Speed and slowness in the music of Gerald Barry

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JournalContemporary Music Review
DatePublished - 4 Jul 2014
Issue number4
Volume33
Number of pages17
Pages (from-to)373-389
Original languageEnglish

Abstract

How music engenders a sense of speed remains notoriously elusive, with theories of musical time sometimes putting forward the idea of an ongoing motion which underlies perceived processes of change. Drawing upon the suggestion that a number of such processes can be understood without reference to this sense of movement, the current discussion proposes that the concept of quickness, as formulated by Italo Calvino, forms a useful interpretative lever through which to approach a number of compositions by Irish composer, Gerald Barry. Examinations of Bob, 1998 and In the Asylum suggest ways in which Barry's approach to musical material plays with perceptions of speed and slowness, and how his work represents a number of different solutions to the problem of creating convincing musical forms.

    Research areas

  • Barry, Form, Motion, Quickness, Slowness, Speed

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