of the 7th Triennial ESCOM Conference.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  184. What Charlie Did Next: for ensemble

    Marsh, R. M., 2009

    Research output: Non-textual formComposition

  185. Zizek!?

    Reuben, F., 2009

    Research output: Non-textual formComposition

  186. Being Dufay Live : RealTime Performance Project at 13 Major International Venues

    Field, A. E., 12 Jan 2009

    Research output: Non-textual formPerformance

  187. Lifetime measurements and coulomb excitation of light Hg nuclei

    Petts, A., Butler, P. A., Grahn, T., Blazhev, A., Bree, N., Bruyneel, B., Cederkäll, J., Clement, E., Cocolios, T. E., Dewald, A., Eberth, J., Fraile, L., Fransen, C., Hornillos, M. B. G., Greenlees, P. T., Görgen, A., Guttormsen, M., Hadynska, K., Helariutta, K., Herzberg, R-D. & 43 othersHuyse, M., Jenkins, D. G., Jolie, J., Jones, P., Julin, R., Juutinen, S., Ketelhut, S., Knapen, S., Kröll, T., Krücken, R., Larsen, A. C., Leino, M., Ljungvall, J., Maierbeck, P., Marley, P. L., Melon, B., Napiorkowski, P. J., Nyman, M., Page, R. D., Pakarinen, J., Pascovici, G., Patronis, N., Peura, P. J., Piselli, E., Pissulla, T., Rahkila, P., Reiter, P., Sarén, J., Scheck, M., Scholey, C., Semchenkov, A., Siem, S., Stefanescu, I., Sorri, J., Uusitalo, J., Van De Walle, J., Van Duppen, P., Voulot, D., Wadsworth, R., Warr, N., Weisshaar, D., Wenander, F. & Zielinska, M., 28 Jan 2009

    Article in AIP Conference Proceedings

  188. Je me complains : composition (6m 22s)

    Field, A. E., 13 Feb 2009

    Research output: Non-textual formComposition

  189. Je vous pri : composition (7m 48s)

    Field, A. E., 13 Feb 2009

    Research output: Non-textual formComposition

  190. La doce vista

    Field, A. E., 13 Feb 2009

    Research output: Non-textual formComposition

  191. Presque quelque chose : composition (2m 30s)

    Field, A. E., 13 Feb 2009

    Research output: Non-textual formComposition

  192. Sanctus : composition (7m 28s)

    Field, A. E., 13 Feb 2009

    Research output: Non-textual formComposition

  193. Pedestal stability comparison and ITER pedestal prediction

    Snyder, P. B., Aiba, N., Beurskens, M., Groebner, R. J., Horton, L. D., Hubbard, A. E., Hughes, J. W., Huysmans, G. T. A., Kamada, Y., Kirk, A., Konz, C., Leonard, A. W., Loennroth, J., Maggi, C. F., Maingi, R., Osborne, T. H., Oyama, N., Pankin, A., Saarelma, S., Saibene, G. & 3 othersTerry, J. L., Urano, H. & Wilson, H. R., Aug 2009

    Article in Nuclear fusion

  194. Being Dufay : composition (12m 21s, 3rd revision)

    Field, A. E., 2 Dec 2009

    Research output: Non-textual formComposition

  195. 2010
  196. 'I could show you all I know’: Elements of co-creativity in a music theatre context

    Laws, C., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  197. A Lyke Wake Dirge: for choir

    Marsh, R. M., 2010

    Research output: Non-textual formComposition

  198. A Worcester Ladymass

    Losseff, N., 2010

    Research output: Non-textual formDigital or Visual Products

  199. Audio Spatialization for The Morning Line

    Myatt, T. & Malham, D. G., 2010.

    Research output: Contribution to conferencePaper

  200. Beckett and Unheard Sound

    Laws, C. A., 2010, Beckett and Nothing: Trying to understand Beckett. Caselli, D. (ed.). Manchester: Manchester University Press, p. 176-191 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  201. Early Western Pioneers: John Foulds and Maud MacCarthy

    Sorrell, N., 2010, Hindustani Music Thirteenth to Twentieth Centuries. Bor, J., Delvoye, F. N., Harvey, J. & Nijenhuis, E. T. (eds.). New Delhi: Codarts Manohar, p. 511-519

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  202. Evol, direct approaches to the auralisation of mathematical algorithms

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaper

  203. Identity, Antagonism and Terre Thaemlitz

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaper

  204. Making Sense of the Self: music students and self-identity

    Haddon, E., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  205. Multispatial Sound

    Myatt, T., 2010, The Morning Line: Istanbul. Zyman, D. & Ebersberger, E. (eds.). Thyssen-Bornemizsa Art Contemporary

