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  1. A Shadow, An Aura and Some Notes on Light: Re-defining the Sibelius Legacy

    Howell, T., 2012, (Accepted/In press) Proceedings of the Fifth International Sibelius Conference, Oxford 2010. Helsinki: http://sibeliusone.com/sibelius-reconsidered/

    Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

  2. After Vicentino: for alto, viola, and electronic keyboard

    Brooks, W. & Trio Scordatura, ., 2015, (Accepted/In press)

    Research output: Non-textual form › Composition

  3. After Yeats

    Brooks, W., 2015, (Accepted/In press)

    Research output: Non-textual form › Composition

  4. Changing the Vocabulary of Creative Research: The Role of Networks, Risk, and Accountability in Transcending Technical Rationality

    Field, A. E., 2021, (Accepted/In press) Sound Work: Composition as Critical Technical Practice. Impett, J. (ed.). Orpheus Institute Series ed. Leuven: Leuven University Press, p. 303-317 15 p.

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

  5. Continuing Development for the Musician as Teacher in a University Context

    Haddon, E., 2011, (Accepted/In press).

    Research output: Contribution to conference › Paper › peer-review

  6. Creativity in higher music education: Views of university music lecturers

    Haddon, E., 2016, (Accepted/In press) Creative teaching for creative learning in higher music education. Haddon, E. & Burnard, P. (eds.). Abingdon, Oxon: Routledge, p. 22-34 13 p.

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

  7. Development of the Social Experience of a Concert Scales (SECS): The social experience of a live western art music concert influences people’s overall enjoyment of an event but not their emotional response to the music

    O'Neill, K. & Egermann, H., May 2022, (Accepted/In press)

    Article in Music & Science

  8. Diagnosing the degenerate condition: Nordauean discourses of moral and musical degeneracy in Franz Schreker’s Die Gezeichneten

    Armstrong, C., 6 Jan 2021, (Accepted/In press)

    Article in Modernism/Modernity

  9. Disability Representation in Opera

    Armstrong, C., 7 Dec 2021, (Accepted/In press) Voices for Change in the Classical Music Profession: New ideas for tackling inequalities and exclusions. Bull, A., Scharff, C. & Nooshin, L. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

  10. Do dance movements communicate how we feel? Investigating Emotion Recognition in Dance

    White, S. & Egermann, H., 23 Jul 2021, (Accepted/In press)

    Article in Jahrbuch der Deutschen Gesellschaft für Musikpsychologie

  11. Entwicklung eines Systems zur automatischen Musikempfehlung im Kontext des Music Brandings

    Steffens, J., Egermann, H. W., Schoenrock, A., Herzog, M. & Lepa, S., 2017, (Accepted/In press) Fortschritte der Akustik: Tagungsband d. 43. DAGA. Deutsche Gesellschaft für Akustik

    Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

  12. Evolving, Surviving, and Thriving: Working as a Chamber Musician in the 21st Century

    Waddington-Jones, C., Feb 2021, (Accepted/In press) The chamber musician in the 21st century. Dogantan-Dack, M. (ed.). Multidisciplinary Digital Publishing Institute (MDPI)

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

  13. Film: The Writing's on the Wall

    Laws, C. A., Harron, D. & Productions, S. A., Jun 2016, (Accepted/In press)

    Research output: Non-textual form › Digital or Visual Products

  14. George Jeffreys: Latin Sacred Music i

    Wainwright, J., 2023, (Accepted/In press) Musica Britannica ed. London: Stainer & Bell. (Musica Britannica)

    Research output: Book/Report › Scholarly edition

  15. George Jeffreys: Latin Sacred Music ii

    Wainwright, J., 2025, (Accepted/In press) Musica Britannica ed. London: Stainer & Bell. (Musica Britannica)

    Research output: Book/Report › Scholarly edition

  16. Interaction between Aesthetic Judgement and Emotional Processing: Studying a Concert Audience Listening to Contemporary Music

    Egermann, H. W., Reuben, F. & McCall, C. A., 2017, (Accepted/In press) p. 150-151.

