Search research publications and outputs

  1. 2011
  2. Charles E. Ives: Symphony No. 4

    Brooks, W. (ed.), Sinclair, J. (ed.), Singleton, K. (ed.) & Shirley, W. (ed.), 31 Dec 2011, Milwaukee, Wisconsin: Associated Music Publishers, Inc. 214 p.

    Research output: Book/ReportScholarly edition

  3. Bergman's Modernism: Colours & Improvisations; coherence & integration

    Howell, T., 26 Sep 2011.

    Research output: Contribution to conferencePaper

  4. Dualities and Dialogues: Saariaho’s Concertos

    Howell, T., 19 Sep 2011, Kaija Saariaho: Visions, Narratives, Dialogues. England: Ashgate Publishing Company, p. 133 -157 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Kaija Saariaho: Visions, Narratives, Dialogues

    Howell, T. (ed.), 19 Sep 2011, England: Ashgate Publishing Company. 225 p.

    Research output: Book/ReportAnthology

  6. A comparison of analysis and resynthesis methods for directional segmentation of stereo audio

    Wells, J., Sep 2011, Proceedings of the 14th International Conference on Digital Audio Effects (DAFx-11), Paris, France, September 19-23, 2011. Peeters, G. (ed.). Paris: IRCAM, p. 191-198 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  7. Effect of N2, Ne and Ar seeding on Alcator C-Mod H-mode confinement

    Reinke, M. L., Hughes, J. W., Loarte, A., Brunner, D., Hutchinson, I. H., LaBombard, B., Payne, J. & Terry, J. L., 1 Aug 2011

    Article in Journal of Nuclear Materials

  8. Bach, JS B Minor Mass

    Seymour, P. G., 29 Jul 2011

    Research output: Non-textual formPerformance

  9. Sounded Gestures and Enacted Sounds (updated version)

    Laws, C., Brooks, W. & Harron, D., Jul 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  10. Bach, JS - Mass in B Minor

    Seymour, P. G., 27 Jun 2011

    Research output: Non-textual formPerformance

  11. Township Comets: the impact of South African jazz on the UK scene

    Eato, J. E., 27 Jun 2011.

    Research output: Contribution to conferencePaper

  12. Creative Accounting: Beckett and the re-imagining of musical authority

    Laws, C., Jun 2011, (In preparation).

    Research output: Contribution to conferencePaper

  13. Contemporary Composers in the Here and Now

    Eato, J. E., 24 May 2011, (Unpublished).

    Research output: Working paperDiscussion paper

  14. Sounded gesture and enacted sounds (preliminary report)

    Laws, C., Brooks, W. & Harron, D., May 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  15. Why Would We Want To Repeat That? Understandings of text for the musical here and now

    Eato, J. E., 26 Apr 2011, (Unpublished).

    Research output: Working paperDiscussion paper

  16. Know Where You Are: Kenny Wheeler, the performers' composer

    Eato, J. E., 7 Apr 2011.

    Research output: Contribution to conferencePaper

  17. The Writing’s on the Wall? The piano in co-creative contexts.

    Laws, C., Apr 2011.

    Research output: Contribution to conferencePaper

  18. A Sentimental Journey

    Vear, C. & Eato, J. E., 8 Feb 2011

    Research output: Non-textual formPerformance

  19. A Wake of Music: four songs for soprano, clarinet, cello, and piano

    Brooks, W., 2011

    Research output: Non-textual formComposition

  20. Alessandro Striggio - Mass in 40 parts

    Hollingworth, R. M., 2011, Decca Records.

    Research output: Other contribution

  21. Candlebird: for baritone and 18 players

    Suckling, M. C. & Paterson, D., 2011

    Research output: Non-textual formComposition

  22. Chambre 119

    Laws, C. & Jessen, E., 2011

    Research output: Non-textual formDigital or Visual Products

  23. Continuing Development for the Musician as Teacher in a University Context

    Haddon, E., 2011, (Accepted/In press).

    Research output: Contribution to conferencePaper

  24. Expectation and Emotion in a Live Concert Experiment

    Egermann, H., Pearce, M., Wiggins, G. & McAdams, S., 2011, Abstract Book of the Meeting of the Society for Music Perception and Cognition Rochester, New York 11.-14. August 2011.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  25. From the Air to the Earth: Reading the Ashes

    March, D. T., 2011, Kaija Saariaho: Visions, Narratives, Dialogues. Howell, T., Hargreaves, J. & Rofe, M. (eds.). Ashgate, p. 15-40

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. In Preparation: A Performance-led Approach and a New Research Methodology for Dance Science.

    Vahla, A., Redding, E., Hushlak, M. A., Sentler, S., Chin, S., Reuben, F. & Luck, N., 2011.

    Research output: Contribution to conferencePaper

  27. Lieder Ohne Worte: for piano solo

    Suckling, M. C., 2011

    Research output: Non-textual formComposition

  28. Morton Feldman’s Late Piano Music: Experimentalism in Practice

    Laws, C. A., 2011, The Practice of Practising . Laws, C. (ed.). Leuven University Press, (Collected Writings of the Orpheus Research Centre in Music; vol. 4).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  29. Multispatial Sound

    Myatt, T., 2011, The Morning Line Vienna. Zyman, D. & Ebersberger, E. (eds.). Vienna: Thyssen-Bornemizsa Art Contemporary, (Verlag für moderne Kunst Nürnberg).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  30. Not a soul but ourselves: for four amplified voices

    Marsh, R. M., 2011

    Research output: Non-textual formDigital or Visual Products

  31. Orwell Fragments

    Reuben, F., Lash, D. & Laubrock, I., 2011

    Research output: Non-textual formArtefact

  32. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Peter Lennox, P., 2011, Proceedings of the 17th International Conference on Auditory Display. Budapest, Hungary: I.C.A.D., Vol. 2011.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Lennox, P., 2011.

    Research output: Contribution to conferencePaper

  34. Pianthology: 7 piano pieces

    Losseff, N., 2011

    Research output: Non-textual formDigital or Visual Products

  35. Preludes and Codas

    Howell, T., 2011, Kaija Saariaho: Visions, Narratives, Dialogues. England: Ashgate Publishing Company, p. xv -xxiii 9 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  36. Process and systems in computer Music: from meta to matter

    Myatt, T., 2011, Quadern d'àudio, 5, p. 1-9 9 p.

