Search research publications and outputs

  1. 2022
  2. FAIR but Flexible: Designing for Dynamic User Contributions in Digital Musicology Resources

    Dix, A., Armstrong, C., Cowgill, R. E., Twidale, M., Downie, J. S., Bashford, C., Ridgewell, R. & Reagan, M., 28 Jul 2022, DLfM2022: 9th International Conference on Digital Libraries for Musicology. Pugin, L. (ed.). Prague: ACM, p. 41-49 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  3. Tools and Technology to Support Rich Community Heritage

    Dix, A., Jones, E., Armstrong, C. & Cowgill, R. E., 12 Jul 2022, International BCS Human-Computer Interaction conference: Towards a Human-Centred Digital Society. 10 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  4. Partnership in piano duet playing

    Hutchinson, M. A. & Haddon, E., Jul 2022, The chamber musician in the twenty-first century. Dogantan-Dack, M. (ed.). Basel: Multidisciplinary Digital Publishing Institute (MDPI), p. 181-204

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  5. Binaural Headphone Monitoring to Enhance Musicians’ Immersion in Performance

    Bauer, V., Soudoplatoff, D., Menon, L. & Pras, A. C. B., 5 Jun 2022, Advances in Fundamental and Applied Research on Spatial Audio. Katz, B. FG. & Majdak, P. (eds.). IntechOpen

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  6. Evidenzbasierte Praxis im Music Branding–Musikalische Markenkommunikation wird erwachsen

    Egermann, H., Lepa, S., Herzog, M. & Steffens, J., May 2022, Musik & Marken: Jahrbuch Musikwirtschafts- und Musikkulturforschung 2021. Schwetter, H., Grünewald-Schukalla, L. & Ahlers, M. (eds.). Springer, (Jahrbuch für Musikwirtschafts- und Musikkulturforschung).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Integrated Methods: A Call for Integrative and Interdisciplinary Aesthetics Research

    Tröndle, M., Greenwood, S., Ramakrishnan, C., Uhde, F., Egermann, H. & Tschacher, W., Apr 2022, The Oxford Handbook of Empirical Aesthetics. Nadal, M. & Vartanian, O. (eds.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Playful Production: Collaborative facilitation in a music ensemble context

    Haddon, E. & Laws, C., Feb 2022, Together in music: Participation, coordination, and creativity in ensembles. Timmers, R., Bailes, F. & Daffern, H. (eds.). Oxford: Oxford University Press, p. 59-64

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. How Do You Pod? A Study Revealing the Archetypal Podcast Production Workflow

    Rime, J., Francombe, J. & Collins, T., 2022, Proceedings of the ACM International Conference on Interactive Media Experiences.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  10. SpecSinGAN: Sound Effect Variation Synthesis Using Single-Image GANs

    Barahona Rios, A. & Collins, T., 2022, Proceedings of the Sound and Music Computing Conference.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  11. 2021
  12. Precedents for the Symphony Anthem: British Library Additional Manuscript 31434 and the Court of Charles I

    Wainwright, J., 5 Dec 2021, British Music, Musicians and Institutions c.1630-1800: Essays in Honour of Harry Diack Johnstone. Lynan, P. & Rushton, J. (eds.). Woodbridge: Boydell & Brewer, p. 199-221 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. An archive-exploration system for the Hunting Songs of the Lakeland Fell Packs

    Emmett, M. E., Yin, Z. & Collins, T., 28 Jul 2021, Proceedings of the International Conference on Digital Libraries for Musicology. p. 1-8 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  14. Towards a Foundation for Collaborative Digital Archiving with Local Concert-Giving Organisations

    Armstrong, C., Cowgill, R. E., Dix, A., Twidale, M., Bashford, C., Downie, J. S., Ridgewell, R. & Reagan, M., 28 Jul 2021, DLfM '21: : 8th International Conference on Digital Libraries for Musicology. Arthur, C. (ed.). Virtual Conference GA USA: ACM, p. 41-49 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  15. Audio+: A Research Forum to Transform our Traditions

