By the same authors

  • Popular Music of World War I

    Brooks, W., 31 Dec 2020, 55 p.

    Research output: Other contribution

  • Footnotes

    Brooks, W., Wells, J. & Östersjö, S., 10 Jan 2020

    Research output: Non-textual form › Artefact

  • Footnotes

    Brooks, W., Östersjö, S. & Wells, J., 25 Nov 2019, Voices, Bodies, Practices: Performing Musical Subjectivites. Laws, C., Brooks, W., Gorton, D., Nguyễn, T. T., Östersjö, S. & Wells, J. (eds.). Leuven, Belgium: Leuven University Press, p. 171-232 62 p. (Orpheus Institute Series).

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

  • Voices, Bodies, Practices: Performing Musical Subjectivities

    Laws, C. A., Brooks, W., Gorton, D., Thuy, N. T., Östersjö, S. & Wells, J., Nov 2019, Leuven University Press. 328 p. (Orpheus Institute Series )

    Research output: Book/Report › Book

  • Postlude: Not an End

    Brooks, W., Bashford, C. & Magee, G., 1 Oct 2019, Over Here, Over There: Transatlantic Conversations on the Music of World War I. Brooks, W., Bashford, C. & Magee, G. (eds.). Urbana, IL: University of Illinois Press, p. 241-244 5 p. (Music in American Life).

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

From the same journal

The Rehearsal

Research output: Contribution to journal › Article › peer-review

Standard

The Rehearsal. / Brooks, William Fordyce.

In: American Music, Vol. 34, No. 4, 27.03.2017, p. 507-534.

Research output: Contribution to journal › Article › peer-review

Harvard

Brooks, WF 2017, 'The Rehearsal', American Music, vol. 34, no. 4, pp. 507-534. https://doi.org/10.5406/americanmusic.34.4.0507

APA

Brooks, W. F. (2017). The Rehearsal. American Music, 34(4), 507-534. https://doi.org/10.5406/americanmusic.34.4.0507

Vancouver

Brooks WF. The Rehearsal. American Music. 2017 Mar 27;34(4):507-534. https://doi.org/10.5406/americanmusic.34.4.0507

Author

Brooks, William Fordyce. / The Rehearsal. In: American Music. 2017 ; Vol. 34, No. 4. pp. 507-534.

Bibtex - Download

@article{0cd2d901ec4d46039b7f118a96fe559b,
title = "The Rehearsal",
abstract = "Before the Great War there were lesser ones; and there were some that never really happened. On the border between Mexico and the United States, in 1914 and 1916, two of the latter occurred. In retrospect it is clear that these served in part as a rehearsal for America{\textquoteright}s participation in the war in Europe. They served also to rehearse the music industry, in all its manifestations, for the wartime activity to come. This article traces musical America{\textquoteright}s response to the evolving narrative on the border, with data compiled from analysis of the Myers Collection (University of Illinois) and the Driscoll Collection (Newberry Library) and from copyright searches, and with two case studies: songs by Irving Berlin and by Ernest R. Ball and J. Kiern Brennan.",
keywords = "border war, mexico, sheet music, popular music , Irving Berlin , Ernest R. Ball, J. Kiern Brennan",
author = "Brooks, {William Fordyce}",
note = "{\textcopyright} 2017 by the Board of Trustees of the University of Illinois. This is an author-produced version of the published paper. Uploaded in accordance with the publisher{\textquoteright}s self-archiving policy. Further copying may not be permitted; contact the publisher for details",
year = "2017",
month = mar,
day = "27",
doi = "10.5406/americanmusic.34.4.0507",
language = "English",
volume = "34",
pages = "507--534",
journal = "American Music",
issn = "0734-4392",
publisher = "University of Illinois Press",
number = "4",

}

RIS (suitable for import to EndNote) - Download

TY - JOUR

T1 - The Rehearsal

AU - Brooks, William Fordyce

N1 - © 2017 by the Board of Trustees of the University of Illinois. This is an author-produced version of the published paper. Uploaded in accordance with the publisher’s self-archiving policy. Further copying may not be permitted; contact the publisher for details

PY - 2017/3/27

Y1 - 2017/3/27

N2 - Before the Great War there were lesser ones; and there were some that never really happened. On the border between Mexico and the United States, in 1914 and 1916, two of the latter occurred. In retrospect it is clear that these served in part as a rehearsal for America’s participation in the war in Europe. They served also to rehearse the music industry, in all its manifestations, for the wartime activity to come. This article traces musical America’s response to the evolving narrative on the border, with data compiled from analysis of the Myers Collection (University of Illinois) and the Driscoll Collection (Newberry Library) and from copyright searches, and with two case studies: songs by Irving Berlin and by Ernest R. Ball and J. Kiern Brennan.

AB - Before the Great War there were lesser ones; and there were some that never really happened. On the border between Mexico and the United States, in 1914 and 1916, two of the latter occurred. In retrospect it is clear that these served in part as a rehearsal for America’s participation in the war in Europe. They served also to rehearse the music industry, in all its manifestations, for the wartime activity to come. This article traces musical America’s response to the evolving narrative on the border, with data compiled from analysis of the Myers Collection (University of Illinois) and the Driscoll Collection (Newberry Library) and from copyright searches, and with two case studies: songs by Irving Berlin and by Ernest R. Ball and J. Kiern Brennan.

KW - border war

KW - mexico

KW - sheet music

KW - popular music

KW - Irving Berlin

KW - Ernest R. Ball

KW - J. Kiern Brennan

U2 - 10.5406/americanmusic.34.4.0507

DO - 10.5406/americanmusic.34.4.0507

M3 - Article

VL - 34

SP - 507

EP - 534

JO - American Music

JF - American Music

SN - 0734-4392

IS - 4

ER -

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