Search research publications and outputs

  1. 2015
  2. Words and Music 8: Samson and Pasolini

    Marsh, R. M., 7 Dec 2015

    Research output: Other contribution

  3. Haydn Creation

    Seymour, P. G., 5 Dec 2015

    Research output: Non-textual formPerformance

  4. Experimental Affinities in Music

    Brooks, W. F. & de Assis, P. (ed.), Dec 2015, Leuven: Leuven University Press. 247 p. (Orpheus Institute)

    Research output: Book/ReportAnthology

  5. A Collection of Small Choices

    Eato, J. E., Bruce, H., Morrison, M., Worth, P., Burt, T. & Dave, M., 18 Nov 2015

    Research output: Non-textual formComposition

  6. Madness and Torment (2)

    Seymour, P. G., 18 Nov 2015

    Research output: Non-textual formPerformance

  7. Johnnies, Tommies, and Sammies: Music and transnational identities

    Brooks, W. F., Magee, G., Bashford, C., Matheson, L. & Vickers, J., 15 Nov 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  8. Words and Music 6-7: Lamentations; The Song of Abigail.

    Marsh, R. M., 13 Nov 2015

    Research output: Other contribution

  9. Words and Music 5: Silly Love Songs

    Marsh, R. M., 20 Oct 2015

    Research output: Other contribution

  10. Java

    Sorrell, N. F. I., 16 Oct 2015, (Accepted/In press) The Other Classical Musics: Fifteen Great Traditions. Church, M. (ed.). Boydell & Brewer, 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Draw on, sweet night

    Hollingworth, R. M., 1 Oct 2015

    Research output: Other contribution

  12. Performance, Subjectivity and Experimentation

    Laws, C., 30 Sep 2015.

    Research output: Contribution to conferencePaper

  13. Premiere of Ten Bellows (for piano, electronics and assistant) by Edward Jessen

    Laws, C., 30 Sep 2015

    Research output: Non-textual formPerformance

  14. Words and Music 1-4: Words Matter; James Joyce;Dum; Not a soul but ourselves.

    Marsh, R. M., 28 Sep 2015, 1 p. cmrc york.

    Research output: Other contribution

  15. William Child: The First Set of Psalmes of .III.Voyces (1639)

    Wainwright, J. (ed.), 14 Aug 2015, York: York Early Music Press. 48 p.

    Research output: Book/ReportScholarly edition

  16. Dakar: articulating the tremendous

    Eato, J. E. & Wells, J., 30 Jun 2015.

    Research output: Contribution to conferencePaper

  17. ‘Madness and Torment’

    Seymour, P. G., 23 May 2015

    Research output: Non-textual formPerformance

  18. A Collection of Small Choices

    Eato, J. E. & Bruce, H., 14 May 2015.

    Research output: Contribution to conferencePaper

  19. Betrayal - A polyphonic crime drama

    Hollingworth, R. M., 11 May 2015

    Research output: Non-textual formPerformance

  20. The Legacy of Beckett in Music Theatre

    Laws, C., 10 Apr 2015.

    Research output: Contribution to conferencePaper

  21. "America, I Love You": Music and the Nation in 1915

    Brooks, W., 10 Mar 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  22. "America, I Love You": Music and the Nation in 1915

    Brooks, W., 7 Mar 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  23. Music and words of WW1

    Seymour, P. G., 7 Mar 2015

    Research output: Non-textual formPerformance

  24. Bach, JS Matthäus-Passion BWV 244b

    Seymour, P. G., Feb 2015

    Research output: Non-textual formPerformance

  25. Heard above the Battle's roar

    Seymour, P. G., 31 Jan 2015

    Research output: Non-textual formPerformance

  26. Musical creativities and entrepreneurship in higher music education: Activating new possibilities

    Haddon, E. & Burnard, P., 1 Jan 2015, Activating Diverse Musical Creativities: Teaching and learning in higher music education. Burnard, P. & Haddon, E. (eds.). London: Bloomsbury Academic, p. 261-281 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. The imperative of diverse musical creativities in academia and industry: Training the next generation of musical entrepreneurs

    Burnard, P. & Haddon, E., 1 Jan 2015, Activating Diverse Musical Creativities: Teaching and learning in higher music education. Burnard, P. & Haddon, E. (eds.). London: Bloomsbury Academic, p. 3-18 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education

    Burnard, P. (ed.) & Haddon, H. E. (ed.), 2015, Paperback ed. London: Bloomsbury Academic. 272 p.

