Search research publications and outputs

  1. 2021
  2. Assembling Online: Thre(e)scapes

    Laws, C., 25 Jun 2021.

    Research output: Contribution to conferencePaper

  3. 2020
  4. Being a Player: Embodied Agency in Player Piano

    Laws, C., 5 Nov 2020.

    Research output: Contribution to conferencePaperpeer-review

  5. 2019
  6. Piano Archives, Piano Practices

    Laws, C., 29 Jun 2019.

    Research output: Contribution to conferencePaper

  7. Investigating the Behaviour of a Recursive Mutual Compression System in a Two-Track Environment

    Hasnan, H. H. B. & Wells, J., 10 Mar 2019. 7 p.

    Research output: Contribution to conferenceOtherpeer-review

  8. Measuring the audience experience - How can we capture audience experience with quantitative and qualitative methods?

    Egermann, H. W., Toelle, J. & Weining, C., 1 Feb 2019.

    Research output: Contribution to conferenceAbstractpeer-review

  9. Algorithmic ability to predict the musical future: Datasets and evaluation

    Janssen, B., Collins, T. & Ren, I., 2019, p. 208-215. 8 p.

    Research output: Contribution to conferencePaperpeer-review

  10. An initial computational model for musical schemata theory

    Katsiavalos, A., Battey, B. & Collins, T., 2019, p. 166-172.

    Research output: Contribution to conferencePaperpeer-review

  11. Are musical emotions different from emotions experienced in everyday life?

    Kayser, D. & Egermann, H., 2019.

    Research output: Contribution to conferenceAbstractpeer-review

  12. MAIA Util: An NPM package for bridging web audio with music-theoretic concepts

    Collins, T. & Coulon, C., 2019, p. 47-52.

    Research output: Contribution to conferencePaperpeer-review

  13. Psychological and Environmental Factors in the Onset of Musician’s Focal Dystonia: An Exploratory Grounded Theory Study

    Detari, A. & Egermann, H., 2019.

    Research output: Contribution to conferenceAbstractpeer-review

  14. Psychosocial Work Environment of Musicians: How does it differ from the general workforce?

    Detari, A., Vaag, J. & Egermann, H. W., 2019.

    Research output: Contribution to conferenceAbstractpeer-review

  15. The Effect of Temperament Systems on Goodness-of-Fit Ratings in Turkish Makam Music

    Altun, F. & Egermann, H., 2019.

    Research output: Contribution to conferencePosterpeer-review

  16. Verwendung automatischer Gesichtsanalyse und Selbstbericht zur Erforschung musik-induzierter Emotion im Konzertsaal

    Kayser, D. & Egermann, H., 2019.

    Research output: Contribution to conferenceAbstractpeer-review

  17. 2018
  18. Beckett in Contemporary Music: Intermedial Considerations

    Laws, C. A., 3 May 2018.

    Research output: Contribution to conferencePaper

  19. SoundFields: A mixed reality spatial audio game for children with autism spectrum disorder

    Johnston, D., Egermann, H. & Kearney, G., 1 Jan 2018.

    Research output: Contribution to conferencePaperpeer-review

  20. An Investigation into The Effect of Induced Empathy On Emotional Responses to Music

    O'Neill, K. & Egermann, H. W., 2018. 1 p.

    Research output: Contribution to conferenceAbstractpeer-review

  21. Are musical aesthetic emotions embodied?

    Egermann, H. W. & Kayser, D., 2018. 1 p.

    Research output: Contribution to conferenceAbstractpeer-review

  22. Audience's Breath: Collective Respiratory Coordination in Response to Music

    Upham, F., Egermann, H. W. & McAdams, S., 2018. 1 p.

    Research output: Contribution to conferenceAbstractpeer-review

  23. How do Musical Means of Expression Affect the Perception of Musical Meaning?

    Herzog, M., Lepa, S., Steffens, J., Egermann, H. W. & Schoenrock, A., 2018. 1 p.

    Research output: Contribution to conferenceAbstractpeer-review

  24. Playful Production: Collaborative Devising in a Music Ensemble Context

    Haddon, H. E. & Laws, C. A., 2018.

