Search research publications and outputs

  1. 2022
  2. Evidenzbasierte Praxis im Music Branding–Musikalische Markenkommunikation wird erwachsen

    Egermann, H., Lepa, S., Herzog, M. & Steffens, J., May 2022, Musik & Marken: Jahrbuch Musikwirtschafts- und Musikkulturforschung 2021. Schwetter, H., Grünewald-Schukalla, L. & Ahlers, M. (eds.). Springer, (Jahrbuch für Musikwirtschafts- und Musikkulturforschung).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Integrated Methods: A Call for Integrative and Interdisciplinary Aesthetics Research

    Tröndle, M., Greenwood, S., Ramakrishnan, C., Uhde, F., Egermann, H. & Tschacher, W., Apr 2022, The Oxford Handbook of Empirical Aesthetics. Nadal, M. & Vartanian, O. (eds.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Playful Production: Collaborative facilitation in a music ensemble context

    Haddon, E. & Laws, C., Feb 2022, Together in music: Participation, coordination, and creativity in ensembles. Timmers, R., Bailes, F. & Daffern, H. (eds.). Oxford: Oxford: Oxford University Press, p. 59-64

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. 2021
  6. Precedents for the Symphony Anthem: British Library Additional Manuscript 31434 and the Court of Charles I

    Wainwright, J., 5 Dec 2021, British Music, Musicians and Institutions c.1630-1800: Essays in Honour of Harry Diack Johnstone. Lynan, P. & Rushton, J. (eds.). Woodbridge: Boydell & Brewer, p. 199-221 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. 'Strange and dead the ghosts appear': Mythic absence in Hölderlin, Adorno and Kurtág

    Hutchinson, M. A., 17 Jun 2021, Intertextuality in Music: Dialogic Composition. Kostka, V., de Castro, P. F. & Everett, W. A. (eds.). Routledge, p. 185-201 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Sonic identity and the making of heritage: 'This must be the place'

    Maloney, L. & Schofield, J., 14 Apr 2021, Music and Heritage: New Perspectives on Place-making and Sonic Identity. Maloney, L. & Schofield, J. (eds.). London: Routledge, p. 1-9 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Hearing the past in the present: an augmented reality approach to site reconstruction through architecturally informed new music

    Field, A. E., 25 Mar 2021, Music and Heritage: New Perspectives on Place-making and Sonic Identity. Schofield, J. & Maloney, L. (eds.). Taylor & Francis;

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. 2020
  11. Standard 3-point Micing Technique (Advanced)

    Pras, A. C. B., 10 Dec 2020, The Music Technology Cookbook: Ready-Made Recipes for the Classroom . Bell, A. P. (ed.). Oxford: Oxford University Press, p. 291-296 6 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. The role of community in defining 21st-century creative practice: A design-led approach

    Field, A. E., 5 Nov 2020, Creative and Critical Projects in Classroom Music: Fifty Years of Sound and Silence. Finney, J., Philpott, C. & Spruce, G. (eds.). Taylor & Francis;, 11 p. 8

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Concurrent Design: Building composition through co-design

    Field, A. E., 1 Nov 2020, Creative and Critical Projects in Classroom Music: Fifty Years of Sound and Silence. Taylor & Francis;, 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

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