Search research publications and outputs

  1. Nicolas Gombert: Six Motets

    Wainwright, J., 2009, York : York Early Music Press.

    Research output: Other contribution

  2. Not a soul but ourselves: for four amplified voices

    Marsh, R. M., 2011

    Research output: Non-textual formDigital or Visual Products

  3. Of Science and Nature: Mozart versus the Modern Bel Canto in Early Nineteenth-Century London

    Cowgill, R., 2010, Mozart, Marcos Portugal e o seu tempo. Cranmer, D. (ed.). Lisbon: Centro de Estudos da Sociologia e Estetica Musical, p. 35-51 and 197-280

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. On Violence

    Reuben, F., 2012

    Research output: Non-textual formComposition

  5. On the Beat: The Victorian Policeman as Musician

    Cowgill, R., 2007, Victorian Soundscapes Revisited. Cowgill, R. & Hewitt, M. (eds.). Leeds: Leeds Centre for Victorian Studies, Vol. 9. p. 191-214 24 p. (Leeds Working Papers in Victorian Studies).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. On the Beat: The Victorian Policeman as Musician

    Cowgill, R., 28 Oct 2012, Music and Institutions in Nineteenth-Century Britain. Rodmell, P. (ed.). Farnham: Farnham: Ashgate Publishing Ltd, p. 221-245 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Opera Orchestras in Georgian and Early Victorian London

    Cowgill, R. & Dideriksen, G., 2008, The Opera Orchestra in 18th- and 19th-Century Europe. Jensen, N. M. & Piperno, F. (eds.). Berlin: Berliner Wissenschafts-Verlag, Vol. 1. p. 259-321 63 p. (Musical Life in Europe, 1600-1900: Circulation, Institutions, Representation).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Orwell Fragments

    Reuben, F., Lash, D. & Laubrock, I., 2011

    Research output: Non-textual formArtefact

  9. Pedestal stability comparison and ITER pedestal prediction

    Snyder, P. B., Aiba, N., Beurskens, M., Groebner, R. J., Horton, L. D., Hubbard, A. E., Hughes, J. W., Huysmans, G. T. A., Kamada, Y., Kirk, A., Konz, C., Leonard, A. W., Loennroth, J., Maggi, C. F., Maingi, R., Osborne, T. H., Oyama, N., Pankin, A., Saarelma, S., Saibene, G. & 3 others, Terry, J. L., Urano, H. & Wilson, H. R., Aug 2009

    Article in Nuclear fusion

  10. Perception and Emotional Effect of Fade-outs in Song Endings in Popular Music

    Egermann, H., Gaulin, M. & McAdams, S., 2012, Tagungsband der Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Bremen, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  11. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Lennox, P., 2011.

    Research output: Contribution to conferencePaper

  12. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Peter Lennox, P., 2011, Proceedings of the 17th International Conference on Auditory Display. Budapest, Hungary: I.C.A.D., Vol. 2011.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Performance Alfresco: Music-Making in London's Pleasure Gardens

    Cowgill, R., Jan 2012, The Pleasure Garden. Conlin, J. (ed.). University of Pennsylvania Press, p. 100-126 27 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Piano and Other Things

    Laws, C., 2009

    Research output: Non-textual formPerformance

  15. Pianthology: 7 contemporary compositions for piano

    Losseff, N., 8 May 2008, University of York Music Press (UYMP). 73 p.

    Research output: Book/ReportScholarly edition

  16. Pianthology: 7 piano pieces

    Losseff, N., 2011

    Research output: Non-textual formDigital or Visual Products

  17. Pierrot Lunaire: 50 Rondels Bergamasques

    Marsh, R. M., 2007

    Research output: Non-textual formDigital or Visual Products

  18. Preludes and Codas

    Howell, T., 2011, Kaija Saariaho: Visions, Narratives, Dialogues. England: Ashgate Publishing Company, p. xv -xxiii 9 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Presque quelque chose : composition (2m 30s)

    Field, A. E., 13 Feb 2009

    Research output: Non-textual formComposition

  20. Process and systems in computer Music: from meta to matter

    Myatt, T., 2011, Quadern d'àudio, 5, p. 1-9 9 p.

    Research output: Contribution to specialist publicationFeatured article

  21. Psychological and physiological correlates of expectation and emotion in a live concert experiment

    Egermann, H. & McAdams, S., 2011, Abstracts for the 51st Annual Meeting Society for Psychophysiological Research. Psychophysiology.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  22. RANGE OF TUNING FOR TONES WITH AND WITHOUT VIBRATO

    van Besouw, R. M., Brereton, J. S. & Howard, D. M., Dec 2008

    Article in Music perception

  23. Re-composing the saxophone: three twenty-first century examples

    Eato, J. E., 24 May 2008, (Unpublished).

    Research output: Working paperDiscussion paper

  24. Real-time Plunderphonics: Appropriating Keyboard Performances as they Occur

    Reuben, F., 2012.

    Research output: Contribution to conferencePaper

  25. Recognition is different from feeling: experimental evidence for two different types of emotional processes in music using a between-subjects design in a web experiment

    Egermann, H. & McAdams, S., 2010, Proceedings of the 11th International Conference on Music Perception and Cognition (ICMPC11). Seattle, Washington, USA.. Demorest, S. M., Morrison, S. J. & Campbell, P. S. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  26. Research Findings: from implications to implementation?

    Haddon, E., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  27. Reworking Musical Strategies In the Digital Age

    Reuben, F., 2011, 137 p.

    Research output: ThesisDoctoral Thesis

  28. Richard Dering: Motets for One, Two or Three Voices and Basso Continuo

    Wainwright, J., 2008, Musica Britannica ed. London: Stainer & Bell. 162 p. (Musica Britannica; vol. 87)

    Research output: Book/ReportScholarly edition

  29. Sanctus : composition (7m 28s)

    Field, A. E., 13 Feb 2009

    Research output: Non-textual formComposition

  30. Shadow Prophets

    Reuben, F., Luck, N., de la Cour, A. & Knowles, M. L., 2011

    Research output: Non-textual formComposition

  31. Shadows of a Brass Line for Orchestra

    Simaku, T., 2011

    Research output: Non-textual formComposition

  32. Signals

    Stringer, J. C. (ed.) & Maxwell, M. (ed.), 2011, 31 p. York : University of York Music Press (UYMP).

    Research output: Other contribution

  33. Silence, Music, Silent Music

    Losseff, N. (ed.) & Doctor, J. R. (ed.), 2007, Ashgate Publishing Company. 253 p.

    Research output: Book/ReportBook

  34. Silent music and the eternal silence

    Losseff, N., 2007, Ashgate. p. 205 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  35. Single or Triple Threat? University music students and musical theatre learning

    Haddon, E., 2010.

    Research output: Contribution to conferencePaper