Search research publications and outputs

  1. 2020
  2. 2019
  3. Piano Archives, Piano Practices

    Laws, C., 29 Jun 2019.

    Research output: Contribution to conferencePaper

  4. Investigating the Behaviour of a Recursive Mutual Compression System in a Two-Track Environment

    Hasnan, H. H. B. & Wells, J., 10 Mar 2019. 7 p.

    Research output: Contribution to conferenceOtherpeer-review

  5. Measuring the audience experience - How can we capture audience experience with quantitative and qualitative methods?

    Egermann, H. W., Toelle, J. & Weining, C., 1 Feb 2019.

    Research output: Contribution to conferenceAbstractpeer-review

  6. Algorithmic ability to predict the musical future: Datasets and evaluation

    Janssen, B., Collins, T. & Ren, I., 2019, p. 208-215. 8 p.

    Research output: Contribution to conferencePaperpeer-review

  7. An initial computational model for musical schemata theory

    Katsiavalos, A., Battey, B. & Collins, T., 2019, p. 166-172.

    Research output: Contribution to conferencePaperpeer-review

  8. Are musical emotions different from emotions experienced in everyday life?

    Kayser, D. & Egermann, H., 2019.

    Research output: Contribution to conferenceAbstractpeer-review

  9. MAIA Util: An NPM package for bridging web audio with music-theoretic concepts

    Collins, T. & Coulon, C., 2019, p. 47-52.

    Research output: Contribution to conferencePaperpeer-review

  10. Psychological and Environmental Factors in the Onset of Musician’s Focal Dystonia: An Exploratory Grounded Theory Study

    Detari, A. & Egermann, H., 2019.

    Research output: Contribution to conferenceAbstractpeer-review

  11. Psychosocial Work Environment of Musicians: How does it differ from the general workforce?

    Detari, A., Vaag, J. & Egermann, H. W., 2019.

    Research output: Contribution to conferenceAbstractpeer-review

  12. The Effect of Temperament Systems on Goodness-of-Fit Ratings in Turkish Makam Music

    Altun, F. & Egermann, H., 2019.

    Research output: Contribution to conferencePosterpeer-review

  13. Verwendung automatischer Gesichtsanalyse und Selbstbericht zur Erforschung musik-induzierter Emotion im Konzertsaal

    Kayser, D. & Egermann, H., 2019.

    Research output: Contribution to conferenceAbstractpeer-review

  14. 2018
  15. Beckett in Contemporary Music: Intermedial Considerations

    Laws, C. A., 3 May 2018.

    Research output: Contribution to conferencePaper

  16. SoundFields: A mixed reality spatial audio game for children with autism spectrum disorder

    Johnston, D., Egermann, H. & Kearney, G., 1 Jan 2018.

    Research output: Contribution to conferencePaperpeer-review

  17. An Investigation into The Effect of Induced Empathy On Emotional Responses to Music

    O'Neill, K. & Egermann, H. W., 2018. 1 p.

    Research output: Contribution to conferenceAbstractpeer-review

  18. Are musical aesthetic emotions embodied?

    Egermann, H. W. & Kayser, D., 2018. 1 p.

    Research output: Contribution to conferenceAbstractpeer-review

  19. Audience's Breath: Collective Respiratory Coordination in Response to Music

    Upham, F., Egermann, H. W. & McAdams, S., 2018. 1 p.

    Research output: Contribution to conferenceAbstractpeer-review

  20. How do Musical Means of Expression Affect the Perception of Musical Meaning?

    Herzog, M., Lepa, S., Steffens, J., Egermann, H. W. & Schoenrock, A., 2018. 1 p.

    Research output: Contribution to conferenceAbstractpeer-review

  21. Mental health and well-being – university music students and academic supervisors

    Haddon, H. E., 2018, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  22. Playful Production: Collaborative Devising in a Music Ensemble Context

    Haddon, H. E. & Laws, C. A., 2018.

