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  1. "America, I Love You": Music and the Nation in 1915

    Brooks, W., 10 Mar 2015, (Unpublished).

    Research output: Contribution to conference › Paper

  2. "America, I Love You": Music and the Nation in 1915

    Brooks, W., 7 Mar 2015, (Unpublished).

    Research output: Contribution to conference › Paper › peer-review

  3. 'Headaches Among the Overtones': Thinking Through Music in Beckett.

    Laws, C., 2009, (Unpublished).

    Research output: Contribution to conference › Paper

  4. 'I could show you all I know’: Elements of co-creativity in a music theatre context

    Laws, C., 2010, (Unpublished).

    Research output: Contribution to conference › Paper

  5. Against the Shadows I

    Stringer, J. C., 2018

    Research output: Non-textual form › Composition

  6. But Still

    Marsh, R. M., 28 Apr 2017, (Unpublished) Decipherer Arts Press.

    Research output: Other contribution

  7. Contemporary Composers in the Here and Now

    Eato, J. E., 24 May 2011, (Unpublished).

    Research output: Working paper › Discussion paper

  8. Culture and Context: the influence of institutional culture on undergraduate musicians' attitudes to learning and performance

    Haddon, E. & Papageorgi, I., 2008, (Unpublished).

    Research output: Contribution to conference › Paper › peer-review

  9. Dialogues with Diabelli: style, memory and identity in Zender’s '33 Veränderungen über 33 Veränderungen'

    Hutchinson, M. A., 8 Sep 2020, (Unpublished).

    Research output: Contribution to conference › Paper › peer-review

  10. Home Cooking Abroad: Chris McGregor and the Brotherhood of Breath, an editing project in progress

    Eato, J. E., 12 Apr 2010, (Unpublished).

    Research output: Working paper › Discussion paper

  11. In re: Experimental Politics

    Brooks, W. F., 1 Jul 2017, (Unpublished).

    Research output: Contribution to conference › Paper › peer-review

  12. Johnnies, Tommies, and Sammies: Music and transnational identities

    Brooks, W. F., Magee, G., Bashford, C., Matheson, L. & Vickers, J., 15 Nov 2015, (Unpublished).

    Research output: Contribution to conference › Paper › peer-review

  13. Learning to accompany: How music students learn to accompany

    Haddon, H. E., 12 Nov 2017, (Unpublished).

    Research output: Contribution to conference › Paper

  14. Mahler's Kindertotenlieder: a pianist's perspective on listening and learning: Paper and Performance with Dr John Potter

    Haddon, E., 2008, (Unpublished).

    Research output: Contribution to conference › Paper › peer-review

  15. Making Sense of the Self: music students and self-identity

    Haddon, E., 2010, (Unpublished).

    Research output: Contribution to conference › Paper › peer-review

  16. Mental health and well-being – university music students and academic supervisors

    Haddon, H. E., 2018, (Unpublished).

    Research output: Contribution to conference › Paper › peer-review

  17. Modalities of Memorial: The Double Trauma of 1918 and Its Aftermaths

    Brooks, W. F. & Ertan, D., 23 Nov 2016, (Unpublished).

    Research output: Contribution to conference › Paper › peer-review

  18. Multiple Teachers: multiple gains?

    Haddon, E., 2009, (Unpublished).

    Research output: Contribution to conference › Paper › peer-review

  19. Negra Sombra

    Brooks, W. F., de Castro, R. & Capón, X. M., 2 Aug 2016, (Unpublished)

    Research output: Non-textual form › Performance

  20. Partners in time: Developing a piano duet partnership

    Haddon, E. & Hutchinson, M. A., 2013, (Unpublished).

    Research output: Contribution to conference › Paper › peer-review

  21. Piano performance: Group classes for the lifelong learner

    Haddon, L., 2015, (Unpublished).

    Research output: Contribution to conference › Paper › peer-review

  22. Ravi Shankar

    Sorrell, N. F. I., 2013, (Unpublished)

    Research output: Other contribution

  23. Re-composing the saxophone: three twenty-first century examples

    Eato, J. E., 24 May 2008, (Unpublished).