    McNally, K. & Pras, A. C. B., 22 Jul 2021, 2021 AES International Audio Education Conference. Audio Engineering Society, 12 p. 29

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  16. Lethbridge Lament: Exploring musical genres through experiential learning in the studio

    McDermott, C. & Pras, A. C. B., 22 Jul 2021, 2021 AES International Audio Education Conference. Audio Engineering Society

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  17. 'Strange and dead the ghosts appear': Mythic absence in Hölderlin, Adorno and Kurtág

    Hutchinson, M. A., 17 Jun 2021, Intertextuality in Music: Dialogic Composition. Kostka, V., de Castro, P. F. & Everett, W. A. (eds.). Routledge, p. 185-201 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Sonic identity and the making of heritage: 'This must be the place'

    Maloney, L. & Schofield, J., 14 Apr 2021, Music and Heritage: New Perspectives on Place-making and Sonic Identity. Maloney, L. & Schofield, J. (eds.). London: Routledge, p. 1-9 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. “A Good Algorithm Does Not Steal – It Imitates”: The Originality Report as a Means of Measuring When a Music Generation Algorithm Copies Too Much

    Yin, Z., Reuben, F., Stepney, S. & Collins, T., 2 Apr 2021, Artificial Intelligence in Music, Sound, Art and Design. EvoMUSART 2021. Springer, Vol. 12693. p. 360-375 16 p. 24. (Lecture Notes in Computer Science).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  20. Hearing the past in the present: an augmented reality approach to site reconstruction through architecturally informed new music

    Field, A. E., 25 Mar 2021, Music and Heritage: New Perspectives on Place-making and Sonic Identity. Schofield, J. & Maloney, L. (eds.). Taylor & Francis

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. 2020
  22. Standard 3-point Micing Technique (Advanced)

    Pras, A. C. B., 10 Dec 2020, The Music Technology Cookbook: Ready-Made Recipes for the Classroom . Bell, A. P. (ed.). Oxford University Press, p. 291-296 6 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. The role of community in defining 21st-century creative practice: A design-led approach

    Field, A. E., 5 Nov 2020, Creative and Critical Projects in Classroom Music: Fifty Years of Sound and Silence. Finney, J., Philpott, C. & Spruce, G. (eds.). Taylor & Francis, 11 p. 8

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Concurrent Design: Building composition through co-design

    Field, A. E., 1 Nov 2020, Creative and Critical Projects in Classroom Music: Fifty Years of Sound and Silence. Taylor & Francis, 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Connect Resound as a Support for Music Making in Rural England

    King, A., Prior, H. & Waddington-Jones, C. E., Nov 2020, The Oxford Handbook of Social Media and Music Learning. Waldron, J. L., Horsley, S. & Veblen, K. K. (eds.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. Engineering and Recording

    Wells, J., 21 Jul 2020, Audio Education: Theory, Culture, and Practice. Walzer, D. & Lopez, M. (eds.). New York: Routledge, p. 131-150 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Angelo Notari's Music for the English Court

    Wainwright, J. P., 22 Jun 2020, Musical exchanges between Britain and the Continent 1500–1800: Essays in Honour of Peter Holman. Cunningham, J. & White, B. (eds.). Boydell & Brewer, p. 313–43 30 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. 2019
  29. MAIA Util: An NPM package for bridging web audio with music-theoretic concepts

    Collins, T. & Coulon, C., 31 Dec 2019, Proceedings of the International Web Audio Conference 2019. p. 47-52 16 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  30. Algorithmic ability to predict the musical future: Datasets and evaluation

    Janssen, B., Collins, T. & Ren, I., 28 Nov 2019, Proceedings of the 20th ISMIR Conference, Delft, Netherlands, November 4-8, 2019. p. 208-215 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  31. An initial computational model for musical schemata theory

