Search research publications and outputs

  1. "Hence, base intruder, hence": Rejection and Assimilation in the Early English Reception of Mozart's Requiem

    Cowgill, R., 2006, Europe, Empire, and Spectacle in Nineteenth-Century British Music. Cowgill, R. & Rushton, J. (eds.). Aldershot, UK: Farnham: Ashgate Publishing Ltd, p. 9-28 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  2. "Wise Men from the East": Mozart's Operas and their Advocates in Early-Nineteenth Century London

    Cowgill, R., 21 Dec 2000, Music and British Culture, 1785-1914. Bashford, C. & Langley, L. (eds.). Oxford, UK: Oxford University Press, p. 39-64 26 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. 'Embodiment and Gesture in Performance: Practice-led Perspectives

    Laws, C. A., 2014, Artistic Experimentation in Music: An Anthology. Gilmore, B. & Crispin, D. (eds.). Leuven: Leuven University Press, p. 131-142 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. 'Such scientific and profound harmonies': The Italian Opera Orchestra and Early Performances of Mozart's Don Giovanni in London

    Cowgill, R., 2008, The Opera Orchestra in 18th- and 19th-Century Europe. Jensen, N. M. & Piperno, F. (eds.). Berlin: Berliner Wissenschafts-Verlag, (Musical Life in Europe 1600-1900: Circulation, Institutions, Representation).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. A Child Went Forth: Hanns Eisler, American Progressives, and Folk Song

    Brooks, W., Feb 2014, Crosscurrents: American and European Music in Interaction, 1900–2000. Meyer, F., Oja, C. J., Rathert, W. & Shreffler, A. C. (eds.). Woodbridge, UK: Boydell Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. A Question of Identity: Die Meistersinger von Nürnberg in Weimar Germany

    Sheil, Á., 2006, Music, Theatre and Politics in Germany: 1848 to the Third Reich. Bacht, N. (ed.). Aldershot: Ashgate Aldershot, UK:, p. 93 112 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Analysis and Performance: The Search for a Middleground

    Howell, T., 1991, A Companion to Contemporary Musical Thought. Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Attitudes with a Shawl: Performance, Femininity, and Spectatorship at the Italian Opera in Early Nineteenth-Century London

    Cowgill, R., 12 Jul 2012, The Arts of the Prima Donna in the Long Nineteenth Century. Cowgill, R. & Poriss, H. (eds.). New York: Oxford University Press, p. 217-251 35 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Barthelemon family; Burney, Charles; Crotch, William; Gardiner, William; Horn family; Latrobe, Christian Ignatius; Peploe, Mrs; Novello

    Cowgill, R., 2002, Oxford Composer Companions. Jones, D. W. (ed.). Oxford: Oxford University Press, (Oxford Composer Companions).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Beckett and Unheard Sound

    Laws, C. A., 2010, Beckett and Nothing: Trying to understand Beckett. Caselli, D. (ed.). Manchester: Manchester University Press, p. 176-191 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Beethoven’s Haunting of Beckett’s 'Ghost Trio'

    Laws, C. A., 2003, Drawing on Beckett: Portraits, Performances, and Cultural Contexts. Ben-Zvi, L. (ed.). Tel Aviv: Assaph, p. 197-214 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Billington, Elizabeth

    Cowgill, R., 2004, The Oxford Dictionary of National Biography. Matthew, H. C. G. & Harrison, B. (eds.). London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Braham, John

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Burney, Charles

    Cowgill, R., 1999, The Reader’s Guide to Music. Steib, M. (ed.). Chicago: Fitzroy Dearborn, p. 110-112 3 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Callas, Maria; lang, k.d.; Opera queen; Opera: women en travesti; Sutherland, Joan

    Cowgill, R., 1 Mar 2006, Routledge International Encyclopaedia of Queer Culture. Gerstner, D. A. (ed.). London: Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Carter, Richard

    Cowgill, R. & Fiske, R., 2001, The New Grove Dictionary of Music and Musicians. London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Catalani, Angelica

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Continuing professional development for the musician as teacher in a university context

    Haddon, E., Oct 2013, Developing the Musician: Contemporary Perspectives on Teaching and Learning. Stakelum, M. (ed.). Aldershot: Ashgate Publishing Company, p. 191-206 16 p. (SEMPRE Studies in the Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Corri family

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. Corri family

    Cowgill, R., Ward Jones, P., Bunker Clark, J. & Nathan, B., 2001, The New Grove Dictionary of Music and Musicians. London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Creativity and the institutional mindset

    Haddon, E. & Potter, J., 2014, Advanced Musical Performance: Investigations in Higher Education Learning. Papageorgi, I. (ed.). Aldershot: Ashgate Publishing Company, p. 129-142 14 p. (SEMPRE Studies in The Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Crouch, Anna Maria

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Disputing Choruses in 1760s Halifax: Joah Bates, William Herschel, and the Messiah Club

    Cowgill, R., Nov 2007, Music and the British Provinces, 1690-1914. Cowgill, R. & Holman, P. (eds.). Aldershot, UK: Farnham: Ashgate Publishing Ltd, p. 87-113 27 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Dualities and Dialogues: Saariaho’s Concertos

    Howell, T., 19 Sep 2011, Kaija Saariaho: Visions, Narratives, Dialogues. England: Ashgate Publishing Company, p. 133 -157 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Eisler’s Serialism: Concepts and Methods