    Research output: Contribution to specialist publicationFeatured article

  37. Psychological and physiological correlates of expectation and emotion in a live concert experiment

    Egermann, H. & McAdams, S., 2011, Abstracts for the 51st Annual Meeting Society for Psychophysiological Research. Psychophysiology.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  38. Research Findings: from implications to implementation?

    Haddon, E., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  39. Reworking Musical Strategies In the Digital Age

    Reuben, F., 2011, 137 p.

    Research output: ThesisDoctoral Thesis

  40. Shadow Prophets

    Reuben, F., Luck, N., de la Cour, A. & Knowles, M. L., 2011

    Research output: Non-textual formComposition

  41. Shadows of a Brass Line for Orchestra

    Simaku, T., 2011

    Research output: Non-textual formComposition

  42. Signals

    Stringer, J. C. (ed.) & Maxwell, M. (ed.), 2011, 31 p. York : University of York Music Press (UYMP).

    Research output: Other contribution

  43. Sporcizia Accademica

    Reuben, F., 2011

    Research output: Non-textual formArtefact

  44. String Quartet No 4: Written for and dedicated to Quatuor Diotima

    Simaku, T., 2011

    Research output: Non-textual formComposition

  45. The Master of Music: for mixed choir

    Brooks, W., 2011, (Unpublished)

    Research output: Non-textual formComposition

  46. The Moon, the moon! for symphony orchestra

    Suckling, M. C., 2011

    Research output: Non-textual formComposition

  47. The Practice of Practising

    Laws, C. (ed.), 2011, Leuven: Leuven University Press. 92 p. (Collected Writings of the Orpheus Research Centre in Music; vol. 4)

    Research output: Book/ReportAnthology

  48. Three Folksongs: for mixed choir

    Brooks, W., 2011, (Unpublished)

    Research output: Non-textual formComposition

  49. bingoise

    Eato, J. E. & Vear, C., 2011, (Accepted/In press)

    Research output: Non-textual formComposition

  50. de sol y grana: for solo violin and 14 players

    Suckling, M. C., 2011

    Research output: Non-textual formComposition

  51. storm, rose, tiger: for chamber orchestra

    Suckling, M. C., 2011

    Research output: Non-textual formComposition

  52. 2010
  53. Art and Ideology in European Opera: Essays in Honour of Julian Rushton

    Cowgill, R. (ed.), Cooper, D. & Brown, C. (ed.), Oct 2010, Woodbridge: Boydell and Brewer Ltd.

    Research output: Book/ReportBook

  54. Guests

    Lansley, J., Brinkman, T., Eato, J., Chivers, F., Early, U., Hope, C., Jackson, B., Kelly, A., Motley, P., Taylor, T. & Beech, L., 25 Sep 2010

    Research output: Non-textual formComposition

  55. Italian Baroque Cantatas & Trios. Knechtsteden Festival Altemusik

    Seymour, P. G., 23 Sep 2010

    Research output: Non-textual formPerformance

  56. Investigation of Factors Influencing Acoustic Characteristics in Geometric Acoustics Based Auralization

    Foteinou, A., Murphy, D. T. & Masinton, A., 1 Sep 2010, p. 171-181.

    Research output: Contribution to conferencePaper

  57. Bach, JS – St John Passion

    Seymour, P. G., 23 Aug 2010

    Research output: Non-textual formPerformance

  58. Bach Johannes-Passion; Ampleforth Abbey; Ryedale Festival

    Seymour, P. G., 23 Jul 2010

    Research output: Non-textual formPerformance

  59. Monteverdi Vespers della Beata Vergine

    Seymour, P. G., 9 Jul 2010

    Research output: Non-textual formPerformance

  60. Monteverdi Vespro Della Beata Vergine

    Seymour, P. G., 9 Jul 2010

    Research output: Non-textual formPerformance

  61. The Cape Jeremy Affair

    Vear, C. & Eato, J. E., 5 Jul 2010

    Research output: Non-textual formPerformance

  62. Institutional culture and learning I: perceptions of the learning environment and musicians' attitudes to learning

    Papageorgi, I., Haddon, E., Creech, A., Morton, F., de Bezenac, C., Himonides, E., Potter, J., Duffy, C., Whyton, T. & Welch, G., Jun 2010

    Article in Music education research

  63. The Cape Jeremy Affair

    Vear, C. & Eato, J. E., 22 May 2010

    Research output: Non-textual formPerformance

  64. Home Cooking Abroad: Chris McGregor and the Brotherhood of Breath, an editing project in progress

    Eato, J. E., 12 Apr 2010, (Unpublished).

    Research output: Working paperDiscussion paper

  65. 'I could show you all I know’: Elements of co-creativity in a music theatre context

    Laws, C., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  66. A Lyke Wake Dirge: for choir

    Marsh, R. M., 2010

    Research output: Non-textual formComposition

  67. A Worcester Ladymass

    Losseff, N., 2010

    Research output: Non-textual formDigital or Visual Products

  68. Audio Spatialization for The Morning Line

    Myatt, T. & Malham, D. G., 2010.

    Research output: Contribution to conferencePaper

  69. Beckett and Unheard Sound

    Laws, C. A., 2010, Beckett and Nothing: Trying to understand Beckett. Caselli, D. (ed.). Manchester: Manchester University Press, p. 176-191 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  70. Early Western Pioneers: John Foulds and Maud MacCarthy

    Sorrell, N., 2010, Hindustani Music Thirteenth to Twentieth Centuries. Bor, J., Delvoye, F. N., Harvey, J. & Nijenhuis, E. T. (eds.). New Delhi: Codarts Manohar, p. 511-519

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  71. Evol, direct approaches to the auralisation of mathematical algorithms

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaper

  72. Identity, Antagonism and Terre Thaemlitz

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaper

  73. Making Sense of the Self: music students and self-identity

    Haddon, E., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  74. Multispatial Sound

    Myatt, T., 2010, The Morning Line: Istanbul. Zyman, D. & Ebersberger, E. (eds.). Thyssen-Bornemizsa Art Contemporary

    Research output: Chapter in Book/Report/Conference proceedingChapter

  75. New Light and the Man of Might: Revisiting Early Interpretations of Mozart's Die Zauberflote

    Cowgill, R., 2010, Art and Ideology in European Opera. Cowgill, R., Cooper, D. & Brown, C. (eds.). Woodbridge: Boydell and Brewer Ltd, p. 194-221 28 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  76. Of Science and Nature: Mozart versus the Modern Bel Canto in Early Nineteenth-Century London

    Cowgill, R., 2010, Mozart, Marcos Portugal e o seu tempo. Cranmer, D. (ed.). Lisbon: Centro de Estudos da Sociologia e Estetica Musical, p. 35-51 and 197-280

    Research output: Chapter in Book/Report/Conference proceedingChapter

  77. Recognition is different from feeling: experimental evidence for two different types of emotional processes in music using a between-subjects design in a web experiment

    Egermann, H. & McAdams, S., 2010, Proceedings of the 11th International Conference on Music Perception and Cognition (ICMPC11). Seattle, Washington, USA.. Demorest, S. M., Morrison, S. J. & Campbell, P. S. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  78. Single or Triple Threat? University music students and musical theatre learning

    Haddon, E., 2010.