    Katsiavalos, A., Battey, B. & Collins, T., 28 Nov 2019, Proceedings of the 20th ISMIR Conference, Delft, Netherlands, November 4-8, 2019. p. 166-172 7 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  32. Footnotes

    Brooks, W., Östersjö, S. & Wells, J., 25 Nov 2019, Voices, Bodies, Practices: Performing Musical Subjectivites. Laws, C., Brooks, W., Gorton, D., Nguyễn, T. T., Östersjö, S. & Wells, J. (eds.). Leuven, Belgium: Leuven University Press, p. 171-232 62 p. (Orpheus Institute Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. Is Binaural Spatialization the Future of Hip-Hop?

    Turner, K. & Pras, A. C. B., 8 Oct 2019, AES Convention 147. Audio Engineering Society

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  34. Production processes of pop music arrangers in Bamako, Mali

    Pras, A. C. B., Turner, K., Bol, T. & Olivier, E., 8 Oct 2019, AES Convention 147. Audio Engineering Society

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  35. The Generation Gap: Perception and Workflow of Analog vs. Digital Mixing

    Chambers-Moranz, R., Pras, A. C. B. & Thomas, N., 8 Oct 2019, AES Convention 147. Audio Engineering Society

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  36. Interlude: The Middle

    Brooks, W., Magee, G. & Bashford, C., 1 Oct 2019, Over Here, Over There: Transatlantic Conversations on the Music of World War I. Brooks, W., Bashford, C. & Magee, G. (eds.). Urbana, IL: University of Illinois Press, p. 115-124 10 p. (Music in American Life).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  37. Of Stars, Soldiers, Mothers, and Mourning

    Brooks, W. F., 1 Oct 2019, Over Here, Over There: Transatlantic conversations on the music of World War I. Brooks, W., Bashford, C. & Magee, G. (eds.). Champaign, IL: University of Illinois Press, p. 199-223 24 p. (Music in American Life).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  38. Postlude: Not an End

    Brooks, W., Bashford, C. & Magee, G., 1 Oct 2019, Over Here, Over There: Transatlantic Conversations on the Music of World War I. Brooks, W., Bashford, C. & Magee, G. (eds.). Urbana, IL: University of Illinois Press, p. 241-244 5 p. (Music in American Life).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. Prelude: Beginnings

    Brooks, W., Bashford, C. & Magee, G. S., 1 Oct 2019, Over Here, Over There: Transatlantic Conversations on the Music of World War I. Brooks, W., Magee, G. & Bashford, C. (eds.). Urbana, IL: University of Illinois Press, p. 1-11 12 p. (Music in American Life).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  40. Telling the Time: Communication and Temporality in Nordic New Music

    Howell, T. & Powell, R., 20 Sep 2019, The Nature of Nordic Music. Howell, T. (ed.). Abingdon UK and New York: Routledge, 26 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. Space In The Ambience: Is Ambient Music Socially Relevant?

    Field, A. E., 1 Sep 2019, Music Beyond Airports. Adkins, M. & Cummings, S. (eds.). Huddersfield: The University of Huddersfield, p. 21-50 29 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  42. Creating a Brand Image through Music: Understanding the Psychological Mechanisms behind Audio Branding

    Egermann, H., Sep 2019, The Oxford Handbook of Sound and Imagination. Grimshaw, M., Walther-Hansen, M. & Knakkergaard, M. (eds.). Oxford: Oxford University Press, Vol. 2.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  43. Crowdsourcing and Scholarly Culture: Understanding Expertise in an Age of Popularism

    Dix, A., Cowgill, R. E., Bashford, C., McVeigh, S. & Ridgewell, R., 7 Aug 2019, Macrotask Crowdsourcing. Khan, VJ., Papangelis, K., Lykourentzou, I. & Markopoulos, P. (eds.). Springer, p. 189-214 (Human-Computer Interaction).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  44. Icebreaker meets Hoketus

