Search research publications and outputs

  1. "America, I Love You": Music and the Nation in 1915

    Brooks, W., 10 Mar 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  2. "America, I Love You": Music and the Nation in 1915

    Brooks, W., 7 Mar 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  3. "Shake it out" - How Motion Capture and Smartphone-Assessed Movement Can Predict Properties of Music

    Irrgang, M., Steffens, J., Egermann, H. W. & Weinzierl, S., 2017.

    Research output: Contribution to conferenceAbstract

  4. 'Forming the New from the Old: Rautavaarra’s Perspectives on Modernism’

    Howell, T., 2008.

    Research output: Contribution to conferencePaper

  5. 'Headaches Among the Overtones': Thinking Through Music in Beckett.

    Laws, C., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  6. 'I could show you all I know’: Elements of co-creativity in a music theatre context

    Laws, C., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  7. A Climbing Vine Through Concrete: jazz in 1960s apartheid South Africa

    Eato, J. E., 6 Sep 2014.

    Research output: Contribution to conferencePaper

  8. A Collection of Small Choices

    Eato, J. E. & Bruce, H., 14 May 2015.

    Research output: Contribution to conferencePaper

  9. A mirror for sound: introduction and practical exploration of the WinSingad software for teaching singing

    Howard, D. M., Williams, J., Brereton, J., Welch, G. F., Himonides, E., Howard, A. & DeCosta, M., 1 May 2006, p. 33.

    Research output: Contribution to conferenceOther

  10. An Investigation into The Effect of Induced Empathy On Emotional Responses to Music

    O'Neill, K. & Egermann, H. W., 2018. 1 p.

    Research output: Contribution to conferenceAbstract

  11. Are musical aesthetic emotions embodied?

    Egermann, H. W. & Kayser, D., 2018. 1 p.

    Research output: Contribution to conferenceAbstract

  12. Are musical emotions different from emotions experienced in everyday life?

    Kayser, D. & Egermann, H., 2019.

    Research output: Contribution to conferenceAbstract

  13. Audience's Breath: Collective Respiratory Coordination in Response to Music

    Upham, F., Egermann, H. W. & McAdams, S., 2018. 1 p.

    Research output: Contribution to conferenceAbstract

  14. Audio Spatialization for The Morning Line

    Myatt, T. & Malham, D. G., 2010.

    Research output: Contribution to conferencePaper

  15. Bach and the Belly Dancer: Jacky Lansley’s 'Guest Suites'

    Eato, J. E., 8 May 2012.

    Research output: Contribution to conferencePaper

  16. Beckett in Contemporary Music: Intermedial Considerations

    Laws, C. A., 3 May 2018.

    Research output: Contribution to conferencePaper

  17. Bergman's Modernism: Colours & Improvisations; coherence & integration

    Howell, T., 26 Sep 2011.

    Research output: Contribution to conferencePaper

  18. Continuing Development for the Musician as Teacher in a University Context

    Haddon, E., 2011, (Accepted/In press).

    Research output: Contribution to conferencePaper

  19. Creative Accounting: Beckett and the re-imagining of musical authority

    Laws, C., Jun 2011, (In preparation).

    Research output: Contribution to conferencePaper

  20. Culture and Context: the influence of institutional culture on undergraduate musicians' attitudes to learning and performance

    Haddon, E. & Papageorgi, I., 2008, (Unpublished).

    Research output: Contribution to conferencePaper

  21. Dakar: articulating the tremendous

    Eato, J. E. & Wells, J., 30 Jun 2015.

    Research output: Contribution to conferencePaper

  22. Defining the limits of tuning for tones with and without vibrato

    van Besouw, R., Brereton, J. & Howard, D. M., 1 Sep 2007.

    Research output: Contribution to conferenceOther

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