    Research output: Contribution to conferencePaperpeer-review

  23. The Effect of Temperament Systems on Emotion-Induction and Learning

    Altun, F. & Egermann, H. W., 2018. 1 p.

    Research output: Contribution to conferenceAbstractpeer-review

  24. “Rhythm or Gestalt?” – Towards Integrating Embodied Music Cognition into Music Recommender Services via Smartphone-Assessed Movement

    Irrgang, M., Egermann, H. W., Steffens, J. & Weinzierl, S., 2018. 1 p.

    Research output: Contribution to conferenceAbstractpeer-review

  25. 2017
  26. Learning to accompany: How music students learn to accompany

    Haddon, H. E., 12 Nov 2017, (Unpublished).

    Research output: Contribution to conferencePaper

  27. You say microtone, I say macrotone: Julian Anderson's expanded pitch space

    Suckling, M. C., 20 Oct 2017, (Unpublished).

    Research output: Contribution to conferencePaper

  28. Overground endoscopic findings and respiratory sound analysis in horses with recurrent laryngeal neuropathy after unilateral laser ventriculocordectomy

    Barakzai, S., Baldwin, C., Wells, J. & Cramp, P., 16 Sep 2017. 1 p.

    Research output: Contribution to conferenceAbstractpeer-review

  29. In re: Experimental Politics

    Brooks, W. F., 1 Jul 2017, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  30. Performing Indeterrminacy

    Laws, C. A., 30 Jun 2017.

    Research output: Contribution to conferencePaper

  31. Poor Yorick: Singing Laurence Sterne

    Marsh, R. M., 17 May 2017.

    Research output: Contribution to conferencePaper

  32. Sculpting sound: metaphor, material and contemporary music

    Suckling, M. C., 8 May 2017, (Unpublished).

    Research output: Contribution to conferencePaper

  33. THIS IS… IS IT?

    Laws, C. A., 29 Apr 2017.

    Research output: Contribution to conferencePaper

  34. Playing and Instruments; Sound and Embodiment: Ceci n'est pas un piano; is it a pianist?

    Laws, C. A., 31 Mar 2017.

    Research output: Contribution to conferencePaper

  35. "Shake it out" - How Motion Capture and Smartphone-Assessed Movement Can Predict Properties of Music

    Irrgang, M., Steffens, J., Egermann, H. W. & Weinzierl, S., 2017.

    Research output: Contribution to conferenceAbstractpeer-review

  36. Conscious and Subconscious Body Movement: An Exploratory Study into Expressive and Technical Gestures in Piano Playing

    Czepiel, A. & Egermann, H. W., 2017. 1 p.

    Research output: Contribution to conferenceAbstractpeer-review

  37. Interaction between Aesthetic Judgement and Emotional Processing: Studying a Concert Audience Listening to Contemporary Music

    Egermann, H. W., Reuben, F. & McCall, C. A., 2017, (Accepted/In press) p. 150-151.

    Research output: Contribution to conferenceAbstractpeer-review

  38. 2016
  39. Modalities of Memorial: The Double Trauma of 1918 and Its Aftermaths

    Brooks, W. F. & Ertan, D., 23 Nov 2016, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  40. Piano Personae: Performance, Subjectivity and Experimentation

    Laws, C. A., 17 Jul 2016.

    Research output: Contribution to conferencePaper

  41. Singing Arcs: Sounding the Early History of Electronic Music

    Reuben, F. & Kolkowski, A., 2016.

    Research output: Contribution to conferencePaperpeer-review

  42. The Online Orchestra: Latency in Network Performance

    Reuben, F., 2016.

    Research output: Contribution to conferencePaperpeer-review

  43. The sound of white

    Suckling, M. C., 2016, (Unpublished).

    Research output: Contribution to conferencePaper

  44. Towards automatic music recommendation for audio branding scenarios

    Herzog, M., Lepa, S. & Egermann, H. W., 2016. 3 p.