    Research output: Contribution to conferencePaper

  79. Studio Report, Music Research Centre, University of York

    Myatt, T., 2010.

    Research output: Contribution to conferencePaper

  80. Too Hot to Handel

    Squib-box, 2010

    Research output: Non-textual formComposition

  81. University Music Students and Masterclass Learning

    Haddon, E., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  82. Yasunao Tone and MP3 Disruption

    Myatt, T., Fell, M. J., Worth, P. J. & Blake, T., 2010, Proceedings of the International Computer Music Conference 2010. Vol. 2010.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  83. Yasunao Tone and MP3 Disruption

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaper

  84. “No delicacies of tone”: bells and identity in Gissing’s London

    Losseff, N., 2010, Writing Otherness: The Pathways of George Gissing’s Imagination. Huguet, C. (ed.). Groningen: Equilibris, p. 71-82 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  85. 2009
  86. Being Dufay : composition (12m 21s, 3rd revision)

    Field, A. E., 2 Dec 2009

    Research output: Non-textual formComposition

  87. Pedestal stability comparison and ITER pedestal prediction

    Snyder, P. B., Aiba, N., Beurskens, M., Groebner, R. J., Horton, L. D., Hubbard, A. E., Hughes, J. W., Huysmans, G. T. A., Kamada, Y., Kirk, A., Konz, C., Leonard, A. W., Loennroth, J., Maggi, C. F., Maingi, R., Osborne, T. H., Oyama, N., Pankin, A., Saarelma, S., Saibene, G. & 3 others, Terry, J. L., Urano, H. & Wilson, H. R., Aug 2009

    Article in Nuclear fusion

  88. Je me complains : composition (6m 22s)

    Field, A. E., 13 Feb 2009

    Research output: Non-textual formComposition

  89. Je vous pri : composition (7m 48s)

    Field, A. E., 13 Feb 2009

    Research output: Non-textual formComposition

  90. La doce vista

    Field, A. E., 13 Feb 2009

    Research output: Non-textual formComposition

  91. Presque quelque chose : composition (2m 30s)

    Field, A. E., 13 Feb 2009

    Research output: Non-textual formComposition

  92. Sanctus : composition (7m 28s)

    Field, A. E., 13 Feb 2009

    Research output: Non-textual formComposition

  93. Lifetime measurements and coulomb excitation of light Hg nuclei

    Petts, A., Butler, P. A., Grahn, T., Blazhev, A., Bree, N., Bruyneel, B., Cederkäll, J., Clement, E., Cocolios, T. E., Dewald, A., Eberth, J., Fraile, L., Fransen, C., Hornillos, M. B. G., Greenlees, P. T., Görgen, A., Guttormsen, M., Hadynska, K., Helariutta, K., Herzberg, R-D. & 43 others, Huyse, M., Jenkins, D. G., Jolie, J., Jones, P., Julin, R., Juutinen, S., Ketelhut, S., Knapen, S., Kröll, T., Krücken, R., Larsen, A. C., Leino, M., Ljungvall, J., Maierbeck, P., Marley, P. L., Melon, B., Napiorkowski, P. J., Nyman, M., Page, R. D., Pakarinen, J., Pascovici, G., Patronis, N., Peura, P. J., Piselli, E., Pissulla, T., Rahkila, P., Reiter, P., Sarén, J., Scheck, M., Scholey, C., Semchenkov, A., Siem, S., Stefanescu, I., Sorri, J., Uusitalo, J., Van De Walle, J., Van Duppen, P., Voulot, D., Wadsworth, R., Warr, N., Weisshaar, D., Wenander, F. & Zielinska, M., 28 Jan 2009

    Article in AIP Conference Proceedings

  94. Being Dufay Live : RealTime Performance Project at 13 Major International Venues

    Field, A. E., 12 Jan 2009

    Research output: Non-textual formPerformance

  95. 'Headaches Among the Overtones': Thinking Through Music in Beckett.

    Laws, C., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  96. Being Dufay (Recorded album, Studio Realisation)

    Field, A. E., 2009

    Research output: Non-textual formComposition

  97. Disquiet

    Stringer, J. C., 2009

    Research output: Non-textual formComposition

  98. E-tudes

    Reuben, F., 2009

    Research output: Non-textual formComposition

  99. Feldman – Beckett – Johns: Patterning, Memory and Subjectivity

    Laws, C. A., 2009, The Modernist Legacy: Essays on New Music. Heile, B. (ed.). Aldershot: Ashgate, p. 135-158 24 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  100. Feldman's Piano Music and Experimental Practising

    Laws, C., 2009.

    Research output: Contribution to conferencePaper

  101. Feldman's late piano music

    Laws, C., 2009

    Research output: Non-textual formPerformance

  102. Internationalization and the Irish state’s relationship with theatre and opera

    Sheil, Á. & Edelman, J., 2009, Global Changes, Local Stages: How theatre functions in smaller European countries. van Maanen, H., Kotte, A. & Saro, A. (eds.). Amsterdam: Rodopi, p. 146-175 30 p. (Themes in Theatre - Collective Approaches to Theatre and Performance; vol. 5).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  103. Lullaby

    Marsh, R. M., 2009

    Research output: Non-textual formDigital or Visual Products

  104. Lullaby: Song for Soprano and Marimba

    Marsh, R. M., 2009

    Research output: Non-textual formComposition

  105. MetaCage: Essays on and around Freeman Etudes / Fontana Mix / Aria

    Brooks, W. (ed.), 2009, Ghent : Orpheus Institute. 98 p. (Collected Writings of the Orpheus Institute: Subseries Orpheus Research Centre in Music [ORCiM]; vol. 2)

    Research output: Book/ReportAnthology

  106. Monteverdi - Sweet Torment

    Hollingworth, R. M., 2009, Chandos Records Ltd.

