Abstract
This article conducts an analysis of contemporary 3D film style in narrative features, examining how stereoscopy has been married to existing cinematic form. Formal examinations of 3D sequences show them to work within systems of classical or intensified continuity while also generating patterns of meaning tied to the 3D format.
Original language | English |
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Pages (from-to) | 52-73 |
Number of pages | 22 |
Journal | Cinema Journal |
Volume | 55 |
Issue number | 1 |
DOIs | |
Publication status | Published - Oct 2015 |
Bibliographical note
© University of Texas Press, 2015. This is an author-produced version of the published paper. Uploaded in accordance with the publisher’s self-archiving policy. Further copying may not be permitted; contact the publisher for detailsKeywords
- 3D cinema
- film style
- Resident Evil
- Dredd
- David Bordwell