    Research output: Contribution to conference › Abstract › peer-review

  17. Java

    Sorrell, N. F. I., 16 Oct 2015, (Accepted/In press) The Other Classical Musics: Fifteen Great Traditions. Church, M. (ed.). Boydell & Brewer, 25 p.

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

  18. Music and Heritage: Perspectives on Place and Sonic Identity

    Schofield, J. & Maloney, L., 2021, (Accepted/In press) Routledge. 300 p.

    Research output: Book/Report › Book

  19. Player Piano and Piano Films: processes of interdisciplinary practice across music, theatre and film

    Laws, C., 16 Sep 2022, (Accepted/In press).

    Research output: Contribution to conference › Paper › peer-review

  20. Redefining progress at the intersection of AI and artistic research

    Field, A. E., 2021, (Accepted/In press) Experience Music Experiment: Pragmatism and Artistic Research. Brooks, W. (ed.). Orpheus Institute Series ed. Leuven: Leuven University Press, 17 p.

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

  21. Reframing Ephemera: Digitisation, Community Music-Making, and Archival Value(s)

    Armstrong, C., Cowgill, R. E. & Dix, A., 12 Apr 2022, (Accepted/In press) Digital Approaches to Inclusion and Participation in Cultural Heritage. Giglitto, D., Ciolfi, L. & Lockley, E. (eds.). Routledge, 20 p.

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

  22. Semi-Blind Audio Source Separation of Linearly Mixed Two-Channel Recordings via Guided Matching Pursuit

    Zantalis, D. & Wells, J., 1 Sep 2014, (Accepted/In press) Proceedings of the 17th International Conference on Digital Audio Effects (DAFx-14).

    Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

  23. Signal Flows: Feminist Approaches to Open Paths in Audio Education

    Sokil, A. & Pras, A. C. B., 2 Aug 2022, (Accepted/In press) Oxford Handbook of Feminism and Music Education (OHFME). Silverman, M. & Niknafs, N. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

  24. Tarquinio Merula: Il Primo Libro de Motetti, e Sonate Op. 6 (1624)

    Wainwright, J., 2023, (Accepted/In press) Recent Researches in the Music of the Baroque Era ed. Middleton, WI,: A-R Editions. (Recent Researches in the Music of the Baroque Era)

    Research output: Book/Report › Scholarly edition

  25. The Body Behind the Curtain: Performing Disability in Zemlinsky’s Der Zwerg

    Armstrong, C., 27 May 2021, (Accepted/In press)

    Article in Cambridge Opera Journal

  26. The Music of Angelo Notari

    Wainwright, J. P., 2021, (Accepted/In press) Middleton WI: A-R Editions.

    Research output: Book/Report › Scholarly edition

  27. The Walk to the Tarn: for pianist

    Brooks, W., 2014, (Accepted/In press)

    Research output: Non-textual form › Composition

  28. Tracce: for SATB quartet, amplified

    Brooks, W., 2013, (Accepted/In press)

    Research output: Non-textual form › Composition

  29. Trois Esquisses: Written for and dedicated to Joseph Houston

    Simaku, T., 2013, (Accepted/In press)

    Research output: Non-textual form › Composition

  30. Widening the Cambridge Circle: Further High Church Musical Connections

    Wainwright, J. P., 2019, (Accepted/In press) Music, Politics, and Religion in Early Seventeenth-Century Cambridge: The Peterhouse Partbooks in Context. Mandelbrote, S. (ed.). Boydell & Brewer

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

  31. bingoise

    Eato, J. E. & Vear, C., 2011, (Accepted/In press)

    Research output: Non-textual form › Composition

  32. in memoriam reducere studemus: for choir, soloists, and piano: revised edition

    Brooks, W., 2015, (Accepted/In press)

    Research output: Non-textual form › Composition

  33. ‘A Shadow, An Aura and Some Notes on Light: Re-defining the Sibelius Legacy’

    Howell, T., 2012, (Accepted/In press).

    Research output: Contribution to conference › Paper › peer-review