Search research publications and outputs

  1. 2012
  2. 1612 Italian Vespers

    Hollingworth, R. M., 2012, Decca Records.

    Research output: Other contribution

  3. Beckett in contemporary music

    Laws, C., 2012

    Research output: Non-textual formPerformance

  4. Bird

    Reuben, F. & Lixenberg, L., 2012

    Research output: Non-textual formPerformance

  5. Black Heroes liner notes / discography

    Eato, J. E., 2012, 13 p. JISA Records.

    Research output: Other contribution

  6. Bright Star: Cadenza at Christmas

    Sumerling, J., Cadenza, Whitehead, M., Goodenough, D., Binks, A. (ed.) & Conner, S., 2012

    Research output: Non-textual formDigital or Visual Products

  7. Disjointed (live performances linked to the project 'Sounded Gesture and Enacted Sounds')

    Laws, C. & Harron, D., 2012

    Research output: Non-textual formPerformance

  8. HMS Concert: London Improvisers Orchestra

    Reuben, F., Blunt, A., Bohman, A., Ramanan, R., Beresford, S., Taylor, N., Northover, A. & Tejero, R., 2012

    Research output: Non-textual formArtefact

  9. Hord Songs

    Conner, S., Conner, S., Bier, G. T., Marshall, E. & Stead, H., 2012

    Research output: Non-textual formDigital or Visual Products

  10. In memoriam EMS: for string orchestra

    Suckling, M. C., 2012

    Research output: Non-textual formComposition

  11. Modularity, Immediacy and Exchange in Improvisation using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferencePaperpeer-review

  12. Monteverdi Vespers (1610)

    Wainwright, J., 2012, The Cambridge History of Musical Performance. Lawson, C. & Stowell, R. (eds.). Cambridge: Cambridge University Press, p. 448–469

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Mr Jonathan Morton, His Ground: for string orchestra

    Suckling, M. C., 2012

    Research output: Non-textual formComposition

  14. Music in Beckett’s Nacht und Träume: Vocality and Imagination

    Laws, C., 2012.

    Research output: Contribution to conferencePaper

  15. New Music from Old York: The 24 and Gamelan Sekar Petak

    Sorrell, N. F. I., Conner, S., Brooks, W., Bier, G. T., Simaku, T., Brigg, J. D., Leedham, C. D. & Marsh, R. M., 2012

    Research output: Non-textual formDigital or Visual Products

  16. On Violence

    Reuben, F., 2012

    Research output: Non-textual formComposition

  17. Perception and Emotional Effect of Fade-outs in Song Endings in Popular Music

    Egermann, H., Gaulin, M. & McAdams, S., 2012, Tagungsband der Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Bremen, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  18. Real-time Plunderphonics: Appropriating Keyboard Performances as they Occur

    Reuben, F., 2012.

    Research output: Contribution to conferencePaperpeer-review

  19. Six Mediaeval Lyrics [composition issued in print]: for women's choir

    Brooks, W., 2012

    Research output: Non-textual formComposition

  20. Tenebrae: For flute, viola, and harp

    Suckling, M. C., 2012

    Research output: Non-textual formComposition

  21. The Look of the Thing

    Eato, J. E., Bruce, H., Lawrence, S., Ganz, L., Arstall, S., Starkey, D. & Morrison, M., 2012

    Research output: Non-textual formComposition

  22. The Virtual Singing Studio: a loudspeaker-based room acoustics simulation for real-time musical performance

    Brereton, J. S., Murphy, D. T. & Howard, D. M., 2012, p. 1-8. 8 p.

    Research output: Contribution to conferencePaper

  23. The opera director’s voice: DVD 'extras' and the question of authority

    Sheil, Á., 2012, Opera and Video : Technology and spectatorship. Pérez, H. J. (ed.). Bern: Peter Lang, p. 129-150 22 p. (Film Cultures).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Workshop: Improvisation with Live Instruments using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferenceOtherpeer-review

  25. A History of Singing

    Potter, J. & Sorrell, N., Jan 2012, Cambridge University Press.

    Research output: Book/ReportBook

  26. Performance Alfresco: Music-Making in London's Pleasure Gardens

    Cowgill, R., Jan 2012, The Pleasure Garden. Conlin, J. (ed.). University of Pennsylvania Press, p. 100-126 27 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Suite Inserts

    Eato, J. E., Feb 2012

    Research output: Non-textual formComposition

  28. Ultrafast magnetism as seen by x-rays

    Radu, I., Vahaplar, K., Stamm, C., Kachel, T., Pontius, N., Radu, F., Abrudan, R., Dürr, H., Ostler, T., Barker, J., Evans, R., Chantrell, R., Tsukamoto, A., Itoh, A., Kirilyuk, A., Rasing, T., Kimel, A. & Evans, R. F. L., 23 Mar 2012, Proceedings of SPIE - The International Society for Optical Engineering. Vol. 8260. 82601M

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  29. Know Where You Are: Kenny Wheeler, the performers’ composer

    Eato, J. E., 27 Mar 2012.

    Research output: Contribution to conferencePaperpeer-review

  30. Mendelssohn, Suckling, Dvořák: Aronowitz Ensemble

    Suckling, M. C., Mendelssohn, F. & Dvorak, A., May 2012

    Research output: Non-textual formDigital or Visual Products

  31. Bach and the Belly Dancer: Jacky Lansley’s 'Guest Suites'

    Eato, J. E., 8 May 2012.

    Research output: Contribution to conferencePaper

  32. In re: "Experimental Music"

    Brooks, W., 21 Jun 2012, p. 37-62.

    Research output: Contribution to conferencePaperpeer-review

  33. Attitudes with a Shawl: Performance, Femininity, and Spectatorship at the Italian Opera in Early Nineteenth-Century London

    Cowgill, R., 12 Jul 2012, The Arts of the Prima Donna in the Long Nineteenth Century. Cowgill, R. & Poriss, H. (eds.). New York: Oxford University Press, p. 217-251 35 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. The Arts of the Prima Donna in the Long Nineteenth Century

    Cowgill, R. (ed.) & Poriss, H. (ed.), 12 Jul 2012, New York: Oxford University Press.

    Research output: Book/ReportBook

  35. L'Olimpiade: an opera, as set by Pergolesi, Vivaldi, Caldara and Jommelli

    Seymour, P. G., 13 Jul 2012

    Research output: Non-textual formPerformance

  36. London Sinfonietta Label: New Music Show

    Suckling, M. C., Finnis, E., Khroustaliov, I., Hodgkinson, T., Feshareki, S. & Duncan, M., 15 Oct 2012

    Research output: Non-textual formDigital or Visual Products

  37. Networks of meaning in the audio-visual work of Ryoichi Kurokowa

    Field, A. E., 27 Oct 2012, p. 318-326.

    Research output: Contribution to conferencePaperpeer-review

  38. On the Beat: The Victorian Policeman as Musician

    Cowgill, R., 28 Oct 2012, Music and Institutions in Nineteenth-Century Britain. Rodmell, P. (ed.). Farnham: Farnham: Ashgate Publishing Ltd, p. 221-245 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. Township comets: The impact of South African jazz on the UK scene

    Eato, J. E., Dec 2012, iaspm 2011 proceedings: Situating popular musics. Montano, E. & Nardi, C. (eds.). International Association for the Study of Popular Music, Vol. IASPM 16th International Conference Proceedings. p. 112-118

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

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