    Haddon, H. E., May 2019, Writing to Louis Andriessen: Commentaries on life in music. Amsterdam: Uitgeverij Lecturis, p. 198-209

    Research output: Chapter in Book/Report/Conference proceedingChapter

  45. Algorithmic music curation in audio branding: Commercial and critical perspectives on an international research and innovation project

    Edwards, J. & Egermann, H. W., 2019, Algorithmic Music: Value, Creativity and Artificial Intelligence A One-day Symposium.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  46. An Interactive Spatial Audio Experience for Children with Autism Spectrum Disorder

    Johnston, D. I., Egermann, H. W. & Kearney, G. C., 2019, Proceedings of the 2019 AES International Conference on Immersive and Interactive Audio. Audio Engineering Society

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  47. 2018
  48. Fellowes, Edmund H(orace)

    Wainwright, J. P., 6 Sep 2018, The Cambridge Encyclopedia of Historical Performance in Music. Lawson, C. & Stowell, R. (eds.). Cambridge: Cambridge University Press, p. 224 1 p.

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  49. Smartphone-Assessed Movement Predicts Music Properties: Towards Integrating Embodied Music Cognition into Music Recommender Services via Accelerometer

    Irrgang, M., Steffens, J. & Egermann, H. W., 28 Jun 2018, Proceedings of the 5th International Conference on Movement and Computing, MOCO 2018. ACM Digital Library, 4 p. 31. (ACM Proceedings).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  50. A case study of cultural influences on mixing practices

    Pras, A. C. B., De Man, B. & Reiss, J. D., 18 May 2018, AES Convention 144. Audio Engineering Society

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  51. Musicians' binaural headphone monitoring for studio recording

    Bauer, V., Pras, A. C. B. & Déjardin, H., 14 May 2018, AES Convention 144. Audio Engineering Society

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  52. Musical Dialogues in the Paston Treasure

    Brooks, J. & Wainwright, J. P., Feb 2018, The Paston Treasure: Microcosm of the Known World. Moore, A., Flis, N. & Vanke, F. (eds.). New Haven CT & London: Yale University Press, p. 162–172, 332-3,, 444, & 553–9 13, Appendix 3, & Catalogue entries 63 & 140

    Research output: Chapter in Book/Report/Conference proceedingChapter

  53. (n,cp) reactions study at the n_TOF facility at CERN: Results for the Cosmological Lithium problem

    (The n-TOF Collaboration [www.cern.ch/ntof]), 1 Jan 2018, Proceedings of the 15th International Conference on Nuclear Reaction Mechanisms, NRM 2018. Cerutti, F., Ferrari, A., Kawano, T., Salvat-Pujol, F. & Talou, P. (eds.). CERN, p. 259-264 6 p. (Proceedings of the 15th International Conference on Nuclear Reaction Mechanisms, NRM 2018).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  54. Nuclear Astrophysics at n_TOF facility, CERN

    nToF, 1 Jan 2018, Proceedings of the 15th International Conference on Nuclear Reaction Mechanisms, NRM 2018. Cerutti, F., Ferrari, A., Kawano, T., Salvat-Pujol, F. & Talou, P. (eds.). CERN, p. 251-257 7 p. (Proceedings of the 15th International Conference on Nuclear Reaction Mechanisms, NRM 2018).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  55. Performers' perspectives on 'feel' in music

    King, E. & Waddington-Jones, C. E., 2018, Music analysis and the body: Experiments, explorations and embodiments. Thumpston, R. & Reyland, N. (eds.). Leuven: Peeters, p. 241-258

    Research output: Chapter in Book/Report/Conference proceedingChapter

  56. This Is Not A...

    Laws, C. A., 2018, Collaborative and Distributed Processes in Contemporary Music-Making. Redhead, L. & Glover, R. (eds.). Cambridge Scholars Publishing

    Research output: Chapter in Book/Report/Conference proceedingChapter

  57. 2017
  58. Predicting Musical Meaning in Audio Branding Scenarios

    Herzog, M., Lepa, S., Steffens, J., Schoenrock, A. & Egermann, H. W., 31 Jul 2017, Proceedings of the 25th Anniversary Conference of the European Society for Cognitive Science of Music, Ghent, Belgium, 31 July – 4 August 2017. Van Dyck, E. (ed.). ESCOM, p. 75-79 5 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  59. Jean Sibelius: Progressive or Modernist?