    Research output: Contribution to conferencePaperpeer-review

  45. 2015
  46. Johnnies, Tommies, and Sammies: Music and transnational identities

    Brooks, W. F., Magee, G., Bashford, C., Matheson, L. & Vickers, J., 15 Nov 2015, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  47. Performance, Subjectivity and Experimentation

    Laws, C., 30 Sep 2015.

    Research output: Contribution to conferencePaper

  48. Dakar: articulating the tremendous

    Eato, J. E. & Wells, J., 30 Jun 2015.

    Research output: Contribution to conferencePaperpeer-review

  49. A Collection of Small Choices

    Eato, J. E. & Bruce, H., 14 May 2015.

    Research output: Contribution to conferencePaper

  50. The Legacy of Beckett in Music Theatre

    Laws, C., 10 Apr 2015.

    Research output: Contribution to conferencePaper

  51. "America, I Love You": Music and the Nation in 1915

    Brooks, W., 10 Mar 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  52. "America, I Love You": Music and the Nation in 1915

    Brooks, W., 7 Mar 2015, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  53. Piano performance: Group classes for the lifelong learner

    Haddon, L., 2015, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  54. 2014
  55. Knowing ‘I’?: Musical Subjectivity, Embodiment and Interaction

    Laws, C., 1 Dec 2014.

    Research output: Contribution to conferencePaper

  56. Musical Subjectivity in Action: Piano Personae.

    Laws, C., 2 Oct 2014.

    Research output: Contribution to conferencePaper

  57. A Climbing Vine Through Concrete: jazz in 1960s apartheid South Africa

    Eato, J. E., 6 Sep 2014.

    Research output: Contribution to conferencePaperpeer-review

  58. Samuel Beckett: Dramatic text as music, music as text (invited paper)

    Laws, C., 19 May 2014.

    Research output: Contribution to conferencePaper

  59. 2013
  60. Sound and Music in Beckett's All That Fall

    Laws, C., 9 Dec 2013.

    Research output: Contribution to conferencePaper

  61. Umhlaba Wethu: landscape in the Eastern Cape jazz imaginary

    Eato, J. E. & Dalamba, L., Sep 2013.

    Research output: Contribution to conferencePaperpeer-review

  62. Fissures, fragments and the prospect of silence in the work of Samuel Beckett

    Laws, C., 7 Aug 2013.

    Research output: Contribution to conferencePaper

  63. Serve with Curry and Rice: the Ghoemaisation of Jazz at the Cape

    Eato, J. E., 28 Jun 2013.

    Research output: Contribution to conferencePaper

  64. Partners in time: Developing a piano duet partnership

    Haddon, E. & Hutchinson, M. A., 2013, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  65. The development of the individual voice within the institutional community

    Haddon, E., 2013, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  66. 2012
  67. Networks of meaning in the audio-visual work of Ryoichi Kurokowa

    Field, A. E., 27 Oct 2012, p. 318-326.

    Research output: Contribution to conferencePaperpeer-review

  68. In re: "Experimental Music"

    Brooks, W., 21 Jun 2012, p. 37-62.

    Research output: Contribution to conferencePaperpeer-review

  69. Bach and the Belly Dancer: Jacky Lansley’s 'Guest Suites'

    Eato, J. E., 8 May 2012.

    Research output: Contribution to conferencePaper

  70. Know Where You Are: Kenny Wheeler, the performers’ composer

    Eato, J. E., 27 Mar 2012.

    Research output: Contribution to conferencePaperpeer-review

  71. Modularity, Immediacy and Exchange in Improvisation using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferencePaperpeer-review

  72. Music in Beckett’s Nacht und Träume: Vocality and Imagination

    Laws, C., 2012.

    Research output: Contribution to conferencePaper

  73. Real-time Plunderphonics: Appropriating Keyboard Performances as they Occur

    Reuben, F., 2012.

    Research output: Contribution to conferencePaperpeer-review

  74. The Virtual Singing Studio: a loudspeaker-based room acoustics simulation for real-time musical performance

    Brereton, J. S., Murphy, D. T. & Howard, D. M., 2012, p. 1-8. 8 p.

