Search research publications and outputs

  1. 2025
  2. George Jeffreys: Latin Sacred Music ii

    Wainwright, J., 2025, (Accepted/In press) Musica Britannica ed. London: Stainer & Bell. (Musica Britannica)

    Research output: Book/ReportScholarly edition

  3. 2023
  4. George Jeffreys: Latin Sacred Music i

    Wainwright, J., 2023, (Accepted/In press) Musica Britannica ed. London: Stainer & Bell. (Musica Britannica)

    Research output: Book/ReportScholarly edition

  5. Tarquinio Merula: Il Primo Libro de Motetti, e Sonate Op. 6 (1624)

    Wainwright, J., 2023, (Accepted/In press) Recent Researches in the Music of the Baroque Era ed. Middleton, WI,: A-R Editions. (Recent Researches in the Music of the Baroque Era)

    Research output: Book/ReportScholarly edition

  6. 2022
  7. Reframing Ephemera: Digitisation, Community Music-Making, and Archival Value(s)

    Armstrong, C., Cowgill, R. E. & Dix, A., 12 Apr 2022, (Accepted/In press) Digital Approaches to Inclusion and Participation in Cultural Heritage. Giglitto, D., Ciolfi, L. & Lockley, E. (eds.). Routledge, 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Robert Tailour: Sacred Hymns 1615

    Wainwright, J., 2022, (Accepted/In press) York: York Early Music Press.

    Research output: Book/ReportScholarly edition

  9. 2021
  10. Disability Representation in Opera

    Armstrong, C., 7 Dec 2021, (Accepted/In press) Voices for Change in the Classical Music Profession: New ideas for tackling inequalities and exclusions. Bull, A., Scharff, C. & Nooshin, L. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Evidenzbasierte Praxis im Music Branding – Musikalische Markenkommunikation wird erwachsen

    Egermann, H., Lepa, S., Herzog, M. & Steffens, J., 8 Jul 2021, (Accepted/In press) Musik & Marken: Jahrbuch Musikwirtschafts- und Musikkulturforschung 2021. Schwetter, H., Grünewald-Schukalla, L. & Ahlers, M. (eds.). Springer

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Partnership in piano duet playing

    Hutchinson, M. A. & Haddon, E., 10 Jun 2021, (Accepted/In press) The chamber musician in the twenty-first century. Dogantan-Dack, M. (ed.). Basel: Multidisciplinary Digital Publishing Institute (MDPI)

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  13. Evolving, Surviving, and Thriving: Working as a Chamber Musician in the 21st Century

    Waddington-Jones, C., Feb 2021, (Accepted/In press) The chamber musician in the 21st century. Dogantan-Dack, M. (ed.). Multidisciplinary Digital Publishing Institute (MDPI)

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Changing the Vocabulary of Creative Research: The Role of Networks, Risk, and Accountability in Transcending Technical Rationality

    Field, A. E., 2021, (Accepted/In press) Sound Work: Composition as Critical Technical Practice. Impett, J. (ed.). Orpheus Institute Series ed. Leuven: Leuven University Press, p. 303-317 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Music and Heritage: Perspectives on Place and Sonic Identity

    Schofield, J. & Maloney, L., 2021, (Accepted/In press) Routledge. 300 p.

    Research output: Book/ReportBook

  16. Playful production: collaborative facilitation in a music ensemble context

    Haddon, E. & Laws, C., 2021, (Accepted/In press) Together in music: Participation, coordination, and creativity in ensembles. Timmers, R., Bailes, F. & Daffern, H. (eds.). Oxford: Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Redefining progress at the intersection of AI and artistic research

    Field, A. E., 2021, (Accepted/In press) Experience Music Experiment: Pragmatism and Artistic Research. Brooks, W. (ed.). Orpheus Institute Series ed. Leuven: Leuven University Press, 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. The Music of Angelo Notari

    Wainwright, J. P., 2021, (Accepted/In press) Middleton WI: A-R Editions.