    Howell, T., Jul 2017, Jean Sibelius’ Legacy – Research at his 150th Anniversary, . Howell, T., Grimley, D., Murtomaki, V. & Virtanen, T. (eds.). Cambridge Scholars Publishing, p. 241-255 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  60. What has been left unsaid about studio practices: How producers and engineers prepare, manage and direct recording sessions

    Pras, A. C. B., 30 Jun 2017, Music, Technology & Education: Critical Perspectives. King, A. & Himonides, E. (eds.). Routledge, p. 27-44 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  61. Augmented Reality to Improve Orchestra Conductors' Headphone Monitoring

    Soudoplatoff, D. & Pras, A. C. B., 11 May 2017, AES Convention 142. Audio Engineering Society

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  62. Development and Evaluation of an Interface with Four-Finger Pitch Selection

    von Coler, H., Treindl, G., Egermann, H. W. & Weinzierl, S., 11 May 2017, Proceedings of the 142nd AES Convention - Audio Engineering Society. Audio Engineering Society, p. 1-8 8 p. 9792

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  63. Imagining Radio Sound: Interference and Collaboration in the BBC Radio Production of Beckett’s All That Fall

    Laws, C., 31 Mar 2017, Samuel Beckett and BBC Radio : A Reassessment. Addyman, D., Feldman, M. & Tonning, E. (eds.). Palgrave Macmillan, p. 103-138 35 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  64. High-Level Chord Features Extracted From Audio Can Predict Perceived Musical Expression

    Steffens, J., Lepa, S., Schoenrock, A., Herzog, M., Peeters, G. & Egermann, H. W., 2017, Extended abstracts for the Late-Breaking Demo Session of the 18th In- ternational Society for Music Information Retrieval Conference, Suzhou, China, 2017. 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  65. How to Do Things with Music Criticism: Performances of Victory in German Wagner Reception, 1918–33

    Sheil, A. C., 2017, Performance in a Militarized Culture. Brady, S. & Mantoan, L. (eds.). London: Routledge, p. 99-109 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  66. Musikforschung 2.0 – Internet-basierte Erhebungsmethoden

    Egermann, H. & Lothwesen, K., 2017, Methoden empirischer Forschung in der Musikpädagogik: Eine anwendungsbezogene Einführung. Schulten, M. & Lothwesen, K. (eds.). Münster: Waxmann Verlag GMBH, p. 83-102

    Research output: Chapter in Book/Report/Conference proceedingChapter

  67. 2016
  68. Mapping, Causality and the Perception of Instrumentality: Theoretical and Empirical Approaches to the Audience’s Experience of Digital Musical Instruments

    Emerson, G. & Egermann, H., 9 Dec 2016, Musical Instruments in the 21st Century. Bovermann, T., de Campo, A., Egermann, H., Hardjowirogo, S-I. & Weinzierl, S. (eds.). Springer, p. 363-370 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  69. Live vs. edited studio recordings: What do we prefer?

