Search research publications and outputs

  1. 2011
  2. A Wake of Music: four songs for soprano, clarinet, cello, and piano

    Brooks, W., 2011

    Research output: Non-textual formComposition

  3. Alessandro Striggio - Mass in 40 parts

    Hollingworth, R. M., 2011, Decca Records.

    Research output: Other contribution

  4. Candlebird: for baritone and 18 players

    Suckling, M. C. & Paterson, D., 2011

    Research output: Non-textual formComposition

  5. Chambre 119

    Laws, C. & Jessen, E., 2011

    Research output: Non-textual formDigital or Visual Products

  6. Continuing Development for the Musician as Teacher in a University Context

    Haddon, E., 2011, (Accepted/In press).

    Research output: Contribution to conferencePaper

  7. Expectation and Emotion in a Live Concert Experiment

    Egermann, H., Pearce, M., Wiggins, G. & McAdams, S., 2011, Abstract Book of the Meeting of the Society for Music Perception and Cognition Rochester, New York 11.-14. August 2011.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  8. From the Air to the Earth: Reading the Ashes

    March, D. T., 2011, Kaija Saariaho: Visions, Narratives, Dialogues. Howell, T., Hargreaves, J. & Rofe, M. (eds.). Ashgate, p. 15-40

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. In Preparation: A Performance-led Approach and a New Research Methodology for Dance Science.

    Vahla, A., Redding, E., Hushlak, M. A., Sentler, S., Chin, S., Reuben, F. & Luck, N., 2011.

    Research output: Contribution to conferencePaper

  10. Lieder Ohne Worte: for piano solo

    Suckling, M. C., 2011

    Research output: Non-textual formComposition

  11. Morton Feldman’s Late Piano Music: Experimentalism in Practice

    Laws, C. A., 2011, The Practice of Practising . Laws, C. (ed.). Leuven University Press, (Collected Writings of the Orpheus Research Centre in Music; vol. 4).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Multispatial Sound

    Myatt, T., 2011, The Morning Line Vienna. Zyman, D. & Ebersberger, E. (eds.). Vienna: Thyssen-Bornemizsa Art Contemporary, (Verlag für moderne Kunst Nürnberg).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Not a soul but ourselves: for four amplified voices

    Marsh, R. M., 2011

    Research output: Non-textual formDigital or Visual Products

  14. Orwell Fragments

    Reuben, F., Lash, D. & Laubrock, I., 2011

    Research output: Non-textual formArtefact

  15. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Peter Lennox, P., 2011, Proceedings of the 17th International Conference on Auditory Display. Budapest, Hungary: I.C.A.D., Vol. 2011.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Lennox, P., 2011.

    Research output: Contribution to conferencePaper

  17. Pianthology: 7 piano pieces

    Losseff, N., 2011

    Research output: Non-textual formDigital or Visual Products

  18. Preludes and Codas

    Howell, T., 2011, Kaija Saariaho: Visions, Narratives, Dialogues. England: Ashgate Publishing Company, p. xv -xxiii 9 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Process and systems in computer Music: from meta to matter

    Myatt, T., 2011, Quadern d'àudio, 5, p. 1-9 9 p.

    Research output: Contribution to specialist publicationFeatured article

  20. Psychological and physiological correlates of expectation and emotion in a live concert experiment

    Egermann, H. & McAdams, S., 2011, Abstracts for the 51st Annual Meeting Society for Psychophysiological Research. Psychophysiology.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  21. Research Findings: from implications to implementation?

    Haddon, E., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  22. Reworking Musical Strategies In the Digital Age

    Reuben, F., 2011, 137 p.

    Research output: ThesisDoctoral Thesis

  23. Shadow Prophets

    Reuben, F., Luck, N., de la Cour, A. & Knowles, M. L., 2011

    Research output: Non-textual formComposition

  24. Shadows of a Brass Line for Orchestra

    Simaku, T., 2011

    Research output: Non-textual formComposition

  25. Signals

    Stringer, J. C. (ed.) & Maxwell, M. (ed.), 2011, 31 p. York : University of York Music Press (UYMP).

    Research output: Other contribution

  26. Sporcizia Accademica

    Reuben, F., 2011

    Research output: Non-textual formArtefact

  27. String Quartet No 4: Written for and dedicated to Quatuor Diotima

    Simaku, T., 2011

    Research output: Non-textual formComposition

  28. The Master of Music: for mixed choir

    Brooks, W., 2011, (Unpublished)

    Research output: Non-textual formComposition

  29. The Moon, the moon! for symphony orchestra

    Suckling, M. C., 2011

    Research output: Non-textual formComposition

  30. The Practice of Practising

    Laws, C. (ed.), 2011, Leuven: Leuven University Press. 92 p. (Collected Writings of the Orpheus Research Centre in Music; vol. 4)

    Research output: Book/ReportAnthology

  31. Three Folksongs: for mixed choir

    Brooks, W., 2011, (Unpublished)

    Research output: Non-textual formComposition

  32. bingoise

    Eato, J. E. & Vear, C., 2011, (Accepted/In press)

    Research output: Non-textual formComposition

  33. de sol y grana: for solo violin and 14 players

    Suckling, M. C., 2011

    Research output: Non-textual formComposition

  34. storm, rose, tiger: for chamber orchestra

    Suckling, M. C., 2011

    Research output: Non-textual formComposition

  35. A Sentimental Journey

    Vear, C. & Eato, J. E., 8 Feb 2011

    Research output: Non-textual formPerformance

  36. The Writing’s on the Wall? The piano in co-creative contexts.

    Laws, C., Apr 2011.

    Research output: Contribution to conferencePaper

  37. Know Where You Are: Kenny Wheeler, the performers' composer

    Eato, J. E., 7 Apr 2011.

    Research output: Contribution to conferencePaper

  38. Why Would We Want To Repeat That? Understandings of text for the musical here and now

    Eato, J. E., 26 Apr 2011, (Unpublished).

    Research output: Working paperDiscussion paper

  39. Sounded gesture and enacted sounds (preliminary report)

    Laws, C., Brooks, W. & Harron, D., May 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  40. Contemporary Composers in the Here and Now

    Eato, J. E., 24 May 2011, (Unpublished).

