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  2. 'Strange and dead the ghosts appear': Mythic absence in Hölderlin, Adorno and Kurtág

    Hutchinson, M. A., 17 Jun 2021, Intertextuality in Music: Dialogic Composition. Kostka, V., de Castro, P. F. & Everett, W. A. (eds.). Routledge, p. 185-201 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Changing the Vocabulary of Creative Research: The Role of Networks, Risk, and Accountability in Transcending Technical Rationality

    Field, A. E., 2021, (Accepted/In press) Sound Work: Composition as Critical Technical Practice. Impett, J. (ed.). Orpheus Institute Series ed. Leuven: Leuven University Press, p. 303-317 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Disability Representation in Opera

    Armstrong, C., 7 Dec 2021, (Accepted/In press) Voices for Change in the Classical Music Profession: New ideas for tackling inequalities and exclusions. Bull, A., Scharff, C. & Nooshin, L. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Evolving, Surviving, and Thriving: Working as a Chamber Musician in the 21st Century

    Waddington-Jones, C., Feb 2021, (Accepted/In press) The chamber musician in the 21st century. Dogantan-Dack, M. (ed.). Multidisciplinary Digital Publishing Institute (MDPI)

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Hearing the past in the present: an augmented reality approach to site reconstruction through architecturally informed new music

    Field, A. E., 25 Mar 2021, Music and Heritage: New Perspectives on Place-making and Sonic Identity. Schofield, J. & Maloney, L. (eds.). Taylor & Francis;

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Playful production: collaborative facilitation in a music ensemble context

    Haddon, E. & Laws, C., 2021, (Accepted/In press) Together in music: Participation, coordination, and creativity in ensembles. Timmers, R., Bailes, F. & Daffern, H. (eds.). Oxford: Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Precedents for the Symphony Anthem: British Library Additional Manuscript 31434 and the Court of Charles I

    Wainwright, J., 5 Dec 2021, British Music, Musicians and Institutions c.1630-1800: Essays in Honour of Harry Diack Johnstone. Lynan, P. & Rushton, J. (eds.). Woodbridge: Boydell & Brewer, p. 199-221 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Redefining progress at the intersection of AI and artistic research

    Field, A. E., 2021, (Accepted/In press) Experience Music Experiment: Pragmatism and Artistic Research. Brooks, W. (ed.). Orpheus Institute Series ed. Leuven: Leuven University Press, 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Sonic identity and the making of heritage: 'This must be the place'

    Maloney, L. & Schofield, J., 14 Apr 2021, Music and Heritage: New Perspectives on Place-making and Sonic Identity. Maloney, L. & Schofield, J. (eds.). London: Routledge, p. 1-9 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter