Search research publications and outputs

  1. 2011
  2. A Wake of Music: four songs for soprano, clarinet, cello, and piano

    Brooks, W., 2011

    Research output: Non-textual formComposition

  3. Alessandro Striggio - Mass in 40 parts

    Hollingworth, R. M., 2011, Decca Records.

    Research output: Other contribution

  4. Candlebird: for baritone and 18 players

    Suckling, M. C. & Paterson, D., 2011

    Research output: Non-textual formComposition

  5. Chambre 119

    Laws, C. & Jessen, E., 2011

    Research output: Non-textual formDigital or Visual Products

  6. Expectation and Emotion in a Live Concert Experiment

    Egermann, H., Pearce, M., Wiggins, G. & McAdams, S., 2011, Abstract Book of the Meeting of the Society for Music Perception and Cognition Rochester, New York 11.-14. August 2011.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  7. From the Air to the Earth: Reading the Ashes

    March, D. T., 2011, Kaija Saariaho: Visions, Narratives, Dialogues. Howell, T., Hargreaves, J. & Rofe, M. (eds.). Ashgate, p. 15-40

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. In Preparation: A Performance-led Approach and a New Research Methodology for Dance Science.

    Vahla, A., Redding, E., Hushlak, M. A., Sentler, S., Chin, S., Reuben, F. & Luck, N., 2011.

    Research output: Contribution to conferencePaper

  9. Lieder Ohne Worte: for piano solo

    Suckling, M. C., 2011

    Research output: Non-textual formComposition

  10. Morton Feldman’s Late Piano Music: Experimentalism in Practice

    Laws, C. A., 2011, The Practice of Practising . Laws, C. (ed.). Leuven University Press, (Collected Writings of the Orpheus Research Centre in Music; vol. 4).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Multispatial Sound

    Myatt, T., 2011, The Morning Line Vienna. Zyman, D. & Ebersberger, E. (eds.). Vienna: Thyssen-Bornemizsa Art Contemporary, (Verlag für moderne Kunst Nürnberg).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Not a soul but ourselves: for four amplified voices

    Marsh, R. M., 2011

    Research output: Non-textual formDigital or Visual Products

  13. Orwell Fragments

    Reuben, F., Lash, D. & Laubrock, I., 2011

    Research output: Non-textual formArtefact

  14. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Peter Lennox, P., 2011, Proceedings of the 17th International Conference on Auditory Display. Budapest, Hungary: I.C.A.D., Vol. 2011.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Lennox, P., 2011.

    Research output: Contribution to conferencePaper

  16. Pianthology: 7 piano pieces

    Losseff, N., 2011

    Research output: Non-textual formDigital or Visual Products

  17. Preludes and Codas

    Howell, T., 2011, Kaija Saariaho: Visions, Narratives, Dialogues. England: Ashgate Publishing Company, p. xv -xxiii 9 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Process and systems in computer Music: from meta to matter

    Myatt, T., 2011, Quadern d'àudio, 5, p. 1-9 9 p.

    Research output: Contribution to specialist publicationFeatured article

  19. Psychological and physiological correlates of expectation and emotion in a live concert experiment

    Egermann, H. & McAdams, S., 2011, Abstracts for the 51st Annual Meeting Society for Psychophysiological Research. Psychophysiology.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  20. Reworking Musical Strategies In the Digital Age

    Reuben, F., 2011, 137 p.

    Research output: ThesisDoctoral Thesis

  21. Shadow Prophets

    Reuben, F., Luck, N., de la Cour, A. & Knowles, M. L., 2011

    Research output: Non-textual formComposition

  22. Shadows of a Brass Line for Orchestra

    Simaku, T., 2011

    Research output: Non-textual formComposition

  23. Signals

    Stringer, J. C. (ed.) & Maxwell, M. (ed.), 2011, 31 p. York : University of York Music Press (UYMP).

    Research output: Other contribution

  24. Sporcizia Accademica

    Reuben, F., 2011

    Research output: Non-textual formArtefact

  25. String Quartet No 4: Written for and dedicated to Quatuor Diotima

    Simaku, T., 2011

    Research output: Non-textual formComposition

  26. The Moon, the moon! for symphony orchestra

    Suckling, M. C., 2011

    Research output: Non-textual formComposition

  27. The Practice of Practising

    Laws, C. (ed.), 2011, Leuven: Leuven University Press. 92 p. (Collected Writings of the Orpheus Research Centre in Music; vol. 4)

    Research output: Book/ReportAnthology

  28. de sol y grana: for solo violin and 14 players

    Suckling, M. C., 2011

    Research output: Non-textual formComposition

  29. storm, rose, tiger: for chamber orchestra

    Suckling, M. C., 2011

    Research output: Non-textual formComposition

  30. A Sentimental Journey

    Vear, C. & Eato, J. E., 8 Feb 2011

    Research output: Non-textual formPerformance

  31. The Writing’s on the Wall? The piano in co-creative contexts.

    Laws, C., Apr 2011.

    Research output: Contribution to conferencePaper

  32. Know Where You Are: Kenny Wheeler, the performers' composer

    Eato, J. E., 7 Apr 2011.

    Research output: Contribution to conferencePaper

  33. Bach, JS - Mass in B Minor

    Seymour, P. G., 27 Jun 2011

    Research output: Non-textual formPerformance

  34. Township Comets: the impact of South African jazz on the UK scene

    Eato, J. E., 27 Jun 2011.