    Research output: Contribution to conferencePaper

  75. Workshop: Improvisation with Live Instruments using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferenceOtherpeer-review

  76. ‘A Shadow, An Aura and Some Notes on Light: Re-defining the Sibelius Legacy’

    Howell, T., 2012, (Accepted/In press).

    Research output: Contribution to conferencePaperpeer-review

  77. 2011
  78. Bergman's Modernism: Colours & Improvisations; coherence & integration

    Howell, T., 26 Sep 2011.

    Research output: Contribution to conferencePaperpeer-review

  79. Has Anyone Heard Yakhal’ Inkomo? Listening to the voices of South Africa’s Jazz Community

    Eato, J. E., 3 Sep 2011.

    Research output: Contribution to conferencePaperpeer-review

  80. Sounded Gestures and Enacted Sounds (updated version)

    Laws, C., Brooks, W. & Harron, D., Jul 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  81. Township Comets: the impact of South African jazz on the UK scene

    Eato, J. E., 27 Jun 2011.

    Research output: Contribution to conferencePaperpeer-review

  82. Creative Accounting: Beckett and the re-imagining of musical authority

    Laws, C., Jun 2011, (In preparation).

    Research output: Contribution to conferencePaper

  83. Sounded gesture and enacted sounds (preliminary report)

    Laws, C., Brooks, W. & Harron, D., May 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  84. Know Where You Are: Kenny Wheeler, the performers' composer

    Eato, J. E., 7 Apr 2011.

    Research output: Contribution to conferencePaperpeer-review

  85. The Writing’s on the Wall? The piano in co-creative contexts.

    Laws, C., Apr 2011.

    Research output: Contribution to conferencePaper

  86. Continuing Development for the Musician as Teacher in a University Context

    Haddon, E., 2011, (Accepted/In press).

    Research output: Contribution to conferencePaperpeer-review

  87. In Preparation: A Performance-led Approach and a New Research Methodology for Dance Science.

    Vahla, A., Redding, E., Hushlak, M. A., Sentler, S., Chin, S., Reuben, F. & Luck, N., 2011.

    Research output: Contribution to conferencePaperpeer-review

  88. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Lennox, P., 2011.

    Research output: Contribution to conferencePaperpeer-review

  89. Research Findings: from implications to implementation?

    Haddon, E., 2011, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  90. 2010
  91. Investigation of Factors Influencing Acoustic Characteristics in Geometric Acoustics Based Auralization

    Foteinou, A., Murphy, D. T. & Masinton, A., 1 Sep 2010, p. 171-181.

    Research output: Contribution to conferencePaperpeer-review

  92. 'I could show you all I know’: Elements of co-creativity in a music theatre context

    Laws, C., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  93. Audio Spatialization for The Morning Line

    Myatt, T. & Malham, D. G., 2010.

    Research output: Contribution to conferencePaper

  94. Evol, direct approaches to the auralisation of mathematical algorithms

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaperpeer-review

  95. Identity, Antagonism and Terre Thaemlitz

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaperpeer-review

  96. Jazz In South Africa Research Pages (JISA): An online education and research resource

    Eato, J., 2010.

    Research output: Contribution to conferencePaperpeer-review

  97. Making Sense of the Self: music students and self-identity

    Haddon, E., 2010, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  98. Modernity with Roots and Fragrance: Chris McGregor’s late Brotherhood of Breath compositions

    Eato, J., 2010.

    Research output: Contribution to conferencePaperpeer-review

  99. Single or Triple Threat? University music students and musical theatre learning

    Haddon, E., 2010.

    Research output: Contribution to conferencePaperpeer-review

  100. Studio Report, Music Research Centre, University of York

    Myatt, T., 2010.

    Research output: Contribution to conferencePaperpeer-review

  101. University Music Students and Masterclass Learning

    Haddon, E., 2010, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  102. Yasunao Tone and MP3 Disruption

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaperpeer-review

  103. 2009
  104. 'Headaches Among the Overtones': Thinking Through Music in Beckett.