    Research output: Book/ReportBook

  29. After Vicentino: for alto, viola, and electronic keyboard

    Brooks, W. & Trio Scordatura, ., 2015, (Accepted/In press)

    Research output: Non-textual formComposition

  30. After Yeats

    Brooks, W., 2015, (Accepted/In press)

    Research output: Non-textual formComposition

  31. Auditive and Audiotactile Music Perception of Cochlear Implant Users

    Papadogianni-Kouranti, M., Egermann, H. & Weinzierl, S., 2015, Fortschritte der Akustik: Tagungsband d. 41. DAGA. Becker, S. (ed.). Oldenburg: Deutsche Gesellschaft für Akustik, p. 1203-1205 3 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  32. Capriccioso for Solo Violin

    Simaku, T., 2015

    Research output: Non-textual formComposition

  33. Gesture-sound causality from the audience's perspective: investigating the influence of mapping design on the reception of new digital musical instruments

    Emerson, G., Förstel, A. & Egermann, H., 2015, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Kreutz, G. (ed.). Oldenburg, Germany: Deutsche Gesellschaft für Musikpsychologie, p. 1-2 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  34. In re: Experimental Education

    Brooks, W., 2015, Patterns of Intuition: Musical Creativity in the Light of Algorithmic Composition. Nierhaus, G. (ed.). Dordrecht: Springer-Verlag, p. 329-347 19 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  35. Kinshi: For ensemble

    Marsh, R. M., 2015

    Research output: Non-textual formComposition

  36. Learning Statistical Regularities of a Simple Musical 'Genre': The Case of Radio Station Jingles

    Müllensiefen, D., Egermann, H. & Burrows, S., 2015, Proceedings of the European Conference on Data Analysis. Lausen, B. (ed.). Colchester: Gesellschaft für Klassifikation, p. 1 1 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  37. Performance expertise of DJs in the club-context

    Förstel, A. & Egermann, H., 2015, Escom Manchester 2015: Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music, Programme and abstracts . Ginsborg, J., Lamont, A. & Bramley, S. (eds.). Manchester: ESCOM, p. 367 1 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  38. Piano performance: Group classes for the lifelong learner

    Haddon, L., 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  39. Predicting GEMS Based on PDA-Assessed Gestural Motion Data

    Irrgang, M., Egermann, H., Acar, E. & Lommatzsch, A., 2015, Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR) Music, Mind, and Embodiment. Kronland-Martinet, R., Aramaki, M., Ystad, S. & Eaton, J. (eds.). Interdisciplinary Centre for Computer Music Research, p. 472-485 14 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  40. Propositions, after Georges Bataille

    Reuben, F., Gotman, K., de la Cour, A. & Jackson, T., 2015

    Research output: Non-textual formComposition

  41. Psalm (after Celan): for harp and three groups of four instruments

    Suckling, M. C., 2015

    Research output: Non-textual formComposition

  42. Radio station jingles: How statistical learning applies to a special genre of audio logos

    Muellensiefen, D., Egermann, H. & Burrows, S., 2015, Audio Branding Yearbook 2014-2015. Bronner, K., Hirt, R. & Ringe, C. (eds.). Baden-Baden: Nomos, p. 1-21 21 p.