    Research output: Working paperDiscussion paper

  41. Creative Accounting: Beckett and the re-imagining of musical authority

    Laws, C., Jun 2011, (In preparation).

    Research output: Contribution to conferencePaper

  42. Bach, JS - Mass in B Minor

    Seymour, P. G., 27 Jun 2011

    Research output: Non-textual formPerformance

  43. Township Comets: the impact of South African jazz on the UK scene

    Eato, J. E., 27 Jun 2011.

    Research output: Contribution to conferencePaper

  44. Sounded Gestures and Enacted Sounds (updated version)

    Laws, C., Brooks, W. & Harron, D., Jul 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  45. Bach, JS B Minor Mass

    Seymour, P. G., 29 Jul 2011

    Research output: Non-textual formPerformance

  46. Effect of N2, Ne and Ar seeding on Alcator C-Mod H-mode confinement

    Reinke, M. L., Hughes, J. W., Loarte, A., Brunner, D., Hutchinson, I. H., LaBombard, B., Payne, J. & Terry, J. L., 1 Aug 2011

    Article in Journal of Nuclear Materials

  47. A comparison of analysis and resynthesis methods for directional segmentation of stereo audio

    Wells, J., Sep 2011, Proceedings of the 14th International Conference on Digital Audio Effects (DAFx-11), Paris, France, September 19-23, 2011. Peeters, G. (ed.). Paris: IRCAM, p. 191-198 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  48. Dualities and Dialogues: Saariaho’s Concertos

    Howell, T., 19 Sep 2011, Kaija Saariaho: Visions, Narratives, Dialogues. England: Ashgate Publishing Company, p. 133 -157 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  49. Kaija Saariaho: Visions, Narratives, Dialogues

    Howell, T. (ed.), 19 Sep 2011, England: Ashgate Publishing Company. 225 p.

    Research output: Book/ReportAnthology

  50. Bergman's Modernism: Colours & Improvisations; coherence & integration

    Howell, T., 26 Sep 2011.

    Research output: Contribution to conferencePaper

  51. Charles E. Ives: Symphony No. 4

    Brooks, W. (ed.), Sinclair, J. (ed.), Singleton, K. (ed.) & Shirley, W. (ed.), 31 Dec 2011, Milwaukee, Wisconsin: Associated Music Publishers, Inc. 214 p.

    Research output: Book/ReportScholarly edition

  52. 2012
  53. 1612 Italian Vespers

    Hollingworth, R. M., 2012, Decca Records.

    Research output: Other contribution

  54. A Shadow, An Aura and Some Notes on Light: Re-defining the Sibelius Legacy

    Howell, T., 2012, (Accepted/In press) Proceedings of the Fifth International Sibelius Conference, Oxford 2010. Helsinki: http://sibeliusone.com/sibelius-reconsidered/

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  55. Beckett in contemporary music

    Laws, C., 2012

    Research output: Non-textual formPerformance

  56. Bird

    Reuben, F. & Lixenberg, L., 2012

    Research output: Non-textual formPerformance

  57. Black Heroes liner notes / discography

    Eato, J. E., 2012, 13 p. JISA Records.

    Research output: Other contribution

  58. Disjointed (live performances linked to the project 'Sounded Gesture and Enacted Sounds')

    Laws, C. & Harron, D., 2012

    Research output: Non-textual formPerformance

  59. HMS Concert: London Improvisers Orchestra

    Reuben, F., Blunt, A., Bohman, A., Ramanan, R., Beresford, S., Taylor, N., Northover, A. & Tejero, R., 2012

    Research output: Non-textual formArtefact

  60. In memoriam EMS: for string orchestra

    Suckling, M. C., 2012

    Research output: Non-textual formComposition

  61. Modularity, Immediacy and Exchange in Improvisation using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferencePaper

  62. Monteverdi Vespers (1610)

    Wainwright, J., 2012, The Cambridge History of Musical Performance. Lawson, C. & Stowell, R. (eds.). Cambridge: Cambridge University Press, p. 448–469

    Research output: Chapter in Book/Report/Conference proceedingChapter

  63. Mr Jonathan Morton, His Ground: for string orchestra

    Suckling, M. C., 2012

    Research output: Non-textual formComposition

  64. Music in Beckett’s Nacht und Träume: Vocality and Imagination

    Laws, C., 2012.

    Research output: Contribution to conferencePaper

  65. New Music from Old York: The 24 and Gamelan Sekar Petak

    Sorrell, N. F. I., 2012

    Research output: Non-textual formDigital or Visual Products

  66. On Violence

    Reuben, F., 2012

    Research output: Non-textual formComposition

  67. Perception and Emotional Effect of Fade-outs in Song Endings in Popular Music

    Egermann, H., Gaulin, M. & McAdams, S., 2012, Tagungsband der Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Bremen, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  68. Real-time Plunderphonics: Appropriating Keyboard Performances as they Occur

    Reuben, F., 2012.

    Research output: Contribution to conferencePaper

  69. Six Mediaeval Lyrics [composition issued in print]: for women's choir

    Brooks, W., 2012

    Research output: Non-textual formComposition

  70. Tenebrae: For flute, viola, and harp

    Suckling, M. C., 2012

    Research output: Non-textual formComposition

  71. The Look of the Thing

    Eato, J. E., Bruce, H., Lawrence, S., Ganz, L., Arstall, S., Starkey, D. & Morrison, M., 2012

    Research output: Non-textual formComposition

  72. The opera director’s voice: DVD 'extras' and the question of authority

    Sheil, Á., 2012, Opera and Video : Technology and spectatorship. Pérez, H. J. (ed.). Bern: Peter Lang, p. 129-150 22 p. (Film Cultures).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  73. Workshop: Improvisation with Live Instruments using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferenceOther

  74. ‘A Shadow, An Aura and Some Notes on Light: Re-defining the Sibelius Legacy’

    Howell, T., 2012, (Accepted/In press).

    Research output: Contribution to conferencePaper

  75. A History of Singing

    Potter, J. & Sorrell, N., Jan 2012, Cambridge University Press.

