Search research publications and outputs

  1. "Shake it out" - How Motion Capture and Smartphone-Assessed Movement Can Predict Properties of Music

    Irrgang, M., Steffens, J., Egermann, H. W. & Weinzierl, S., 2017.

    Research output: Contribution to conferenceAbstract

  2. 'Forming the New from the Old: Rautavaarra’s Perspectives on Modernism’

    Howell, T., 2008.

    Research output: Contribution to conferencePaper

  3. A Climbing Vine Through Concrete: jazz in 1960s apartheid South Africa

    Eato, J. E., 6 Sep 2014.

    Research output: Contribution to conferencePaper

  4. A Collection of Small Choices

    Eato, J. E. & Bruce, H., 14 May 2015.

    Research output: Contribution to conferencePaper

  5. A mirror for sound: introduction and practical exploration of the WinSingad software for teaching singing

    Howard, D. M., Williams, J., Brereton, J., Welch, G. F., Himonides, E., Howard, A. & DeCosta, M., 1 May 2006, p. 33.

    Research output: Contribution to conferenceOther

  6. Achieving convolution-based reverberation through use of geometric acoustic modeling techniques

    Oxnard, S. & Murphy, D. T., 17 Sep 2012, p. 105. 4 p.

    Research output: Contribution to conferencePaper

  7. An Investigation into The Effect of Induced Empathy On Emotional Responses to Music

    O'Neill, K. & Egermann, H. W., 2018. 1 p.

    Research output: Contribution to conferenceAbstract

  8. Are musical aesthetic emotions embodied?

    Egermann, H. W. & Kayser, D., 2018. 1 p.

    Research output: Contribution to conferenceAbstract

  9. Are musical emotions different from emotions experienced in everyday life?

    Kayser, D. & Egermann, H., 2019.

    Research output: Contribution to conferenceAbstract

  10. Audience's Breath: Collective Respiratory Coordination in Response to Music

    Upham, F., Egermann, H. W. & McAdams, S., 2018. 1 p.

    Research output: Contribution to conferenceAbstract

  11. Audio Spatialization for The Morning Line

    Myatt, T. & Malham, D. G., 2010.

    Research output: Contribution to conferencePaper

  12. Automatische Vorhersage musik-induzierter Attributassoziationen im Kontext von Audio-Branding

    Egermann, H. W., Lepa, S., Herzog, M., Schoenrock, A. & Steffens, J., 2017.

    Research output: Contribution to conferenceAbstract

  13. Bach and the Belly Dancer: Jacky Lansley’s 'Guest Suites'

    Eato, J. E., 8 May 2012.

    Research output: Contribution to conferencePaper

  14. Beckett in Contemporary Music: Intermedial Considerations

    Laws, C. A., 3 May 2018.

    Research output: Contribution to conferencePaper

  15. Bergman's Modernism: Colours & Improvisations; coherence & integration

    Howell, T., 26 Sep 2011.

    Research output: Contribution to conferencePaper

  16. Dakar: articulating the tremendous

    Eato, J. E. & Wells, J., 30 Jun 2015.

    Research output: Contribution to conferencePaper

  17. Defining the limits of tuning for tones with and without vibrato

    van Besouw, R., Brereton, J. & Howard, D. M., 1 Sep 2007.

    Research output: Contribution to conferenceOther

  18. Evol, direct approaches to the auralisation of mathematical algorithms

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaper

  19. Feldman's Piano Music and Experimental Practising

    Laws, C., 2009.

    Research output: Contribution to conferencePaper

  20. Fissures, fragments and the prospect of silence in the work of Samuel Beckett

    Laws, C., 7 Aug 2013.

    Research output: Contribution to conferencePaper

  21. Growing Music: Musical Interpretations of L-Systems

    Worth, P. & Stepney, S., 2005, p. 545-550.

    Research output: Contribution to conferencePaper

  22. Horatio Oratorio: Composing Using Historic Sound Recordings

    Kolkowski, A. & Reuben, F., 2008. 15 p.

    Research output: Contribution to conferencePaper

  23. How do Musical Means of Expression Affect the Perception of Musical Meaning?

    Herzog, M., Lepa, S., Steffens, J., Egermann, H. W. & Schoenrock, A., 2018. 1 p.

    Research output: Contribution to conferenceAbstract

  24. Identity, Antagonism and Terre Thaemlitz

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaper

  25. In Preparation: A Performance-led Approach and a New Research Methodology for Dance Science.

    Vahla, A., Redding, E., Hushlak, M. A., Sentler, S., Chin, S., Reuben, F. & Luck, N., 2011.

    Research output: Contribution to conferencePaper

  26. In re: "Experimental Music"

    Brooks, W., 21 Jun 2012, p. 37-62.

    Research output: Contribution to conferencePaper

  27. Investigating the Behaviour of a Recursive Mutual Compression System in a Two-Track Environment

    Hasnan, H. H. B. & Wells, J., 10 Mar 2019. 7 p.

    Research output: Contribution to conferenceOther

  28. Investigation of Factors Influencing Acoustic Characteristics in Geometric Acoustics Based Auralization

    Foteinou, A., Murphy, D. T. & Masinton, A., 1 Sep 2010, p. 171-181.

    Research output: Contribution to conferencePaper

  29. Know Where You Are: Kenny Wheeler, the performers’ composer

    Eato, J. E., 27 Mar 2012.

    Research output: Contribution to conferencePaper

  30. Know Where You Are: Kenny Wheeler, the performers' composer

    Eato, J. E., 7 Apr 2011.

    Research output: Contribution to conferencePaper

  31. Knowing ‘I’?: Musical Subjectivity, Embodiment and Interaction

    Laws, C., 1 Dec 2014.

    Research output: Contribution to conferencePaper

  32. Measuring the audience experience - How can we capture audience experience with quantitative and qualitative methods?

    Egermann, H. W., Toelle, J. & Weining, C., 1 Feb 2019.

    Research output: Contribution to conferenceAbstract

  33. Modularity, Immediacy and Exchange in Improvisation using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferencePaper

  34. Music in Beckett’s Nacht und Träume: Vocality and Imagination

    Laws, C., 2012.

    Research output: Contribution to conferencePaper

  35. Musical Subjectivity in Action: Piano Personae.

    Laws, C., 2 Oct 2014.

    Research output: Contribution to conferencePaper

  36. Networks of meaning in the audio-visual work of Ryoichi Kurokowa

    Field, A. E., 27 Oct 2012, p. 318-326.

    Research output: Contribution to conferencePaper

  37. Overground endoscopic findings and respiratory sound analysis in horses with recurrent laryngeal neuropathy after unilateral laser ventriculocordectomy

    Barakzai, S., Baldwin, C., Wells, J. & Cramp, P., 16 Sep 2017. 1 p.

    Research output: Contribution to conferenceAbstract

  38. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Lennox, P., 2011.

    Research output: Contribution to conferencePaper

  39. Performance, Subjectivity and Experimentation

    Laws, C., 30 Sep 2015.

    Research output: Contribution to conferencePaper

  40. Performing Indeterrminacy

    Laws, C. A., 30 Jun 2017.

    Research output: Contribution to conferencePaper

  41. Perspectives on Matching New Technology for Displaying the Acoustics of the Singing Voice with an Appropriate Pedagogical Model

    Welch, G. F., Howard, D. M., Himonides, E. & Brereton, J., 1 Aug 2005, p. 147.

    Research output: Contribution to conferenceOther

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