    Research output: Chapter in Book/Report/Conference proceedingOther chapter contribution

  43. Richard Dering: Motets and Anthems

    Wainwright, J., 2015, London: Stainer & Bell. (Musica Britannica)

    Research output: Book/ReportScholarly edition

  44. Signale -- Entwicklung und Evaluation eines Open Source Ensembles elektronischer Musikinstrumente zur Vermittlung elektronischer/elektroakustischer Musik und ihrer technischen Grundlagen

    Schultz, C. M., Seedorf, M., Förstel, A. & Egermann, H., 2015, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Kreutz, G. (ed.). Oldenburg, Germany: Deutsche Gesellschaft für Musikpsychologie, p. 1-2 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  45. Spielbewegungen von Musikinstrumenten und deren Bedeutung für das Klangergebnis: Ein experimenteller Zugang durch Motion Tracking klassischer Orchesterinstrumente und Auralisation der Bewegungsdaten

    Steger, D., Egermann, H., Weinzierl, S. & Bewegung, D., 2015, Fortschritte der Akustik: Tagungsband d. 41. DAGA. Becker, S. (ed.). Oldenburg: Deutsche Gesellschaft für Akustik, p. 1425-1428 4 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  46. Spir­i­tus Telecom­mu­ni­tas

    Reuben, F., Kolkowski, A. & Har­g­reaves, J., 2015

    Research output: Non-textual formComposition

  47. String Quartet No 5

    Simaku, T., 2015

    Research output: Non-textual formComposition

  48. Swinging to the beat: Movement induction in electronic dance music

    Egermann, H., Förstel, A., Lehrbach, N. & Wende, M., 2015, Proceedings of the Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music. Ginsborg, J., Lamont, A. & Bramley, S. (eds.). Manchester: Chapel Press, p. 338-340 3 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  49. The Actions that Make a Musical Instrument. Exploring Club-DJing as an Instrumental

    Förstel, A., Hardjowirogo, S-I. & Egermann, H., 2015, Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR) Music, Mind, and Embodiment. Kronland-Martinet, R., Aramaki, M., Ystad, S. & Eaton, J. (eds.). Marseille, France: The Laboratory of Mechanics and Acoustics, p. 762-769 8 p. (Publications of the LMA).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  50. The Performance Legacy of Die Meistersinger

    Sheil, Á., 2015, Die Meistersinger von Nürnberg. Kahn, G. (ed.). Richmond: Overture Publishing, p. 55 72 p. (Overture Opera Guides in association with ENO).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  51. The Rose of the World: Based on W. B. Yeats poem of the same title

    Simaku, T., 2015

    Research output: Non-textual formComposition

  52. Visiones: after Goya

    Suckling, M. C., 2015

    Research output: Non-textual formComposition

  53. Walking Away: Three songs for soprano and marimba

    Marsh, R. M., 2015, (Unpublished)

    Research output: Non-textual formComposition

  54. Wikipedia articles: American composers, lyricists, performers, publishers

    Brooks, W., 2015, 30 p. wikipedia.

    Research output: Other contribution

  55. in memoriam reducere studemus: for choir, soloists, and piano: revised edition

    Brooks, W., 2015, (Accepted/In press)

    Research output: Non-textual formComposition

  56. 2014
  57. A Climbing Vine Through Concrete: Jazz in 1960s apartheid South Africa

    Eato, J. E., 3 Dec 2014.

    Research output: Working paperDiscussion paper

  58. Knowing ‘I’?: Musical Subjectivity, Embodiment and Interaction

    Laws, C., 1 Dec 2014.

    Research output: Contribution to conferencePaper

  59. Feldman Pianos

    Laws, C., Thomas, P., Tilbury, J. & Knoop, M., 25 Nov 2014

    Research output: Non-textual formPerformance

  60. Vale, dulcis amice [composition issued as recording]: for three female singers

    Brooks, W., 24 Nov 2014

    Research output: Non-textual formComposition

  61. Ohne Worte: Vocality and Instrumentality in the Era of Schumann and Chopin

    Brooks, W. (ed.), Bartoli, J-P., Torbianelli, E., Roudet, J., Moßburger, H. & Seaton, D., Nov 2014, Leuven: Leuven University Press. 227 p. (Collected Writings of the Orpheus Institute; vol. 12)

    Research output: Book/ReportBook

  62. Preface

    Brooks, W., Nov 2014, Ohne Worte: Instrumentality and Vocality in 19th-century Music. Brooks, W. (ed.). Leuven: Leuven University Press, p. 7-13 7 p. (Collected Writings of the Orpheus Institute; vol. 12).

