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  2. "Hence, base intruder, hence": Rejection and Assimilation in the Early English Reception of Mozart's Requiem

    Cowgill, R., 2006, Europe, Empire, and Spectacle in Nineteenth-Century British Music. Cowgill, R. & Rushton, J. (eds.). Aldershot, UK: Farnham: Ashgate Publishing Ltd, p. 9-28 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. "Wise Men from the East": Mozart's Operas and their Advocates in Early-Nineteenth Century London

    Cowgill, R., 21 Dec 2000, Music and British Culture, 1785-1914. Bashford, C. & Langley, L. (eds.). Oxford, UK: Oxford University Press, p. 39-64 26 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. 'Embodiment and Gesture in Performance: Practice-led Perspectives

    Laws, C. A., 2014, Artistic Experimentation in Music: An Anthology. Gilmore, B. & Crispin, D. (eds.). Leuven: Leuven University Press, p. 131-142 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. 'Such scientific and profound harmonies': The Italian Opera Orchestra and Early Performances of Mozart's Don Giovanni in London

    Cowgill, R., 2008, The Opera Orchestra in 18th- and 19th-Century Europe. Jensen, N. M. & Piperno, F. (eds.). Berlin: Berliner Wissenschafts-Verlag, (Musical Life in Europe 1600-1900: Circulation, Institutions, Representation).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. A Child Went Forth: Hanns Eisler, American Progressives, and Folk Song

    Brooks, W., Feb 2014, Crosscurrents: American and European Music in Interaction, 1900–2000. Meyer, F., Oja, C. J., Rathert, W. & Shreffler, A. C. (eds.). Woodbridge, UK: Boydell Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. A Climbing Vine Through Concrete: Jazz in 1960s apartheid South Africa

    Eato, J. E., 2017, Jazz and Totalitarianism. Johnson, B. (ed.). Routledge: Taylor and Francis Group, 11. (Transnational Studies in Jazz).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. A Question of Identity: Die Meistersinger von Nürnberg in Weimar Germany

    Sheil, Á., 2006, Music, Theatre and Politics in Germany: 1848 to the Third Reich. Bacht, N. (ed.). Aldershot: Ashgate Aldershot, UK:, p. 93 112 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Analysis and Performance: The Search for a Middleground

    Howell, T., 1991, A Companion to Contemporary Musical Thought. Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Attitudes with a Shawl: Performance, Femininity, and Spectatorship at the Italian Opera in Early Nineteenth-Century London

    Cowgill, R., 12 Jul 2012, The Arts of the Prima Donna in the Long Nineteenth Century. Cowgill, R. & Poriss, H. (eds.). New York: Oxford University Press, p. 217-251 35 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Barthelemon family; Burney, Charles; Crotch, William; Gardiner, William; Horn family; Latrobe, Christian Ignatius; Peploe, Mrs; Novello

    Cowgill, R., 2002, Oxford Composer Companions. Jones, D. W. (ed.). Oxford: Oxford University Press, (Oxford Composer Companions).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Beckett and Unheard Sound

    Laws, C. A., 2010, Beckett and Nothing: Trying to understand Beckett. Caselli, D. (ed.). Manchester: Manchester University Press, p. 176-191 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Beethoven’s Haunting of Beckett’s 'Ghost Trio'

    Laws, C. A., 2003, Drawing on Beckett: Portraits, Performances, and Cultural Contexts. Ben-Zvi, L. (ed.). Tel Aviv: Assaph, p. 197-214 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Billington, Elizabeth

    Cowgill, R., 2004, The Oxford Dictionary of National Biography. Matthew, H. C. G. & Harrison, B. (eds.). London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Braham, John

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Burney, Charles

    Cowgill, R., 1999, The Reader’s Guide to Music. Steib, M. (ed.). Chicago: Fitzroy Dearborn, p. 110-112 3 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Callas, Maria; lang, k.d.; Opera queen; Opera: women en travesti; Sutherland, Joan

    Cowgill, R., 1 Mar 2006, Routledge International Encyclopaedia of Queer Culture. Gerstner, D. A. (ed.). London: Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Carter, Richard

    Cowgill, R. & Fiske, R., 2001, The New Grove Dictionary of Music and Musicians. London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Catalani, Angelica

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. Composing for the resonance: finding new relationships between architecture and musical composition.

    Field, A. E., 1 Jan 2016, IRCAM Open Music Composer’s Book . Bresson, J., Assayag, G. & Agon, C. (eds.). Paris: Editions Delatour/IRCAM, Paris, Vol. 3. 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Continuing professional development for the musician as teacher in a university context

    Haddon, E., Oct 2013, Developing the Musician: Contemporary Perspectives on Teaching and Learning. Stakelum, M. (ed.). Aldershot: Ashgate Publishing Company, p. 191-206 16 p. (SEMPRE Studies in the Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Corri family

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Corri family

    Cowgill, R., Ward Jones, P., Bunker Clark, J. & Nathan, B., 2001, The New Grove Dictionary of Music and Musicians. London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Creating an Image through Music: Understanding the Psychological Mechanisms Behind Audio Branding

    Egermann, H., 2018, (Accepted/In press) The Oxford Handbook of Sound & Imagination. Grimshaw, M., Walther-Hansen, M. & Knakkergaard, M. (eds.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Creativity and the institutional mindset

    Haddon, E. & Potter, J., 2014, Advanced Musical Performance: Investigations in Higher Education Learning. Papageorgi, I. (ed.). Aldershot: Ashgate Publishing Company, p. 129-142 14 p. (SEMPRE Studies in The Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. Creativity in higher music education: Views of university music lecturers

    Haddon, E., 2016, (Accepted/In press) Creative teaching for creative learning in higher music education. Haddon, E. & Burnard, P. (eds.). Abingdon, Oxon: Routledge, p. 22-34 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

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