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  1. Conference contribution › Research
  2. A Shadow, An Aura and Some Notes on Light: Re-defining the Sibelius Legacy

    Howell, T., 2012, (Accepted/In press) Proceedings of the Fifth International Sibelius Conference, Oxford 2010. Helsinki: http://sibeliusone.com/sibelius-reconsidered/

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  3. Entwicklung eines Systems zur automatischen Musikempfehlung im Kontext des Music Brandings

    Steffens, J., Egermann, H. W., Schoenrock, A., Herzog, M. & Lepa, S., 2017, (Accepted/In press) Fortschritte der Akustik: Tagungsband d. 43. DAGA. Deutsche Gesellschaft für Akustik

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  4. Semi-Blind Audio Source Separation of Linearly Mixed Two-Channel Recordings via Guided Matching Pursuit

    Zantalis, D. & Wells, J., 1 Sep 2014, (Accepted/In press) Proceedings of the 17th International Conference on Digital Audio Effects (DAFx-14).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  5. Chapter › Research
  6. Changing the Vocabulary of Creative Research: The Role of Networks, Risk, and Accountability in Transcending Technical Rationality

    Field, A. E., 2021, (Accepted/In press) Sound Work: Composition as Critical Technical Practice. Impett, J. (ed.). Orpheus Institute Series ed. Leuven: Leuven University Press, p. 303-317 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Creativity in higher music education: Views of university music lecturers

    Haddon, E., 2016, (Accepted/In press) Creative teaching for creative learning in higher music education. Haddon, E. & Burnard, P. (eds.). Abingdon, Oxon: Routledge, p. 22-34 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Disability Representation in Opera

    Armstrong, C., 7 Dec 2021, (Accepted/In press) Voices for Change in the Classical Music Profession: New ideas for tackling inequalities and exclusions. Bull, A., Scharff, C. & Nooshin, L. (eds.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Evolving, Surviving, and Thriving: Working as a Chamber Musician in the 21st Century

    Waddington-Jones, C., Feb 2021, (Accepted/In press) The chamber musician in the 21st century. Dogantan-Dack, M. (ed.). Multidisciplinary Digital Publishing Institute (MDPI)

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Java

    Sorrell, N. F. I., 16 Oct 2015, (Accepted/In press) The Other Classical Musics: Fifteen Great Traditions. Church, M. (ed.). Boydell & Brewer, 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Redefining progress at the intersection of AI and artistic research

    Field, A. E., 2021, (Accepted/In press) Experience Music Experiment: Pragmatism and Artistic Research. Brooks, W. (ed.). Orpheus Institute Series ed. Leuven: Leuven University Press, 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Reframing Ephemera: Digitisation, Community Music-Making, and Archival Value(s)

    Armstrong, C., Cowgill, R. E. & Dix, A., 12 Apr 2022, (Accepted/In press) Digital Approaches to Inclusion and Participation in Cultural Heritage. Giglitto, D., Ciolfi, L. & Lockley, E. (eds.). Routledge, 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

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