Search research publications and outputs

  1. 2021
  2. Hearing the past in the present: an augmented reality approach to site reconstruction through architecturally informed new music

    Field, A. E., 25 Mar 2021, Music and Heritage: New Perspectives on Place-making and Sonic Identity. Schofield, J. & Maloney, L. (eds.). Taylor & Francis;

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. 2020
  4. The role of community in defining 21st-century creative practice: A design-led approach

    Field, A. E., 5 Nov 2020, Creative and Critical Projects in Classroom Music: Fifty Years of Sound and Silence. Finney, J., Philpott, C. & Spruce, G. (eds.). Taylor & Francis;, 11 p. 8

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Concurrent Design: Building composition through co-design

    Field, A. E., 1 Nov 2020, Creative and Critical Projects in Classroom Music: Fifty Years of Sound and Silence. Taylor & Francis;, 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Engineering and Recording

    Wells, J., 21 Jul 2020, Audio Education: Theory, Culture, and Practice. Walzer, D. & Lopez, M. (eds.). New York: Routledge , p. 131-150 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Angelo Notari's Music for the English Court

    Wainwright, J. P., 22 Jun 2020, Musical exchanges between Britain and the Continent 1500–1800: Essays in Honour of Peter Holman. Cunningham, J. & White, B. (eds.). Boydell & Brewer, p. 313–43 30 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. 2019
  9. Footnotes

    Brooks, W., Östersjö, S. & Wells, J., 25 Nov 2019, Voices, Bodies, Practices: Performing Musical Subjectivites. Laws, C., Brooks, W., Gorton, D., Nguyễn, T. T., Östersjö, S. & Wells, J. (eds.). Leuven, Belgium: Leuven University Press, p. 171-232 62 p. (Orpheus Institute Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Interlude: The Middle

    Brooks, W., Magee, G. & Bashford, C., 1 Oct 2019, Over Here, Over There: Transatlantic Conversations on the Music of World War I. Brooks, W., Bashford, C. & Magee, G. (eds.). Urbana, IL: University of Illinois Press, p. 115-124 10 p. (Music in American Life).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Of Stars, Soldiers, Mothers, and Mourning

    Brooks, W. F., 1 Oct 2019, Over Here, Over There: Transatlantic conversations on the music of World War I. Brooks, W., Bashford, C. & Magee, G. (eds.). Champaign, IL: University of Illinois Press, p. 199-223 24 p. (Music in American Life).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Postlude: Not an End

    Brooks, W., Bashford, C. & Magee, G., 1 Oct 2019, Over Here, Over There: Transatlantic Conversations on the Music of World War I. Brooks, W., Bashford, C. & Magee, G. (eds.). Urbana, IL: University of Illinois Press, p. 241-244 5 p. (Music in American Life).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Prelude: Beginnings

    Brooks, W., Bashford, C. & Magee, G. S., 1 Oct 2019, Over Here, Over There: Transatlantic Conversations on the Music of World War I. Brooks, W., Magee, G. & Bashford, C. (eds.). Urbana, IL: University of Illinois Press, p. 1-11 12 p. (Music in American Life).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Telling the Time: Communication and Temporality in Nordic New Music

    Howell, T. & Powell, R., 20 Sep 2019, The Nature of Nordic Music. Howell, T. (ed.). Abingdon UK and New York: Routledge, 26 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Space In The Ambience: Is Ambient Music Socially Relevant?

