The Play of Light: Rethinking mood lighting in performance

Katherine Joy Graham

doi:10.1080/14682761.2020.1785194

The Play of Light: Rethinking mood lighting in performance

Katherine Joy Graham

Theatre, Film, TV and Interactive Media

Research output: Contribution to journal › Article › peer-review

Abstract

Emerging from a context of expanded scenography, this article examines the role of light in creating and shaping atmospheres in performance. This capacity of light is significant in relation to the emerging body of research on the nature and composition of atmospheres in and beyond performance. Within theatre and performance studies, however, light’s atmospheric potential has rarely been considered in depth, and colloquially light is often described as ‘atmospheric’ as a catch-all term that precludes the complexity at stake in its generation of atmosphere, or its provocation of mood. This paper, then, offers a critical rehabilitation of the term ‘atmospheric light’, by examining the sensual as well as visual ways in which light generates shifting atmospheres in Enda Walsh’s Ballyturk (2014). In thinking through this particular example, this article employs scenographic thinking to address the complex multi-modal operation of atmospheric light in performance. In so doing, I aim to show the dramaturgical and ontological significance of atmospheres constructed by and through light in performance, and to point to the material and critical importance of scenographically constructed atmospheres in theatre practice.

Original language	English
Pages (from-to)	1-18
Number of pages	18
Journal	Studies in Theatre and Performance
Early online date	4 Jul 2020
DOIs	https://doi.org/10.1080/14682761.2020.1785194
Publication status	E-pub ahead of print - 4 Jul 2020

Bibliographical note

© 2020 Informa UK Limited, trading as Taylor & Francis Group. This is an author-produced version of the published paper. Uploaded in accordance with the publisher’s self-archiving policy. Further copying may not be permitted; contact the publisher for details.

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10.1080/14682761.2020.1785194

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© 2020 Informa UK Limited, trading as Taylor & Francis Group. This is an author-produced version of the published paper. Uploaded in accordance with the publisher’s self-archiving policy. Further copying may not be permitted; contact the publisher for details.
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Cite this

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abstract = "Emerging from a context of expanded scenography, this article examines the role of light in creating and shaping atmospheres in performance. This capacity of light is significant in relation to the emerging body of research on the nature and composition of atmospheres in and beyond performance. Within theatre and performance studies, however, light{\textquoteright}s atmospheric potential has rarely been considered in depth, and colloquially light is often described as {\textquoteleft}atmospheric{\textquoteright} as a catch-all term that precludes the complexity at stake in its generation of atmosphere, or its provocation of mood. This paper, then, offers a critical rehabilitation of the term {\textquoteleft}atmospheric light{\textquoteright}, by examining the sensual as well as visual ways in which light generates shifting atmospheres in Enda Walsh{\textquoteright}s Ballyturk (2014). In thinking through this particular example, this article employs scenographic thinking to address the complex multi-modal operation of atmospheric light in performance. In so doing, I aim to show the dramaturgical and ontological significance of atmospheres constructed by and through light in performance, and to point to the material and critical importance of scenographically constructed atmospheres in theatre practice. ",

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