Search research publications and outputs

  1. 2012
  2. Attitudes with a Shawl: Performance, Femininity, and Spectatorship at the Italian Opera in Early Nineteenth-Century London

    Cowgill, R., 12 Jul 2012, The Arts of the Prima Donna in the Long Nineteenth Century. Cowgill, R. & Poriss, H. (eds.). New York: Oxford University Press, p. 217-251 35 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Ultrafast magnetism as seen by x-rays

    Radu, I., Vahaplar, K., Stamm, C., Kachel, T., Pontius, N., Radu, F., Abrudan, R., Dürr, H., Ostler, T., Barker, J., Evans, R., Chantrell, R., Tsukamoto, A., Itoh, A., Kirilyuk, A., Rasing, T., Kimel, A. & Evans, R. F. L., 23 Mar 2012, Proceedings of SPIE - The International Society for Optical Engineering. Vol. 8260. 82601M

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  4. Performance Alfresco: Music-Making in London's Pleasure Gardens

    Cowgill, R., Jan 2012, The Pleasure Garden. Conlin, J. (ed.). University of Pennsylvania Press, p. 100-126 27 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. A Shadow, An Aura and Some Notes on Light: Re-defining the Sibelius Legacy

    Howell, T., 2012, (Accepted/In press) Proceedings of the Fifth International Sibelius Conference, Oxford 2010. Helsinki: http://sibeliusone.com/sibelius-reconsidered/

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  6. Monteverdi Vespers (1610)

    Wainwright, J., 2012, The Cambridge History of Musical Performance. Lawson, C. & Stowell, R. (eds.). Cambridge: Cambridge University Press, p. 448–469

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Perception and Emotional Effect of Fade-outs in Song Endings in Popular Music

    Egermann, H., Gaulin, M. & McAdams, S., 2012, Tagungsband der Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Bremen, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  8. The opera director’s voice: DVD 'extras' and the question of authority

    Sheil, Á., 2012, Opera and Video : Technology and spectatorship. Pérez, H. J. (ed.). Bern: Peter Lang, p. 129-150 22 p. (Film Cultures).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. 2011
  10. Dualities and Dialogues: Saariaho’s Concertos

    Howell, T., 19 Sep 2011, Kaija Saariaho: Visions, Narratives, Dialogues. England: Ashgate Publishing Company, p. 133 -157 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. A comparison of analysis and resynthesis methods for directional segmentation of stereo audio

    Wells, J., Sep 2011, Proceedings of the 14th International Conference on Digital Audio Effects (DAFx-11), Paris, France, September 19-23, 2011. Peeters, G. (ed.). Paris: IRCAM, p. 191-198 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  12. Expectation and Emotion in a Live Concert Experiment

    Egermann, H., Pearce, M., Wiggins, G. & McAdams, S., 2011, Abstract Book of the Meeting of the Society for Music Perception and Cognition Rochester, New York 11.-14. August 2011.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  13. From the Air to the Earth: Reading the Ashes

    March, D. T., 2011, Kaija Saariaho: Visions, Narratives, Dialogues. Howell, T., Hargreaves, J. & Rofe, M. (eds.). Ashgate, p. 15-40

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Morton Feldman’s Late Piano Music: Experimentalism in Practice

    Laws, C. A., 2011, The Practice of Practising . Laws, C. (ed.). Leuven University Press, (Collected Writings of the Orpheus Research Centre in Music; vol. 4).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Multispatial Sound

    Myatt, T., 2011, The Morning Line Vienna. Zyman, D. & Ebersberger, E. (eds.). Vienna: Thyssen-Bornemizsa Art Contemporary, (Verlag für moderne Kunst Nürnberg).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Peter Lennox, P., 2011, Proceedings of the 17th International Conference on Auditory Display. Budapest, Hungary: I.C.A.D., Vol. 2011.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Preludes and Codas

    Howell, T., 2011, Kaija Saariaho: Visions, Narratives, Dialogues. England: Ashgate Publishing Company, p. xv -xxiii 9 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Psychological and physiological correlates of expectation and emotion in a live concert experiment

    Egermann, H. & McAdams, S., 2011, Abstracts for the 51st Annual Meeting Society for Psychophysiological Research. Psychophysiology.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  19. 2010
  20. Beckett and Unheard Sound

    Laws, C. A., 2010, Beckett and Nothing: Trying to understand Beckett. Caselli, D. (ed.). Manchester: Manchester University Press, p. 176-191 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Early Western Pioneers: John Foulds and Maud MacCarthy

    Sorrell, N., 2010, Hindustani Music Thirteenth to Twentieth Centuries. Bor, J., Delvoye, F. N., Harvey, J. & Nijenhuis, E. T. (eds.). New Delhi: Codarts Manohar, p. 511-519

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  22. Multispatial Sound

    Myatt, T., 2010, The Morning Line: Istanbul. Zyman, D. & Ebersberger, E. (eds.). Thyssen-Bornemizsa Art Contemporary

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. New Light and the Man of Might: Revisiting Early Interpretations of Mozart's Die Zauberflote

    Cowgill, R., 2010, Art and Ideology in European Opera. Cowgill, R., Cooper, D. & Brown, C. (eds.). Woodbridge: Boydell and Brewer Ltd, p. 194-221 28 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Of Science and Nature: Mozart versus the Modern Bel Canto in Early Nineteenth-Century London

    Cowgill, R., 2010, Mozart, Marcos Portugal e o seu tempo. Cranmer, D. (ed.). Lisbon: Centro de Estudos da Sociologia e Estetica Musical, p. 35-51 and 197-280

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Recognition is different from feeling: experimental evidence for two different types of emotional processes in music using a between-subjects design in a web experiment

    Egermann, H. & McAdams, S., 2010, Proceedings of the 11th International Conference on Music Perception and Cognition (ICMPC11). Seattle, Washington, USA.. Demorest, S. M., Morrison, S. J. & Campbell, P. S. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  26. Yasunao Tone and MP3 Disruption

    Myatt, T., Fell, M. J., Worth, P. J. & Blake, T., 2010, Proceedings of the International Computer Music Conference 2010. Vol. 2010.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. “No delicacies of tone”: bells and identity in Gissing’s London

    Losseff, N., 2010, Writing Otherness: The Pathways of George Gissing’s Imagination. Huguet, C. (ed.). Groningen: Equilibris, p. 71-82 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. 2009
  29. Feldman – Beckett – Johns: Patterning, Memory and Subjectivity

    Laws, C. A., 2009, The Modernist Legacy: Essays on New Music. Heile, B. (ed.). Aldershot: Ashgate, p. 135-158 24 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter