Search research publications and outputs

  1. 2012
  2. 1612 Italian Vespers

    Hollingworth, R. M., 2012, Decca Records.

    Research output: Other contribution

  3. Beckett in contemporary music

    Laws, C., 2012

    Research output: Non-textual formPerformance

  4. Bird

    Reuben, F. & Lixenberg, L., 2012

    Research output: Non-textual formPerformance

  5. Black Heroes liner notes / discography

    Eato, J. E., 2012, 13 p. JISA Records.

    Research output: Other contribution

  6. Bright Star: Cadenza at Christmas

    Sumerling, J., Cadenza, Whitehead, M., Goodenough, D., Binks, A. (ed.) & Conner, S., 2012

    Research output: Non-textual formDigital or Visual Products

  7. Disjointed (live performances linked to the project 'Sounded Gesture and Enacted Sounds')

    Laws, C. & Harron, D., 2012

    Research output: Non-textual formPerformance

  8. HMS Concert: London Improvisers Orchestra

    Reuben, F., Blunt, A., Bohman, A., Ramanan, R., Beresford, S., Taylor, N., Northover, A. & Tejero, R., 2012

    Research output: Non-textual formArtefact

  9. Hord Songs

    Conner, S., Conner, S., Bier, G. T., Marshall, E. & Stead, H., 2012

    Research output: Non-textual formDigital or Visual Products

  10. In memoriam EMS: for string orchestra

    Suckling, M. C., 2012

    Research output: Non-textual formComposition

  11. Modularity, Immediacy and Exchange in Improvisation using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferencePaperpeer-review

  12. Monteverdi Vespers (1610)

    Wainwright, J., 2012, The Cambridge History of Musical Performance. Lawson, C. & Stowell, R. (eds.). Cambridge: Cambridge University Press, p. 448–469

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Mr Jonathan Morton, His Ground: for string orchestra

    Suckling, M. C., 2012

    Research output: Non-textual formComposition

  14. Music in Beckett’s Nacht und Träume: Vocality and Imagination

    Laws, C., 2012.

    Research output: Contribution to conferencePaper

  15. New Music from Old York: The 24 and Gamelan Sekar Petak

    Sorrell, N. F. I., Conner, S., Brooks, W., Bier, G. T., Simaku, T., Brigg, J. D., Leedham, C. D. & Marsh, R. M., 2012

    Research output: Non-textual formDigital or Visual Products

  16. On Violence

    Reuben, F., 2012

    Research output: Non-textual formComposition

  17. Perception and Emotional Effect of Fade-outs in Song Endings in Popular Music

    Egermann, H., Gaulin, M. & McAdams, S., 2012, Tagungsband der Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Bremen, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  18. Real-time Plunderphonics: Appropriating Keyboard Performances as they Occur

    Reuben, F., 2012.

    Research output: Contribution to conferencePaperpeer-review

  19. Six Mediaeval Lyrics [composition issued in print]: for women's choir

    Brooks, W., 2012

    Research output: Non-textual formComposition

  20. Tenebrae: For flute, viola, and harp

    Suckling, M. C., 2012

    Research output: Non-textual formComposition

  21. The Look of the Thing

    Eato, J. E., Bruce, H., Lawrence, S., Ganz, L., Arstall, S., Starkey, D. & Morrison, M., 2012

    Research output: Non-textual formComposition

  22. The Virtual Singing Studio: a loudspeaker-based room acoustics simulation for real-time musical performance

    Brereton, J. S., Murphy, D. T. & Howard, D. M., 2012, p. 1-8. 8 p.

    Research output: Contribution to conferencePaper

  23. The opera director’s voice: DVD 'extras' and the question of authority

    Sheil, Á., 2012, Opera and Video : Technology and spectatorship. Pérez, H. J. (ed.). Bern: Peter Lang, p. 129-150 22 p. (Film Cultures).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Workshop: Improvisation with Live Instruments using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferenceOtherpeer-review

  25. A History of Singing

    Potter, J. & Sorrell, N., Jan 2012, Cambridge University Press.

    Research output: Book/ReportBook

  26. Performance Alfresco: Music-Making in London's Pleasure Gardens

    Cowgill, R., Jan 2012, The Pleasure Garden. Conlin, J. (ed.). University of Pennsylvania Press, p. 100-126 27 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Suite Inserts

    Eato, J. E., Feb 2012

    Research output: Non-textual formComposition

  28. Ultrafast magnetism as seen by x-rays

    Radu, I., Vahaplar, K., Stamm, C., Kachel, T., Pontius, N., Radu, F., Abrudan, R., Dürr, H., Ostler, T., Barker, J., Evans, R., Chantrell, R., Tsukamoto, A., Itoh, A., Kirilyuk, A., Rasing, T., Kimel, A. & Evans, R. F. L., 23 Mar 2012, Proceedings of SPIE - The International Society for Optical Engineering. Vol. 8260. 82601M

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  29. Know Where You Are: Kenny Wheeler, the performers’ composer

    Eato, J. E., 27 Mar 2012.

    Research output: Contribution to conferencePaperpeer-review

  30. Mendelssohn, Suckling, Dvořák: Aronowitz Ensemble

    Suckling, M. C., Mendelssohn, F. & Dvorak, A., May 2012

    Research output: Non-textual formDigital or Visual Products

  31. Bach and the Belly Dancer: Jacky Lansley’s 'Guest Suites'

    Eato, J. E., 8 May 2012.

    Research output: Contribution to conferencePaper

  32. The control of early decay time on auralization results based on geometric acoustic modelling

    Foteinou, A. & Murphy, D. T., 18 Jun 2012.

    Research output: Contribution to conferencePaperpeer-review

  33. Attitudes with a Shawl: Performance, Femininity, and Spectatorship at the Italian Opera in Early Nineteenth-Century London

    Cowgill, R., 12 Jul 2012, The Arts of the Prima Donna in the Long Nineteenth Century. Cowgill, R. & Poriss, H. (eds.). New York: Oxford University Press, p. 217-251 35 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. The Arts of the Prima Donna in the Long Nineteenth Century

    Cowgill, R. (ed.) & Poriss, H. (ed.), 12 Jul 2012, New York: Oxford University Press.

    Research output: Book/ReportBook

  35. L'Olimpiade: an opera, as set by Pergolesi, Vivaldi, Caldara and Jommelli

    Seymour, P. G., 13 Jul 2012

    Research output: Non-textual formPerformance

  36. Achieving convolution-based reverberation through use of geometric acoustic modeling techniques

    Oxnard, S. & Murphy, D. T., 17 Sep 2012, p. 105. 4 p.

    Research output: Contribution to conferencePaperpeer-review

  37. London Sinfonietta Label: New Music Show

    Suckling, M. C., Finnis, E., Khroustaliov, I., Hodgkinson, T., Feshareki, S. & Duncan, M., 15 Oct 2012

    Research output: Non-textual formDigital or Visual Products

  38. Networks of meaning in the audio-visual work of Ryoichi Kurokowa

    Field, A. E., 27 Oct 2012, p. 318-326.

    Research output: Contribution to conferencePaperpeer-review

  39. On the Beat: The Victorian Policeman as Musician

    Cowgill, R., 28 Oct 2012, Music and Institutions in Nineteenth-Century Britain. Rodmell, P. (ed.). Farnham: Farnham: Ashgate Publishing Ltd, p. 221-245 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  40. Township comets: The impact of South African jazz on the UK scene

    Eato, J. E., Dec 2012, iaspm 2011 proceedings: Situating popular musics. Montano, E. & Nardi, C. (eds.). International Association for the Study of Popular Music, Vol. IASPM 16th International Conference Proceedings. p. 112-118

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  41. 2013
  42. An Experimental Investigation on Empathy as an Emotion-Induction Mechanism in Music Listening

    Ditter, D., Schmidt, L., Tessmer, N. & Egermann, H., 2013, Abstract Book of the 3rd International Conference on Music Emotion.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  43. Black Heroes (Tete Mbambisa)

    Eato, J. E., 2013, International Library of African Music / Red Location Museum.

    Research output: Other contribution

  44. Chimes at Midnight: for string orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  45. Co-performer empathy and peak performance in expert ensemble playing

    Waddington-Jones, C. E., 2013, Proceedings of the International Symposium of Performance Science . Williamon, A. & Goebl, W. (eds.). Brussels: European Association of Conservatoires, p. 331-336 6 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  46. Concerto for Orchestra

    Simaku, T., 2013

    Research output: Non-textual formComposition

  47. Disjointed

    Laws, C., Brooks, W. & Harron, D., 2013

    Research output: Non-textual formDigital or Visual Products

  48. Everlasting Voices: for bass clarinet, actor and fixed media

    Brooks, W., 2013

    Research output: Non-textual formComposition

  49. High accuracy frame-by-frame non-stationary sinusoidal modelling

    Wells, J. J. & Murphy, D. T., 2013, p. 253-258. 6 p.