    Research output: Working paper › Discussion paper

  24. Research Findings: from implications to implementation?

    Haddon, E., 2011, (Unpublished).

    Research output: Contribution to conference › Paper › peer-review

  25. Reverse Spectralism: Composing with site-specific resonance mapping: AR techniques in musical composition. Paper presented at "Spectralisms", An International Conference, University of Oxford, UK

    Field, A. E., 15 Mar 2017, (Unpublished) p. 1-8. 8 p.

    Research output: Contribution to conference › Paper › peer-review

  26. Sculpting sound: metaphor, material and contemporary music

    Suckling, M. C., 8 May 2017, (Unpublished).

    Research output: Contribution to conference › Paper

  27. Six Mediaeval Lyrics: for three female singers

    Brooks, W., 2006, (Unpublished)

    Research output: Non-textual form › Composition

  28. Sounded Gestures and Enacted Sounds (updated version)

    Laws, C., Brooks, W. & Harron, D., Jul 2011, (Unpublished).

    Research output: Contribution to conference › Paper

  29. Sounded gesture and enacted sounds (preliminary report)

    Laws, C., Brooks, W. & Harron, D., May 2011, (Unpublished).

    Research output: Contribution to conference › Paper

  30. Sweet: for soprano and flute

    Brooks, W., 2009, (Unpublished)

    Research output: Non-textual form › Composition

  31. The Master of Music: for mixed choir

    Brooks, W., 2011, (Unpublished)

    Research output: Non-textual form › Composition

  32. The Politics of Musical Space – some personal encounters in South Africa

    Eato, J. E., 5 Nov 2008, (Unpublished).

    Research output: Working paper › Discussion paper

  33. The development of the individual voice within the institutional community

    Haddon, E., 2013, (Unpublished).

    Research output: Contribution to conference › Paper › peer-review

  34. The sound of white

    Suckling, M. C., 2016, (Unpublished).

    Research output: Contribution to conference › Paper

  35. Thoughts towards a rhythmic understanding of jazz in South Africa: an update

    Eato, J. E., 28 Jul 2008, (Unpublished).

    Research output: Working paper › Discussion paper

  36. Three Folksongs: for mixed choir

    Brooks, W., 2011, (Unpublished)

    Research output: Non-textual form › Composition

  37. University Music Students and Masterclass Learning

    Haddon, E., 2010, (Unpublished).

    Research output: Contribution to conference › Paper › peer-review

  38. Walking Away: Three songs for soprano and marimba

    Marsh, R. M., 2015, (Unpublished)

    Research output: Non-textual form › Composition

  39. Wandering through history: distorted temporalities in Zender’s Schubert

    Hutchinson, M. A., 11 Sep 2017, (Unpublished).

    Research output: Contribution to conference › Paper › peer-review

  40. What can historians of music in performance tell performers: progressing the Saul Seminar debate

    Eato, J. E., 7 Apr 2008, (Unpublished).

    Research output: Working paper › Discussion paper

  41. Where there’s a healer there must be a song: Zim Ngqawana and the struggle for and against ‘tradition’ in South African popular music

    Eato, J. E. & Gingqini, T. K., 2 Dec 2009, (Unpublished).

    Research output: Working paper › Discussion paper

  42. Why Would We Want To Repeat That? Understandings of text for the musical here and now

    Eato, J. E., 26 Apr 2011, (Unpublished).

    Research output: Working paper › Discussion paper

  43. World Music, World Literature

    Sorrell, N. F. I., 2014, (Unpublished)

    Research output: Non-textual form › Digital or Visual Products

  44. You say microtone, I say macrotone: Julian Anderson's expanded pitch space

    Suckling, M. C., 20 Oct 2017, (Unpublished).

    Research output: Contribution to conference › Paper

  45. “Here, at home” “Apha ikhayani lam” “Hier in my tuiste”: A multidisciplinary performance perspective from the Western Cape.

    Eato, J. E., 12 Nov 2008, (Unpublished).

    Research output: Working paper › Discussion paper