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  63. Music in Beckett’s Nacht und Träume: Vocality and Imagination

    Laws, C., 28 Oct 2014, Beckett and Musicality. Till, N. & Bailes, S. J. (eds.). Ashgate, p. 233-254 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  64. Musical Subjectivity in Action: Piano Personae.

    Laws, C., 2 Oct 2014.

    Research output: Contribution to conferencePaper

  65. After Vicentino: for alto, viola, and electronic keyboard

    Brooks, W. & Trio Scordatura, ., 1 Oct 2014

    Research output: Non-textual formPerformance

  66. Touch and Go: for solo piano

    Marsh, R. M., 30 Sep 2014

    Research output: Non-textual formComposition

  67. A Climbing Vine Through Concrete: jazz in 1960s apartheid South Africa

    Eato, J. E., 6 Sep 2014.

    Research output: Contribution to conferencePaper

  68. Semi-Blind Audio Source Separation of Linearly Mixed Two-Channel Recordings via Guided Matching Pursuit

    Zantalis, D. & Wells, J., 1 Sep 2014, (Accepted/In press) Proceedings of the 17th International Conference on Digital Audio Effects (DAFx-14).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  69. Historical Precedents for Artistic Research in Music: The Case of William Butler Yeats

    Brooks, W., Sep 2014, Artistic Experimentation in Music: An Anthology. Gilmore, B. & Crispin, D. (eds.). Leuven, Belgium: Leuven University Press, p. 185-196 12 p. (Orpheus Institute Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  70. Multiple Paths: Bach / Parra / Tenney

    Brooks, W. (ed.), Cancino, J. P., Gilmore, B. & Bhagwati, S., Sep 2014

    Research output: Non-textual formDigital or Visual Products

  71. Six mediaeval lyrics: for three female singers: No. 6: Vale, dulcis amice

    Brooks, W., 16 Jul 2014

    Research output: Non-textual formPerformance

  72. CPE Bach: Die lezten Leiden des Erlösers

    Seymour, P. G., 12 Jul 2014

    Research output: Non-textual formPerformance

  73. Early Lieder: Devising, editing and performing

    Seymour, P. G., 12 Jul 2014

    Research output: Non-textual formPerformance

  74. Chronic health issues of adolescents: Is the World Listening? Jane's Story: 3Sixty Audio-Visual Animation

    Mason-Jones, A. J., Morris, N. J., Pauletto, S., Armstrong, K-M., Wells, J., Walus, B., Hall, A., Mikocka-Walus, A. A., Mensah, J., Kerrigan, P. & Titley, P. P. (ed.), 17 Jun 2014

    Research output: Non-textual formExhibition

  75. Venetian Carnival

    Hollingworth, R. M., 21 May 2014

    Research output: Non-textual formPerformance

  76. Samuel Beckett: Dramatic text as music, music as text (invited paper)

    Laws, C., 19 May 2014.

    Research output: Contribution to conferencePaper

  77. Composing under the Skin: The Music-making Body at the Composer's Desk

    Brooks, W. & Craenen, P., Apr 2014, Leuven: Leuven University Press. 284 p. (Orpheus Institute)

    Research output: Book/ReportBook

  78. The Claim

    Eato, J. E., Bruce, H., Morrison, M., Worth, P., Burt, T., Arstall, S., Lawrence, S., Gavin, E., Hill, G., Bernath, V., Goulding, S., Adams, T., Longworth, H. & Stocker, B., 28 Mar 2014

    Research output: Non-textual formComposition

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