    Research output: Other contribution

  107. Multiple Teachers: multiple gains?

    Haddon, E., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  108. Nicolas Gombert: Six Motets

    Wainwright, J., 2009, York : York Early Music Press.

    Research output: Other contribution

  109. Piano and Other Things

    Laws, C., 2009

    Research output: Non-textual formPerformance

  110. Soliloquy IV for Bass Clarinet

    Simaku, T., 2009

    Research output: Non-textual formComposition

  111. Soliloquy V: Flauto Acerbo for Alto & Tenor Recorders

    Simaku, T., 2009

    Research output: Non-textual formComposition

  112. Sweet: for soprano and flute

    Brooks, W., 2009, (Unpublished)

    Research output: Non-textual formComposition

  113. The Influence of Social Situations on Music Listening: A Physiological and Psychological Perspective on Strong Emotions

    Egermann, H., Sutherland, E. M., Kopiez, R. & Altenmüller, E., 2009, Abstract Book of the 7th Triennial ESCOM Conference.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  114. What Charlie Did Next: for ensemble

    Marsh, R. M., 2009

    Research output: Non-textual formComposition

  115. Zizek!?

    Reuben, F., 2009

    Research output: Non-textual formComposition

  116. 2008
  117. RANGE OF TUNING FOR TONES WITH AND WITHOUT VIBRATO

    van Besouw, R. M., Brereton, J. S. & Howard, D. M., Dec 2008

    Article in Music perception

  118. The Politics of Musical Space – some personal encounters in South Africa

    Eato, J. E., 5 Nov 2008, (Unpublished).

    Research output: Working paperDiscussion paper

  119. Here, at home

    Bruce, H., Bruce, H., Eato, J., Fouche, N., Gericke, C., Iles, G., Iles, S., Mgijima, L., Mntuyedwa, V. & Mntuyedwa, V., 9 Aug 2008

    Research output: Non-textual formComposition

  120. Thoughts towards a rhythmic understanding of jazz in South Africa: an update

    Eato, J. E., 28 Jul 2008, (Unpublished).

    Research output: Working paperDiscussion paper

  121. Bach Singet dem Herrn; Byrd Ne irascaris Domine

    Seymour, P. G., 17 Jun 2008

    Research output: Non-textual formPerformance

  122. Michael Howard: A Choral Pioneer: Historic recordings from Ely and Arundel Cathedrals

    Wells, J., Jun 2008

    Research output: Non-textual formDigital or Visual Products

  123. Re-composing the saxophone: three twenty-first century examples

    Eato, J. E., 24 May 2008, (Unpublished).

    Research output: Working paperDiscussion paper

  124. Pianthology: 7 contemporary compositions for piano

    Losseff, N., 8 May 2008, University of York Music Press (UYMP). 73 p.

    Research output: Book/ReportScholarly edition

  125. What can historians of music in performance tell performers: progressing the Saul Seminar debate

    Eato, J. E., 7 Apr 2008, (Unpublished).

    Research output: Working paperDiscussion paper

  126. The effect of different acoustic environments on singing voice performance

    Brereton, J. & Howard, D. M., 1 Feb 2008.

    Research output: Contribution to conferenceOther

  127. 'Forming the New from the Old: Rautavaarra’s Perspectives on Modernism’

    Howell, T., 2008.

    Research output: Contribution to conferencePaper

  128. 'Such scientific and profound harmonies': The Italian Opera Orchestra and Early Performances of Mozart's Don Giovanni in London

    Cowgill, R., 2008, The Opera Orchestra in 18th- and 19th-Century Europe. Jensen, N. M. & Piperno, F. (eds.). Berlin: Berliner Wissenschafts-Verlag, (Musical Life in Europe 1600-1900: Circulation, Institutions, Representation).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  129. Culture and Context: the influence of institutional culture on undergraduate musicians' attitudes to learning and performance

    Haddon, E. & Papageorgi, I., 2008, (Unpublished).

    Research output: Contribution to conferencePaper

  130. Emotionen@Musik. Was Musikhörer empfinden - Eine Internet-Studie zur Emotionsmessung

    Egermann, H., 2008, Marburg: Tectum Verlag.

    Research output: Book/ReportBook

  131. Horatio Oratorio: A performance & sound installation by Aleks Kolkowski and Federico Reuben

    Reuben, F. & Kolkowski, A., 2008

    Research output: Non-textual formPerformance

  132. Horatio Oratorio: Composing Using Historic Sound Recordings

    Kolkowski, A. & Reuben, F., 2008. 15 p.

    Research output: Contribution to conferencePaper

  133. Il Cor Tristo: For male vocal quartet

    Marsh, R. M., 2008

    Research output: Non-textual formComposition

  134. Monteverdi - Fire & Ashes

    Hollingworth, R. M., 2008, Chandos Records Ltd.

    Research output: Other contribution

  135. Multispatial Sound

    Myatt, T., 2008, The Morning Line: Seville Biennial of Contemporary Art. Zyman, D. & Ebersberger, E. (eds.). Vienna: Thyssen-Bornemizsa Art Contemporary

    Research output: Chapter in Book/Report/Conference proceedingChapter

  136. Musical genre and gender as factors in higher education learning in music

    Welch, G., Papageorgi, I., Haddon, L., Creech, A., Morton, F., de Bezenac, C., Duffy, C., Potter, J., Whyton, T. & Himonides, E., 2008

    Article in Research Papers in Education

  137. Opera Orchestras in Georgian and Early Victorian London

    Cowgill, R. & Dideriksen, G., 2008, The Opera Orchestra in 18th- and 19th-Century Europe. Jensen, N. M. & Piperno, F. (eds.). Berlin: Berliner Wissenschafts-Verlag, Vol. 1. p. 259-321 63 p. (Musical Life in Europe, 1600-1900: Circulation, Institutions, Representation).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  138. Richard Dering: Motets for One, Two or Three Voices and Basso Continuo

    Wainwright, J., 2008, Musica Britannica ed. London: Stainer & Bell. 162 p. (Musica Britannica; vol. 87)

    Research output: Book/ReportScholarly edition

  139. Social feedback influences emotional feelings of music

    Egermann, H., Grewe, O., Kopiez, R. & Altenmüller, E., 2008, Proceedings of the 10th International Conference of Music Perception and Cognition, Sapporo, Japan..