    Research output: Book/ReportBook

  76. Performance Alfresco: Music-Making in London's Pleasure Gardens

    Cowgill, R., Jan 2012, The Pleasure Garden. Conlin, J. (ed.). University of Pennsylvania Press, p. 100-126 27 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  77. Suite Inserts

    Eato, J. E., Feb 2012

    Research output: Non-textual formComposition

  78. Ultrafast magnetism as seen by x-rays

    Radu, I., Vahaplar, K., Stamm, C., Kachel, T., Pontius, N., Radu, F., Abrudan, R., Dürr, H., Ostler, T., Barker, J., Evans, R., Chantrell, R., Tsukamoto, A., Itoh, A., Kirilyuk, A., Rasing, T., Kimel, A. & Evans, R. F. L., 23 Mar 2012, Proceedings of SPIE - The International Society for Optical Engineering. Vol. 8260. 82601M

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  79. Know Where You Are: Kenny Wheeler, the performers’ composer

    Eato, J. E., 27 Mar 2012.

    Research output: Contribution to conferencePaper

  80. Mendelssohn, Suckling, Dvořák: Aronowitz Ensemble

    Suckling, M. C., Mendelssohn, F. & Dvorak, A., May 2012

    Research output: Non-textual formDigital or Visual Products

  81. Bach and the Belly Dancer: Jacky Lansley’s 'Guest Suites'

    Eato, J. E., 8 May 2012.

    Research output: Contribution to conferencePaper

  82. The control of early decay time on auralization results based on geometric acoustic modelling

    Foteinou, A. & Murphy, D. T., 18 Jun 2012.

    Research output: Contribution to conferencePaper

  83. In re: "Experimental Music"

    Brooks, W., 21 Jun 2012, p. 37-62.

    Research output: Contribution to conferencePaper

  84. Attitudes with a Shawl: Performance, Femininity, and Spectatorship at the Italian Opera in Early Nineteenth-Century London

    Cowgill, R., 12 Jul 2012, The Arts of the Prima Donna in the Long Nineteenth Century. Cowgill, R. & Poriss, H. (eds.). New York: Oxford University Press, p. 217-251 35 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  85. The Arts of the Prima Donna in the Long Nineteenth Century

    Cowgill, R. (ed.) & Poriss, H. (ed.), 12 Jul 2012, New York: Oxford University Press.

    Research output: Book/ReportBook

  86. L'Olimpiade: an opera, as set by Pergolesi, Vivaldi, Caldara and Jommelli

    Seymour, P. G., 13 Jul 2012

    Research output: Non-textual formPerformance

  87. Achieving convolution-based reverberation through use of geometric acoustic modeling techniques

    Oxnard, S. & Murphy, D. T., 17 Sep 2012, p. 105. 4 p.

    Research output: Contribution to conferencePaper

  88. London Sinfonietta Label: New Music Show

    Suckling, M. C., Finnis, E., Khroustaliov, I., Hodgkinson, T., Feshareki, S. & Duncan, M., 15 Oct 2012

    Research output: Non-textual formDigital or Visual Products

  89. Networks of meaning in the audio-visual work of Ryoichi Kurokowa

    Field, A. E., 27 Oct 2012, p. 318-326.

    Research output: Contribution to conferencePaper

  90. On the Beat: The Victorian Policeman as Musician

    Cowgill, R., 28 Oct 2012, Music and Institutions in Nineteenth-Century Britain. Rodmell, P. (ed.). Farnham: Farnham: Ashgate Publishing Ltd, p. 221-245 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  91. Township comets: The impact of South African jazz on the UK scene

    Eato, J. E., Dec 2012, iaspm 2011 proceedings: Situating popular musics. Montano, E. & Nardi, C. (eds.). International Association for the Study of Popular Music, Vol. IASPM 16th International Conference Proceedings. p. 112-118

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  92. 2013
  93. An Experimental Investigation on Empathy as an Emotion-Induction Mechanism in Music Listening

    Ditter, D., Schmidt, L., Tessmer, N. & Egermann, H., 2013, Abstract Book of the 3rd International Conference on Music Emotion.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  94. Black Heroes (Tete Mbambisa)

    Eato, J. E., 2013, International Library of African Music / Red Location Museum.

    Research output: Other contribution

  95. Chimes at Midnight: for string orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  96. Co-performer empathy and peak performance in expert ensemble playing

    Waddington-Jones, C. E., 2013, Proceedings of the International Symposium of Performance Science . Williamon, A. & Goebl, W. (eds.). Brussels: European Association of Conservatoires, p. 331-336 6 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  97. Concerto for Orchestra

    Simaku, T., 2013

    Research output: Non-textual formComposition

  98. Disjointed

    Laws, C., Brooks, W. & Harron, D., 2013

    Research output: Non-textual formDigital or Visual Products

  99. Everlasting Voices: for bass clarinet, actor and fixed media

    Brooks, W., 2013

    Research output: Non-textual formComposition

  100. Hoichi: for solo alto flute with live electronics

    Marsh, R. M., 2013

    Research output: Non-textual formDigital or Visual Products

  101. Kinderproducts

    Reuben, F., Potter, S. & Chirstensen, J., 2013

    Research output: Non-textual formComposition

  102. Linking Theories of Emotion-Induction to Applications in Audio Branding

    Egermann, H., 2013, Audio Branding Yearbook 2012-2013. Bronner, K., Hirt, R. & Ringe, C. (eds.). Baden-Baden: Nomos, p. 155-166 12 p.