    Laws, C., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  105. Feldman's Piano Music and Experimental Practising

    Laws, C., 2009.

    Research output: Contribution to conferencePaperpeer-review

  106. Multiple Teachers: multiple gains?

    Haddon, E., 2009, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  107. 2008
  108. The effect of different acoustic environments on singing voice performance

    Brereton, J. & Howard, D. M., 1 Feb 2008.

    Research output: Contribution to conferenceOther

  109. 'Forming the New from the Old: Rautavaarra’s Perspectives on Modernism’

    Howell, T., 2008.

    Research output: Contribution to conferencePaperpeer-review

  110. Culture and Context: the influence of institutional culture on undergraduate musicians' attitudes to learning and performance

    Haddon, E. & Papageorgi, I., 2008, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  111. Horatio Oratorio: Composing Using Historic Sound Recordings

    Kolkowski, A. & Reuben, F., 2008. 15 p.

    Research output: Contribution to conferencePaperpeer-review

  112. Mahler's Kindertotenlieder: a pianist's perspective on listening and learning: Paper and Performance with Dr John Potter

    Haddon, E., 2008, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  113. Pedagogy in Practice: how do music students learn to become instrumental and vocal teachers?

    Haddon, E., 2008.

    Research output: Contribution to conferencePaperpeer-review

  114. The ‘Jazz Voice’ in South Africa: A Developmental Physiology

    Eato, J., 2008.

    Research output: Contribution to conferencePaperpeer-review

  115. Thoughts Towards a Rhythmic Understanding of Jazz in South Africa

    Eato, J., 2008.

    Research output: Contribution to conferencePaperpeer-review

  116. Worldscape Laptop Orchestra

    Field, A. E., Harker, A. J. & Atmadjaja, A., 2008. 5 p.

    Research output: Contribution to conferencePaperpeer-review

  117. 2007
  118. Defining the limits of tuning for tones with and without vibrato

    van Besouw, R., Brereton, J. & Howard, D. M., 1 Sep 2007.

    Research output: Contribution to conferenceOther

  119. 2006
  120. SPACE-Net: The Spatial Audio Creative Engineering Network

    Murphy, D. T., Brereton, J. & Brookes, T. S., 1 Jun 2006, p. 279-282.

    Research output: Contribution to conferenceOther

  121. A mirror for sound: introduction and practical exploration of the WinSingad software for teaching singing

    Howard, D. M., Williams, J., Brereton, J., Welch, G. F., Himonides, E., Howard, A. & DeCosta, M., 1 May 2006, p. 33.

    Research output: Contribution to conferenceOther

  122. Pilot study of the effects of period instruments on the voice

    Daffern, H., Howard, D. M. & Seymour, P., 1 May 2006, p. 43.

    Research output: Contribution to conferenceOther

  123. 2005
  124. Perspectives on Matching New Technology for Displaying the Acoustics of the Singing Voice with an Appropriate Pedagogical Model

    Welch, G. F., Howard, D. M., Himonides, E. & Brereton, J., 1 Aug 2005, p. 147.

    Research output: Contribution to conferenceOther

  125. Growing Music: Musical Interpretations of L-Systems

    Worth, P. & Stepney, S., 2005, p. 545-550.

    Research output: Contribution to conferencePaper

  126. 2004
  127. VOXed: Technology as a meaningful teaching aid in the singing studio

    Welch, G. F., Himonides, E., Howard, D. M. & Brereton, J., 1 Apr 2004.

    Research output: Contribution to conferenceOther

  128. 2003
  129. Towards a novel real-time visual display for singing training

    Howard, D. M., Welch, G. F., Brereton, J. & Himonides, E., 1 Dec 2003, p. 179-182.

    Research output: Contribution to conferenceOther

  130. 1999
  131. Sibelius’ Tapiola: The Full Monty

    Howell, T., 1999.

    Research output: Contribution to conferencePaperpeer-review