Search research publications and outputs

  1. Conference contribution › Research
  2. Predicting GEMS Based on PDA-Assessed Gestural Motion Data

    Irrgang, M., Egermann, H., Acar, E. & Lommatzsch, A., 2015, Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR) Music, Mind, and Embodiment. Kronland-Martinet, R., Aramaki, M., Ystad, S. & Eaton, J. (eds.). Interdisciplinary Centre for Computer Music Research, p. 472-485 14 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  3. Predicting Musical Meaning in Audio Branding Scenarios

    Herzog, M., Lepa, S., Steffens, J., Schoenrock, A. & Egermann, H. W., 31 Jul 2017, Proceedings of the 25th Anniversary Conference of the European Society for Cognitive Science of Music, Ghent, Belgium, 31 July – 4 August 2017. Van Dyck, E. (ed.). ESCOM, p. 75-79 5 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  4. Psychological and physiological correlates of expectation and emotion in a live concert experiment

    Egermann, H. & McAdams, S., 2011, Abstracts for the 51st Annual Meeting Society for Psychophysiological Research. Psychophysiology.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  5. Recognition is different from feeling: experimental evidence for two different types of emotional processes in music using a between-subjects design in a web experiment

    Egermann, H. & McAdams, S., 2010, Proceedings of the 11th International Conference on Music Perception and Cognition (ICMPC11). Seattle, Washington, USA.. Demorest, S. M., Morrison, S. J. & Campbell, P. S. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  6. Sibelius’ Tapiola: Issues of Tonality and Timescale

    Howell, T., 1998, Sibelius Forum: Proceedings from the Second International Jean Sibelius Conference, November 1995. Sibelius Academy, Helsinki

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  7. Signale -- Entwicklung und Evaluation eines Open Source Ensembles elektronischer Musikinstrumente zur Vermittlung elektronischer/elektroakustischer Musik und ihrer technischen Grundlagen

    Schultz, C. M., Seedorf, M., Förstel, A. & Egermann, H., 2015, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Kreutz, G. (ed.). Oldenburg, Germany: Deutsche Gesellschaft für Musikpsychologie, p. 1-2 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  8. Smartphone-Assessed Movement Predicts Music Properties: Towards Integrating Embodied Music Cognition into Music Recommender Services via Accelerometer

    Irrgang, M., Steffens, J. & Egermann, H. W., 28 Jun 2018, Proceedings of the 5th International Conference on Movement and Computing, MOCO 2018. ACM Digital Library, 4 p. 31. (ACM Proceedings).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  9. Social feedback influences emotional feelings of music

    Egermann, H., Grewe, O., Kopiez, R. & Altenmüller, E., 2008, Proceedings of the 10th International Conference of Music Perception and Cognition, Sapporo, Japan..

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  10. Spielbewegungen von Musikinstrumenten und deren Bedeutung für das Klangergebnis: Ein experimenteller Zugang durch Motion Tracking klassischer Orchesterinstrumente und Auralisation der Bewegungsdaten

    Steger, D., Egermann, H., Weinzierl, S. & Bewegung, D., 2015, Fortschritte der Akustik: Tagungsband d. 41. DAGA. Becker, S. (ed.). Oldenburg: Deutsche Gesellschaft für Akustik, p. 1425-1428 4 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  11. Spreadsheets as user interfaces

    Dix, A., Cowgill, R., Bashford, C., Mcveigh, S. & Ridgewell, R., 7 Jun 2016, Proceedings of the International Working Conference on Advanced Visual Interfaces. Buono, P., Lanzilotti, R. & Matera, M. (eds.). New York: Association for Computing Machinery (ACM), p. 192-195 4 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  12. Swinging to the beat: Movement induction in electronic dance music

    Egermann, H., Förstel, A., Lehrbach, N. & Wende, M., 2015, Proceedings of the Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music. Ginsborg, J., Lamont, A. & Bramley, S. (eds.). Manchester: Chapel Press, p. 338-340 3 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  13. Systematising History: A Database for Electronic and Digital Musical Instruments Including Functional and Aesthetical Properties