    Research output: Chapter in Book/Report/Conference proceedingOther chapter contribution

  103. Manifesto: A Performance and Exhibition of 20th Century Music and Sound Manifestos

    Lixenberg, L., Reuben, F. & Kolkowski, A., 2013

    Research output: Non-textual formPerformance

  104. Nocturne: for violin and cello

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  105. Notari, Angelo

    Wainwright, J. P., 2013, Dizionario biografico degli Italiani . Rome: Istituto della Enciclopedia Italiana, Vol. 78. p. 770-2

    Research output: Chapter in Book/Report/Conference proceedingChapter

  106. Partners in time: Developing a piano duet partnership

    Haddon, E. & Hutchinson, M. A., 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  107. Postcards (previously titled 'Short Stories'): for String Orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  108. Ravi Shankar

    Sorrell, N. F. I., 2013, (Unpublished)

    Research output: Other contribution

  109. Release: for symphony orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  110. Six Speechless Songs: for chamber orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  111. The development of the individual voice within the institutional community

    Haddon, E., 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  112. Touch: for string orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  113. Tracce: for SATB quartet, amplified

    Brooks, W., 2013, (Accepted/In press)

    Research output: Non-textual formComposition

  114. Trois Esquisses: Written for and dedicated to Joseph Houston

    Simaku, T., 2013, (Accepted/In press)

    Research output: Non-textual formComposition

  115. “I could show you all I know”: Elements of co-creativity in a music theatre context.

    Laws, C., 2013, (In preparation) Productive Tensions : Co-creative Practices in Music. Brooks, W. & Laws, C. (eds.). Leuven University Press, (Collected Writings of the Orpheus Research Centre in Music ).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  116. Lombardiran: theatre piece for alto and baritone, with auxiliary instruments

    Brooks, W., Feb 2013

    Research output: Non-textual formComposition

  117. Schubert Winterreise with James Gilchrist (tenor)

    Seymour, P. G., 19 Feb 2013

    Research output: Non-textual formPerformance

  118. What does it mean to study music at university in the UK today?

    Haddon, E., Mar 2013, National Association of Music Educators Magazine.

    Research output: Contribution to specialist publicationArticle

  119. Purcell: Dido & Aeneas (semi-staged) with theatre songs

    Seymour, P. G., 1 Mar 2013

    Research output: Non-textual formPerformance

  120. Live BBC lunchtime: Biber, Purcell

    Seymour, P. G., 15 Mar 2013

    Research output: Non-textual formPerformance

  121. Samuel Beckett and Music

    Laws, C., Apr 2013, Samuel Beckett in Context. Uhlmann, A. (ed.). Cambridge University Press, p. 266-278 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  122. Schubert Winterreise with Stephen Varcoe (bass); Corfu Academy

    Seymour, P. G., 6 Apr 2013

    Research output: Non-textual formPerformance

  123. Six Mediaeval Lyrics [composition issued as recording]: for women's choir

    Brooks, W., 30 Apr 2013

    Research output: Non-textual formComposition

  124. Some Reflections

    Bruce, H., Lawrence, S., Eato, J. E., Morrison, M., Kolesova, J., Lampshire, S., Lloyd-Curtis, T., Newman, C., Roberts, A., Taylor, S., Wall, C., Bernath, V., Eato, J. & Longworth, H., May 2013

    Research output: Non-textual formComposition

  125. Choral Music for 25 Voices: Pod Twoją obronę : In memoriam H.M. Górecki

    Field, A. E., 1 May 2013

    Research output: Non-textual formPerformance

  126. Developing a national 'low risk' febrile neutropenia framework for use in children and young people's cancer care

    Gibson, F., Chisholm, J., Blandford, E., Donachie, P., Hartley, J., Lane, S., Selwood, K., Skinner, R. & Phillips, R., 1 May 2013

    Article in Supportive care in cancer

  127. How Like An Angel

    Hollingworth, R. M., 10 May 2013, IAR.

    Research output: Other contribution

  128. Capturing protein-coding genes across highly divergent species

    Li, C., Hofreiter, M., Straube, N., Corrigan, S. & Naylor, G. J. P., 1 Jun 2013

    Article in Biotechniques

  129. Serve with Curry and Rice: the Ghoemaisation of Jazz at the Cape

    Eato, J. E., 28 Jun 2013.

    Research output: Contribution to conferencePaper

  130. Fissures, fragments and the prospect of silence in the work of Samuel Beckett

    Laws, C., 7 Aug 2013.

    Research output: Contribution to conferencePaper

  131. A Scalable Architecture for General Real-Time Array-Based DSP on FPGAs with Application to the Wave Equation

    Kirk, R. & Wells, J., Sep 2013, Proceedings of the 16th International Conference on Digital Audio Effects (DAFx13).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  132. Umhlaba Wethu: landscape in the Eastern Cape jazz imaginary

    Eato, J. E. & Dalamba, L., Sep 2013.

    Research output: Contribution to conferencePaper

  133. Northern Loop: Northern Loop - dur 80 mins

    Field, A. E. & Fretwell, P., 25 Sep 2013

    Research output: Non-textual formComposition

  134. Continuing professional development for the musician as teacher in a university context

    Haddon, E., Oct 2013, Developing the Musician: Contemporary Perspectives on Teaching and Learning. Stakelum, M. (ed.). Aldershot: Ashgate Publishing Company, p. 191-206 16 p. (SEMPRE Studies in the Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  135. Experimental Systems: Future Knowledge in Artistic Research

    Brooks, W. & Schwab, M. (ed.), Oct 2013, Leuven: Leuven University Press. 229 p. (Orpheus Institute)

    Research output: Book/ReportBook

  136. Exploring Expressivity and Emotion
 with Artificial Voice and Speech Technologies

    Pauletto, S., Balentine, B., Pidcock, C., Jones, K., Bottaci, L., Aretoulaki, M., Wells, J., Mundy, D. & Balentine, J., Oct 2013

    Article in Logopedics Phoniatrics Vocology

  137. Sound & Score: Essays on Sound, Score and Notation

    Brooks, W. (ed.), de Assis, P. (ed.) & Coessens, K. (ed.), Oct 2013, Leuven: Leuven University Press. 228 p. (Orpheus Institute Series)

    Research output: Book/ReportBook

  138. Ceci n'est pas une pianiste

    Laws, C., 2 Oct 2013

    Research output: Non-textual formPerformance

  139. Participatory scenario development for environmental management: A methodological framework illustrated with experience from the UK uplands

    Reed, M. S., Kenter, J., Bonn, A., Broad, K., Burt, T. P., Fazey, I. R., Fraser, E. D. G., Hubacek, K., Nainggolan, D., Quinn, C. H., Stringer, L. C. & Ravera, F., 5 Oct 2013

    Article in Journal of Environmental Management

  140. Il Cor Tristo: for male vocal quartet. Settings of Dante 'Inferno' Cantos XXXii and XXXiii

    Marsh, R. M., Nov 2013

    Research output: Non-textual formDigital or Visual Products

  141. Poor Yorick

    Marsh, R. M., Nov 2013

    Research output: Non-textual formComposition

  142. The Ian Bruce Huntley Archive

    Eato, J. E., Nov 2013, Keeping Time: Photographs and Cape Town Jazz Recordings - 1964-1974 . Albertyn, C. (ed.). Chris Albertyn and Associates CC, p. 23-37 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  143. "Headaches Among the Overtones": Music in Beckett/ Beckett in Music

    Laws, C., Dec 2013, Amsterdam/ New York: Rodopi. 508 p.