    Howell, T., 1991, Eisler – A Miscellany. Gordon & Breach

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. Elgar's War Requiem

    Cowgill, R., 19 Aug 2007, Edward Elgar and His World. Adams, B. (ed.). Princeton: Princeton University Press, p. 317-362 46 p. (The Bard Music Festival Book Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. England, ii: 1603–1642

    Wainwright, J., 2006, European Music, 1520-1640. Haar, J. (ed.). Woodbridge: Boydell & Brewer, p. 509-26

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. Experiment in Practice

    Laws, C., 2014, Artistic Experimentation in Music: An Anthology. Crispin, D. & Gilmore, B. (eds.). Leuven: Leuven University Press, Vol. 262. p. 565-574 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  29. Feldman – Beckett – Johns: Patterning, Memory and Subjectivity

    Laws, C. A., 2009, The Modernist Legacy: Essays on New Music. Heile, B. (ed.). Aldershot: Ashgate, p. 135-158 24 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  30. From the Air to the Earth: Reading the Ashes

    March, D. T., 2011, Kaija Saariaho: Visions, Narratives, Dialogues. Howell, T., Hargreaves, J. & Rofe, M. (eds.). Ashgate, p. 15-40

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Harrison, Samuel

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  32. Harrison, Samuel

    Cowgill, R., 2001, The New Grove Dictionary of Music and Musicians. London: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. Hidden instrumental and vocal learning in Undergraduate University Music Education

    Haddon, E., 2014, Advanced Musical Performance: Investigations in Higher Education Learning. Aldershot: Ashgate Publishing Company, p. 247-264 18 p. (Sempre Studies in the Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. Images of Virtue and War: Music in Civil War Oxford

    Wainwright, J., 1998, William Lawes: 1602–1645 Essays on His Life, Times and Work. Ashbee, A. (ed.). Aldershot: Ashgate Publishing Company, p. 121-42

    Research output: Chapter in Book/Report/Conference proceedingChapter

  35. In re: Experimental Education

    Brooks, W., 2015, Patterns of Intuition: Musical Creativity in the Light of Algorithmic Composition. Nierhaus, G. (ed.). Dordrecht: Springer-Verlag, p. 329-347 19 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  36. Internationalization and the Irish state’s relationship with theatre and opera

    Sheil, Á. & Edelman, J., 2009, Global Changes, Local Stages: How theatre functions in smaller European countries. van Maanen, H., Kotte, A. & Saro, A. (eds.). Amsterdam: Rodopi, p. 146-175 30 p. (Themes in Theatre - Collective Approaches to Theatre and Performance; vol. 5).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  37. Java

    Sorrell, N. F. I., 16 Oct 2015, (Accepted/In press) The Other Classical Musics: Fifteen Great Traditions. Church, M. (ed.). Boydell & Brewer, 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  38. Kelly, Michael William

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. Linley family

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  40. Mara, Gertrud Elisabeth

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. Monteverdi Vespers (1610)

    Wainwright, J., 2012, The Cambridge History of Musical Performance. Lawson, C. & Stowell, R. (eds.). Cambridge: Cambridge University Press, p. 448–469

    Research output: Chapter in Book/Report/Conference proceedingChapter

  42. Morton Feldman’s 'Neither’.

    Laws, C. A., 1998, Samuel Beckett and Music. Bryden, M. (ed.). Oxford: Clarendon Press, p. 57-86 31 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  43. Morton Feldman’s Late Piano Music: Experimentalism in Practice

    Laws, C. A., 2011, The Practice of Practising . Laws, C. (ed.). Leuven University Press, (Collected Writings of the Orpheus Research Centre in Music; vol. 4).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  44. Mozart Productions and the Emergence of Werktreue at London's Italian Opera House, 1780-1830

    Cowgill, R., 2006, Operatic Migrations. Marvin, R. M. & Thomas, D. A. (eds.). Aldershot, UK: Farnham: Ashgate Publishing Ltd, p. 145-186 42 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  45. Mozart, Wolfgang Amadeus

    Cowgill, R., 1999, An Oxford Companion to the Romantic Age. McCalman, I., Mee, J., Russell, G., Tuit, C., Fullagar, K. & Hardy, P. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  46. Multispatial Sound

    Myatt, T., 2011, The Morning Line Vienna. Zyman, D. & Ebersberger, E. (eds.). Vienna: Thyssen-Bornemizsa Art Contemporary, (Verlag für moderne Kunst Nürnberg).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  47. Multispatial Sound

    Myatt, T., 2008, The Morning Line: Seville Biennial of Contemporary Art. Zyman, D. & Ebersberger, E. (eds.). Vienna: Thyssen-Bornemizsa Art Contemporary

    Research output: Chapter in Book/Report/Conference proceedingChapter

  48. Multispatial Sound

    Myatt, T., 2010, The Morning Line: Istanbul. Zyman, D. & Ebersberger, E. (eds.). Thyssen-Bornemizsa Art Contemporary

    Research output: Chapter in Book/Report/Conference proceedingChapter

  49. Music in Beckett’s Nacht und Träume: Vocality and Imagination

    Laws, C., 28 Oct 2014, Beckett and Musicality. Till, N. & Bailes, S. J. (eds.). Ashgate, p. 233-254 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  50. Musical creativities and entrepreneurship in higher music education: Activating new possibilities

    Haddon, E. & Burnard, P., 1 Jan 2015, Activating Diverse Musical Creativities: Teaching and learning in higher music education. Burnard, P. & Haddon, E. (eds.). London: Bloomsbury Academic, p. 261-281 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

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