    Research output: Contribution to conferencePaper

  35. Bach, JS B Minor Mass

    Seymour, P. G., 29 Jul 2011

    Research output: Non-textual formPerformance

  36. Effect of N2, Ne and Ar seeding on Alcator C-Mod H-mode confinement

    Reinke, M. L., Hughes, J. W., Loarte, A., Brunner, D., Hutchinson, I. H., LaBombard, B., Payne, J. & Terry, J. L., 1 Aug 2011

    Article in Journal of Nuclear Materials

  37. A comparison of analysis and resynthesis methods for directional segmentation of stereo audio

    Wells, J., Sep 2011, Proceedings of the 14th International Conference on Digital Audio Effects (DAFx-11), Paris, France, September 19-23, 2011. Peeters, G. (ed.). Paris: IRCAM, p. 191-198 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  38. Dualities and Dialogues: Saariaho’s Concertos

    Howell, T., 19 Sep 2011, Kaija Saariaho: Visions, Narratives, Dialogues. England: Ashgate Publishing Company, p. 133 -157 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. Kaija Saariaho: Visions, Narratives, Dialogues

    Howell, T. (ed.), 19 Sep 2011, England: Ashgate Publishing Company. 225 p.

    Research output: Book/ReportAnthology

  40. Bergman's Modernism: Colours & Improvisations; coherence & integration

    Howell, T., 26 Sep 2011.

    Research output: Contribution to conferencePaper

  41. Charles E. Ives: Symphony No. 4

    Brooks, W. (ed.), Sinclair, J. (ed.), Singleton, K. (ed.) & Shirley, W. (ed.), 31 Dec 2011, Milwaukee, Wisconsin: Associated Music Publishers, Inc. 214 p.

    Research output: Book/ReportScholarly edition

  42. 2012
  43. 1612 Italian Vespers

    Hollingworth, R. M., 2012, Decca Records.

    Research output: Other contribution

  44. Beckett in contemporary music

    Laws, C., 2012

    Research output: Non-textual formPerformance

  45. Bird

    Reuben, F. & Lixenberg, L., 2012

    Research output: Non-textual formPerformance

  46. Black Heroes liner notes / discography

    Eato, J. E., 2012, 13 p. JISA Records.

    Research output: Other contribution

  47. Disjointed (live performances linked to the project 'Sounded Gesture and Enacted Sounds')

    Laws, C. & Harron, D., 2012

    Research output: Non-textual formPerformance

  48. HMS Concert: London Improvisers Orchestra

    Reuben, F., Blunt, A., Bohman, A., Ramanan, R., Beresford, S., Taylor, N., Northover, A. & Tejero, R., 2012

    Research output: Non-textual formArtefact

  49. In memoriam EMS: for string orchestra

    Suckling, M. C., 2012

    Research output: Non-textual formComposition

  50. Modularity, Immediacy and Exchange in Improvisation using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferencePaper

  51. Monteverdi Vespers (1610)

    Wainwright, J., 2012, The Cambridge History of Musical Performance. Lawson, C. & Stowell, R. (eds.). Cambridge: Cambridge University Press, p. 448–469

    Research output: Chapter in Book/Report/Conference proceedingChapter

  52. Mr Jonathan Morton, His Ground: for string orchestra

    Suckling, M. C., 2012

    Research output: Non-textual formComposition

  53. Music in Beckett’s Nacht und Träume: Vocality and Imagination

    Laws, C., 2012.

    Research output: Contribution to conferencePaper

  54. New Music from Old York: The 24 and Gamelan Sekar Petak

    Sorrell, N. F. I., 2012

    Research output: Non-textual formDigital or Visual Products

  55. On Violence

    Reuben, F., 2012

    Research output: Non-textual formComposition

  56. Perception and Emotional Effect of Fade-outs in Song Endings in Popular Music

    Egermann, H., Gaulin, M. & McAdams, S., 2012, Tagungsband der Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Bremen, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  57. Real-time Plunderphonics: Appropriating Keyboard Performances as they Occur

    Reuben, F., 2012.

    Research output: Contribution to conferencePaper

  58. Six Mediaeval Lyrics [composition issued in print]: for women's choir

    Brooks, W., 2012

    Research output: Non-textual formComposition

  59. Tenebrae: For flute, viola, and harp

    Suckling, M. C., 2012

    Research output: Non-textual formComposition

  60. The Look of the Thing

    Eato, J. E., Bruce, H., Lawrence, S., Ganz, L., Arstall, S., Starkey, D. & Morrison, M., 2012

    Research output: Non-textual formComposition

  61. The opera director’s voice: DVD 'extras' and the question of authority

    Sheil, Á., 2012, Opera and Video : Technology and spectatorship. Pérez, H. J. (ed.). Bern: Peter Lang, p. 129-150 22 p. (Film Cultures).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  62. Workshop: Improvisation with Live Instruments using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferenceOther

  63. A History of Singing

    Potter, J. & Sorrell, N., Jan 2012, Cambridge University Press.

    Research output: Book/ReportBook

  64. Performance Alfresco: Music-Making in London's Pleasure Gardens

    Cowgill, R., Jan 2012, The Pleasure Garden. Conlin, J. (ed.). University of Pennsylvania Press, p. 100-126 27 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  65. Suite Inserts

    Eato, J. E., Feb 2012

    Research output: Non-textual formComposition

  66. Ultrafast magnetism as seen by x-rays

    Radu, I., Vahaplar, K., Stamm, C., Kachel, T., Pontius, N., Radu, F., Abrudan, R., Dürr, H., Ostler, T., Barker, J., Evans, R., Chantrell, R., Tsukamoto, A., Itoh, A., Kirilyuk, A., Rasing, T., Kimel, A. & Evans, R. F. L., 23 Mar 2012, Proceedings of SPIE - The International Society for Optical Engineering. Vol. 8260. 82601M

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  67. Know Where You Are: Kenny Wheeler, the performers’ composer

    Eato, J. E., 27 Mar 2012.