    Research output: Book/ReportBook

  144. Sound and Music in Beckett's All That Fall

    Laws, C., 9 Dec 2013.

    Research output: Contribution to conferencePaper

  145. Concert of music edited by Seymour, P (Conti, Corelli, Scarlatti)

    Seymour, P. G., 13 Dec 2013

    Research output: Non-textual formPerformance

  146. 2014
  147. 'Embodiment and Gesture in Performance: Practice-led Perspectives

    Laws, C. A., 2014, Artistic Experimentation in Music: An Anthology. Gilmore, B. & Crispin, D. (eds.). Leuven: Leuven University Press, p. 131-142 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  148. 3DMIN - Challenges and Interventions for the Design, Development and Dissemination of New Musical Instruments.

    Bovermann, T., Egermann, H., Foerstel, A., Hardjowirogo, S-I., Hinrichsen, A., Hildebrand Marques Lopes, D., Pysiewicz, A., Weinzierl, S. & de Campo, A., 2014, Proceedings of the 40th International Computer Music Conference. International Computer Music Association, Vol. 2014. 5 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  149. Bewegungsmuster von DJs im Club-Kontext

    Foerstel, A. & Egermann, H., 2014, Tagungsband der 13. Jahrestagung der Gesellschaft für Musikpsychologie.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  150. Communicating National and Temporal Origin of Music: An Experimental Approach to Applied Musical Semantics

    Egermann, H. & Stiegler, C., 2014, Abstract Book of the 13th International Conference of Music Perception and Cognition.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  151. Creativity and the institutional mindset

    Haddon, E. & Potter, J., 2014, Advanced Musical Performance: Investigations in Higher Education Learning. Papageorgi, I. (ed.). Aldershot: Ashgate Publishing Company, p. 129-142 14 p. (SEMPRE Studies in The Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  152. Die Verwendung von hierachrischen linearen Modellen zur Audio-Feature-basierten Vorhersage von kontinuierlichen emotionalen Reaktionen auf Musik

    Graefe, C. & Egermann, H., 2014, Fortschritte der Akustik: DAGA 2014. Deutsche Gesellschaft für Akustik, Vol. 2014. p. 786-787 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  153. Experiment in Practice

    Laws, C., 2014, Artistic Experimentation in Music: An Anthology. Crispin, D. & Gilmore, B. (eds.). Leuven: Leuven University Press, Vol. 262. p. 565-574 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  154. Hidden instrumental and vocal learning in Undergraduate University Music Education

    Haddon, E., 2014, Advanced Musical Performance: Investigations in Higher Education Learning. Aldershot: Ashgate Publishing Company, p. 247-264 18 p. (Sempre Studies in the Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  155. Morton Feldman: Music for 3 and 4 pianos

    Laws, C., Thomas, P. & Tilbury, J., 2014

    Research output: Non-textual formDigital or Visual Products

  156. Negotiating Tradition, Modernity, and Cultural Identity in Contemporary South Africa: the music of Tete Mbambisa, Louis Moholo-Moholo and Zim Ngqawana

    Eato, J. E., 2014, Readings in Ethnomusicology: a collection of papers presented at Ethnomusicology Symposium 2013. Dar es Salaam: University of Dar es Salaam, p. 119-126 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  157. New Media Use and Music Appreciation: Connections Between Contemporary Access to Music and its Perceived Value

    Egermann, H., Kahlhoefer, D., Schultz, C-M. & Seedorf, M., 2014, Abstract Book of the 13th International Conference of Music Perception and Cognition.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  158. Nocturn

    Losseff, N., 2014, Czech radio.

    Research output: Other contribution

  159. Reappraising the Seicento: Compositional Procedure in Italy and England

    Cheetham, A. (ed.), Knowles, J. (ed.) & Wainwright, J. (ed.), 2014, Newcastle upon Tyne: Cambridge Scholars Publishing. 240 p.

    Research output: Book/ReportBook

  160. Recording of Martin Iddon's head down among the stems and bells (2010): Catherine Laws: amplified, prepared piano.

    Laws, C. & Iddon, M., 2014

    Research output: Non-textual formDigital or Visual Products

  161. Running Jumping and Standing Still: for ensemble

    Marsh, R. M., 2014

    Research output: Non-textual formComposition

  162. Songs from a Bright September

    Suckling, M. C. & Sergeant, D., 2014

    Research output: Non-textual formComposition

  163. Systematising History: A Database for Electronic and Digital Musical Instruments Including Functional and Aesthetical Properties

    Hardjowirogo, S-I. & Egermann, H., 2014, Proceedings of the 9th Conference on Interdisciplinary Musicology. Staatliches Institut für Musikforschung, 4 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  164. The Effects of Continuous Subjective Music Experience Ratings on Physiological and Psychological Measures of Activation and Valence

    Foerstel, A., Egermann, H. & McAdams, S., 2014, Abstract Book of the 13th International Conference of Music Perception and Cognition. Seoul: International Conference of Music Perception and Cognition

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  165. The Walk to the Tarn: for pianist

    Brooks, W., 2014, (Accepted/In press)

    Research output: Non-textual formComposition

  166. Untersuchung zur Validität von Hörversuchen im Internet

    Pysiewicz, A. & Egermann, H., 2014, Fortschritte der Akustik - DAGA 2014. Deutsche Gesellschaft für Akustik, p. 788-789 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  167. World Music, World Literature