    Research output: Chapter in Book/Report/Conference proceedingChapter

  206. New Light and the Man of Might: Revisiting Early Interpretations of Mozart's Die Zauberflote

    Cowgill, R., 2010, Art and Ideology in European Opera. Cowgill, R., Cooper, D. & Brown, C. (eds.). Woodbridge: Boydell and Brewer Ltd, p. 194-221 28 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  207. Of Science and Nature: Mozart versus the Modern Bel Canto in Early Nineteenth-Century London

    Cowgill, R., 2010, Mozart, Marcos Portugal e o seu tempo. Cranmer, D. (ed.). Lisbon: Centro de Estudos da Sociologia e Estetica Musical, p. 35-51 and 197-280

    Research output: Chapter in Book/Report/Conference proceedingChapter

  208. Recognition is different from feeling: experimental evidence for two different types of emotional processes in music using a between-subjects design in a web experiment

    Egermann, H. & McAdams, S., 2010, Proceedings of the 11th International Conference on Music Perception and Cognition (ICMPC11). Seattle, Washington, USA.. Demorest, S. M., Morrison, S. J. & Campbell, P. S. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  209. Single or Triple Threat? University music students and musical theatre learning

    Haddon, E., 2010.

    Research output: Contribution to conferencePaper

  210. Studio Report, Music Research Centre, University of York

    Myatt, T., 2010.

    Research output: Contribution to conferencePaper

  211. Too Hot to Handel

    Squib-box, 2010

    Research output: Non-textual formComposition

  212. University Music Students and Masterclass Learning

    Haddon, E., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  213. Yasunao Tone and MP3 Disruption

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaper

  214. Yasunao Tone and MP3 Disruption

    Myatt, T., Fell, M. J., Worth, P. J. & Blake, T., 2010, Proceedings of the International Computer Music Conference 2010. Vol. 2010.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  215. “No delicacies of tone”: bells and identity in Gissing’s London

    Losseff, N., 2010, Writing Otherness: The Pathways of George Gissing’s Imagination. Huguet, C. (ed.). Groningen: Equilibris, p. 71-82 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  216. Home Cooking Abroad: Chris McGregor and the Brotherhood of Breath, an editing project in progress

    Eato, J. E., 12 Apr 2010, (Unpublished).

    Research output: Working paperDiscussion paper

  217. The Cape Jeremy Affair

    Vear, C. & Eato, J. E., 22 May 2010

    Research output: Non-textual formPerformance

  218. Institutional culture and learning I: perceptions of the learning environment and musicians' attitudes to learning

    Papageorgi, I., Haddon, E., Creech, A., Morton, F., de Bezenac, C., Himonides, E., Potter, J., Duffy, C., Whyton, T. & Welch, G., Jun 2010

    Article in Music education research

  219. The Cape Jeremy Affair

    Vear, C. & Eato, J. E., 5 Jul 2010

    Research output: Non-textual formPerformance

  220. Monteverdi Vespers della Beata Vergine

    Seymour, P. G., 9 Jul 2010

    Research output: Non-textual formPerformance

  221. Monteverdi Vespro Della Beata Vergine

    Seymour, P. G., 9 Jul 2010

    Research output: Non-textual formPerformance

  222. Bach Johannes-Passion; Ampleforth Abbey; Ryedale Festival

    Seymour, P. G., 23 Jul 2010

    Research output: Non-textual formPerformance

  223. Bach, JS – St John Passion

    Seymour, P. G., 23 Aug 2010

    Research output: Non-textual formPerformance

  224. Investigation of Factors Influencing Acoustic Characteristics in Geometric Acoustics Based Auralization

    Foteinou, A., Murphy, D. T. & Masinton, A., 1 Sep 2010, p. 171-181.

    Research output: Contribution to conferencePaper

  225. Italian Baroque Cantatas & Trios. Knechtsteden Festival Altemusik

    Seymour, P. G., 23 Sep 2010

    Research output: Non-textual formPerformance

  226. Guests

    Lansley, J., Brinkman, T., Eato, J., Chivers, F., Early, U., Hope, C., Jackson, B., Kelly, A., Motley, P., Taylor, T. & Beech, L., 25 Sep 2010

    Research output: Non-textual formComposition

  227. Art and Ideology in European Opera: Essays in Honour of Julian Rushton

    Cowgill, R. (ed.), Cooper, D. & Brown, C. (ed.), Oct 2010, Woodbridge: Boydell and Brewer Ltd.

    Research output: Book/ReportBook

  228. 2011
  229. A Wake of Music: four songs for soprano, clarinet, cello, and piano

    Brooks, W., 2011

    Research output: Non-textual formComposition

  230. Alessandro Striggio - Mass in 40 parts

    Hollingworth, R. M., 2011, Decca Records.