    Research output: Contribution to conferencePaperpeer-review

  50. Hoichi: for solo alto flute with live electronics

    Marsh, R. M., 2013

    Research output: Non-textual formDigital or Visual Products

  51. Kinderproducts

    Reuben, F., Potter, S. & Chirstensen, J., 2013

    Research output: Non-textual formComposition

  52. Linking Theories of Emotion-Induction to Applications in Audio Branding

    Egermann, H., 2013, Audio Branding Yearbook 2012-2013. Bronner, K., Hirt, R. & Ringe, C. (eds.). Baden-Baden: Nomos, p. 155-166 12 p.

    Research output: Chapter in Book/Report/Conference proceedingOther chapter contribution

  53. Manifesto: A Performance and Exhibition of 20th Century Music and Sound Manifestos

    Lixenberg, L., Reuben, F. & Kolkowski, A., 2013

    Research output: Non-textual formPerformance

  54. Nocturne: for violin and cello

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  55. Notari, Angelo

    Wainwright, J. P., 2013, Dizionario biografico degli Italiani . Rome: Istituto della Enciclopedia Italiana, Vol. 78. p. 770-2

    Research output: Chapter in Book/Report/Conference proceedingChapter

  56. Postcards (previously titled 'Short Stories'): for String Orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  57. Release: for symphony orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  58. Six Speechless Songs: for chamber orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  59. Touch: for string orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  60. Lombardiran: theatre piece for alto and baritone, with auxiliary instruments

    Brooks, W., Feb 2013

    Research output: Non-textual formComposition

  61. Schubert Winterreise with James Gilchrist (tenor)

    Seymour, P. G., 19 Feb 2013

    Research output: Non-textual formPerformance

  62. What does it mean to study music at university in the UK today?

    Haddon, E., Mar 2013, National Association of Music Educators Magazine.

    Research output: Contribution to specialist publicationArticle

  63. Purcell: Dido & Aeneas (semi-staged) with theatre songs

    Seymour, P. G., 1 Mar 2013

    Research output: Non-textual formPerformance

  64. Live BBC lunchtime: Biber, Purcell

    Seymour, P. G., 15 Mar 2013

    Research output: Non-textual formPerformance

  65. Samuel Beckett and Music

    Laws, C., Apr 2013, Samuel Beckett in Context. Uhlmann, A. (ed.). Cambridge University Press, p. 266-278 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  66. Schubert Winterreise with Stephen Varcoe (bass); Corfu Academy

    Seymour, P. G., 6 Apr 2013

    Research output: Non-textual formPerformance

  67. Six Mediaeval Lyrics [composition issued as recording]: for women's choir

    Brooks, W., 30 Apr 2013

    Research output: Non-textual formComposition

  68. Some Reflections

    Bruce, H., Lawrence, S., Eato, J. E., Morrison, M., Kolesova, J., Lampshire, S., Lloyd-Curtis, T., Newman, C., Roberts, A., Taylor, S., Wall, C., Bernath, V., Eato, J. & Longworth, H., May 2013

    Research output: Non-textual formComposition

  69. Choral Music for 25 Voices: Pod Twoją obronę : In memoriam H.M. Górecki

    Field, A. E., 1 May 2013

    Research output: Non-textual formPerformance

  70. Developing a national 'low risk' febrile neutropenia framework for use in children and young people's cancer care

    Gibson, F., Chisholm, J., Blandford, E., Donachie, P., Hartley, J., Lane, S., Selwood, K., Skinner, R. & Phillips, R., 1 May 2013

    Article in Supportive care in cancer

  71. How Like An Angel

    Hollingworth, R. M., 10 May 2013, IAR.

    Research output: Other contribution

  72. Capturing protein-coding genes across highly divergent species

    Li, C., Hofreiter, M., Straube, N., Corrigan, S. & Naylor, G. J. P., 1 Jun 2013

    Article in Biotechniques

  73. Serve with Curry and Rice: the Ghoemaisation of Jazz at the Cape

    Eato, J. E., 28 Jun 2013.

    Research output: Contribution to conferencePaper

  74. Fissures, fragments and the prospect of silence in the work of Samuel Beckett

    Laws, C., 7 Aug 2013.

    Research output: Contribution to conferencePaper

  75. A Scalable Architecture for General Real-Time Array-Based DSP on FPGAs with Application to the Wave Equation

    Kirk, R. & Wells, J., Sep 2013, Proceedings of the 16th International Conference on Digital Audio Effects (DAFx13).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  76. Umhlaba Wethu: landscape in the Eastern Cape jazz imaginary

    Eato, J. E. & Dalamba, L., Sep 2013.

    Research output: Contribution to conferencePaperpeer-review

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