    Sorrell, N. F. I., 2014, (Unpublished)

    Research output: Non-textual formDigital or Visual Products

  168. Yestervisions of the Futurepast

    Reuben, F. & Kolkowski, A., 2014

    Research output: Non-textual formPerformance

  169. A Child Went Forth: Hanns Eisler, American Progressives, and Folk Song

    Brooks, W., Feb 2014, Crosscurrents: American and European Music in Interaction, 1900–2000. Meyer, F., Oja, C. J., Rathert, W. & Shreffler, A. C. (eds.). Woodbridge, UK: Boydell Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  170. Pioneering Spirit: Maud MacCarthy - Music, Mysticism and Modernity

    Cowgill, R. (ed.), Turner, S. (ed.), Scheer, C. (ed.) & Mansell, J. (ed.), 7 Feb 2014

    Research output: Non-textual formExhibition

  171. Far from home

    Hollingworth, R. M., Mar 2014

    Research output: Non-textual formPerformance

  172. Cosi-Cosi

    Eato, J. E., Dlamini, S., Bruce, H., Mgijima, V., Jansen, E., Antonio, C., Kadhimo, N., Vaalbooi, I., Scholtz, M., Goulding, S., Gulliey, M. K., Paul, D., Happiness, B., Jonas, D., Dasheka, N., Naidoo, S., Moon, M., Dax, H., Mahleza, N., Essery, I. & 1 others, Nazier, E., 11 Mar 2014

    Research output: Non-textual formComposition

  173. Concert and live EBU/NEMA streaming: Handel, Blavet, Purcell

    Seymour, P. G., 21 Mar 2014

    Research output: Non-textual formPerformance

  174. The Claim

    Eato, J. E., Bruce, H., Morrison, M., Worth, P., Burt, T., Arstall, S., Lawrence, S., Gavin, E., Hill, G., Bernath, V., Goulding, S., Adams, T., Longworth, H. & Stocker, B., 28 Mar 2014

    Research output: Non-textual formComposition

  175. Composing under the Skin: The Music-making Body at the Composer's Desk

    Brooks, W. & Craenen, P., Apr 2014, Leuven: Leuven University Press. 284 p. (Orpheus Institute)

    Research output: Book/ReportBook

  176. Enchanted Modernities: Mysticism, Landscape and the American West

    scheer, C., Turner, S. V., Mansell, J. & Cowgill, R., 16 Apr 2014

    Research output: Non-textual formExhibition

  177. Samuel Beckett: Dramatic text as music, music as text (invited paper)

    Laws, C., 19 May 2014.

    Research output: Contribution to conferencePaper

  178. Venetian Carnival

    Hollingworth, R. M., 21 May 2014

    Research output: Non-textual formPerformance

  179. Chronic health issues of adolescents: Is the World Listening? Jane's Story: 3Sixty Audio-Visual Animation

    Mason-Jones, A. J., Morris, N. J., Pauletto, S., Armstrong, K-M., Wells, J., Walus, B., Hall, A., Mikocka-Walus, A. A., Mensah, J., Kerrigan, P. & Titley, P. P. (ed.), 17 Jun 2014

    Research output: Non-textual formExhibition

  180. CPE Bach: Die lezten Leiden des Erlösers

    Seymour, P. G., 12 Jul 2014

    Research output: Non-textual formPerformance

  181. Early Lieder: Devising, editing and performing

    Seymour, P. G., 12 Jul 2014

    Research output: Non-textual formPerformance

  182. Six mediaeval lyrics: for three female singers: No. 6: Vale, dulcis amice

    Brooks, W., 16 Jul 2014

    Research output: Non-textual formPerformance

  183. Historical Precedents for Artistic Research in Music: The Case of William Butler Yeats

    Brooks, W., Sep 2014, Artistic Experimentation in Music: An Anthology. Gilmore, B. & Crispin, D. (eds.). Leuven, Belgium: Leuven University Press, p. 185-196 12 p. (Orpheus Institute Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  184. Multiple Paths: Bach / Parra / Tenney

    Brooks, W. (ed.), Cancino, J. P., Gilmore, B. & Bhagwati, S., Sep 2014

    Research output: Non-textual formDigital or Visual Products

  185. Semi-Blind Audio Source Separation of Linearly Mixed Two-Channel Recordings via Guided Matching Pursuit

    Zantalis, D. & Wells, J., 1 Sep 2014, (Accepted/In press) Proceedings of the 17th International Conference on Digital Audio Effects (DAFx-14).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  186. A Climbing Vine Through Concrete: jazz in 1960s apartheid South Africa

    Eato, J. E., 6 Sep 2014.

    Research output: Contribution to conferencePaper

  187. Authority and judgement in the digital archive

    Dix, A., Cowgill, R., Bashford, C., McVeigh, S. & Ridgewell, R., 12 Sep 2014, Proceedings of the 1st International Workshop on Digital Libraries for Musicology. Association for Computing Machinery (ACM), p. 1-8 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  188. Touch and Go: for solo piano

    Marsh, R. M., 30 Sep 2014

    Research output: Non-textual formComposition

  189. After Vicentino: for alto, viola, and electronic keyboard

    Brooks, W. & Trio Scordatura, ., 1 Oct 2014

    Research output: Non-textual formPerformance

  190. Musical Subjectivity in Action: Piano Personae.

    Laws, C., 2 Oct 2014.

