Search research publications and outputs

  1. The Papers of C.I. Latrobe: New Light on Magicians, Music and the Christian Family in Late Eighteenth-Century England

    Cowgill, R., 2000, Music in Eighteenth-Century Britain. D. W. J. (ed.). Aldershot, UK: Farnham: Ashgate Publishing Ltd, p. 234-258 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  2. The Performance Legacy of Die Meistersinger

    Sheil, Á., 2015, Die Meistersinger von Nürnberg. Kahn, G. (ed.). Richmond: Overture Publishing, p. 55 72 p. (Overture Opera Guides in association with ENO).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. The Piano Concertos and the Sonata for Two Pianos and Percussion

    Losseff, N., 2001, Cambridge University Press. Bayley, A. (ed.). p. 118-132 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. The effect of subliminal messages in music on choice behaviour.

    Egermann, H. & Kopiez, R., 2006, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Freiburg, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  5. The imperative of diverse musical creativities in academia and industry: Training the next generation of musical entrepreneurs

    Burnard, P. & Haddon, E., 1 Jan 2015, Activating Diverse Musical Creativities: Teaching and learning in higher music education. Burnard, P. & Haddon, E. (eds.). London: Bloomsbury Academic, p. 3-18 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. The opera director’s voice: DVD 'extras' and the question of authority

    Sheil, Á., 2012, Opera and Video : Technology and spectatorship. Pérez, H. J. (ed.). Bern: Peter Lang, p. 129-150 22 p. (Film Cultures).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. The voice, the breath and the soul: song and poverty in Thyrza, Mary Barton, Alton Locke and A Child of the Jago

    Losseff, N., 2004, The Idea of Music in Victorian Fiction. Ashgate Publishing Company, p. 3-26 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. This Is Not A...

    Laws, C. A., 2018, Collaborative and Distributed Processes in Contemporary Music-Making. Redhead, L. & Glover, R. (eds.). Cambridge Scholars Publishing

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Township comets: The impact of South African jazz on the UK scene

    Eato, J. E., Dec 2012, iaspm 2011 proceedings: Situating popular musics. Montano, E. & Nardi, C. (eds.). International Association for the Study of Popular Music, Vol. IASPM 16th International Conference Proceedings. p. 112-118

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  10. Two Versions of the Fifth Symphony: A Study in Compositional Process

    Howell, T., 1995, Proceedings from the First International Jean Sibelius Conference, August, 1990, . Sibelius Academy, Helsinki

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  11. Ultrafast magnetism as seen by x-rays

    Radu, I., Vahaplar, K., Stamm, C., Kachel, T., Pontius, N., Radu, F., Abrudan, R., Dürr, H., Ostler, T., Barker, J., Evans, R., Chantrell, R., Tsukamoto, A., Itoh, A., Kirilyuk, A., Rasing, T., Kimel, A. & Evans, R. F. L., 23 Mar 2012, Proceedings of SPIE - The International Society for Optical Engineering. Vol. 8260. 82601M

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  12. Untersuchung zur Validität von Hörversuchen im Internet

    Pysiewicz, A. & Egermann, H., 2014, Fortschritte der Akustik - DAGA 2014. Deutsche Gesellschaft für Akustik, p. 788-789 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  13. Weichsel, Charles

    Cowgill, R., 2001, The New Grove Dictionary of Music and Musicians. London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. What does mental imagery mean to university music students and their professors?

    Haddon, E., 2007, Proceedings of the International Symposium on Performance Science 2007. Williamon, A. & Coimbra, D. (eds.). The Netherlands: Association Europeenne des Conservatoires, Academies de Musique et Musikhochschulen (AEC), p. 301-306

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  15. Widening the Cambridge Circle: Further High Church Musical Connections

    Wainwright, J. P., 2019, (Accepted/In press) Music, Politics, and Religion in Early Seventeenth-Century Cambridge: The Peterhouse Partbooks in Context. Mandelbrote, S. (ed.). Boydell & Brewer

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Yasunao Tone and MP3 Disruption

    Myatt, T., Fell, M. J., Worth, P. J. & Blake, T., 2010, Proceedings of the International Computer Music Conference 2010. Vol. 2010.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. ‘Freedom of Choice: Project-based Learning’,

    Howell, T., 1999, Making Music Work – The Professional Integration Project. Barnes, J. (ed.). London: Royal College of Music Publications , p. 73-84 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. ‘Sibelius the Progressive’

    Howell, T., 2001, Sibelius Studies. Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. ‘The Practical Project’

    Howell, T., 1999, Making Music Work – The Professional Integration Project. Barnes, J. (ed.). London: Royal College of Music Publications , p. 51-57 7 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. “I could show you all I know”: Elements of co-creativity in a music theatre context.

    Laws, C., 2013, (In preparation) Productive Tensions : Co-creative Practices in Music. Brooks, W. & Laws, C. (eds.). Leuven University Press, (Collected Writings of the Orpheus Research Centre in Music ).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  21. “No delicacies of tone”: bells and identity in Gissing’s London

    Losseff, N., 2010, Writing Otherness: The Pathways of George Gissing’s Imagination. Huguet, C. (ed.). Groningen: Equilibris, p. 71-82 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

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