Abstract
The work consists of two main structural parts, and this isomorphic quality echoes
the ‘binary relationship’ between the ‘line’ and ‘its own shadow’. Between these two main stages, however, there is a transitional section, where homage to Ligeti is paid by featuring his lamento motif.
the ‘binary relationship’ between the ‘line’ and ‘its own shadow’. Between these two main stages, however, there is a transitional section, where homage to Ligeti is paid by featuring his lamento motif.
Original language | English |
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Publisher | UYMP |
Edition | ISMN M-57036-317-9 |
Size | Duration 11’ |
Publication status | Published - 2011 |
Keywords
- orchestral