    Pras, A. C. B., 20 Sep 2016, AES Convention 141. Audio Engineering Society

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  70. Proofs of Genius: Wolfgang Amadeus Mozart and the Construction of Musical Prodigies in Early Georgian London

    Cowgill, R., 8 Sep 2016, Musical Prodigies: Interpretations from Psychology, Education, Musicology, and Ethnomusicology. McPherson, G. E. (ed.). Oxford: Oxford University Press, p. 511-549 39 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  71. A Climbing Vine Through Concrete: Jazz in 1960s apartheid South Africa

    Eato, J. E., 12 Aug 2016, Jazz and Totalitarianism. Johnson, B. (ed.). Routledge, p. 241-267 27 p. 11. (Transnational Studies in Jazz).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  72. Fostering effective group creativity

    Field, A. E., 16 Jun 2016, Creative Teaching for Creative Learning in Higher Music Education. Haddon, E. & Burnard, P. (eds.). Routledge, p. 240-253

    Research output: Chapter in Book/Report/Conference proceedingChapter

  73. Spreadsheets as user interfaces

    Dix, A., Cowgill, R., Bashford, C., Mcveigh, S. & Ridgewell, R., 7 Jun 2016, Proceedings of the International Working Conference on Advanced Visual Interfaces. Buono, P., Lanzilotti, R. & Matera, M. (eds.). New York: ACM, p. 192-195 4 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  74. Perceptual Evaluation of Transpan for 5.1 Mixing of Acoustic Recordings

    Juge, G. & Pras, A. C. B., 26 May 2016, AES Convention 140. Audio Engineering Society

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  75. Imagined structures: Creative approaches towards teaching music analysis

    Hutchinson, M. A. & Howell, T., 19 May 2016, Creative teaching for creative learning in higher music education. Haddon, E. & Burnard, P. (eds.). Abingdon: Routledge, p. 153-167 15 p. (Sempre Studies in the Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  76. Introduction

    Haddon, E., 19 May 2016, Creative Teaching for Creative Learning in Higher Music Education. Haddon, E. & Burnard, P. (eds.). Abingdon, Oxon: Routledge, 6 p.

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  77. Imagined structures: Creative approaches for musical analysis

    Howell, T. & Hutchinson, M., May 2016, Creative Teaching for Creative Learning in Higher Music Education. Haddon, L. & Burnard, P. (eds.). Oxford UK and New York USA: Routledge, p. 153-167 15 p. Chapter 11

    Research output: Chapter in Book/Report/Conference proceedingChapter

  78. Composing for the resonance: finding new relationships between architecture and musical composition.

    Field, A. E., 1 Jan 2016, IRCAM Open Music Composer’s Book . Bresson, J., Assayag, G. & Agon, C. (eds.). Paris: Editions Delatour/IRCAM, Paris, Vol. 3. 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  79. Introduction

    Bovermann, T., de Campo, A., Egermann, H., Hardjowirogo, S. & Weinzierl, S., 1 Jan 2016, Musical Instruments in the 21st Century: Identities, Configurations, Practices. Springer, p. 1-5 6 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  80. 2015
  81. Musical creativities and entrepreneurship in higher music education: Activating new possibilities

    Haddon, E. & Burnard, P., 1 Jan 2015, Activating Diverse Musical Creativities: Teaching and learning in higher music education. Burnard, P. & Haddon, E. (eds.). London: Bloomsbury Publishing, p. 261-281 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  82. The imperative of diverse musical creativities in academia and industry: Training the next generation of musical entrepreneurs

    Burnard, P. & Haddon, E., 1 Jan 2015, Activating Diverse Musical Creativities: Teaching and learning in higher music education. Burnard, P. & Haddon, E. (eds.). London: Bloomsbury Publishing, p. 3-18 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  83. Auditive and Audiotactile Music Perception of Cochlear Implant Users

    Papadogianni-Kouranti, M., Egermann, H. & Weinzierl, S., 2015, Fortschritte der Akustik: Tagungsband d. 41. DAGA. Becker, S. (ed.). Oldenburg: Deutsche Gesellschaft für Akustik, p. 1203-1205 3 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  84. Gesture-sound causality from the audience's perspective: investigating the influence of mapping design on the reception of new digital musical instruments

