Towards bio-responsive control for music

Duncan Alastair Hyatt Williams; Damian Thomas Murphy; Bruno Fazenda

Towards bio-responsive control for music

Duncan Alastair Hyatt Williams, Damian Thomas Murphy, Bruno Fazenda

Research output: Contribution to conference › Paper › peer-review

Abstract

Music and audio applications are well suited to tactile control. In sound and music computing there can be a disconnect between design of human-computer interfacing and application congruent design. A categorical approach is proposed, considering active and passive control methods. This work has implications for the design of adaptive or ‘on-the-fly’ recalibration of music and sound in various contexts, including health and wellbeing, video game soundtracking, and perceptual evaluation of auditory stimulus (e.g., noise annoyance, concentration and attention, relaxation and mindfulness). Due to a lack of agreement on suitable evaluation strategies, a multi-criteria decision aid strategy adopted from the auditory display community is suggested.

Original language	English
Publication status	Published - 19 Dec 2017
Event	DMRN+12 Digital Music Research Network : One Day Workshop 2017 - Queen Mary University of London, London, United Kingdom Duration: 19 Dec 2017 → 19 Dec 2017 Conference number: 12 http://www.qmul.ac.uk/dmrn/dmrn12/

Conference

Conference	DMRN+12 Digital Music Research Network
Abbreviated title	DMRN+12
Country/Territory	United Kingdom
City	London
Period	19/12/17 → 19/12/17
Internet address	http://www.qmul.ac.uk/dmrn/dmrn12/

Keywords

Digital Music
Biosignals
Audio Engineering

Access to Document

Towards bio-responsive control for musicSubmitted manuscript, 94.7 KB

Cite this

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title = "Towards bio-responsive control for music",

abstract = "Music and audio applications are well suited to tactile control. In sound and music computing there can be a disconnect between design of human-computer interfacing and application congruent design. A categorical approach is proposed, considering active and passive control methods. This work has implications for the design of adaptive or {\textquoteleft}on-the-fly{\textquoteright} recalibration of music and sound in various contexts, including health and wellbeing, video game soundtracking, and perceptual evaluation of auditory stimulus (e.g., noise annoyance, concentration and attention, relaxation and mindfulness). Due to a lack of agreement on suitable evaluation strategies, a multi-criteria decision aid strategy adopted from the auditory display community is suggested. ",

keywords = "Digital Music, Biosignals, Audio Engineering",

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day = "19",

language = "English",

note = "DMRN+12 Digital Music Research Network : One Day Workshop 2017, DMRN+12 ; Conference date: 19-12-2017 Through 19-12-2017",

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TY - CONF

T1 - Towards bio-responsive control for music

AU - Williams, Duncan Alastair Hyatt

AU - Murphy, Damian Thomas

AU - Fazenda, Bruno

N1 - Conference code: 12

PY - 2017/12/19

Y1 - 2017/12/19

N2 - Music and audio applications are well suited to tactile control. In sound and music computing there can be a disconnect between design of human-computer interfacing and application congruent design. A categorical approach is proposed, considering active and passive control methods. This work has implications for the design of adaptive or ‘on-the-fly’ recalibration of music and sound in various contexts, including health and wellbeing, video game soundtracking, and perceptual evaluation of auditory stimulus (e.g., noise annoyance, concentration and attention, relaxation and mindfulness). Due to a lack of agreement on suitable evaluation strategies, a multi-criteria decision aid strategy adopted from the auditory display community is suggested.

AB - Music and audio applications are well suited to tactile control. In sound and music computing there can be a disconnect between design of human-computer interfacing and application congruent design. A categorical approach is proposed, considering active and passive control methods. This work has implications for the design of adaptive or ‘on-the-fly’ recalibration of music and sound in various contexts, including health and wellbeing, video game soundtracking, and perceptual evaluation of auditory stimulus (e.g., noise annoyance, concentration and attention, relaxation and mindfulness). Due to a lack of agreement on suitable evaluation strategies, a multi-criteria decision aid strategy adopted from the auditory display community is suggested.

KW - Digital Music

KW - Biosignals

KW - Audio Engineering

M3 - Paper

T2 - DMRN+12 Digital Music Research Network

Y2 - 19 December 2017 through 19 December 2017

ER -