    Research output: Contribution to conferencePaper

  68. Mendelssohn, Suckling, Dvořák: Aronowitz Ensemble

    Suckling, M. C., Mendelssohn, F. & Dvorak, A., May 2012

    Research output: Non-textual formDigital or Visual Products

  69. Bach and the Belly Dancer: Jacky Lansley’s 'Guest Suites'

    Eato, J. E., 8 May 2012.

    Research output: Contribution to conferencePaper

  70. The control of early decay time on auralization results based on geometric acoustic modelling

    Foteinou, A. & Murphy, D. T., 18 Jun 2012.

    Research output: Contribution to conferencePaper

  71. In re: "Experimental Music"

    Brooks, W., 21 Jun 2012, p. 37-62.

    Research output: Contribution to conferencePaper

  72. Attitudes with a Shawl: Performance, Femininity, and Spectatorship at the Italian Opera in Early Nineteenth-Century London

    Cowgill, R., 12 Jul 2012, The Arts of the Prima Donna in the Long Nineteenth Century. Cowgill, R. & Poriss, H. (eds.). New York: Oxford University Press, p. 217-251 35 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  73. The Arts of the Prima Donna in the Long Nineteenth Century

    Cowgill, R. (ed.) & Poriss, H. (ed.), 12 Jul 2012, New York: Oxford University Press.

    Research output: Book/ReportBook

  74. L'Olimpiade: an opera, as set by Pergolesi, Vivaldi, Caldara and Jommelli

    Seymour, P. G., 13 Jul 2012

    Research output: Non-textual formPerformance

  75. Achieving convolution-based reverberation through use of geometric acoustic modeling techniques

    Oxnard, S. & Murphy, D. T., 17 Sep 2012, p. 105. 4 p.

    Research output: Contribution to conferencePaper

  76. London Sinfonietta Label: New Music Show

    Suckling, M. C., Finnis, E., Khroustaliov, I., Hodgkinson, T., Feshareki, S. & Duncan, M., 15 Oct 2012

    Research output: Non-textual formDigital or Visual Products

  77. Networks of meaning in the audio-visual work of Ryoichi Kurokowa

    Field, A. E., 27 Oct 2012, p. 318-326.

    Research output: Contribution to conferencePaper

  78. On the Beat: The Victorian Policeman as Musician

    Cowgill, R., 28 Oct 2012, Music and Institutions in Nineteenth-Century Britain. Rodmell, P. (ed.). Farnham: Farnham: Ashgate Publishing Ltd, p. 221-245 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  79. Township comets: The impact of South African jazz on the UK scene

    Eato, J. E., Dec 2012, iaspm 2011 proceedings: Situating popular musics. Montano, E. & Nardi, C. (eds.). International Association for the Study of Popular Music, Vol. IASPM 16th International Conference Proceedings. p. 112-118

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  80. 2013
  81. An Experimental Investigation on Empathy as an Emotion-Induction Mechanism in Music Listening

    Ditter, D., Schmidt, L., Tessmer, N. & Egermann, H., 2013, Abstract Book of the 3rd International Conference on Music Emotion.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  82. Black Heroes (Tete Mbambisa)

    Eato, J. E., 2013, International Library of African Music / Red Location Museum.

    Research output: Other contribution

  83. Chimes at Midnight: for string orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  84. Co-performer empathy and peak performance in expert ensemble playing

    Waddington-Jones, C. E., 2013, Proceedings of the International Symposium of Performance Science . Williamon, A. & Goebl, W. (eds.). Brussels: European Association of Conservatoires, p. 331-336 6 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  85. Concerto for Orchestra

    Simaku, T., 2013

    Research output: Non-textual formComposition

  86. Disjointed

    Laws, C., Brooks, W. & Harron, D., 2013

    Research output: Non-textual formDigital or Visual Products

  87. Everlasting Voices: for bass clarinet, actor and fixed media

    Brooks, W., 2013

    Research output: Non-textual formComposition

  88. Hoichi: for solo alto flute with live electronics

    Marsh, R. M., 2013

    Research output: Non-textual formDigital or Visual Products

  89. Kinderproducts

    Reuben, F., Potter, S. & Chirstensen, J., 2013

    Research output: Non-textual formComposition

  90. Linking Theories of Emotion-Induction to Applications in Audio Branding

    Egermann, H., 2013, Audio Branding Yearbook 2012-2013. Bronner, K., Hirt, R. & Ringe, C. (eds.). Baden-Baden: Nomos, p. 155-166 12 p.

    Research output: Chapter in Book/Report/Conference proceedingOther chapter contribution

  91. Manifesto: A Performance and Exhibition of 20th Century Music and Sound Manifestos

    Lixenberg, L., Reuben, F. & Kolkowski, A., 2013

    Research output: Non-textual formPerformance

  92. Nocturne: for violin and cello

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  93. Notari, Angelo

    Wainwright, J. P., 2013, Dizionario biografico degli Italiani . Rome: Istituto della Enciclopedia Italiana, Vol. 78. p. 770-2

    Research output: Chapter in Book/Report/Conference proceedingChapter

  94. Postcards (previously titled 'Short Stories'): for String Orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  95. Release: for symphony orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  96. Six Speechless Songs: for chamber orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  97. Touch: for string orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  98. Lombardiran: theatre piece for alto and baritone, with auxiliary instruments

    Brooks, W., Feb 2013

    Research output: Non-textual formComposition

  99. Schubert Winterreise with James Gilchrist (tenor)

    Seymour, P. G., 19 Feb 2013

    Research output: Non-textual formPerformance

  100. What does it mean to study music at university in the UK today?

    Haddon, E., Mar 2013, National Association of Music Educators Magazine.