    Research output: Contribution to conferencePaperpeer-review

  25. The Effect of Temperament Systems on Emotion-Induction and Learning

    Altun, F. & Egermann, H. W., 2018. 1 p.

    Research output: Contribution to conferenceAbstractpeer-review

  26. “Rhythm or Gestalt?” – Towards Integrating Embodied Music Cognition into Music Recommender Services via Smartphone-Assessed Movement

    Irrgang, M., Egermann, H. W., Steffens, J. & Weinzierl, S., 2018. 1 p.

    Research output: Contribution to conferenceAbstractpeer-review

  27. 2017
  28. Overground endoscopic findings and respiratory sound analysis in horses with recurrent laryngeal neuropathy after unilateral laser ventriculocordectomy

    Barakzai, S., Baldwin, C., Wells, J. & Cramp, P., 16 Sep 2017. 1 p.

    Research output: Contribution to conferenceAbstractpeer-review

  29. Performing Indeterrminacy

    Laws, C. A., 30 Jun 2017.

    Research output: Contribution to conferencePaper

  30. Poor Yorick: Singing Laurence Sterne

    Marsh, R. M., 17 May 2017.

    Research output: Contribution to conferencePaper

  31. THIS IS… IS IT?

    Laws, C. A., 29 Apr 2017.

    Research output: Contribution to conferencePaper

  32. Playing and Instruments; Sound and Embodiment: Ceci n'est pas un piano; is it a pianist?

    Laws, C. A., 31 Mar 2017.

    Research output: Contribution to conferencePaper

  33. "Shake it out" - How Motion Capture and Smartphone-Assessed Movement Can Predict Properties of Music

    Irrgang, M., Steffens, J., Egermann, H. W. & Weinzierl, S., 2017.

    Research output: Contribution to conferenceAbstractpeer-review

  34. Conscious and Subconscious Body Movement: An Exploratory Study into Expressive and Technical Gestures in Piano Playing

    Czepiel, A. & Egermann, H. W., 2017. 1 p.

    Research output: Contribution to conferenceAbstractpeer-review

  35. 2016
  36. Piano Personae: Performance, Subjectivity and Experimentation

    Laws, C. A., 17 Jul 2016.

    Research output: Contribution to conferencePaper

  37. Singing Arcs: Sounding the Early History of Electronic Music

    Reuben, F. & Kolkowski, A., 2016.

    Research output: Contribution to conferencePaperpeer-review

  38. The Online Orchestra: Latency in Network Performance

    Reuben, F., 2016.

    Research output: Contribution to conferencePaperpeer-review

  39. Towards automatic music recommendation for audio branding scenarios

    Herzog, M., Lepa, S. & Egermann, H. W., 2016. 3 p.

    Research output: Contribution to conferencePaperpeer-review

  40. 2015
  41. Performance, Subjectivity and Experimentation

    Laws, C., 30 Sep 2015.

    Research output: Contribution to conferencePaper

  42. Dakar: articulating the tremendous

    Eato, J. E. & Wells, J., 30 Jun 2015.

    Research output: Contribution to conferencePaperpeer-review

  43. A Collection of Small Choices

    Eato, J. E. & Bruce, H., 14 May 2015.

    Research output: Contribution to conferencePaper

  44. The Legacy of Beckett in Music Theatre

    Laws, C., 10 Apr 2015.

    Research output: Contribution to conferencePaper

  45. 2014
  46. Knowing ‘I’?: Musical Subjectivity, Embodiment and Interaction

    Laws, C., 1 Dec 2014.

    Research output: Contribution to conferencePaper

  47. Musical Subjectivity in Action: Piano Personae.

    Laws, C., 2 Oct 2014.

    Research output: Contribution to conferencePaper

  48. A Climbing Vine Through Concrete: jazz in 1960s apartheid South Africa

    Eato, J. E., 6 Sep 2014.

    Research output: Contribution to conferencePaperpeer-review

  49. Samuel Beckett: Dramatic text as music, music as text (invited paper)

    Laws, C., 19 May 2014.

    Research output: Contribution to conferencePaper

  50. 2013
  51. Sound and Music in Beckett's All That Fall

    Laws, C., 9 Dec 2013.