    Hardjowirogo, S-I. & Egermann, H., 2014, Proceedings of the 9th Conference on Interdisciplinary Musicology. Staatliches Institut für Musikforschung, 4 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  14. The Actions that Make a Musical Instrument. Exploring Club-DJing as an Instrumental

    Förstel, A., Hardjowirogo, S-I. & Egermann, H., 2015, Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR) Music, Mind, and Embodiment. Kronland-Martinet, R., Aramaki, M., Ystad, S. & Eaton, J. (eds.). Marseille, France: The Laboratory of Mechanics and Acoustics, p. 762-769 8 p. (Publications of the LMA).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  15. The Effects of Continuous Subjective Music Experience Ratings on Physiological and Psychological Measures of Activation and Valence

    Foerstel, A., Egermann, H. & McAdams, S., 2014, Abstract Book of the 13th International Conference of Music Perception and Cognition. Seoul: International Conference of Music Perception and Cognition

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  16. The Influence of Social Situations on Music Listening: A Physiological and Psychological Perspective on Strong Emotions

    Egermann, H., Sutherland, E. M., Kopiez, R. & Altenmüller, E., 2009, Abstract Book of the 7th Triennial ESCOM Conference.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  17. The effect of subliminal messages in music on choice behaviour.

    Egermann, H. & Kopiez, R., 2006, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Freiburg, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  18. Towards a Foundation for Collaborative Digital Archiving with Local Concert-Giving Organisations

    Armstrong, C., Cowgill, R. E., Dix, A., Twidale, M., Bashford, C., Downie, J. S., Ridgewell, R. & Reagan, M., 28 Jul 2021, Digital Libraries for Musicology 2021.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  19. Township comets: The impact of South African jazz on the UK scene

    Eato, J. E., Dec 2012, iaspm 2011 proceedings: Situating popular musics. Montano, E. & Nardi, C. (eds.). International Association for the Study of Popular Music, Vol. IASPM 16th International Conference Proceedings. p. 112-118

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  20. Two Versions of the Fifth Symphony: A Study in Compositional Process

    Howell, T., 1995, Proceedings from the First International Jean Sibelius Conference, August, 1990, . Sibelius Academy, Helsinki

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  21. Ultrafast magnetism as seen by x-rays

    Radu, I., Vahaplar, K., Stamm, C., Kachel, T., Pontius, N., Radu, F., Abrudan, R., Dürr, H., Ostler, T., Barker, J., Evans, R., Chantrell, R., Tsukamoto, A., Itoh, A., Kirilyuk, A., Rasing, T., Kimel, A. & Evans, R. F. L., 23 Mar 2012, Proceedings of SPIE - The International Society for Optical Engineering. Vol. 8260. 82601M

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  22. Untersuchung zur Validität von Hörversuchen im Internet

    Pysiewicz, A. & Egermann, H., 2014, Fortschritte der Akustik - DAGA 2014. Deutsche Gesellschaft für Akustik, p. 788-789 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  23. What does mental imagery mean to university music students and their professors?

    Haddon, E., 2007, Proceedings of the International Symposium on Performance Science 2007. Williamon, A. & Coimbra, D. (eds.). The Netherlands: Association Europeenne des Conservatoires, Academies de Musique et Musikhochschulen (AEC), p. 301-306

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  24. “A Good Algorithm Does Not Steal – It Imitates”: The Originality Report as a Means of Measuring When a Music Generation Algorithm Copies Too Much

    Yin, Z., Reuben, F., Stepney, S. & Collins, T., 2 Apr 2021, Artificial Intelligence in Music, Sound, Art and Design. EvoMUSART 2021. Springer, Vol. 12693. p. 360-375 16 p. 24. (Lecture Notes in Computer Science).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  25. Foreword/postscript › Research
  26. Introduction

    Haddon, E., 19 May 2016, Creative Teaching for Creative Learning in Higher Music Education. Haddon, E. & Burnard, P. (eds.). Abingdon, Oxon: Routledge, 6 p.

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  27. Preface

    Brooks, W., Nov 2014, Ohne Worte: Instrumentality and Vocality in 19th-century Music. Brooks, W. (ed.). Leuven: Leuven University Press, p. 7-13 7 p. (Collected Writings of the Orpheus Institute; vol. 12).

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

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