    Research output: Contribution to specialist publicationArticle

  101. Purcell: Dido & Aeneas (semi-staged) with theatre songs

    Seymour, P. G., 1 Mar 2013

    Research output: Non-textual formPerformance

  102. Live BBC lunchtime: Biber, Purcell

    Seymour, P. G., 15 Mar 2013

    Research output: Non-textual formPerformance

  103. Samuel Beckett and Music

    Laws, C., Apr 2013, Samuel Beckett in Context. Uhlmann, A. (ed.). Cambridge University Press, p. 266-278 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  104. Schubert Winterreise with Stephen Varcoe (bass); Corfu Academy

    Seymour, P. G., 6 Apr 2013

    Research output: Non-textual formPerformance

  105. Six Mediaeval Lyrics [composition issued as recording]: for women's choir

    Brooks, W., 30 Apr 2013

    Research output: Non-textual formComposition

  106. Some Reflections

    Bruce, H., Lawrence, S., Eato, J. E., Morrison, M., Kolesova, J., Lampshire, S., Lloyd-Curtis, T., Newman, C., Roberts, A., Taylor, S., Wall, C., Bernath, V., Eato, J. & Longworth, H., May 2013

    Research output: Non-textual formComposition

  107. Choral Music for 25 Voices: Pod Twoją obronę : In memoriam H.M. Górecki

    Field, A. E., 1 May 2013

    Research output: Non-textual formPerformance

  108. Developing a national 'low risk' febrile neutropenia framework for use in children and young people's cancer care

    Gibson, F., Chisholm, J., Blandford, E., Donachie, P., Hartley, J., Lane, S., Selwood, K., Skinner, R. & Phillips, R., 1 May 2013

    Article in Supportive care in cancer

  109. How Like An Angel

    Hollingworth, R. M., 10 May 2013, IAR.

    Research output: Other contribution

  110. Capturing protein-coding genes across highly divergent species

    Li, C., Hofreiter, M., Straube, N., Corrigan, S. & Naylor, G. J. P., 1 Jun 2013

    Article in Biotechniques

  111. Serve with Curry and Rice: the Ghoemaisation of Jazz at the Cape

    Eato, J. E., 28 Jun 2013.

    Research output: Contribution to conferencePaper

  112. Fissures, fragments and the prospect of silence in the work of Samuel Beckett

    Laws, C., 7 Aug 2013.

    Research output: Contribution to conferencePaper

  113. A Scalable Architecture for General Real-Time Array-Based DSP on FPGAs with Application to the Wave Equation

    Kirk, R. & Wells, J., Sep 2013, Proceedings of the 16th International Conference on Digital Audio Effects (DAFx13).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  114. Umhlaba Wethu: landscape in the Eastern Cape jazz imaginary

    Eato, J. E. & Dalamba, L., Sep 2013.

    Research output: Contribution to conferencePaper

  115. Northern Loop: Northern Loop - dur 80 mins

    Field, A. E. & Fretwell, P., 25 Sep 2013

    Research output: Non-textual formComposition

  116. Continuing professional development for the musician as teacher in a university context

    Haddon, E., Oct 2013, Developing the Musician: Contemporary Perspectives on Teaching and Learning. Stakelum, M. (ed.). Aldershot: Ashgate Publishing Company, p. 191-206 16 p. (SEMPRE Studies in the Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  117. Experimental Systems: Future Knowledge in Artistic Research

    Brooks, W. & Schwab, M. (ed.), Oct 2013, Leuven: Leuven University Press. 229 p. (Orpheus Institute)

    Research output: Book/ReportBook

  118. Exploring Expressivity and Emotion
 with Artificial Voice and Speech Technologies

    Pauletto, S., Balentine, B., Pidcock, C., Jones, K., Bottaci, L., Aretoulaki, M., Wells, J., Mundy, D. & Balentine, J., Oct 2013

    Article in Logopedics Phoniatrics Vocology

  119. Sound & Score: Essays on Sound, Score and Notation

    Brooks, W. (ed.), de Assis, P. (ed.) & Coessens, K. (ed.), Oct 2013, Leuven: Leuven University Press. 228 p. (Orpheus Institute Series)

    Research output: Book/ReportBook

  120. Ceci n'est pas une pianiste

    Laws, C., 2 Oct 2013

    Research output: Non-textual formPerformance

  121. Participatory scenario development for environmental management: A methodological framework illustrated with experience from the UK uplands

    Reed, M. S., Kenter, J., Bonn, A., Broad, K., Burt, T. P., Fazey, I. R., Fraser, E. D. G., Hubacek, K., Nainggolan, D., Quinn, C. H., Stringer, L. C. & Ravera, F., 5 Oct 2013

    Article in Journal of Environmental Management

  122. Il Cor Tristo: for male vocal quartet. Settings of Dante 'Inferno' Cantos XXXii and XXXiii

    Marsh, R. M., Nov 2013

    Research output: Non-textual formDigital or Visual Products

  123. Poor Yorick

    Marsh, R. M., Nov 2013

    Research output: Non-textual formComposition

  124. The Ian Bruce Huntley Archive

    Eato, J. E., Nov 2013, Keeping Time: Photographs and Cape Town Jazz Recordings - 1964-1974 . Albertyn, C. (ed.). Chris Albertyn and Associates CC, p. 23-37 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  125. "Headaches Among the Overtones": Music in Beckett/ Beckett in Music

    Laws, C., Dec 2013, Amsterdam/ New York: Rodopi. 508 p.