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  140. Sounds of Piety and Devotion: Music in the Queen’s Chapel

    Wainwright, J., 2008, Henrietta Maria: Piety, Politics and Patronage. Griffey, E. (ed.). Aldershot : Ashgate Publishing Company, p. 195-213 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  141. The Morning Line Multispatial Sound System

    Myatt, T., 2008

    Research output: Non-textual formExhibition

  142. The Viola da Gamba Society Index of Manuscripts Containing Consort Music. Vol. 2

    Wainwright, J., Ashbee, A. & Thompson, R., 2008, Aldershot: Ashgate Publishing Company. 424 p.

    Research output: Book/ReportBook

  143. The ‘Jazz Voice’ in South Africa: A Developmental Physiology

    Eato, J., 2008.

    Research output: Contribution to conferencePaper

  144. Thoughts Towards a Rhythmic Understanding of Jazz in South Africa

    Eato, J., 2008.

    Research output: Contribution to conferencePaper

  145. Worldscape Laptop Orchestra

    Field, A. E., Harker, A. J. & Atmadjaja, A., 2008. 5 p.

    Research output: Contribution to conferencePaper

  146. snd

    Myatt, T., 2008, CYNETart.08.

    Research output: Contribution to specialist publicationArticle

  147. 2007
  148. Music in the British Provinces, 1690-1914

    Cowgill, R. (ed.) & Holman, P., 28 Nov 2007, Abingdon & New York: Farnham: Ashgate Publishing Ltd.

    Research output: Book/ReportBook

  149. Disputing Choruses in 1760s Halifax: Joah Bates, William Herschel, and the Messiah Club

    Cowgill, R., Nov 2007, Music and the British Provinces, 1690-1914. Cowgill, R. & Holman, P. (eds.). Aldershot, UK: Farnham: Ashgate Publishing Ltd, p. 87-113 27 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  150. New forms of composition, and how to enable them

    Field, A. E., 13 Sep 2007, Music Education with Digital Technology. Finney, J. & Burnard, P. (eds.). London and New York: Continuum, p. 156 - 168

    Research output: Chapter in Book/Report/Conference proceedingChapter

  151. Defining the limits of tuning for tones with and without vibrato

    van Besouw, R., Brereton, J. & Howard, D. M., 1 Sep 2007.

    Research output: Contribution to conferenceOther

  152. Elgar's War Requiem

    Cowgill, R., 19 Aug 2007, Edward Elgar and His World. Adams, B. (ed.). Princeton: Princeton University Press, p. 317-362 46 p. (The Bard Music Festival Book Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  153. Are real-time displays of benefit in the singing studio? An exploratory study

    Howard, D. M., Brereton, J., Welch, G. F., Himonides, E., DeCosta, M., Williams, J. & Howard, A. W., 1 Jan 2007

    Article in Journal of Voice

  154. Concepts of perceptual significance for composition and reproduction of explorable surround sound fields

    Lennox, P., Myatt, T. & Scavone, G. P. (ed.), 2007, Proceedings of the 13th International Conference on Auditory Display. p. 208-212 4 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  155. Der Einfluss von sozialem Feedback auf die emotionale Wirkung von Musik

    Egermann, H., Altenmüller, E., Grewe, O. & Kopiez, R., 2007, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie, Gießen. Gieße, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  156. Nicolas Gombert: Missa Media Vita

    Wainwright, J., 2007, York : York Early Music Press.

    Research output: Other contribution

  157. On the Beat: The Victorian Policeman as Musician

    Cowgill, R., 2007, Victorian Soundscapes Revisited. Cowgill, R. & Hewitt, M. (eds.). Leeds: Leeds Centre for Victorian Studies, Vol. 9. p. 191-214 24 p. (Leeds Working Papers in Victorian Studies).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  158. Pierrot Lunaire: 50 Rondels Bergamasques

    Marsh, R. M., 2007

    Research output: Non-textual formDigital or Visual Products

  159. Silence, Music, Silent Music

    Losseff, N. (ed.) & Doctor, J. R. (ed.), 2007, Ashgate Publishing Company. 253 p.

    Research output: Book/ReportBook

  160. Silent music and the eternal silence

    Losseff, N., 2007, Ashgate. p. 205 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  161. Victorian Soundscapes Revisited

    Hewitt, M. (ed.) & Cowgill, R. (ed.), 2007, Leeds: Leeds Centre for Victorian Studies. (Leeds Working Papers in Victorian Studies)

    Research output: Book/ReportBook

  162. What does mental imagery mean to university music students and their professors?

    Haddon, E., 2007, Proceedings of the International Symposium on Performance Science 2007. Williamon, A. & Coimbra, D. (eds.). The Netherlands: Association Europeenne des Conservatoires, Academies de Musique et Musikhochschulen (AEC), p. 301-306

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  163. 2006
  164. Europe, Empire, and Spectacle in Nineteenth-Century British Music

    Cowgill, R. (ed.) & Rushton, J. (ed.), 1 Dec 2006, Aldershot & Burlington: Farnham: Ashgate Publishing Ltd. (Music in the Nineteenth-Century Britain)

    Research output: Book/ReportBook

  165. Monteverdi - Flaming Heart

    Hollingworth, R. M., Nov 2006

    Research output: Non-textual formDigital or Visual Products

  166. SPACE-Net: The Spatial Audio Creative Engineering Network

    Murphy, D. T., Brereton, J. & Brookes, T. S., 1 Jun 2006, p. 279-282.

    Research output: Contribution to conferenceOther

  167. A mirror for sound: introduction and practical exploration of the WinSingad software for teaching singing

    Howard, D. M., Williams, J., Brereton, J., Welch, G. F., Himonides, E., Howard, A. & DeCosta, M., 1 May 2006, p. 33.

    Research output: Contribution to conferenceOther

  168. Pilot study of the effects of period instruments on the voice

    Daffern, H., Howard, D. M. & Seymour, P., 1 May 2006, p. 43.

