Shadwell Bokeh

“A Good Algorithm Does Not Steal – It Imitates”: The Originality Report as a Means of Measuring When a Music Generation Algorithm Copies Too Much
Yin, Z., Reuben, F., Stepney, S. & Collins, T., 2 Apr 2021, Artificial Intelligence in Music, Sound, Art and Design. EvoMUSART 2021. Springer, Vol. 12693. p. 360-375 16 p. 24. (Lecture Notes in Computer Science).
Research output: Chapter in Book/Report/Conference proceeding › Conference contribution
“Beauty is how you feel inside”: Aesthetic judgements are related to emotional responses to contemporary music
Egermann, H. & Reuben, F., 13 Nov 2020
Article in Frontiers in Psychology
Midlockdown listening :: HDArchive_(date.today)
Reuben Paris, F., 8 May 2020
Research output: Non-textual form › Artefact
Baza
Reuben Paris, F. & Korolczuk, K., 12 Nov 2018
Research output: Non-textual form › Artefact
Her High Noise
Reuben Paris, F., Hanslip, M. W. & Hession, P., 20 Sep 2018
Research output: Non-textual form › Artefact

Research output: Non-textual form › Artefact

Author(s)

Improvisation album by Roland Ramanan (trumpet), Federico Reuben (live coding, electronics) and Roberto Sassi (electric guitar).

Modularity, Immediacy and Exchange in Laptop Improvisation
Project: Other project › Research collaboration
Squib-box
Project: Other project › Research collaboration

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