    Research output: Book/ReportBook

  126. Sound and Music in Beckett's All That Fall

    Laws, C., 9 Dec 2013.

    Research output: Contribution to conferencePaper

  127. Concert of music edited by Seymour, P (Conti, Corelli, Scarlatti)

    Seymour, P. G., 13 Dec 2013

    Research output: Non-textual formPerformance

  128. 2014
  129. 'Embodiment and Gesture in Performance: Practice-led Perspectives

    Laws, C. A., 2014, Artistic Experimentation in Music: An Anthology. Gilmore, B. & Crispin, D. (eds.). Leuven: Leuven University Press, p. 131-142 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  130. 3DMIN - Challenges and Interventions for the Design, Development and Dissemination of New Musical Instruments.

    Bovermann, T., Egermann, H., Foerstel, A., Hardjowirogo, S-I., Hinrichsen, A., Hildebrand Marques Lopes, D., Pysiewicz, A., Weinzierl, S. & de Campo, A., 2014, Proceedings of the 40th International Computer Music Conference. International Computer Music Association, Vol. 2014. 5 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  131. Bewegungsmuster von DJs im Club-Kontext

    Foerstel, A. & Egermann, H., 2014, Tagungsband der 13. Jahrestagung der Gesellschaft für Musikpsychologie.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  132. Communicating National and Temporal Origin of Music: An Experimental Approach to Applied Musical Semantics

    Egermann, H. & Stiegler, C., 2014, Abstract Book of the 13th International Conference of Music Perception and Cognition.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  133. Creativity and the institutional mindset

    Haddon, E. & Potter, J., 2014, Advanced Musical Performance: Investigations in Higher Education Learning. Papageorgi, I. (ed.). Aldershot: Ashgate Publishing Company, p. 129-142 14 p. (SEMPRE Studies in The Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  134. Die Verwendung von hierachrischen linearen Modellen zur Audio-Feature-basierten Vorhersage von kontinuierlichen emotionalen Reaktionen auf Musik

    Graefe, C. & Egermann, H., 2014, Fortschritte der Akustik: DAGA 2014. Deutsche Gesellschaft für Akustik, Vol. 2014. p. 786-787 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  135. Experiment in Practice

    Laws, C., 2014, Artistic Experimentation in Music: An Anthology. Crispin, D. & Gilmore, B. (eds.). Leuven: Leuven University Press, Vol. 262. p. 565-574 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  136. Hidden instrumental and vocal learning in Undergraduate University Music Education

    Haddon, E., 2014, Advanced Musical Performance: Investigations in Higher Education Learning. Aldershot: Ashgate Publishing Company, p. 247-264 18 p. (Sempre Studies in the Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  137. Morton Feldman: Music for 3 and 4 pianos

    Laws, C., Thomas, P. & Tilbury, J., 2014

    Research output: Non-textual formDigital or Visual Products

  138. Negotiating Tradition, Modernity, and Cultural Identity in Contemporary South Africa: the music of Tete Mbambisa, Louis Moholo-Moholo and Zim Ngqawana

    Eato, J. E., 2014, Readings in Ethnomusicology: a collection of papers presented at Ethnomusicology Symposium 2013. Dar es Salaam: University of Dar es Salaam, p. 119-126 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  139. New Media Use and Music Appreciation: Connections Between Contemporary Access to Music and its Perceived Value

    Egermann, H., Kahlhoefer, D., Schultz, C-M. & Seedorf, M., 2014, Abstract Book of the 13th International Conference of Music Perception and Cognition.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  140. Nocturn

    Losseff, N., 2014, Czech radio.

    Research output: Other contribution

  141. Reappraising the Seicento: Compositional Procedure in Italy and England

    Cheetham, A. (ed.), Knowles, J. (ed.) & Wainwright, J. (ed.), 2014, Newcastle upon Tyne: Cambridge Scholars Publishing. 240 p.

    Research output: Book/ReportBook

  142. Recording of Martin Iddon's head down among the stems and bells (2010): Catherine Laws: amplified, prepared piano.

    Laws, C. & Iddon, M., 2014

    Research output: Non-textual formDigital or Visual Products

  143. Running Jumping and Standing Still: for ensemble

    Marsh, R. M., 2014

    Research output: Non-textual formComposition

  144. Songs from a Bright September

    Suckling, M. C. & Sergeant, D., 2014

    Research output: Non-textual formComposition

  145. Systematising History: A Database for Electronic and Digital Musical Instruments Including Functional and Aesthetical Properties

    Hardjowirogo, S-I. & Egermann, H., 2014, Proceedings of the 9th Conference on Interdisciplinary Musicology. Staatliches Institut für Musikforschung, 4 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  146. The Effects of Continuous Subjective Music Experience Ratings on Physiological and Psychological Measures of Activation and Valence

    Foerstel, A., Egermann, H. & McAdams, S., 2014, Abstract Book of the 13th International Conference of Music Perception and Cognition. Seoul: International Conference of Music Perception and Cognition

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  147. Untersuchung zur Validität von Hörversuchen im Internet