    Research output: Contribution to conferencePaper

  191. Music in Beckett’s Nacht und Träume: Vocality and Imagination

    Laws, C., 28 Oct 2014, Beckett and Musicality. Till, N. & Bailes, S. J. (eds.). Ashgate, p. 233-254 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  192. Understanding the impacts of care farms on health and well-being of disadvantaged populations: A protocol of the Evaluating Community Orders (ECO) pilot study

    Elsey, H., Bragg, R., Elings, M., Cade, J. E., Brennan, C., Farragher, T., Tubeuf, S., Gold, R., Shickle, D., Wickramasekera, N., Richardson, Z. & Murray, J., 30 Oct 2014

    Article in BMJ Open

  193. Ohne Worte: Vocality and Instrumentality in the Era of Schumann and Chopin

    Brooks, W. (ed.), Bartoli, J-P., Torbianelli, E., Roudet, J., Moßburger, H. & Seaton, D., Nov 2014, Leuven: Leuven University Press. 227 p. (Collected Writings of the Orpheus Institute; vol. 12)

    Research output: Book/ReportBook

  194. Preface

    Brooks, W., Nov 2014, Ohne Worte: Instrumentality and Vocality in 19th-century Music. Brooks, W. (ed.). Leuven: Leuven University Press, p. 7-13 7 p. (Collected Writings of the Orpheus Institute; vol. 12).

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  195. Vale, dulcis amice [composition issued as recording]: for three female singers

    Brooks, W., 24 Nov 2014

    Research output: Non-textual formComposition

  196. Feldman Pianos

    Laws, C., Thomas, P., Tilbury, J. & Knoop, M., 25 Nov 2014

    Research output: Non-textual formPerformance

  197. Knowing ‘I’?: Musical Subjectivity, Embodiment and Interaction

    Laws, C., 1 Dec 2014.

    Research output: Contribution to conferencePaper

  198. A Climbing Vine Through Concrete: Jazz in 1960s apartheid South Africa

    Eato, J. E., 3 Dec 2014.

    Research output: Working paperDiscussion paper

  199. 2015
  200. Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education

    Burnard, P. (ed.) & Haddon, H. E. (ed.), 2015, Paperback ed. London: Bloomsbury Academic. 272 p.

    Research output: Book/ReportBook

  201. After Vicentino: for alto, viola, and electronic keyboard

    Brooks, W. & Trio Scordatura, ., 2015, (Accepted/In press)

    Research output: Non-textual formComposition

  202. After Yeats

    Brooks, W., 2015, (Accepted/In press)

    Research output: Non-textual formComposition

  203. Auditive and Audiotactile Music Perception of Cochlear Implant Users

    Papadogianni-Kouranti, M., Egermann, H. & Weinzierl, S., 2015, Fortschritte der Akustik: Tagungsband d. 41. DAGA. Becker, S. (ed.). Oldenburg: Deutsche Gesellschaft für Akustik, p. 1203-1205 3 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  204. Capriccioso for Solo Violin

    Simaku, T., 2015

    Research output: Non-textual formComposition

  205. Gesture-sound causality from the audience's perspective: investigating the influence of mapping design on the reception of new digital musical instruments

    Emerson, G., Förstel, A. & Egermann, H., 2015, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Kreutz, G. (ed.). Oldenburg, Germany: Deutsche Gesellschaft für Musikpsychologie, p. 1-2 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  206. In re: Experimental Education

    Brooks, W., 2015, Patterns of Intuition: Musical Creativity in the Light of Algorithmic Composition. Nierhaus, G. (ed.). Dordrecht: Springer-Verlag, p. 329-347 19 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  207. Kinshi: For ensemble

    Marsh, R. M., 2015

    Research output: Non-textual formComposition

  208. Learning Statistical Regularities of a Simple Musical 'Genre': The Case of Radio Station Jingles

    Müllensiefen, D., Egermann, H. & Burrows, S., 2015, Proceedings of the European Conference on Data Analysis. Lausen, B. (ed.). Colchester: Gesellschaft für Klassifikation, p. 1 1 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  209. Performance expertise of DJs in the club-context

    Förstel, A. & Egermann, H., 2015, Escom Manchester 2015: Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music, Programme and abstracts . Ginsborg, J., Lamont, A. & Bramley, S. (eds.). Manchester: ESCOM, p. 367 1 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  210. Piano performance: Group classes for the lifelong learner

    Haddon, L., 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  211. Predicting GEMS Based on PDA-Assessed Gestural Motion Data

    Irrgang, M., Egermann, H., Acar, E. & Lommatzsch, A., 2015, Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR) Music, Mind, and Embodiment. Kronland-Martinet, R., Aramaki, M., Ystad, S. & Eaton, J. (eds.). Interdisciplinary Centre for Computer Music Research, p. 472-485 14 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  212. Propositions, after Georges Bataille

    Reuben, F., Gotman, K., de la Cour, A. & Jackson, T., 2015

    Research output: Non-textual formComposition

  213. Psalm (after Celan): for harp and three groups of four instruments

    Suckling, M. C., 2015

    Research output: Non-textual formComposition

  214. Radio station jingles: How statistical learning applies to a special genre of audio logos

    Muellensiefen, D., Egermann, H. & Burrows, S., 2015, Audio Branding Yearbook 2014-2015. Bronner, K., Hirt, R. & Ringe, C. (eds.). Baden-Baden: Nomos, p. 1-21 21 p.

    Research output: Chapter in Book/Report/Conference proceedingOther chapter contribution

  215. Richard Dering: Motets and Anthems

    Wainwright, J., 2015, London: Stainer & Bell. (Musica Britannica)

    Research output: Book/ReportScholarly edition

  216. Signale -- Entwicklung und Evaluation eines Open Source Ensembles elektronischer Musikinstrumente zur Vermittlung elektronischer/elektroakustischer Musik und ihrer technischen Grundlagen

    Schultz, C. M., Seedorf, M., Förstel, A. & Egermann, H., 2015, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Kreutz, G. (ed.). Oldenburg, Germany: Deutsche Gesellschaft für Musikpsychologie, p. 1-2 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  217. Spielbewegungen von Musikinstrumenten und deren Bedeutung für das Klangergebnis: Ein experimenteller Zugang durch Motion Tracking klassischer Orchesterinstrumente und Auralisation der Bewegungsdaten

    Steger, D., Egermann, H., Weinzierl, S. & Bewegung, D., 2015, Fortschritte der Akustik: Tagungsband d. 41. DAGA. Becker, S. (ed.). Oldenburg: Deutsche Gesellschaft für Akustik, p. 1425-1428 4 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  218. Spir­i­tus Telecom­mu­ni­tas