    Emerson, G., Förstel, A. & Egermann, H., 2015, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Kreutz, G. (ed.). Oldenburg, Germany: Deutsche Gesellschaft für Musikpsychologie, p. 1-2 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  85. In re: Experimental Education

    Brooks, W., 2015, Patterns of Intuition: Musical Creativity in the Light of Algorithmic Composition. Nierhaus, G. (ed.). Dordrecht: Springer, p. 329-347 19 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  86. Learning Statistical Regularities of a Simple Musical 'Genre': The Case of Radio Station Jingles

    Müllensiefen, D., Egermann, H. & Burrows, S., 2015, Proceedings of the European Conference on Data Analysis. Lausen, B. (ed.). Colchester: Gesellschaft für Klassifikation, p. 1 1 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  87. Performance expertise of DJs in the club-context

    Förstel, A. & Egermann, H., 2015, Escom Manchester 2015: Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music, Programme and abstracts . Ginsborg, J., Lamont, A. & Bramley, S. (eds.). Manchester: ESCOM, p. 367 1 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  88. Predicting GEMS Based on PDA-Assessed Gestural Motion Data

    Irrgang, M., Egermann, H., Acar, E. & Lommatzsch, A., 2015, Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR) Music, Mind, and Embodiment. Kronland-Martinet, R., Aramaki, M., Ystad, S. & Eaton, J. (eds.). Interdisciplinary Centre for Computer Music Research, p. 472-485 14 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  89. Radio station jingles: How statistical learning applies to a special genre of audio logos

    Muellensiefen, D., Egermann, H. & Burrows, S., 2015, Audio Branding Yearbook 2014-2015. Bronner, K., Hirt, R. & Ringe, C. (eds.). Baden-Baden: Nomos, p. 1-21 21 p.

    Research output: Chapter in Book/Report/Conference proceedingOther chapter contribution

  90. Research & creative adventures with distinguished improvisers from New York City

    Pras, A. C. B., 2015, vs. Interpretation: An Anthology of Improvisation, vol. 1. Rothenberg, D. (ed.). Agosto Foundation, p. 119-129 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  91. Signale -- Entwicklung und Evaluation eines Open Source Ensembles elektronischer Musikinstrumente zur Vermittlung elektronischer/elektroakustischer Musik und ihrer technischen Grundlagen

    Schultz, C. M., Seedorf, M., Förstel, A. & Egermann, H., 2015, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Kreutz, G. (ed.). Oldenburg, Germany: Deutsche Gesellschaft für Musikpsychologie, p. 1-2 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  92. Spielbewegungen von Musikinstrumenten und deren Bedeutung für das Klangergebnis: Ein experimenteller Zugang durch Motion Tracking klassischer Orchesterinstrumente und Auralisation der Bewegungsdaten

    Steger, D., Egermann, H., Weinzierl, S. & Bewegung, D., 2015, Fortschritte der Akustik: Tagungsband d. 41. DAGA. Becker, S. (ed.). Oldenburg: Deutsche Gesellschaft für Akustik, p. 1425-1428 4 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  93. Swinging to the beat: Movement induction in electronic dance music

    Egermann, H., Förstel, A., Lehrbach, N. & Wende, M., 2015, Proceedings of the Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music. Ginsborg, J., Lamont, A. & Bramley, S. (eds.). Manchester: Chapel Press, p. 338-340 3 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  94. The Actions that Make a Musical Instrument. Exploring Club-DJing as an Instrumental

    Förstel, A., Hardjowirogo, S-I. & Egermann, H., 2015, Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR) Music, Mind, and Embodiment. Kronland-Martinet, R., Aramaki, M., Ystad, S. & Eaton, J. (eds.). Marseille, France: The Laboratory of Mechanics and Acoustics, p. 762-769 8 p. (Publications of the LMA).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  95. The Performance Legacy of Die Meistersinger

    Sheil, Á., 2015, Die Meistersinger von Nürnberg. Kahn, G. (ed.). Richmond: Overture Publishing, p. 55 72 p. (Overture Opera Guides in association with ENO).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  96. 2014
  97. Preface

    Brooks, W., Nov 2014, Ohne Worte: Instrumentality and Vocality in 19th-century Music. Brooks, W. (ed.). Leuven: Leuven University Press, p. 7-13 7 p. (Collected Writings of the Orpheus Institute; vol. 12).