    Research output: Book/ReportScholarly edition

  19. 2019
  20. Widening the Cambridge Circle: Further High Church Musical Connections

    Wainwright, J. P., 2019, (Accepted/In press) Music, Politics, and Religion in Early Seventeenth-Century Cambridge: The Peterhouse Partbooks in Context. Mandelbrote, S. (ed.). Boydell & Brewer

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. 2017
  22. Entwicklung eines Systems zur automatischen Musikempfehlung im Kontext des Music Brandings

    Steffens, J., Egermann, H. W., Schoenrock, A., Herzog, M. & Lepa, S., 2017, (Accepted/In press) Fortschritte der Akustik: Tagungsband d. 43. DAGA. Deutsche Gesellschaft für Akustik

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  23. Interaction between Aesthetic Judgement and Emotional Processing: Studying a Concert Audience Listening to Contemporary Music

    Egermann, H. W., Reuben, F. & McCall, C. A., 2017, (Accepted/In press) p. 150-151.

    Research output: Contribution to conferenceAbstractpeer-review

  24. 2016
  25. Film: The Writing's on the Wall

    Laws, C. A., Harron, D. & Productions, S. A., Jun 2016, (Accepted/In press)

    Research output: Non-textual formDigital or Visual Products

  26. Creativity in higher music education: Views of university music lecturers

    Haddon, E., 2016, (Accepted/In press) Creative teaching for creative learning in higher music education. Haddon, E. & Burnard, P. (eds.). Abingdon, Oxon: Routledge, p. 22-34 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. 2015
  28. Java

    Sorrell, N. F. I., 16 Oct 2015, (Accepted/In press) The Other Classical Musics: Fifteen Great Traditions. Church, M. (ed.). Boydell & Brewer, 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  29. After Vicentino: for alto, viola, and electronic keyboard

    Brooks, W. & Trio Scordatura, ., 2015, (Accepted/In press)

    Research output: Non-textual formComposition

  30. After Yeats

    Brooks, W., 2015, (Accepted/In press)

    Research output: Non-textual formComposition

  31. in memoriam reducere studemus: for choir, soloists, and piano: revised edition

    Brooks, W., 2015, (Accepted/In press)

    Research output: Non-textual formComposition

  32. 2014
  33. Semi-Blind Audio Source Separation of Linearly Mixed Two-Channel Recordings via Guided Matching Pursuit

    Zantalis, D. & Wells, J., 1 Sep 2014, (Accepted/In press) Proceedings of the 17th International Conference on Digital Audio Effects (DAFx-14).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  34. The Walk to the Tarn: for pianist

    Brooks, W., 2014, (Accepted/In press)

    Research output: Non-textual formComposition

  35. 2013
  36. Tracce: for SATB quartet, amplified

    Brooks, W., 2013, (Accepted/In press)

    Research output: Non-textual formComposition

  37. Trois Esquisses: Written for and dedicated to Joseph Houston

    Simaku, T., 2013, (Accepted/In press)

    Research output: Non-textual formComposition

  38. 2012
  39. A Shadow, An Aura and Some Notes on Light: Re-defining the Sibelius Legacy

    Howell, T., 2012, (Accepted/In press) Proceedings of the Fifth International Sibelius Conference, Oxford 2010. Helsinki: http://sibeliusone.com/sibelius-reconsidered/

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  40. ‘A Shadow, An Aura and Some Notes on Light: Re-defining the Sibelius Legacy’

    Howell, T., 2012, (Accepted/In press).

    Research output: Contribution to conferencePaperpeer-review

  41. 2011
  42. Continuing Development for the Musician as Teacher in a University Context

    Haddon, E., 2011, (Accepted/In press).

    Research output: Contribution to conferencePaperpeer-review

  43. bingoise

    Eato, J. E. & Vear, C., 2011, (Accepted/In press)

    Research output: Non-textual formComposition