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  2. "Headaches Among the Overtones": Music in Beckett/ Beckett in Music

    Laws, C., Dec 2013, Amsterdam/ New York: Rodopi. 508 p.

    Research output: Book/ReportBook

  3. A History of Singing

    Potter, J. & Sorrell, N., Jan 2012, Cambridge University Press.

    Research output: Book/ReportBook

  4. Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education

    Burnard, P. (ed.) & Haddon, H. E. (ed.), 2015, Paperback ed. London: Bloomsbury Academic. 272 p.

    Research output: Book/ReportBook

  5. After Sibelius: Studies in Finnish Music

    Howell, T., 2006, Aldershot: Ashgate Publishing Company.

    Research output: Book/ReportBook

  6. Art and Ideology in European Opera: Essays in Honour of Julian Rushton

    Cowgill, R. (ed.), Cooper, D. & Brown, C. (ed.), Oct 2010, Woodbridge: Boydell and Brewer Ltd.

    Research output: Book/ReportBook

  7. Bodies of Evidence: movement, music, meaning

    Laws, C. A., Coessens, K. & Sewell, S., 2018, Leuven: Leuven University Press.

    Research output: Book/ReportBook

  8. Composing under the Skin: The Music-making Body at the Composer's Desk

    Brooks, W. & Craenen, P., Apr 2014, Leuven: Leuven University Press. 284 p. (Orpheus Institute)

    Research output: Book/ReportBook

  9. Creative teaching for creative learning in higher music education

    Haddon, E. (ed.) & Burnard, P. (ed.), Jun 2016, Abingdon, Oxon: Routledge.

    Research output: Book/ReportBook

  10. Emotionen@Musik. Was Musikhörer empfinden - Eine Internet-Studie zur Emotionsmessung

    Egermann, H., 2008, Marburg: Tectum Verlag.

    Research output: Book/ReportBook

  11. Europe, Empire, and Spectacle in Nineteenth-Century British Music

    Cowgill, R. (ed.) & Rushton, J. (ed.), 1 Dec 2006, Aldershot & Burlington: Farnham: Ashgate Publishing Ltd. (Music in the Nineteenth-Century Britain)

    Research output: Book/ReportBook

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