    Research output: Other contribution

  231. Candlebird: for baritone and 18 players

    Suckling, M. C. & Paterson, D., 2011

    Research output: Non-textual formComposition

  232. Chambre 119

    Laws, C. & Jessen, E., 2011

    Research output: Non-textual formDigital or Visual Products

  233. Continuing Development for the Musician as Teacher in a University Context

    Haddon, E., 2011, (Accepted/In press).

    Research output: Contribution to conferencePaper

  234. Expectation and Emotion in a Live Concert Experiment

    Egermann, H., Pearce, M., Wiggins, G. & McAdams, S., 2011, Abstract Book of the Meeting of the Society for Music Perception and Cognition Rochester, New York 11.-14. August 2011.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  235. From the Air to the Earth: Reading the Ashes

    March, D. T., 2011, Kaija Saariaho: Visions, Narratives, Dialogues. Howell, T., Hargreaves, J. & Rofe, M. (eds.). Ashgate, p. 15-40

    Research output: Chapter in Book/Report/Conference proceedingChapter

  236. In Preparation: A Performance-led Approach and a New Research Methodology for Dance Science.

    Vahla, A., Redding, E., Hushlak, M. A., Sentler, S., Chin, S., Reuben, F. & Luck, N., 2011.

    Research output: Contribution to conferencePaper

  237. Lieder Ohne Worte: for piano solo

    Suckling, M. C., 2011

    Research output: Non-textual formComposition

  238. Morton Feldman’s Late Piano Music: Experimentalism in Practice

    Laws, C. A., 2011, The Practice of Practising . Laws, C. (ed.). Leuven University Press, (Collected Writings of the Orpheus Research Centre in Music; vol. 4).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  239. Multispatial Sound

    Myatt, T., 2011, The Morning Line Vienna. Zyman, D. & Ebersberger, E. (eds.). Vienna: Thyssen-Bornemizsa Art Contemporary, (Verlag für moderne Kunst Nürnberg).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  240. Not a soul but ourselves: for four amplified voices

    Marsh, R. M., 2011

    Research output: Non-textual formDigital or Visual Products

  241. Orwell Fragments

    Reuben, F., Lash, D. & Laubrock, I., 2011

    Research output: Non-textual formArtefact

  242. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Lennox, P., 2011.

    Research output: Contribution to conferencePaper

  243. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Peter Lennox, P., 2011, Proceedings of the 17th International Conference on Auditory Display. Budapest, Hungary: I.C.A.D., Vol. 2011.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  244. Pianthology: 7 piano pieces

    Losseff, N., 2011

    Research output: Non-textual formDigital or Visual Products

  245. Preludes and Codas

    Howell, T., 2011, Kaija Saariaho: Visions, Narratives, Dialogues. England: Ashgate Publishing Company, p. xv -xxiii 9 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  246. Process and systems in computer Music: from meta to matter

    Myatt, T., 2011, Quadern d'àudio, 5, p. 1-9 9 p.

    Research output: Contribution to specialist publicationFeatured article

  247. Psychological and physiological correlates of expectation and emotion in a live concert experiment

    Egermann, H. & McAdams, S., 2011, Abstracts for the 51st Annual Meeting Society for Psychophysiological Research. Psychophysiology.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  248. Research Findings: from implications to implementation?

    Haddon, E., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  249. Reworking Musical Strategies In the Digital Age

    Reuben, F., 2011, 137 p.

    Research output: ThesisDoctoral Thesis

  250. Shadow Prophets

    Reuben, F., Luck, N., de la Cour, A. & Knowles, M. L., 2011

    Research output: Non-textual formComposition

  251. Shadows of a Brass Line for Orchestra

    Simaku, T., 2011

    Research output: Non-textual formComposition

  252. Signals

    Stringer, J. C. (ed.) & Maxwell, M. (ed.), 2011, 31 p. York : University of York Music Press (UYMP).

    Research output: Other contribution

  253. Sporcizia Accademica

    Reuben, F., 2011

    Research output: Non-textual formArtefact

  254. String Quartet No 4: Written for and dedicated to Quatuor Diotima

    Simaku, T., 2011

    Research output: Non-textual formComposition

  255. The Master of Music: for mixed choir

    Brooks, W., 2011, (Unpublished)

    Research output: Non-textual formComposition

  256. The Moon, the moon! for symphony orchestra

    Suckling, M. C., 2011

    Research output: Non-textual formComposition

  257. The Practice of Practising

    Laws, C. (ed.), 2011, Leuven: Leuven University Press. 92 p. (Collected Writings of the Orpheus Research Centre in Music; vol. 4)

    Research output: Book/ReportAnthology

  258. Three Folksongs: for mixed choir

    Brooks, W., 2011, (Unpublished)

    Research output: Non-textual formComposition

  259. bingoise

    Eato, J. E. & Vear, C., 2011, (Accepted/In press)

    Research output: Non-textual formComposition

  260. de sol y grana: for solo violin and 14 players

    Suckling, M. C., 2011

    Research output: Non-textual formComposition

  261. storm, rose, tiger: for chamber orchestra

    Suckling, M. C., 2011

    Research output: Non-textual formComposition

  262. A Sentimental Journey

    Vear, C. & Eato, J. E., 8 Feb 2011

    Research output: Non-textual formPerformance

  263. The Writing’s on the Wall? The piano in co-creative contexts.

    Laws, C., Apr 2011.