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  98. Music in Beckett’s Nacht und Träume: Vocality and Imagination

    Laws, C., 28 Oct 2014, Beckett and Musicality. Till, N. & Bailes, S. J. (eds.). Ashgate, p. 233-254 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  99. Authority and judgement in the digital archive

    Dix, A., Cowgill, R., Bashford, C., McVeigh, S. & Ridgewell, R., 12 Sep 2014, Proceedings of the 1st International Workshop on Digital Libraries for Musicology. ACM, p. 1-8 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  100. Historical Precedents for Artistic Research in Music: The Case of William Butler Yeats

    Brooks, W., Sep 2014, Artistic Experimentation in Music: An Anthology. Gilmore, B. & Crispin, D. (eds.). Leuven, Belgium: Leuven University Press, p. 185-196 12 p. (Orpheus Institute Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  101. A Child Went Forth: Hanns Eisler, American Progressives, and Folk Song

    Brooks, W., Feb 2014, Crosscurrents: American and European Music in Interaction, 1900–2000. Meyer, F., Oja, C. J., Rathert, W. & Shreffler, A. C. (eds.). Woodbridge, UK: Boydell & Brewer

    Research output: Chapter in Book/Report/Conference proceedingChapter

  102. 'Embodiment and Gesture in Performance: Practice-led Perspectives

    Laws, C. A., 2014, Artistic Experimentation in Music: An Anthology. Gilmore, B. & Crispin, D. (eds.). Leuven: Leuven University Press, p. 131-142 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  103. 3DMIN - Challenges and Interventions for the Design, Development and Dissemination of New Musical Instruments.

    Bovermann, T., Egermann, H., Foerstel, A., Hardjowirogo, S-I., Hinrichsen, A., Hildebrand Marques Lopes, D., Pysiewicz, A., Weinzierl, S. & de Campo, A., 2014, Proceedings of the 40th International Computer Music Conference. International Computer Music Association, Vol. 2014. 5 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  104. Bewegungsmuster von DJs im Club-Kontext

    Foerstel, A. & Egermann, H., 2014, Tagungsband der 13. Jahrestagung der Gesellschaft für Musikpsychologie.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  105. Communicating National and Temporal Origin of Music: An Experimental Approach to Applied Musical Semantics

    Egermann, H. & Stiegler, C., 2014, Abstract Book of the 13th International Conference of Music Perception and Cognition.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  106. Creativity and the institutional mindset

    Haddon, E. & Potter, J., 2014, Advanced Musical Performance: Investigations in Higher Education Learning. Papageorgi, I. (ed.). Aldershot: Ashgate, p. 129-142 14 p. (SEMPRE Studies in The Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  107. Die Verwendung von hierachrischen linearen Modellen zur Audio-Feature-basierten Vorhersage von kontinuierlichen emotionalen Reaktionen auf Musik

    Graefe, C. & Egermann, H., 2014, Fortschritte der Akustik: DAGA 2014. Deutsche Gesellschaft für Akustik, Vol. 2014. p. 786-787 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  108. Experiment in Practice

    Laws, C., 2014, Artistic Experimentation in Music: An Anthology. Crispin, D. & Gilmore, B. (eds.). Leuven: Leuven University Press, Vol. 262. p. 565-574 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  109. Hidden instrumental and vocal learning in Undergraduate University Music Education

    Haddon, E., 2014, Advanced Musical Performance: Investigations in Higher Education Learning. Aldershot: Ashgate, p. 247-264 18 p. (Sempre Studies in the Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

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