    Field, A. E., 1 Sep 2019, Music Beyond Airports. Adkins, M. & Cummings, S. (eds.). Huddersfield: The University of Huddersfield, p. 21-50 29 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Creating a Brand Image through Music: Understanding the Psychological Mechanisms behind Audio Branding

    Egermann, H., Sep 2019, The Oxford Handbook of Sound and Imagination. Grimshaw, M., Walther-Hansen, M. & Knakkergaard, M. (eds.). Oxford: Oxford University Press, Vol. 2.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Crowdsourcing and Scholarly Culture: Understanding Expertise in an Age of Popularism

    Dix, A., Cowgill, R. E., Bashford, C., McVeigh, S. & Ridgewell, R., 7 Aug 2019, Macrotask Crowdsourcing. Khan, VJ., Papangelis, K., Lykourentzou, I. & Markopoulos, P. (eds.). Springer, p. 189-214 (Human-Computer Interaction).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Icebreaker meets Hoketus

    Haddon, H. E., May 2019, Writing to Louis Andriessen: Commentaries on life in music. Amsterdam: Uitgeverij Lecturis, p. 198-209

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. 2018
  20. Musical Dialogues in the Paston Treasure

    Brooks, J. & Wainwright, J. P., Feb 2018, The Paston Treasure: Microcosm of the Known World. Moore, A., Flis, N. & Vanke, F. (eds.). New Haven CT & London: Yale University Press, p. 162–172, 332-3,, 444, & 553–9 13, Appendix 3, & Catalogue entries 63 & 140

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Performers' perspectives on 'feel' in music

    King, E. & Waddington-Jones, C. E., 2018, Music analysis and the body: Experiments, explorations and embodiments. Thumpston, R. & Reyland, N. (eds.). Leuven: Peeters, p. 241-258

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. This Is Not A...

    Laws, C. A., 2018, Collaborative and Distributed Processes in Contemporary Music-Making. Redhead, L. & Glover, R. (eds.). Cambridge Scholars Publishing

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. 2017
  24. Jean Sibelius: Progressive or Modernist?

    Howell, T., Jul 2017, Jean Sibelius’ Legacy – Research at his 150th Anniversary, . Howell, T., Grimley, D., Murtomaki, V. & Virtanen, T. (eds.). Cambridge Scholars Publishing, p. 241-255 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Imagining Radio Sound: Interference and Collaboration in the BBC Radio Production of Beckett’s All That Fall

    Laws, C., 31 Mar 2017, Samuel Beckett and BBC Radio : A Reassessment. Addyman, D., Feldman, M. & Tonning, E. (eds.). Palgrave Macmillan, p. 103-138 35 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. How to Do Things with Music Criticism: Performances of Victory in German Wagner Reception, 1918–33

    Sheil, A. C., 2017, Performance in a Militarized Culture. Brady, S. & Mantoan, L. (eds.). London: Routledge , p. 99-109 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Musikforschung 2.0 – Internet-basierte Erhebungsmethoden

    Egermann, H. & Lothwesen, K., 2017, Methoden empirischer Forschung in der Musikpädagogik: Eine anwendungsbezogene Einführung. Schulten, M. & Lothwesen, K. (eds.). Münster: Waxmann Verlag GMBH, p. 83-102

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. 2016
  29. Mapping, Causality and the Perception of Instrumentality: Theoretical and Empirical Approaches to the Audience’s Experience of Digital Musical Instruments

    Emerson, G. & Egermann, H., 9 Dec 2016, Musical Instruments in the 21st Century. Bovermann, T., de Campo, A., Egermann, H., Hardjowirogo, S-I. & Weinzierl, S. (eds.). Springer, p. 363-370 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  30. Proofs of Genius: Wolfgang Amadeus Mozart and the Construction of Musical Prodigies in Early Georgian London

    Cowgill, R., 8 Sep 2016, Musical Prodigies: Interpretations from Psychology, Education, Musicology, and Ethnomusicology. McPherson, G. E. (ed.). Oxford: Oxford University Press, p. 511-549 39 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. A Climbing Vine Through Concrete: Jazz in 1960s apartheid South Africa

    Eato, J. E., 12 Aug 2016, Jazz and Totalitarianism. Johnson, B. (ed.). Routledge: Taylor and Francis Group, p. 241-267 27 p. 11. (Transnational Studies in Jazz).

    Research output: Chapter in Book/Report/Conference proceedingChapter

Previous 1 2 3 4 5 Next