    Pysiewicz, A. & Egermann, H., 2014, Fortschritte der Akustik - DAGA 2014. Deutsche Gesellschaft für Akustik, p. 788-789 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  148. Yestervisions of the Futurepast

    Reuben, F. & Kolkowski, A., 2014

    Research output: Non-textual formPerformance

  149. A Child Went Forth: Hanns Eisler, American Progressives, and Folk Song

    Brooks, W., Feb 2014, Crosscurrents: American and European Music in Interaction, 1900–2000. Meyer, F., Oja, C. J., Rathert, W. & Shreffler, A. C. (eds.). Woodbridge, UK: Boydell Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  150. Pioneering Spirit: Maud MacCarthy - Music, Mysticism and Modernity

    Cowgill, R. (ed.), Turner, S. (ed.), Scheer, C. (ed.) & Mansell, J. (ed.), 7 Feb 2014

    Research output: Non-textual formExhibition

  151. Far from home

    Hollingworth, R. M., Mar 2014

    Research output: Non-textual formPerformance

  152. Cosi-Cosi

    Eato, J. E., Dlamini, S., Bruce, H., Mgijima, V., Jansen, E., Antonio, C., Kadhimo, N., Vaalbooi, I., Scholtz, M., Goulding, S., Gulliey, M. K., Paul, D., Happiness, B., Jonas, D., Dasheka, N., Naidoo, S., Moon, M., Dax, H., Mahleza, N., Essery, I. & 1 others, Nazier, E., 11 Mar 2014

    Research output: Non-textual formComposition

  153. Concert and live EBU/NEMA streaming: Handel, Blavet, Purcell

    Seymour, P. G., 21 Mar 2014

    Research output: Non-textual formPerformance

  154. The Claim

    Eato, J. E., Bruce, H., Morrison, M., Worth, P., Burt, T., Arstall, S., Lawrence, S., Gavin, E., Hill, G., Bernath, V., Goulding, S., Adams, T., Longworth, H. & Stocker, B., 28 Mar 2014

    Research output: Non-textual formComposition

  155. Composing under the Skin: The Music-making Body at the Composer's Desk

    Brooks, W. & Craenen, P., Apr 2014, Leuven: Leuven University Press. 284 p. (Orpheus Institute)

    Research output: Book/ReportBook

  156. Enchanted Modernities: Mysticism, Landscape and the American West

    scheer, C., Turner, S. V., Mansell, J. & Cowgill, R., 16 Apr 2014

    Research output: Non-textual formExhibition

  157. Samuel Beckett: Dramatic text as music, music as text (invited paper)

    Laws, C., 19 May 2014.

    Research output: Contribution to conferencePaper

  158. Venetian Carnival

    Hollingworth, R. M., 21 May 2014

    Research output: Non-textual formPerformance

  159. Chronic health issues of adolescents: Is the World Listening? Jane's Story: 3Sixty Audio-Visual Animation

    Mason-Jones, A. J., Morris, N. J., Pauletto, S., Armstrong, K-M., Wells, J., Walus, B., Hall, A., Mikocka-Walus, A. A., Mensah, J., Kerrigan, P. & Titley, P. P. (ed.), 17 Jun 2014

    Research output: Non-textual formExhibition

  160. CPE Bach: Die lezten Leiden des Erlösers

    Seymour, P. G., 12 Jul 2014

    Research output: Non-textual formPerformance

  161. Early Lieder: Devising, editing and performing

    Seymour, P. G., 12 Jul 2014

    Research output: Non-textual formPerformance

  162. Six mediaeval lyrics: for three female singers: No. 6: Vale, dulcis amice

    Brooks, W., 16 Jul 2014

    Research output: Non-textual formPerformance

  163. Historical Precedents for Artistic Research in Music: The Case of William Butler Yeats

    Brooks, W., Sep 2014, Artistic Experimentation in Music: An Anthology. Gilmore, B. & Crispin, D. (eds.). Leuven, Belgium: Leuven University Press, p. 185-196 12 p. (Orpheus Institute Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  164. Multiple Paths: Bach / Parra / Tenney

    Brooks, W. (ed.), Cancino, J. P., Gilmore, B. & Bhagwati, S., Sep 2014

    Research output: Non-textual formDigital or Visual Products

  165. A Climbing Vine Through Concrete: jazz in 1960s apartheid South Africa

    Eato, J. E., 6 Sep 2014.

    Research output: Contribution to conferencePaper

  166. Authority and judgement in the digital archive

    Dix, A., Cowgill, R., Bashford, C., McVeigh, S. & Ridgewell, R., 12 Sep 2014, Proceedings of the 1st International Workshop on Digital Libraries for Musicology. Association for Computing Machinery (ACM), p. 1-8 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  167. Touch and Go: for solo piano

    Marsh, R. M., 30 Sep 2014

    Research output: Non-textual formComposition

  168. After Vicentino: for alto, viola, and electronic keyboard

    Brooks, W. & Trio Scordatura, ., 1 Oct 2014

    Research output: Non-textual formPerformance

  169. Musical Subjectivity in Action: Piano Personae.

    Laws, C., 2 Oct 2014.