    Research output: Contribution to conferenceOther

  169. Callas, Maria; lang, k.d.; Opera queen; Opera: women en travesti; Sutherland, Joan

    Cowgill, R., 1 Mar 2006, Routledge International Encyclopaedia of Queer Culture. Gerstner, D. A. (ed.). London: Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  170. "Hence, base intruder, hence": Rejection and Assimilation in the Early English Reception of Mozart's Requiem

    Cowgill, R., 2006, Europe, Empire, and Spectacle in Nineteenth-Century British Music. Cowgill, R. & Rushton, J. (eds.). Aldershot, UK: Farnham: Ashgate Publishing Ltd, p. 9-28 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  171. A Question of Identity: Die Meistersinger von Nürnberg in Weimar Germany

    Sheil, Á., 2006, Music, Theatre and Politics in Germany: 1848 to the Third Reich. Bacht, N. (ed.). Aldershot: Ashgate Aldershot, UK:, p. 93 112 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  172. After Sibelius: Studies in Finnish Music

    Howell, T., 2006, Aldershot: Ashgate Publishing Company.

    Research output: Book/ReportBook

  173. Emotionales Erleben beim Musikhören - eine Online-Studie zur kontinuierlichen Emotionsmessung unter Verwendung des Internets.

    Egermann, H., Nagel, F., Kopiez, R. & Altenmüller, E., 2006, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie, Freiburg. Freiburg, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  174. England, ii: 1603–1642

    Wainwright, J., 2006, European Music, 1520-1640. Haar, J. (ed.). Woodbridge: Boydell & Brewer, p. 509-26

    Research output: Chapter in Book/Report/Conference proceedingChapter

  175. Latin Motets: John Blow

    Wainwright, J., 2006, York: York Early Music Press.

    Research output: Book/ReportScholarly edition

  176. Making Music in Britain: Interviews with those behind the notes

    Haddon, E., 2006, Aldershot: Ashgate Publishing Company. 234 p.

    Research output: Book/ReportBook

  177. Mozart Productions and the Emergence of Werktreue at London's Italian Opera House, 1780-1830

    Cowgill, R., 2006, Operatic Migrations. Marvin, R. M. & Thomas, D. A. (eds.). Aldershot, UK: Farnham: Ashgate Publishing Ltd, p. 145-186 42 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  178. Online measurement of emotional musical experiences using internet-based methods - An exploratory approach

    Egermann, H., Nagel, F., Kopiez, R. & Altenmüller, E., 2006, Proceedings of the 9th International Conference of Music Perception and Cognition (ICMPC), Bologna, Italy.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  179. Reinita amarilla termina en el charco

    Reuben, F., 2006

    Research output: Non-textual formComposition

  180. Six Mediaeval Lyrics: for three female singers

    Brooks, W., 2006, (Unpublished)

    Research output: Non-textual formComposition

  181. The effect of subliminal messages in music on choice behaviour.

    Egermann, H. & Kopiez, R., 2006, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Freiburg, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  182. Tussen aarde en hemenl

    Reuben, F., 2006

    Research output: Non-textual formComposition

  183. 2005
  184. Probing the three shapes in 186Pb using in-beam γ-ray spectroscopy

    Pakarinen, J., Darby, I., Eeckhaudt, S., Enqvist, T., Grahn, T., Greenlees, P., Johnston-Theasby, F., Jones, P., Julin, R., Juutinen, S., Kettunen, H., Leino, M., Leppänen, A-P., Nieminen, P., Nyman, M., Page, R., Raddon, P., Rahkila, P., Scholey, C., Uusitalo, J. & 1 others, Wadsworth, R., 1 Sep 2005

    Article in European physical journal A : Hadrons & Nuclei

  185. Perspectives on Matching New Technology for Displaying the Acoustics of the Singing Voice with an Appropriate Pedagogical Model

    Welch, G. F., Howard, D. M., Himonides, E. & Brereton, J., 1 Aug 2005, p. 147.

    Research output: Contribution to conferenceOther

  186. Studies of the self-ordering process in FePt self-ordered magnetic array media

    Verdes, C., Ahner, J., Jones, P. M., Shukla, N., Chantrell, R. W. & Weller, D., 27 Jun 2005

    Article in Applied Physics Letters

  187. Der negative Synchronisierungsfehler (NSF) - Effekte unterschiedlicher musikalischer Expertise?

    Egermann, H., Nagel, F., Kopiez, R. & Drescher, D., 2005, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie, Würzburg. Würzburg, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  188. Esférica Cantándote

    Reuben, F., 2005

    Research output: Non-textual formComposition

  189. Getting Even

    Stringer, J. C., 2005

    Research output: Non-textual formComposition

  190. Growing Music: Musical Interpretations of L-Systems

    Worth, P. & Stepney, S., 2005, p. 545-550.

    Research output: Contribution to conferencePaper

  191. Growing music: Musical interpretations of L-systems

    Worth, P. & Stepney, S., 2005, APPLICATIONS OF EVOLUTIONARY COMPUTING, PROCEEDINGS. Rothlauf, F., Branke, J., Cagnoni, S., Corne, DW., Drechsler, R., Jin, Y., Machado, P., Marchiori, E., Romero, J., Smith, GD. & Squillero, G. (eds.). BERLIN: SPRINGER-VERLAG BERLIN, p. 545-550 6 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  192. Hinterland

    Stringer, J. C., 2005

    Research output: Non-textual formComposition

  193. 2004
  194. WinSingad: a real-time display for the singing studio

    Howard, D. M., Welch, G. F., Brereton, J., Himonides, E., DeCosta, M., Williams, J. & Howard, A. W., 1 Sep 2004

    Article in Logopedics Phoniatrics Vocology

  195. VOXed: Technology as a meaningful teaching aid in the singing studio

    Welch, G. F., Himonides, E., Howard, D. M. & Brereton, J., 1 Apr 2004.

    Research output: Contribution to conferenceOther

  196. Billington, Elizabeth

    Cowgill, R., 2004, The Oxford Dictionary of National Biography. Matthew, H. C. G. & Harrison, B. (eds.). London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  197. Stephens, Catherine

    Cowgill, R., 2004, The Oxford Dictionary of National Biography. Matthew, H. C. G. & Harrison, B. (eds.). London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  198. The Idea of Music in Victorian Fiction

    Losseff, N. (ed.) & Fuller, S. (ed.), 2004, Ashgate Publishing Company. 318 p.