    Research output: Contribution to conferencePaper

  52. Umhlaba Wethu: landscape in the Eastern Cape jazz imaginary

    Eato, J. E. & Dalamba, L., Sep 2013.

    Research output: Contribution to conferencePaperpeer-review

  53. Fissures, fragments and the prospect of silence in the work of Samuel Beckett

    Laws, C., 7 Aug 2013.

    Research output: Contribution to conferencePaper

  54. Serve with Curry and Rice: the Ghoemaisation of Jazz at the Cape

    Eato, J. E., 28 Jun 2013.

    Research output: Contribution to conferencePaper

  55. 2012
  56. Networks of meaning in the audio-visual work of Ryoichi Kurokowa

    Field, A. E., 27 Oct 2012, p. 318-326.

    Research output: Contribution to conferencePaperpeer-review

  57. In re: "Experimental Music"

    Brooks, W., 21 Jun 2012, p. 37-62.

    Research output: Contribution to conferencePaperpeer-review

  58. Bach and the Belly Dancer: Jacky Lansley’s 'Guest Suites'

    Eato, J. E., 8 May 2012.

    Research output: Contribution to conferencePaper

  59. Know Where You Are: Kenny Wheeler, the performers’ composer

    Eato, J. E., 27 Mar 2012.

    Research output: Contribution to conferencePaperpeer-review

  60. Modularity, Immediacy and Exchange in Improvisation using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferencePaperpeer-review

  61. Music in Beckett’s Nacht und Träume: Vocality and Imagination

    Laws, C., 2012.

    Research output: Contribution to conferencePaper

  62. Real-time Plunderphonics: Appropriating Keyboard Performances as they Occur

    Reuben, F., 2012.

    Research output: Contribution to conferencePaperpeer-review

  63. The Virtual Singing Studio: a loudspeaker-based room acoustics simulation for real-time musical performance

    Brereton, J. S., Murphy, D. T. & Howard, D. M., 2012, p. 1-8. 8 p.

    Research output: Contribution to conferencePaper

  64. Workshop: Improvisation with Live Instruments using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferenceOtherpeer-review

  65. 2011
  66. Bergman's Modernism: Colours & Improvisations; coherence & integration

    Howell, T., 26 Sep 2011.

    Research output: Contribution to conferencePaperpeer-review

  67. Has Anyone Heard Yakhal’ Inkomo? Listening to the voices of South Africa’s Jazz Community

    Eato, J. E., 3 Sep 2011.

    Research output: Contribution to conferencePaperpeer-review

  68. Township Comets: the impact of South African jazz on the UK scene

    Eato, J. E., 27 Jun 2011.

    Research output: Contribution to conferencePaperpeer-review

  69. Know Where You Are: Kenny Wheeler, the performers' composer

    Eato, J. E., 7 Apr 2011.

    Research output: Contribution to conferencePaperpeer-review

  70. The Writing’s on the Wall? The piano in co-creative contexts.

    Laws, C., Apr 2011.

    Research output: Contribution to conferencePaper

  71. In Preparation: A Performance-led Approach and a New Research Methodology for Dance Science.

    Vahla, A., Redding, E., Hushlak, M. A., Sentler, S., Chin, S., Reuben, F. & Luck, N., 2011.

    Research output: Contribution to conferencePaperpeer-review

  72. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Lennox, P., 2011.

    Research output: Contribution to conferencePaperpeer-review

  73. 2010
  74. Investigation of Factors Influencing Acoustic Characteristics in Geometric Acoustics Based Auralization

    Foteinou, A., Murphy, D. T. & Masinton, A., 1 Sep 2010, p. 171-181.

    Research output: Contribution to conferencePaperpeer-review

  75. Audio Spatialization for The Morning Line

    Myatt, T. & Malham, D. G., 2010.

    Research output: Contribution to conferencePaper

  76. Evol, direct approaches to the auralisation of mathematical algorithms

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaperpeer-review

  77. Identity, Antagonism and Terre Thaemlitz

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaperpeer-review

  78. Jazz In South Africa Research Pages (JISA): An online education and research resource

    Eato, J., 2010.

