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  1. 2012
  2. Monteverdi Vespers (1610)

    Wainwright, J., 2012, The Cambridge History of Musical Performance. Lawson, C. & Stowell, R. (eds.). Cambridge: Cambridge University Press, p. 448–469

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Perception and Emotional Effect of Fade-outs in Song Endings in Popular Music

    Egermann, H., Gaulin, M. & McAdams, S., 2012, Tagungsband der Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Bremen, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  4. The opera director’s voice: DVD 'extras' and the question of authority

    Sheil, Á., 2012, Opera and Video : Technology and spectatorship. Pérez, H. J. (ed.). Bern: Peter Lang, p. 129-150 22 p. (Film Cultures).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Performance Alfresco: Music-Making in London's Pleasure Gardens

    Cowgill, R., Jan 2012, The Pleasure Garden. Conlin, J. (ed.). University of Pennsylvania Press, p. 100-126 27 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Ultrafast magnetism as seen by x-rays

    Radu, I., Vahaplar, K., Stamm, C., Kachel, T., Pontius, N., Radu, F., Abrudan, R., Dürr, H., Ostler, T., Barker, J., Evans, R., Chantrell, R., Tsukamoto, A., Itoh, A., Kirilyuk, A., Rasing, T., Kimel, A. & Evans, R. F. L., 23 Mar 2012, Proceedings of SPIE - The International Society for Optical Engineering. Vol. 8260. 82601M

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  7. Attitudes with a Shawl: Performance, Femininity, and Spectatorship at the Italian Opera in Early Nineteenth-Century London

    Cowgill, R., 12 Jul 2012, The Arts of the Prima Donna in the Long Nineteenth Century. Cowgill, R. & Poriss, H. (eds.). New York: Oxford University Press, p. 217-251 35 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. On the Beat: The Victorian Policeman as Musician

    Cowgill, R., 28 Oct 2012, Music and Institutions in Nineteenth-Century Britain. Rodmell, P. (ed.). Farnham: Farnham: Ashgate Publishing Ltd, p. 221-245 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Township comets: The impact of South African jazz on the UK scene

    Eato, J. E., Dec 2012, iaspm 2011 proceedings: Situating popular musics. Montano, E. & Nardi, C. (eds.). International Association for the Study of Popular Music, Vol. IASPM 16th International Conference Proceedings. p. 112-118

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  10. 2013
  11. An Experimental Investigation on Empathy as an Emotion-Induction Mechanism in Music Listening

    Ditter, D., Schmidt, L., Tessmer, N. & Egermann, H., 2013, Abstract Book of the 3rd International Conference on Music Emotion.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  12. Co-performer empathy and peak performance in expert ensemble playing

    Waddington-Jones, C. E., 2013, Proceedings of the International Symposium of Performance Science . Williamon, A. & Goebl, W. (eds.). Brussels: European Association of Conservatoires, p. 331-336 6 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

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