    Research output: Book/ReportBook

  199. The Nolan’s Supper: Inspired by the life and work of Giordano Bruno

    Reuben, F., 2004

    Research output: Non-textual formComposition

  200. The voice, the breath and the soul: song and poverty in Thyrza, Mary Barton, Alton Locke and A Child of the Jago

    Losseff, N., 2004, The Idea of Music in Victorian Fiction. Ashgate Publishing Company, p. 3-26 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  201. 2003
  202. Towards a novel real-time visual display for singing training

    Howard, D. M., Welch, G. F., Brereton, J. & Himonides, E., 1 Dec 2003, p. 179-182.

    Research output: Contribution to conferenceOther

  203. Andrea Gabrieli -The Madrigal in Venice: Politics, Dialogues and Pastorales

    Hollingworth, R. M., May 2003

    Research output: Non-textual formDigital or Visual Products

  204. High-confinement-mode edge stability of Alcator C-mod plasmas

    Mossessian, D. A., Snyder, P., Hubbard, A., Hughes, J. W., Greenwald, M., LaBombard, B., Snipes, J. A., Wolfe, S. & Wilson, H., May 2003

    Article in Physics of Plasmas

  205. A video system for recognizing gestures by artificial neural networks for expressive musical control

    Modler, P. & Myatt, T., 2003, GESTURE-BASED COMMUNICATION IN HUMAN-COMPUTER INTERACTION. Camurri, A. & Volpe, G. (eds.). BERLIN: SPRINGER-VERLAG BERLIN, p. 541-548 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  206. Beethoven’s Haunting of Beckett’s 'Ghost Trio'

    Laws, C. A., 2003, Drawing on Beckett: Portraits, Performances, and Cultural Contexts. Ben-Zvi, L. (ed.). Tel Aviv: Assaph, p. 197-214 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  207. Daddy, buy me a radio monkey

    Reuben, F., 2003

    Research output: Non-textual formComposition

  208. Indefinite Ockeghem

    Reuben, F., 2003

    Research output: Non-textual formComposition

  209. L'Amfiparnaso

    Hollingworth, R. M., 2003

    Research output: Non-textual formDigital or Visual Products

  210. Signals

    Stringer, J. C., 2003

    Research output: Non-textual formComposition

  211. 2002
  212. Conversion electron cascades in NO

    Butler, P. A., Humphreys, R. D., Greenlees, P. T., Herzberg, R-D., Jenkins, D. G., Jones, G. D., Kankaanpää, H., Kettunen, H., Rahkila, P., Scholey, C., Uusitalo, J., Amzal, N., Bastin, J. E., Brew, P. M. T., Eskola, K., Gerl, J., Hammond, N. J., Hauschild, K., Helariutta, K., Heßberger, F-P. & 20 others, Hürstel, A., Jones, P. M., Julin, R., Juutinen, S., Keenan, A., Khoo, T-L., Korten, W., Kuusiniemi, P., Le Coz, Y., Leino, M., Leppänen, A-P., Muikku, M., Nieminen, P., Ødegård, S. W., Page, T., Pakarinen, J., Reiter, P., Sletten, G., Theisen, C. & Wollersheim, H-J., 11 Nov 2002

    Article in Physical Review Letters

  213. H-mode pedestal characteristics and MHD stability of the edge plasma in Alcator C-Mod

    Mossessian, D. A., Snyder, P. B., Greenwald, M., Hughes, J. W., Lin, Y., Mazurenko, A., Medvedev, S., Wilson, H. R. & Wolfe, S., Apr 2002

    Article in Plasma Physics and Controlled Fusion

  214. Barthelemon family; Burney, Charles; Crotch, William; Gardiner, William; Horn family; Latrobe, Christian Ignatius; Peploe, Mrs; Novello

    Cowgill, R., 2002, Oxford Composer Companions. Jones, D. W. (ed.). Oxford: Oxford University Press, (Oxford Composer Companions).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  215. Pierrot Lunaire - 50 Rondels Bergamasques: For multiple voices

    Marsh, R. M., 2002

    Research output: Non-textual formComposition

  216. The Concert Life in Nineteenth-Century London Database Project

    Cowgill, R., Bashford, C. & McVeigh, S., 2002, Nineteenth-Century British Music Studies. Dibble, J. & Zon, B. (eds.). Aldershot, UK: Farnham: Ashgate Publishing Ltd, Vol. 2. p. 1-12 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  217. The Triumphs of Oriana

    Hollingworth, R. M., 2002

    Research output: Non-textual formDigital or Visual Products

  218. Thomas Tomkins - Music Divine

    Hollingworth, R. M., 2002

    Research output: Non-textual formDigital or Visual Products

  219. 2001
  220. 3D audio as an information environment

    Lennox, P. P., Vaughan, J. M. & Myatt, T., 2001, PROCEEDINGS OF THE AES 19TH INTERNATIONAL CONFERENCE SURROUND SOUND: TECHNIQUES, TECHNOLOGY AND PERCEPTION. NEW YORK: AUDIO ENGINEERING SOC INC, p. 295-306 12 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  221. Carnevale Veneziano

    I Fagiolini, 2001

    Research output: Non-textual formDigital or Visual Products

  222. Carter, Richard

    Cowgill, R. & Fiske, R., 2001, The New Grove Dictionary of Music and Musicians. London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  223. Corri family

    Cowgill, R., Ward Jones, P., Bunker Clark, J. & Nathan, B., 2001, The New Grove Dictionary of Music and Musicians. London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  224. Harrison, Samuel

    Cowgill, R., 2001, The New Grove Dictionary of Music and Musicians. London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  225. Savage, Jane

    Cowgill, R., 2001, The New Grove Dictionary of Music and Musicians. London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  226. Smith, Theodore

    Cowgill, R. & Fiske, R., 2001, The New Grove Dictionary of Music and Musicians. London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  227. The Piano Concertos and the Sonata for Two Pianos and Percussion

    Losseff, N., 2001, Cambridge University Press. Bayley, A. (ed.). p. 118-132 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  228. The Viola da Gamba Society’s Index of Manuscripts Containing Consort Music, Vol. 1

    Wainwright, J., Ashbee, A. & Thompson, R., 2001, Aldershot: Ashgate Publishing Company.