    Research output: Contribution to conferencePaper

  264. Know Where You Are: Kenny Wheeler, the performers' composer

    Eato, J. E., 7 Apr 2011.

    Research output: Contribution to conferencePaper

  265. Why Would We Want To Repeat That? Understandings of text for the musical here and now

    Eato, J. E., 26 Apr 2011, (Unpublished).

    Research output: Working paperDiscussion paper

  266. Sounded gesture and enacted sounds (preliminary report)

    Laws, C., Brooks, W. & Harron, D., May 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  267. Contemporary Composers in the Here and Now

    Eato, J. E., 24 May 2011, (Unpublished).

    Research output: Working paperDiscussion paper

  268. Creative Accounting: Beckett and the re-imagining of musical authority

    Laws, C., Jun 2011, (In preparation).

    Research output: Contribution to conferencePaper

  269. Bach, JS - Mass in B Minor

    Seymour, P. G., 27 Jun 2011

    Research output: Non-textual formPerformance

  270. Township Comets: the impact of South African jazz on the UK scene

    Eato, J. E., 27 Jun 2011.

    Research output: Contribution to conferencePaper

  271. Sounded Gestures and Enacted Sounds (updated version)

    Laws, C., Brooks, W. & Harron, D., Jul 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  272. Bach, JS B Minor Mass

    Seymour, P. G., 29 Jul 2011

    Research output: Non-textual formPerformance

  273. Effect of N2, Ne and Ar seeding on Alcator C-Mod H-mode confinement

    Reinke, M. L., Hughes, J. W., Loarte, A., Brunner, D., Hutchinson, I. H., LaBombard, B., Payne, J. & Terry, J. L., 1 Aug 2011

    Article in Journal of Nuclear Materials

  274. A comparison of analysis and resynthesis methods for directional segmentation of stereo audio

    Wells, J., Sep 2011, Proceedings of the 14th International Conference on Digital Audio Effects (DAFx-11), Paris, France, September 19-23, 2011. Peeters, G. (ed.). Paris: IRCAM, p. 191-198 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  275. Dualities and Dialogues: Saariaho’s Concertos

    Howell, T., 19 Sep 2011, Kaija Saariaho: Visions, Narratives, Dialogues. England: Ashgate Publishing Company, p. 133 -157 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  276. Kaija Saariaho: Visions, Narratives, Dialogues

    Howell, T. (ed.), 19 Sep 2011, England: Ashgate Publishing Company. 225 p.

    Research output: Book/ReportAnthology

  277. Bergman's Modernism: Colours & Improvisations; coherence & integration

    Howell, T., 26 Sep 2011.

    Research output: Contribution to conferencePaper

  278. Charles E. Ives: Symphony No. 4

    Brooks, W. (ed.), Sinclair, J. (ed.), Singleton, K. (ed.) & Shirley, W. (ed.), 31 Dec 2011, Milwaukee, Wisconsin: Associated Music Publishers, Inc. 214 p.

    Research output: Book/ReportScholarly edition

  279. 2012
  280. 1612 Italian Vespers

    Hollingworth, R. M., 2012, Decca Records.

    Research output: Other contribution

  281. A Shadow, An Aura and Some Notes on Light: Re-defining the Sibelius Legacy

    Howell, T., 2012, (Accepted/In press) Proceedings of the Fifth International Sibelius Conference, Oxford 2010. Helsinki: http://sibeliusone.com/sibelius-reconsidered/

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  282. Beckett in contemporary music

    Laws, C., 2012

    Research output: Non-textual formPerformance

  283. Bird

    Reuben, F. & Lixenberg, L., 2012

    Research output: Non-textual formPerformance

  284. Black Heroes liner notes / discography

    Eato, J. E., 2012, 13 p. JISA Records.