    Research output: Contribution to conferencePaper

  170. Music in Beckett’s Nacht und Träume: Vocality and Imagination

    Laws, C., 28 Oct 2014, Beckett and Musicality. Till, N. & Bailes, S. J. (eds.). Ashgate, p. 233-254 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  171. Understanding the impacts of care farms on health and well-being of disadvantaged populations: A protocol of the Evaluating Community Orders (ECO) pilot study

    Elsey, H., Bragg, R., Elings, M., Cade, J. E., Brennan, C., Farragher, T., Tubeuf, S., Gold, R., Shickle, D., Wickramasekera, N., Richardson, Z. & Murray, J., 30 Oct 2014

    Article in BMJ Open

  172. Ohne Worte: Vocality and Instrumentality in the Era of Schumann and Chopin

    Brooks, W. (ed.), Bartoli, J-P., Torbianelli, E., Roudet, J., Moßburger, H. & Seaton, D., Nov 2014, Leuven: Leuven University Press. 227 p. (Collected Writings of the Orpheus Institute; vol. 12)

    Research output: Book/ReportBook

  173. Preface

    Brooks, W., Nov 2014, Ohne Worte: Instrumentality and Vocality in 19th-century Music. Brooks, W. (ed.). Leuven: Leuven University Press, p. 7-13 7 p. (Collected Writings of the Orpheus Institute; vol. 12).

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  174. Vale, dulcis amice [composition issued as recording]: for three female singers

    Brooks, W., 24 Nov 2014

    Research output: Non-textual formComposition

  175. Feldman Pianos

    Laws, C., Thomas, P., Tilbury, J. & Knoop, M., 25 Nov 2014

    Research output: Non-textual formPerformance

  176. Knowing ‘I’?: Musical Subjectivity, Embodiment and Interaction

    Laws, C., 1 Dec 2014.

    Research output: Contribution to conferencePaper

  177. A Climbing Vine Through Concrete: Jazz in 1960s apartheid South Africa

    Eato, J. E., 3 Dec 2014.

    Research output: Working paperDiscussion paper

  178. 2015
  179. Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education

    Burnard, P. (ed.) & Haddon, H. E. (ed.), 2015, Paperback ed. London: Bloomsbury Academic. 272 p.

    Research output: Book/ReportBook

  180. Auditive and Audiotactile Music Perception of Cochlear Implant Users

    Papadogianni-Kouranti, M., Egermann, H. & Weinzierl, S., 2015, Fortschritte der Akustik: Tagungsband d. 41. DAGA. Becker, S. (ed.). Oldenburg: Deutsche Gesellschaft für Akustik, p. 1203-1205 3 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  181. Capriccioso for Solo Violin

    Simaku, T., 2015

    Research output: Non-textual formComposition

  182. Gesture-sound causality from the audience's perspective: investigating the influence of mapping design on the reception of new digital musical instruments

    Emerson, G., Förstel, A. & Egermann, H., 2015, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Kreutz, G. (ed.). Oldenburg, Germany: Deutsche Gesellschaft für Musikpsychologie, p. 1-2 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  183. In re: Experimental Education

    Brooks, W., 2015, Patterns of Intuition: Musical Creativity in the Light of Algorithmic Composition. Nierhaus, G. (ed.). Dordrecht: Springer-Verlag, p. 329-347 19 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  184. Kinshi: For ensemble

    Marsh, R. M., 2015

    Research output: Non-textual formComposition

  185. Learning Statistical Regularities of a Simple Musical 'Genre': The Case of Radio Station Jingles

    Müllensiefen, D., Egermann, H. & Burrows, S., 2015, Proceedings of the European Conference on Data Analysis. Lausen, B. (ed.). Colchester: Gesellschaft für Klassifikation, p. 1 1 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  186. Performance expertise of DJs in the club-context

    Förstel, A. & Egermann, H., 2015, Escom Manchester 2015: Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music, Programme and abstracts . Ginsborg, J., Lamont, A. & Bramley, S. (eds.). Manchester: ESCOM, p. 367 1 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  187. Predicting GEMS Based on PDA-Assessed Gestural Motion Data

    Irrgang, M., Egermann, H., Acar, E. & Lommatzsch, A., 2015, Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR) Music, Mind, and Embodiment. Kronland-Martinet, R., Aramaki, M., Ystad, S. & Eaton, J. (eds.). Interdisciplinary Centre for Computer Music Research, p. 472-485 14 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  188. Propositions, after Georges Bataille

    Reuben, F., Gotman, K., de la Cour, A. & Jackson, T., 2015

    Research output: Non-textual formComposition

  189. Psalm (after Celan): for harp and three groups of four instruments

    Suckling, M. C., 2015

    Research output: Non-textual formComposition

  190. Radio station jingles: How statistical learning applies to a special genre of audio logos

    Muellensiefen, D., Egermann, H. & Burrows, S., 2015, Audio Branding Yearbook 2014-2015. Bronner, K., Hirt, R. & Ringe, C. (eds.). Baden-Baden: Nomos, p. 1-21 21 p.

    Research output: Chapter in Book/Report/Conference proceedingOther chapter contribution

  191. Richard Dering: Motets and Anthems

    Wainwright, J., 2015, London: Stainer & Bell. (Musica Britannica)

    Research output: Book/ReportScholarly edition

  192. Signale -- Entwicklung und Evaluation eines Open Source Ensembles elektronischer Musikinstrumente zur Vermittlung elektronischer/elektroakustischer Musik und ihrer technischen Grundlagen

    Schultz, C. M., Seedorf, M., Förstel, A. & Egermann, H., 2015, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Kreutz, G. (ed.). Oldenburg, Germany: Deutsche Gesellschaft für Musikpsychologie, p. 1-2 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  193. Spielbewegungen von Musikinstrumenten und deren Bedeutung für das Klangergebnis: Ein experimenteller Zugang durch Motion Tracking klassischer Orchesterinstrumente und Auralisation der Bewegungsdaten

    Steger, D., Egermann, H., Weinzierl, S. & Bewegung, D., 2015, Fortschritte der Akustik: Tagungsband d. 41. DAGA. Becker, S. (ed.). Oldenburg: Deutsche Gesellschaft für Akustik, p. 1425-1428 4 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  194. Spir­i­tus Telecom­mu­ni­tas

    Reuben, F., Kolkowski, A. & Har­g­reaves, J., 2015

    Research output: Non-textual formComposition

  195. String Quartet No 5

    Simaku, T., 2015

    Research output: Non-textual formComposition

  196. Swinging to the beat: Movement induction in electronic dance music

    Egermann, H., Förstel, A., Lehrbach, N. & Wende, M., 2015, Proceedings of the Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music. Ginsborg, J., Lamont, A. & Bramley, S. (eds.). Manchester: Chapel Press, p. 338-340 3 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  197. The Actions that Make a Musical Instrument. Exploring Club-DJing as an Instrumental

    Förstel, A., Hardjowirogo, S-I. & Egermann, H., 2015, Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR) Music, Mind, and Embodiment. Kronland-Martinet, R., Aramaki, M., Ystad, S. & Eaton, J. (eds.). Marseille, France: The Laboratory of Mechanics and Acoustics, p. 762-769 8 p. (Publications of the LMA).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  198. The Performance Legacy of Die Meistersinger

    Sheil, Á., 2015, Die Meistersinger von Nürnberg. Kahn, G. (ed.). Richmond: Overture Publishing, p. 55 72 p. (Overture Opera Guides in association with ENO).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  199. The Rose of the World: Based on W. B. Yeats poem of the same title

    Simaku, T., 2015

    Research output: Non-textual formComposition

  200. Visiones: after Goya

    Suckling, M. C., 2015

    Research output: Non-textual formComposition

  201. Wikipedia articles: American composers, lyricists, performers, publishers

    Brooks, W., 2015, 30 p. wikipedia.

    Research output: Other contribution

  202. Musical creativities and entrepreneurship in higher music education: Activating new possibilities

    Haddon, E. & Burnard, P., 1 Jan 2015, Activating Diverse Musical Creativities: Teaching and learning in higher music education. Burnard, P. & Haddon, E. (eds.). London: Bloomsbury Academic, p. 261-281 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  203. The imperative of diverse musical creativities in academia and industry: Training the next generation of musical entrepreneurs

    Burnard, P. & Haddon, E., 1 Jan 2015, Activating Diverse Musical Creativities: Teaching and learning in higher music education. Burnard, P. & Haddon, E. (eds.). London: Bloomsbury Academic, p. 3-18 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  204. Heard above the Battle's roar

    Seymour, P. G., 31 Jan 2015

    Research output: Non-textual formPerformance

  205. Bach, JS Matthäus-Passion BWV 244b

    Seymour, P. G., Feb 2015

    Research output: Non-textual formPerformance

  206. Music and words of WW1

    Seymour, P. G., 7 Mar 2015

    Research output: Non-textual formPerformance

  207. The Legacy of Beckett in Music Theatre

    Laws, C., 10 Apr 2015.

    Research output: Contribution to conferencePaper

  208. Betrayal - A polyphonic crime drama

    Hollingworth, R. M., 11 May 2015

    Research output: Non-textual formPerformance

  209. A Collection of Small Choices

    Eato, J. E. & Bruce, H., 14 May 2015.

    Research output: Contribution to conferencePaper

  210. ‘Madness and Torment’

    Seymour, P. G., 23 May 2015

    Research output: Non-textual formPerformance

  211. Dakar: articulating the tremendous

    Eato, J. E. & Wells, J., 30 Jun 2015.

    Research output: Contribution to conferencePaper

  212. William Child: The First Set of Psalmes of .III.Voyces (1639)

    Wainwright, J. (ed.), 14 Aug 2015, York: York Early Music Press. 48 p.

    Research output: Book/ReportScholarly edition

  213. Words and Music 1-4: Words Matter; James Joyce;Dum; Not a soul but ourselves.

    Marsh, R. M., 28 Sep 2015, 1 p. cmrc york.

    Research output: Other contribution

  214. Performance, Subjectivity and Experimentation

    Laws, C., 30 Sep 2015.

    Research output: Contribution to conferencePaper

  215. Premiere of Ten Bellows (for piano, electronics and assistant) by Edward Jessen

    Laws, C., 30 Sep 2015

    Research output: Non-textual formPerformance

  216. Draw on, sweet night

    Hollingworth, R. M., 1 Oct 2015

    Research output: Other contribution

  217. Words and Music 5: Silly Love Songs

    Marsh, R. M., 20 Oct 2015

    Research output: Other contribution

  218. Words and Music 6-7: Lamentations; The Song of Abigail.

    Marsh, R. M., 13 Nov 2015

    Research output: Other contribution

  219. A Collection of Small Choices

    Eato, J. E., Bruce, H., Morrison, M., Worth, P., Burt, T. & Dave, M., 18 Nov 2015

    Research output: Non-textual formComposition

  220. Madness and Torment (2)

    Seymour, P. G., 18 Nov 2015

    Research output: Non-textual formPerformance

  221. Experimental Affinities in Music

    Brooks, W. F. & de Assis, P. (ed.), Dec 2015, Leuven: Leuven University Press. 247 p. (Orpheus Institute)

    Research output: Book/ReportAnthology

  222. Haydn Creation

    Seymour, P. G., 5 Dec 2015

    Research output: Non-textual formPerformance

  223. Words and Music 8: Samson and Pasolini

    Marsh, R. M., 7 Dec 2015

    Research output: Other contribution