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1 - 9 out of 9Page size: 100
  1. 2021

  2. Changing the Vocabulary of Creative Research: The Role of Networks, Risk, and Accountability in Transcending Technical Rationality

    Field, A. E., 2021, (Accepted/In press) Sound Work: Composition as Critical Technical Practice. Impett, J. (ed.). Orpheus Institute Series ed. Leuven: Leuven University Press, p. 303-317 15 p.

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

  3. Music and Heritage: Perspectives on Place and Sonic Identity

    Schofield, J. & Maloney, L., 2021, (Accepted/In press) Routledge. 300 p.

    Research output: Book/Report › Book

  4. Redefining progress at the intersection of AI and artistic research

    Field, A. E., 2021, (Accepted/In press) Experience Music Experiment: Pragmatism and Artistic Research. Brooks, W. (ed.). Orpheus Institute Series ed. Leuven: Leuven University Press, 17 p.

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

  5. The Music of Angelo Notari

    Wainwright, J. P., 2021, (Accepted/In press) Middleton WI: A-R Editions.

    Research output: Book/Report › Scholarly edition

  6. Diagnosing the degenerate condition: Nordauean discourses of moral and musical degeneracy in Franz Schreker’s Die Gezeichneten

    Armstrong, C., 6 Jan 2021, (Accepted/In press)

    Article in Modernism/Modernity

  7. Evolving, Surviving, and Thriving: Working as a Chamber Musician in the 21st Century

    Waddington-Jones, C., Feb 2021, (Accepted/In press) The chamber musician in the 21st century. Dogantan-Dack, M. (ed.). Multidisciplinary Digital Publishing Institute (MDPI)

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

  8. The Body Behind the Curtain: Performing Disability in Zemlinsky’s Der Zwerg

    Armstrong, C., 27 May 2021, (Accepted/In press)

    Article in Cambridge Opera Journal

  9. Do dance movements communicate how we feel? Investigating Emotion Recognition in Dance

    White, S. & Egermann, H., 23 Jul 2021, (Accepted/In press)

    Article in Jahrbuch der Deutschen Gesellschaft für Musikpsychologie

  10. Disability Representation in Opera

    Armstrong, C., 7 Dec 2021, (Accepted/In press) Voices for Change in the Classical Music Profession: New ideas for tackling inequalities and exclusions. Bull, A., Scharff, C. & Nooshin, L. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceeding › Chapter