    Research output: Other contribution

  285. Disjointed (live performances linked to the project 'Sounded Gesture and Enacted Sounds')

    Laws, C. & Harron, D., 2012

    Research output: Non-textual formPerformance

  286. HMS Concert: London Improvisers Orchestra

    Reuben, F., Blunt, A., Bohman, A., Ramanan, R., Beresford, S., Taylor, N., Northover, A. & Tejero, R., 2012

    Research output: Non-textual formArtefact

  287. In memoriam EMS: for string orchestra

    Suckling, M. C., 2012

    Research output: Non-textual formComposition

  288. Modularity, Immediacy and Exchange in Improvisation using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferencePaper

  289. Monteverdi Vespers (1610)

    Wainwright, J., 2012, The Cambridge History of Musical Performance. Lawson, C. & Stowell, R. (eds.). Cambridge: Cambridge University Press, p. 448–469

    Research output: Chapter in Book/Report/Conference proceedingChapter

  290. Mr Jonathan Morton, His Ground: for string orchestra

    Suckling, M. C., 2012

    Research output: Non-textual formComposition

  291. Music in Beckett’s Nacht und Träume: Vocality and Imagination

    Laws, C., 2012.

    Research output: Contribution to conferencePaper

  292. New Music from Old York: The 24 and Gamelan Sekar Petak

    Sorrell, N. F. I., 2012

    Research output: Non-textual formDigital or Visual Products

  293. On Violence

    Reuben, F., 2012

    Research output: Non-textual formComposition

  294. Perception and Emotional Effect of Fade-outs in Song Endings in Popular Music

    Egermann, H., Gaulin, M. & McAdams, S., 2012, Tagungsband der Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Bremen, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  295. Real-time Plunderphonics: Appropriating Keyboard Performances as they Occur

    Reuben, F., 2012.

    Research output: Contribution to conferencePaper

  296. Six Mediaeval Lyrics [composition issued in print]: for women's choir

    Brooks, W., 2012

    Research output: Non-textual formComposition

  297. Tenebrae: For flute, viola, and harp

    Suckling, M. C., 2012

    Research output: Non-textual formComposition

  298. The Look of the Thing

    Eato, J. E., Bruce, H., Lawrence, S., Ganz, L., Arstall, S., Starkey, D. & Morrison, M., 2012

    Research output: Non-textual formComposition

  299. The opera director’s voice: DVD 'extras' and the question of authority

    Sheil, Á., 2012, Opera and Video : Technology and spectatorship. Pérez, H. J. (ed.). Bern: Peter Lang, p. 129-150 22 p. (Film Cultures).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  300. Workshop: Improvisation with Live Instruments using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferenceOther

  301. ‘A Shadow, An Aura and Some Notes on Light: Re-defining the Sibelius Legacy’

    Howell, T., 2012, (Accepted/In press).

    Research output: Contribution to conferencePaper

  302. A History of Singing

    Potter, J. & Sorrell, N., Jan 2012, Cambridge University Press.

    Research output: Book/ReportBook

  303. Performance Alfresco: Music-Making in London's Pleasure Gardens

    Cowgill, R., Jan 2012, The Pleasure Garden. Conlin, J. (ed.). University of Pennsylvania Press, p. 100-126 27 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  304. Suite Inserts

    Eato, J. E., Feb 2012

    Research output: Non-textual formComposition

  305. Ultrafast magnetism as seen by x-rays

    Radu, I., Vahaplar, K., Stamm, C., Kachel, T., Pontius, N., Radu, F., Abrudan, R., Dürr, H., Ostler, T., Barker, J., Evans, R., Chantrell, R., Tsukamoto, A., Itoh, A., Kirilyuk, A., Rasing, T., Kimel, A. & Evans, R. F. L., 23 Mar 2012, Proceedings of SPIE - The International Society for Optical Engineering. Vol. 8260. 82601M

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  306. Know Where You Are: Kenny Wheeler, the performers’ composer

    Eato, J. E., 27 Mar 2012.

    Research output: Contribution to conferencePaper

  307. Mendelssohn, Suckling, Dvořák: Aronowitz Ensemble

    Suckling, M. C., Mendelssohn, F. & Dvorak, A., May 2012

    Research output: Non-textual formDigital or Visual Products

  308. Bach and the Belly Dancer: Jacky Lansley’s 'Guest Suites'

    Eato, J. E., 8 May 2012.

    Research output: Contribution to conferencePaper

  309. In re: "Experimental Music"

    Brooks, W., 21 Jun 2012, p. 37-62.

    Research output: Contribution to conferencePaper

  310. Attitudes with a Shawl: Performance, Femininity, and Spectatorship at the Italian Opera in Early Nineteenth-Century London

    Cowgill, R., 12 Jul 2012, The Arts of the Prima Donna in the Long Nineteenth Century. Cowgill, R. & Poriss, H. (eds.). New York: Oxford University Press, p. 217-251 35 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  311. The Arts of the Prima Donna in the Long Nineteenth Century

    Cowgill, R. (ed.) & Poriss, H. (ed.), 12 Jul 2012, New York: Oxford University Press.