    Research output: Contribution to conferencePaperpeer-review

  79. Modernity with Roots and Fragrance: Chris McGregor’s late Brotherhood of Breath compositions

    Eato, J., 2010.

    Research output: Contribution to conferencePaperpeer-review

  80. Single or Triple Threat? University music students and musical theatre learning

    Haddon, E., 2010.

    Research output: Contribution to conferencePaperpeer-review

  81. Studio Report, Music Research Centre, University of York

    Myatt, T., 2010.

    Research output: Contribution to conferencePaperpeer-review

  82. Yasunao Tone and MP3 Disruption

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaperpeer-review

  83. 2009
  84. Feldman's Piano Music and Experimental Practising

    Laws, C., 2009.

    Research output: Contribution to conferencePaperpeer-review

  85. 2008
  86. The effect of different acoustic environments on singing voice performance

    Brereton, J. & Howard, D. M., 1 Feb 2008.

    Research output: Contribution to conferenceOther

  87. 'Forming the New from the Old: Rautavaarra’s Perspectives on Modernism’

    Howell, T., 2008.

    Research output: Contribution to conferencePaperpeer-review

  88. Horatio Oratorio: Composing Using Historic Sound Recordings

    Kolkowski, A. & Reuben, F., 2008. 15 p.

    Research output: Contribution to conferencePaperpeer-review

  89. Pedagogy in Practice: how do music students learn to become instrumental and vocal teachers?

    Haddon, E., 2008.

    Research output: Contribution to conferencePaperpeer-review

  90. The ‘Jazz Voice’ in South Africa: A Developmental Physiology

    Eato, J., 2008.

    Research output: Contribution to conferencePaperpeer-review

  91. Thoughts Towards a Rhythmic Understanding of Jazz in South Africa

    Eato, J., 2008.

    Research output: Contribution to conferencePaperpeer-review

  92. Worldscape Laptop Orchestra

    Field, A. E., Harker, A. J. & Atmadjaja, A., 2008. 5 p.

    Research output: Contribution to conferencePaperpeer-review

  93. 2007
  94. Defining the limits of tuning for tones with and without vibrato

    van Besouw, R., Brereton, J. & Howard, D. M., 1 Sep 2007.

    Research output: Contribution to conferenceOther

  95. 2006
  96. SPACE-Net: The Spatial Audio Creative Engineering Network

    Murphy, D. T., Brereton, J. & Brookes, T. S., 1 Jun 2006, p. 279-282.

    Research output: Contribution to conferenceOther

  97. A mirror for sound: introduction and practical exploration of the WinSingad software for teaching singing

    Howard, D. M., Williams, J., Brereton, J., Welch, G. F., Himonides, E., Howard, A. & DeCosta, M., 1 May 2006, p. 33.

    Research output: Contribution to conferenceOther

  98. Pilot study of the effects of period instruments on the voice

    Daffern, H., Howard, D. M. & Seymour, P., 1 May 2006, p. 43.

    Research output: Contribution to conferenceOther

  99. 2005
  100. Perspectives on Matching New Technology for Displaying the Acoustics of the Singing Voice with an Appropriate Pedagogical Model

    Welch, G. F., Howard, D. M., Himonides, E. & Brereton, J., 1 Aug 2005, p. 147.

    Research output: Contribution to conferenceOther

  101. Growing Music: Musical Interpretations of L-Systems

    Worth, P. & Stepney, S., 2005, p. 545-550.

    Research output: Contribution to conferencePaper

  102. 2004
  103. VOXed: Technology as a meaningful teaching aid in the singing studio

    Welch, G. F., Himonides, E., Howard, D. M. & Brereton, J., 1 Apr 2004.

    Research output: Contribution to conferenceOther

  104. 2003
  105. Towards a novel real-time visual display for singing training

    Howard, D. M., Welch, G. F., Brereton, J. & Himonides, E., 1 Dec 2003, p. 179-182.

    Research output: Contribution to conferenceOther

  106. 1999
  107. Sibelius’ Tapiola: The Full Monty

    Howell, T., 1999.

    Research output: Contribution to conferencePaperpeer-review