    Reuben, F., Kolkowski, A. & Har­g­reaves, J., 2015

    Research output: Non-textual formComposition

  219. String Quartet No 5

    Simaku, T., 2015

    Research output: Non-textual formComposition

  220. Swinging to the beat: Movement induction in electronic dance music

    Egermann, H., Förstel, A., Lehrbach, N. & Wende, M., 2015, Proceedings of the Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music. Ginsborg, J., Lamont, A. & Bramley, S. (eds.). Manchester: Chapel Press, p. 338-340 3 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  221. The Actions that Make a Musical Instrument. Exploring Club-DJing as an Instrumental

    Förstel, A., Hardjowirogo, S-I. & Egermann, H., 2015, Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR) Music, Mind, and Embodiment. Kronland-Martinet, R., Aramaki, M., Ystad, S. & Eaton, J. (eds.). Marseille, France: The Laboratory of Mechanics and Acoustics, p. 762-769 8 p. (Publications of the LMA).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  222. The Performance Legacy of Die Meistersinger

    Sheil, Á., 2015, Die Meistersinger von Nürnberg. Kahn, G. (ed.). Richmond: Overture Publishing, p. 55 72 p. (Overture Opera Guides in association with ENO).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  223. The Rose of the World: Based on W. B. Yeats poem of the same title

    Simaku, T., 2015

    Research output: Non-textual formComposition

  224. Visiones: after Goya

    Suckling, M. C., 2015

    Research output: Non-textual formComposition

  225. Walking Away: Three songs for soprano and marimba

    Marsh, R. M., 2015, (Unpublished)

    Research output: Non-textual formComposition

  226. Wikipedia articles: American composers, lyricists, performers, publishers

    Brooks, W., 2015, 30 p. wikipedia.

    Research output: Other contribution

  227. in memoriam reducere studemus: for choir, soloists, and piano: revised edition

    Brooks, W., 2015, (Accepted/In press)

    Research output: Non-textual formComposition

  228. Musical creativities and entrepreneurship in higher music education: Activating new possibilities

    Haddon, E. & Burnard, P., 1 Jan 2015, Activating Diverse Musical Creativities: Teaching and learning in higher music education. Burnard, P. & Haddon, E. (eds.). London: Bloomsbury Academic, p. 261-281 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  229. The imperative of diverse musical creativities in academia and industry: Training the next generation of musical entrepreneurs

    Burnard, P. & Haddon, E., 1 Jan 2015, Activating Diverse Musical Creativities: Teaching and learning in higher music education. Burnard, P. & Haddon, E. (eds.). London: Bloomsbury Academic, p. 3-18 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  230. Heard above the Battle's roar

    Seymour, P. G., 31 Jan 2015

    Research output: Non-textual formPerformance

  231. Bach, JS Matthäus-Passion BWV 244b

    Seymour, P. G., Feb 2015

    Research output: Non-textual formPerformance

  232. "America, I Love You": Music and the Nation in 1915

    Brooks, W., 7 Mar 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  233. Music and words of WW1

    Seymour, P. G., 7 Mar 2015

    Research output: Non-textual formPerformance

  234. "America, I Love You": Music and the Nation in 1915

    Brooks, W., 10 Mar 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  235. The Legacy of Beckett in Music Theatre

    Laws, C., 10 Apr 2015.

    Research output: Contribution to conferencePaper

  236. Betrayal - A polyphonic crime drama

    Hollingworth, R. M., 11 May 2015

    Research output: Non-textual formPerformance

  237. A Collection of Small Choices

    Eato, J. E. & Bruce, H., 14 May 2015.

    Research output: Contribution to conferencePaper

  238. ‘Madness and Torment’

    Seymour, P. G., 23 May 2015

    Research output: Non-textual formPerformance

  239. Dakar: articulating the tremendous

    Eato, J. E. & Wells, J., 30 Jun 2015.

    Research output: Contribution to conferencePaper

  240. William Child: The First Set of Psalmes of .III.Voyces (1639)

    Wainwright, J. (ed.), 14 Aug 2015, York: York Early Music Press. 48 p.

    Research output: Book/ReportScholarly edition

  241. Words and Music 1-4: Words Matter; James Joyce;Dum; Not a soul but ourselves.

    Marsh, R. M., 28 Sep 2015, 1 p. cmrc york.

    Research output: Other contribution

  242. Performance, Subjectivity and Experimentation

    Laws, C., 30 Sep 2015.

    Research output: Contribution to conferencePaper

  243. Premiere of Ten Bellows (for piano, electronics and assistant) by Edward Jessen

    Laws, C., 30 Sep 2015

    Research output: Non-textual formPerformance

  244. Draw on, sweet night

    Hollingworth, R. M., 1 Oct 2015

    Research output: Other contribution

  245. Java

    Sorrell, N. F. I., 16 Oct 2015, (Accepted/In press) The Other Classical Musics: Fifteen Great Traditions. Church, M. (ed.). Boydell & Brewer, 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  246. Words and Music 5: Silly Love Songs

    Marsh, R. M., 20 Oct 2015

    Research output: Other contribution

  247. Words and Music 6-7: Lamentations; The Song of Abigail.

    Marsh, R. M., 13 Nov 2015

    Research output: Other contribution

  248. Johnnies, Tommies, and Sammies: Music and transnational identities

    Brooks, W. F., Magee, G., Bashford, C., Matheson, L. & Vickers, J., 15 Nov 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  249. A Collection of Small Choices

    Eato, J. E., Bruce, H., Morrison, M., Worth, P., Burt, T. & Dave, M., 18 Nov 2015

    Research output: Non-textual formComposition

  250. Madness and Torment (2)

    Seymour, P. G., 18 Nov 2015

    Research output: Non-textual formPerformance

  251. Experimental Affinities in Music

    Brooks, W. F. & de Assis, P. (ed.), Dec 2015, Leuven: Leuven University Press. 247 p. (Orpheus Institute)

    Research output: Book/ReportAnthology

  252. Haydn Creation

    Seymour, P. G., 5 Dec 2015

    Research output: Non-textual formPerformance

  253. Words and Music 8: Samson and Pasolini

    Marsh, R. M., 7 Dec 2015

    Research output: Other contribution