    Research output: Book/ReportBook

  312. L'Olimpiade: an opera, as set by Pergolesi, Vivaldi, Caldara and Jommelli

    Seymour, P. G., 13 Jul 2012

    Research output: Non-textual formPerformance

  313. London Sinfonietta Label: New Music Show

    Suckling, M. C., Finnis, E., Khroustaliov, I., Hodgkinson, T., Feshareki, S. & Duncan, M., 15 Oct 2012

    Research output: Non-textual formDigital or Visual Products

  314. Networks of meaning in the audio-visual work of Ryoichi Kurokowa

    Field, A. E., 27 Oct 2012, p. 318-326.

    Research output: Contribution to conferencePaper

  315. On the Beat: The Victorian Policeman as Musician

    Cowgill, R., 28 Oct 2012, Music and Institutions in Nineteenth-Century Britain. Rodmell, P. (ed.). Farnham: Farnham: Ashgate Publishing Ltd, p. 221-245 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  316. Township comets: The impact of South African jazz on the UK scene

    Eato, J. E., Dec 2012, iaspm 2011 proceedings: Situating popular musics. Montano, E. & Nardi, C. (eds.). International Association for the Study of Popular Music, Vol. IASPM 16th International Conference Proceedings. p. 112-118

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  317. 2013
  318. An Experimental Investigation on Empathy as an Emotion-Induction Mechanism in Music Listening

    Ditter, D., Schmidt, L., Tessmer, N. & Egermann, H., 2013, Abstract Book of the 3rd International Conference on Music Emotion.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  319. Black Heroes (Tete Mbambisa)

    Eato, J. E., 2013, International Library of African Music / Red Location Museum.

    Research output: Other contribution

  320. Chimes at Midnight: for string orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  321. Co-performer empathy and peak performance in expert ensemble playing

    Waddington-Jones, C. E., 2013, Proceedings of the International Symposium of Performance Science . Williamon, A. & Goebl, W. (eds.). Brussels: European Association of Conservatoires, p. 331-336 6 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  322. Concerto for Orchestra

    Simaku, T., 2013

    Research output: Non-textual formComposition

  323. Disjointed

    Laws, C., Brooks, W. & Harron, D., 2013

    Research output: Non-textual formDigital or Visual Products

  324. Everlasting Voices: for bass clarinet, actor and fixed media

    Brooks, W., 2013

    Research output: Non-textual formComposition

  325. Hoichi: for solo alto flute with live electronics

    Marsh, R. M., 2013

    Research output: Non-textual formDigital or Visual Products

  326. Kinderproducts

    Reuben, F., Potter, S. & Chirstensen, J., 2013

    Research output: Non-textual formComposition

  327. Linking Theories of Emotion-Induction to Applications in Audio Branding

    Egermann, H., 2013, Audio Branding Yearbook 2012-2013. Bronner, K., Hirt, R. & Ringe, C. (eds.). Baden-Baden: Nomos, p. 155-166 12 p.

    Research output: Chapter in Book/Report/Conference proceedingOther chapter contribution

  328. Manifesto: A Performance and Exhibition of 20th Century Music and Sound Manifestos

    Lixenberg, L., Reuben, F. & Kolkowski, A., 2013

    Research output: Non-textual formPerformance

  329. Nocturne: for violin and cello

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  330. Notari, Angelo

    Wainwright, J. P., 2013, Dizionario biografico degli Italiani . Rome: Istituto della Enciclopedia Italiana, Vol. 78. p. 770-2

    Research output: Chapter in Book/Report/Conference proceedingChapter

  331. Partners in time: Developing a piano duet partnership

    Haddon, E. & Hutchinson, M. A., 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  332. Postcards (previously titled 'Short Stories'): for String Orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  333. Ravi Shankar

    Sorrell, N. F. I., 2013, (Unpublished)

    Research output: Other contribution

  334. Release: for symphony orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  335. Six Speechless Songs: for chamber orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  336. The development of the individual voice within the institutional community

    Haddon, E., 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  337. Touch: for string orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  338. Tracce: for SATB quartet, amplified

    Brooks, W., 2013, (Accepted/In press)

    Research output: Non-textual formComposition

  339. Trois Esquisses: Written for and dedicated to Joseph Houston

    Simaku, T., 2013, (Accepted/In press)

    Research output: Non-textual formComposition

  340. “I could show you all I know”: Elements of co-creativity in a music theatre context.

    Laws, C., 2013, (In preparation) Productive Tensions : Co-creative Practices in Music. Brooks, W. & Laws, C. (eds.). Leuven University Press, (Collected Writings of the Orpheus Research Centre in Music ).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  341. Lombardiran: theatre piece for alto and baritone, with auxiliary instruments

    Brooks, W., Feb 2013

    Research output: Non-textual formComposition

  342. Schubert Winterreise with James Gilchrist (tenor)

    Seymour, P. G., 19 Feb 2013

    Research output: Non-textual formPerformance

  343. What does it mean to study music at university in the UK today?

    Haddon, E., Mar 2013, National Association of Music Educators Magazine.