    Research output: Book/ReportBook

  229. Weichsel, Charles

    Cowgill, R., 2001, The New Grove Dictionary of Music and Musicians. London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  230. ‘Sibelius the Progressive’

    Howell, T., 2001, Sibelius Studies. Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  231. 2000
  232. "Wise Men from the East": Mozart's Operas and their Advocates in Early-Nineteenth Century London

    Cowgill, R., 21 Dec 2000, Music and British Culture, 1785-1914. Bashford, C. & Langley, L. (eds.). Oxford, UK: Oxford University Press, p. 39-64 26 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  233. The Papers of C.I. Latrobe: New Light on Magicians, Music and the Christian Family in Late Eighteenth-Century England

    Cowgill, R., 2000, Music in Eighteenth-Century Britain. D. W. J. (ed.). Aldershot, UK: Farnham: Ashgate Publishing Ltd, p. 234-258 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  234. 1999
  235. Braham, John

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  236. Burney, Charles

    Cowgill, R., 1999, The Reader’s Guide to Music. Steib, M. (ed.). Chicago: Fitzroy Dearborn, p. 110-112 3 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  237. Catalani, Angelica

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  238. Corri family

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  239. Crouch, Anna Maria

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  240. Harrison, Samuel

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  241. Kelly, Michael William

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  242. Linley family

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  243. Mara, Gertrud Elisabeth

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  244. Mozart, Wolfgang Amadeus

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  245. Opera: English

    Cowgill, R., 1999, The Reader’s Guide to Music. Steib, M. (ed.). Chicago: Fitzroy Dearborn

    Research output: Chapter in Book/Report/Conference proceedingChapter

  246. Potter, (Philip) Cipriani

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  247. Sibelius’ Tapiola: The Full Monty

    Howell, T., 1999.

    Research output: Contribution to conferencePaper

  248. The King’s Music

    Wainwright, J., 1999, The Royal Image: Representations of Charles I. Corns, T. (ed.). Cambridge: Cambridge University Press, p. 162-75

    Research output: Chapter in Book/Report/Conference proceedingChapter

  249. ‘Freedom of Choice: Project-based Learning’,

    Howell, T., 1999, Making Music Work – The Professional Integration Project. Barnes, J. (ed.). London: Royal College of Music Publications , p. 73-84 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  250. ‘The Practical Project’

    Howell, T., 1999, Making Music Work – The Professional Integration Project. Barnes, J. (ed.). London: Royal College of Music Publications , p. 51-57 7 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  251. 1998
  252. Images of Virtue and War: Music in Civil War Oxford

    Wainwright, J., 1998, William Lawes: 1602–1645 Essays on His Life, Times and Work. Ashbee, A. (ed.). Aldershot: Ashgate Publishing Company, p. 121-42

    Research output: Chapter in Book/Report/Conference proceedingChapter

  253. Morton Feldman’s 'Neither’.

    Laws, C. A., 1998, Samuel Beckett and Music. Bryden, M. (ed.). Oxford: Clarendon Press, p. 57-86 31 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  254. Sibelius’ Tapiola: Issues of Tonality and Timescale

    Howell, T., 1998, Sibelius Forum: Proceedings from the Second International Jean Sibelius Conference, November 1995. Sibelius Academy, Helsinki

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  255. Simunye

    Hollingworth, R. M., 1998

    Research output: Non-textual formDigital or Visual Products

  256. The Dissemination and Influence of Monteverdi’s Music in England in the Seventeenth Century

    Wainwright, J., 1998, Claudio Monteverdi und die Folgen: Bericht über das Internationale Symposium, Detmold 1993. Leopold, S. & Steinheuer, J. (eds.). Kassel: Barenreiter, p. 105-121

    Research output: Chapter in Book/Report/Conference proceedingChapter

  257. 1997
  258. Musical Patronage in Seventeenth-Century England: Christopher, First Baron Hatton (1605–70)

    Wainwright, J., 1997, Aldershot: Scholar Press. 470 p.

    Research output: Book/ReportBook

  259. Queen of Heavenly Virtue (Concertare): Music for Henrietta Maria’s Chapel in Oxford

    Wainwright, J., 1997

    Research output: Non-textual formDigital or Visual Products

  260. Sodzu Baba: music theatre piece for solo soprano

    Marsh, R. M. & Woolf, J., 1997

    Research output: Non-textual formComposition

  261. Ther is no rose of swych vertu (Cantores Collegiorum): Carols for a Medieval Christmas

    Wainwright, J., 1997

    Research output: Non-textual formDigital or Visual Products

  262. 1996
  263. The Christ Church Viol-Consort Manuscripts Reconsidered: Christ Church, Oxford Music Manuscripts 2, 497–408 & 436; 417–418 & 1080; and 432 & 612–613

    Wainwright, J., 1996, John Jenkins and his Time: Studies in English Consort Music. Ashbee, A. & Holman, P. (eds.). Oxford: Oxford University Press, p. 198-241

    Research output: Chapter in Book/Report/Conference proceedingChapter

  264. 1995
  265. Purcell and the English Baroque

    Wainwright, J., 1995, The Purcell Companion. Burden, M. (ed.). London: Faber & Faber

    Research output: Chapter in Book/Report/Conference proceedingChapter

  266. Two Versions of the Fifth Symphony: A Study in Compositional Process

    Howell, T., 1995, Proceedings from the First International Jean Sibelius Conference, August, 1990, . Sibelius Academy, Helsinki

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  267. 1994
  268. The Best Concords: Polyphonic Music in Thirteenth-century Britain

    Losseff, N., 1994, New York: Garland Press. 298 p.

    Research output: Book/ReportBook

  269. 1992
  270. A Companion to Contemporary Musical Thought,

    Howell, T., Paynter, J., Orton, R. & Seymour, P., 1992, Routledge.

    Research output: Book/ReportAnthology

  271. 1991
  272. Analysis and Performance: The Search for a Middleground

    Howell, T., 1991, A Companion to Contemporary Musical Thought. Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  273. Eisler’s Serialism: Concepts and Methods

    Howell, T., 1991, Eisler – A Miscellany. Gordon & Breach

    Research output: Chapter in Book/Report/Conference proceedingChapter

  274. Sibelius and the Fourth Dimension

    Howell, T., 1991, Sibelius-Akatemian Aikakauskirja. Sibelius Academy, Helsinki

    Research output: Chapter in Book/Report/Conference proceedingChapter

  275. 1990
  276. 1989
  277. Jean Sibelius: Progressive Techniques in the Symphonies and Tone-Poems

    Howell, T., 1989, Garland Press. 275 p. (Outstanding Dissertations in Music from British Universities)

    Research output: Book/ReportBook

  278. 1988
  279. 1987