Search research publications and outputs

  1. Paper › Research › Not peer-reviewed
  2. 'Headaches Among the Overtones': Thinking Through Music in Beckett.

    Laws, C., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  3. 'I could show you all I know’: Elements of co-creativity in a music theatre context

    Laws, C., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  4. Audio Spatialization for The Morning Line

    Myatt, T. & Malham, D. G., 2010.

    Research output: Contribution to conferencePaper

  5. Bach and the Belly Dancer: Jacky Lansley’s 'Guest Suites'

    Eato, J. E., 8 May 2012.

    Research output: Contribution to conferencePaper

  6. Creative Accounting: Beckett and the re-imagining of musical authority

    Laws, C., Jun 2011, (In preparation).

    Research output: Contribution to conferencePaper

  7. Fissures, fragments and the prospect of silence in the work of Samuel Beckett

    Laws, C., 7 Aug 2013.

    Research output: Contribution to conferencePaper

  8. Growing Music: Musical Interpretations of L-Systems

    Worth, P. & Stepney, S., 2005, p. 545-550.

    Research output: Contribution to conferencePaper

  9. Knowing ‘I’?: Musical Subjectivity, Embodiment and Interaction

    Laws, C., 1 Dec 2014.

    Research output: Contribution to conferencePaper

  10. Music in Beckett’s Nacht und Träume: Vocality and Imagination

    Laws, C., 2012.

    Research output: Contribution to conferencePaper

  11. Musical Subjectivity in Action: Piano Personae.

    Laws, C., 2 Oct 2014.

    Research output: Contribution to conferencePaper

  12. Samuel Beckett: Dramatic text as music, music as text (invited paper)

    Laws, C., 19 May 2014.

    Research output: Contribution to conferencePaper

  13. Serve with Curry and Rice: the Ghoemaisation of Jazz at the Cape

    Eato, J. E., 28 Jun 2013.

    Research output: Contribution to conferencePaper

  14. Sound and Music in Beckett's All That Fall

    Laws, C., 9 Dec 2013.

    Research output: Contribution to conferencePaper

  15. Sounded Gestures and Enacted Sounds (updated version)

    Laws, C., Brooks, W. & Harron, D., Jul 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  16. Sounded gesture and enacted sounds (preliminary report)

    Laws, C., Brooks, W. & Harron, D., May 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  17. The Virtual Singing Studio: a loudspeaker-based room acoustics simulation for real-time musical performance

    Brereton, J. S., Murphy, D. T. & Howard, D. M., 2012, p. 1-8. 8 p.

    Research output: Contribution to conferencePaper

  18. The Writing’s on the Wall? The piano in co-creative contexts.

    Laws, C., Apr 2011.

    Research output: Contribution to conferencePaper

  19. Paper › Research › Peer-reviewed
  20. 'Forming the New from the Old: Rautavaarra’s Perspectives on Modernism’

    Howell, T., 2008.

    Research output: Contribution to conferencePaper

  21. A Climbing Vine Through Concrete: jazz in 1960s apartheid South Africa

    Eato, J. E., 6 Sep 2014.

    Research output: Contribution to conferencePaper

  22. Achieving convolution-based reverberation through use of geometric acoustic modeling techniques

    Oxnard, S. & Murphy, D. T., 17 Sep 2012, p. 105. 4 p.

    Research output: Contribution to conferencePaper

  23. Bergman's Modernism: Colours & Improvisations; coherence & integration

    Howell, T., 26 Sep 2011.

    Research output: Contribution to conferencePaper

  24. Continuing Development for the Musician as Teacher in a University Context

    Haddon, E., 2011, (Accepted/In press).

    Research output: Contribution to conferencePaper

  25. Culture and Context: the influence of institutional culture on undergraduate musicians' attitudes to learning and performance

    Haddon, E. & Papageorgi, I., 2008, (Unpublished).

    Research output: Contribution to conferencePaper

  26. Evol, direct approaches to the auralisation of mathematical algorithms

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaper

  27. Feldman's Piano Music and Experimental Practising

    Laws, C., 2009.

    Research output: Contribution to conferencePaper

  28. Horatio Oratorio: Composing Using Historic Sound Recordings

    Kolkowski, A. & Reuben, F., 2008. 15 p.

    Research output: Contribution to conferencePaper

  29. Identity, Antagonism and Terre Thaemlitz

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaper

  30. In Preparation: A Performance-led Approach and a New Research Methodology for Dance Science.

    Vahla, A., Redding, E., Hushlak, M. A., Sentler, S., Chin, S., Reuben, F. & Luck, N., 2011.

    Research output: Contribution to conferencePaper

  31. In re: "Experimental Music"

    Brooks, W., 21 Jun 2012, p. 37-62.

    Research output: Contribution to conferencePaper

  32. Investigation of Factors Influencing Acoustic Characteristics in Geometric Acoustics Based Auralization

    Foteinou, A., Murphy, D. T. & Masinton, A., 1 Sep 2010, p. 171-181.

    Research output: Contribution to conferencePaper

  33. Know Where You Are: Kenny Wheeler, the performers’ composer

    Eato, J. E., 27 Mar 2012.

    Research output: Contribution to conferencePaper

  34. Know Where You Are: Kenny Wheeler, the performers' composer

    Eato, J. E., 7 Apr 2011.

    Research output: Contribution to conferencePaper

  35. Making Sense of the Self: music students and self-identity

    Haddon, E., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  36. Modularity, Immediacy and Exchange in Improvisation using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferencePaper

  37. Multiple Teachers: multiple gains?

    Haddon, E., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  38. Networks of meaning in the audio-visual work of Ryoichi Kurokowa

    Field, A. E., 27 Oct 2012, p. 318-326.

    Research output: Contribution to conferencePaper

  39. Partners in time: Developing a piano duet partnership

    Haddon, E. & Hutchinson, M. A., 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  40. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Lennox, P., 2011.

    Research output: Contribution to conferencePaper

  41. Real-time Plunderphonics: Appropriating Keyboard Performances as they Occur

    Reuben, F., 2012.

    Research output: Contribution to conferencePaper

  42. Research Findings: from implications to implementation?

    Haddon, E., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  43. Sibelius’ Tapiola: The Full Monty

    Howell, T., 1999.

    Research output: Contribution to conferencePaper

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