    Research output: Contribution to specialist publicationArticle

  344. Purcell: Dido & Aeneas (semi-staged) with theatre songs

    Seymour, P. G., 1 Mar 2013

    Research output: Non-textual formPerformance

  345. Live BBC lunchtime: Biber, Purcell

    Seymour, P. G., 15 Mar 2013

    Research output: Non-textual formPerformance

  346. Samuel Beckett and Music

    Laws, C., Apr 2013, Samuel Beckett in Context. Uhlmann, A. (ed.). Cambridge University Press, p. 266-278 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  347. Schubert Winterreise with Stephen Varcoe (bass); Corfu Academy

    Seymour, P. G., 6 Apr 2013

    Research output: Non-textual formPerformance

  348. Six Mediaeval Lyrics [composition issued as recording]: for women's choir

    Brooks, W., 30 Apr 2013

    Research output: Non-textual formComposition

  349. Some Reflections

    Bruce, H., Lawrence, S., Eato, J. E., Morrison, M., Kolesova, J., Lampshire, S., Lloyd-Curtis, T., Newman, C., Roberts, A., Taylor, S., Wall, C., Bernath, V., Eato, J. & Longworth, H., May 2013

    Research output: Non-textual formComposition

  350. Choral Music for 25 Voices: Pod Twoją obronę : In memoriam H.M. Górecki

    Field, A. E., 1 May 2013

    Research output: Non-textual formPerformance

  351. Developing a national 'low risk' febrile neutropenia framework for use in children and young people's cancer care

    Gibson, F., Chisholm, J., Blandford, E., Donachie, P., Hartley, J., Lane, S., Selwood, K., Skinner, R. & Phillips, R., 1 May 2013

    Article in Supportive care in cancer

  352. How Like An Angel

    Hollingworth, R. M., 10 May 2013, IAR.

    Research output: Other contribution

  353. Capturing protein-coding genes across highly divergent species

    Li, C., Hofreiter, M., Straube, N., Corrigan, S. & Naylor, G. J. P., 1 Jun 2013

    Article in Biotechniques

  354. Serve with Curry and Rice: the Ghoemaisation of Jazz at the Cape

    Eato, J. E., 28 Jun 2013.

    Research output: Contribution to conferencePaper

  355. Fissures, fragments and the prospect of silence in the work of Samuel Beckett

    Laws, C., 7 Aug 2013.

    Research output: Contribution to conferencePaper

  356. A Scalable Architecture for General Real-Time Array-Based DSP on FPGAs with Application to the Wave Equation

    Kirk, R. & Wells, J., Sep 2013, Proceedings of the 16th International Conference on Digital Audio Effects (DAFx13).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  357. Umhlaba Wethu: landscape in the Eastern Cape jazz imaginary

    Eato, J. E. & Dalamba, L., Sep 2013.

    Research output: Contribution to conferencePaper

  358. Northern Loop: Northern Loop - dur 80 mins

    Field, A. E. & Fretwell, P., 25 Sep 2013

    Research output: Non-textual formComposition

  359. Continuing professional development for the musician as teacher in a university context

    Haddon, E., Oct 2013, Developing the Musician: Contemporary Perspectives on Teaching and Learning. Stakelum, M. (ed.). Aldershot: Ashgate Publishing Company, p. 191-206 16 p. (SEMPRE Studies in the Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  360. Experimental Systems: Future Knowledge in Artistic Research

    Brooks, W. & Schwab, M. (ed.), Oct 2013, Leuven: Leuven University Press. 229 p. (Orpheus Institute)

    Research output: Book/ReportBook

  361. Exploring Expressivity and Emotion
 with Artificial Voice and Speech Technologies

    Pauletto, S., Balentine, B., Pidcock, C., Jones, K., Bottaci, L., Aretoulaki, M., Wells, J., Mundy, D. & Balentine, J., Oct 2013

    Article in Logopedics Phoniatrics Vocology

  362. Sound & Score: Essays on Sound, Score and Notation

    Brooks, W. (ed.), de Assis, P. (ed.) & Coessens, K. (ed.), Oct 2013, Leuven: Leuven University Press. 228 p. (Orpheus Institute Series)

    Research output: Book/ReportBook

  363. Ceci n'est pas une pianiste

    Laws, C., 2 Oct 2013

    Research output: Non-textual formPerformance

  364. Participatory scenario development for environmental management: A methodological framework illustrated with experience from the UK uplands

    Reed, M. S., Kenter, J., Bonn, A., Broad, K., Burt, T. P., Fazey, I. R., Fraser, E. D. G., Hubacek, K., Nainggolan, D., Quinn, C. H., Stringer, L. C. & Ravera, F., 5 Oct 2013

    Article in Journal of Environmental Management

  365. Il Cor Tristo: for male vocal quartet. Settings of Dante 'Inferno' Cantos XXXii and XXXiii

    Marsh, R. M., Nov 2013

    Research output: Non-textual formDigital or Visual Products

  366. Poor Yorick

    Marsh, R. M., Nov 2013

    Research output: Non-textual formComposition

  367. The Ian Bruce Huntley Archive

    Eato, J. E., Nov 2013, Keeping Time: Photographs and Cape Town Jazz Recordings - 1964-1974 . Albertyn, C. (ed.). Chris Albertyn and Associates CC, p. 23-37 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  368. "Headaches Among the Overtones": Music in Beckett/ Beckett in Music

    Laws, C., Dec 2013, Amsterdam/ New York: Rodopi. 508 p.

