Search research publications and outputs

  1. 2011
  2. Bergman's Modernism: Colours & Improvisations; coherence & integration

    Howell, T., 26 Sep 2011.

    Research output: Contribution to conferencePaper

  3. Sounded Gestures and Enacted Sounds (updated version)

    Laws, C., Brooks, W. & Harron, D., Jul 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  4. Township Comets: the impact of South African jazz on the UK scene

    Eato, J. E., 27 Jun 2011.

    Research output: Contribution to conferencePaper

  5. Creative Accounting: Beckett and the re-imagining of musical authority

    Laws, C., Jun 2011, (In preparation).

    Research output: Contribution to conferencePaper

  6. Sounded gesture and enacted sounds (preliminary report)

    Laws, C., Brooks, W. & Harron, D., May 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  7. Know Where You Are: Kenny Wheeler, the performers' composer

    Eato, J. E., 7 Apr 2011.

    Research output: Contribution to conferencePaper

  8. The Writing’s on the Wall? The piano in co-creative contexts.

    Laws, C., Apr 2011.

    Research output: Contribution to conferencePaper

  9. Continuing Development for the Musician as Teacher in a University Context

    Haddon, E., 2011, (Accepted/In press).

    Research output: Contribution to conferencePaper

  10. In Preparation: A Performance-led Approach and a New Research Methodology for Dance Science.

    Vahla, A., Redding, E., Hushlak, M. A., Sentler, S., Chin, S., Reuben, F. & Luck, N., 2011.

    Research output: Contribution to conferencePaper

  11. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Lennox, P., 2011.

    Research output: Contribution to conferencePaper

  12. Research Findings: from implications to implementation?

    Haddon, E., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  13. 2010
  14. Investigation of Factors Influencing Acoustic Characteristics in Geometric Acoustics Based Auralization

    Foteinou, A., Murphy, D. T. & Masinton, A., 1 Sep 2010, p. 171-181.

    Research output: Contribution to conferencePaper

  15. 'I could show you all I know’: Elements of co-creativity in a music theatre context

    Laws, C., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  16. Audio Spatialization for The Morning Line

    Myatt, T. & Malham, D. G., 2010.

    Research output: Contribution to conferencePaper

  17. Evol, direct approaches to the auralisation of mathematical algorithms

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaper

  18. Identity, Antagonism and Terre Thaemlitz

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaper

  19. Making Sense of the Self: music students and self-identity

    Haddon, E., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  20. Single or Triple Threat? University music students and musical theatre learning

    Haddon, E., 2010.

    Research output: Contribution to conferencePaper

  21. Studio Report, Music Research Centre, University of York

    Myatt, T., 2010.

    Research output: Contribution to conferencePaper

  22. University Music Students and Masterclass Learning

    Haddon, E., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  23. Yasunao Tone and MP3 Disruption

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaper

  24. 2009
  25. 'Headaches Among the Overtones': Thinking Through Music in Beckett.

    Laws, C., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  26. Feldman's Piano Music and Experimental Practising

    Laws, C., 2009.

    Research output: Contribution to conferencePaper

  27. Multiple Teachers: multiple gains?

    Haddon, E., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  28. 2008
  29. The effect of different acoustic environments on singing voice performance

    Brereton, J. & Howard, D. M., 1 Feb 2008.

    Research output: Contribution to conferenceOther

  30. 'Forming the New from the Old: Rautavaarra’s Perspectives on Modernism’

    Howell, T., 2008.

    Research output: Contribution to conferencePaper

  31. Culture and Context: the influence of institutional culture on undergraduate musicians' attitudes to learning and performance

    Haddon, E. & Papageorgi, I., 2008, (Unpublished).

    Research output: Contribution to conferencePaper

  32. Horatio Oratorio: Composing Using Historic Sound Recordings

    Kolkowski, A. & Reuben, F., 2008. 15 p.

    Research output: Contribution to conferencePaper

  33. The ‘Jazz Voice’ in South Africa: A Developmental Physiology

    Eato, J., 2008.

    Research output: Contribution to conferencePaper

  34. Thoughts Towards a Rhythmic Understanding of Jazz in South Africa

    Eato, J., 2008.

    Research output: Contribution to conferencePaper

  35. Worldscape Laptop Orchestra

    Field, A. E., Harker, A. J. & Atmadjaja, A., 2008. 5 p.

    Research output: Contribution to conferencePaper

  36. 2007
  37. Defining the limits of tuning for tones with and without vibrato

    van Besouw, R., Brereton, J. & Howard, D. M., 1 Sep 2007.

    Research output: Contribution to conferenceOther

  38. 2006
  39. SPACE-Net: The Spatial Audio Creative Engineering Network

    Murphy, D. T., Brereton, J. & Brookes, T. S., 1 Jun 2006, p. 279-282.

    Research output: Contribution to conferenceOther

  40. A mirror for sound: introduction and practical exploration of the WinSingad software for teaching singing

    Howard, D. M., Williams, J., Brereton, J., Welch, G. F., Himonides, E., Howard, A. & DeCosta, M., 1 May 2006, p. 33.

    Research output: Contribution to conferenceOther

  41. Pilot study of the effects of period instruments on the voice

    Daffern, H., Howard, D. M. & Seymour, P., 1 May 2006, p. 43.

    Research output: Contribution to conferenceOther

  42. 2005
  43. Perspectives on Matching New Technology for Displaying the Acoustics of the Singing Voice with an Appropriate Pedagogical Model

    Welch, G. F., Howard, D. M., Himonides, E. & Brereton, J., 1 Aug 2005, p. 147.

    Research output: Contribution to conferenceOther

  44. Growing Music: Musical Interpretations of L-Systems

    Worth, P. & Stepney, S., 2005, p. 545-550.

    Research output: Contribution to conferencePaper

  45. 2004
  46. VOXed: Technology as a meaningful teaching aid in the singing studio

    Welch, G. F., Himonides, E., Howard, D. M. & Brereton, J., 1 Apr 2004.

    Research output: Contribution to conferenceOther

  47. 2003
  48. Towards a novel real-time visual display for singing training

    Howard, D. M., Welch, G. F., Brereton, J. & Himonides, E., 1 Dec 2003, p. 179-182.

    Research output: Contribution to conferenceOther

  49. 1999
  50. Sibelius’ Tapiola: The Full Monty

    Howell, T., 1999.

    Research output: Contribution to conferencePaper