    Research output: Book/ReportBook

  369. Sound and Music in Beckett's All That Fall

    Laws, C., 9 Dec 2013.

    Research output: Contribution to conferencePaper

  370. Concert of music edited by Seymour, P (Conti, Corelli, Scarlatti)

    Seymour, P. G., 13 Dec 2013

    Research output: Non-textual formPerformance

  371. 2014
  372. 'Embodiment and Gesture in Performance: Practice-led Perspectives

    Laws, C. A., 2014, Artistic Experimentation in Music: An Anthology. Gilmore, B. & Crispin, D. (eds.). Leuven: Leuven University Press, p. 131-142 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  373. 3DMIN - Challenges and Interventions for the Design, Development and Dissemination of New Musical Instruments.

    Bovermann, T., Egermann, H., Foerstel, A., Hardjowirogo, S-I., Hinrichsen, A., Hildebrand Marques Lopes, D., Pysiewicz, A., Weinzierl, S. & de Campo, A., 2014, Proceedings of the 40th International Computer Music Conference. International Computer Music Association, Vol. 2014. 5 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  374. Bewegungsmuster von DJs im Club-Kontext

    Foerstel, A. & Egermann, H., 2014, Tagungsband der 13. Jahrestagung der Gesellschaft für Musikpsychologie.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  375. Communicating National and Temporal Origin of Music: An Experimental Approach to Applied Musical Semantics

    Egermann, H. & Stiegler, C., 2014, Abstract Book of the 13th International Conference of Music Perception and Cognition.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  376. Creativity and the institutional mindset

    Haddon, E. & Potter, J., 2014, Advanced Musical Performance: Investigations in Higher Education Learning. Papageorgi, I. (ed.). Aldershot: Ashgate Publishing Company, p. 129-142 14 p. (SEMPRE Studies in The Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  377. Die Verwendung von hierachrischen linearen Modellen zur Audio-Feature-basierten Vorhersage von kontinuierlichen emotionalen Reaktionen auf Musik

    Graefe, C. & Egermann, H., 2014, Fortschritte der Akustik: DAGA 2014. Deutsche Gesellschaft für Akustik, Vol. 2014. p. 786-787 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  378. Experiment in Practice

    Laws, C., 2014, Artistic Experimentation in Music: An Anthology. Crispin, D. & Gilmore, B. (eds.). Leuven: Leuven University Press, Vol. 262. p. 565-574 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  379. Hidden instrumental and vocal learning in Undergraduate University Music Education

    Haddon, E., 2014, Advanced Musical Performance: Investigations in Higher Education Learning. Aldershot: Ashgate Publishing Company, p. 247-264 18 p. (Sempre Studies in the Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  380. Morton Feldman: Music for 3 and 4 pianos

    Laws, C., Thomas, P. & Tilbury, J., 2014

    Research output: Non-textual formDigital or Visual Products

  381. Negotiating Tradition, Modernity, and Cultural Identity in Contemporary South Africa: the music of Tete Mbambisa, Louis Moholo-Moholo and Zim Ngqawana

    Eato, J. E., 2014, Readings in Ethnomusicology: a collection of papers presented at Ethnomusicology Symposium 2013. Dar es Salaam: University of Dar es Salaam, p. 119-126 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  382. New Media Use and Music Appreciation: Connections Between Contemporary Access to Music and its Perceived Value

    Egermann, H., Kahlhoefer, D., Schultz, C-M. & Seedorf, M., 2014, Abstract Book of the 13th International Conference of Music Perception and Cognition.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  383. Nocturn

    Losseff, N., 2014, Czech radio.

    Research output: Other contribution

  384. Reappraising the Seicento: Compositional Procedure in Italy and England

    Cheetham, A. (ed.), Knowles, J. (ed.) & Wainwright, J. (ed.), 2014, Newcastle upon Tyne: Cambridge Scholars Publishing. 240 p.

    Research output: Book/ReportBook

  385. Recording of Martin Iddon's head down among the stems and bells (2010): Catherine Laws: amplified, prepared piano.

    Laws, C. & Iddon, M., 2014

    Research output: Non-textual formDigital or Visual Products

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