Virtual acoustics and performance spaces in Medieval English Drama

Mariana Julieta Lopez; Sandra Pauletto; Gavin Kearney

Virtual acoustics and performance spaces in Medieval English Drama

Mariana Julieta Lopez, Sandra Pauletto, Gavin Kearney

Theatre, Film, TV and Interactive Media

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

Abstract

The relationship between acoustics and medieval theatre has been somewhat neglected. This is most likely a consequence of the fact that medieval theatre was performed making use of structures temporarily assembled in outdoor spaces. However, this does not imply that the space available and the structures used could not have been modified and built with the intention of improving acoustic conditions. The present paper investigates the acoustic characteristics of Stonegate, which is a street in central York that was used for the performance of the York Mystery Plays. This work explores the difficulties faced when carrying out impulse response measurements in public outdoor spaces. Preliminary results gathered through multiple impulse responses are presented. Finally, the initial stages of the design of a computer model of Stonegate are explained.

Original language	English
Title of host publication	The Acoustics of Ancient Theatres
Place of Publication	Patras, Greece
Publication status	Published - 18 Sept 2011
Event	The Acoustics of Ancient Theatres - Patras, Greece Duration: 18 Sept 2011 → 21 Sept 2011

Conference

Conference	The Acoustics of Ancient Theatres
Country/Territory	Greece
City	Patras
Period	18/09/11 → 21/09/11

Cite this

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title = "Virtual acoustics and performance spaces in Medieval English Drama",

abstract = "The relationship between acoustics and medieval theatre has been somewhat neglected. This is most likely a consequence of the fact that medieval theatre was performed making use of structures temporarily assembled in outdoor spaces. However, this does not imply that the space available and the structures used could not have been modified and built with the intention of improving acoustic conditions. The present paper investigates the acoustic characteristics of Stonegate, which is a street in central York that was used for the performance of the York Mystery Plays. This work explores the difficulties faced when carrying out impulse response measurements in public outdoor spaces. Preliminary results gathered through multiple impulse responses are presented. Finally, the initial stages of the design of a computer model of Stonegate are explained.",

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AU - Kearney, Gavin

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N2 - The relationship between acoustics and medieval theatre has been somewhat neglected. This is most likely a consequence of the fact that medieval theatre was performed making use of structures temporarily assembled in outdoor spaces. However, this does not imply that the space available and the structures used could not have been modified and built with the intention of improving acoustic conditions. The present paper investigates the acoustic characteristics of Stonegate, which is a street in central York that was used for the performance of the York Mystery Plays. This work explores the difficulties faced when carrying out impulse response measurements in public outdoor spaces. Preliminary results gathered through multiple impulse responses are presented. Finally, the initial stages of the design of a computer model of Stonegate are explained.

AB - The relationship between acoustics and medieval theatre has been somewhat neglected. This is most likely a consequence of the fact that medieval theatre was performed making use of structures temporarily assembled in outdoor spaces. However, this does not imply that the space available and the structures used could not have been modified and built with the intention of improving acoustic conditions. The present paper investigates the acoustic characteristics of Stonegate, which is a street in central York that was used for the performance of the York Mystery Plays. This work explores the difficulties faced when carrying out impulse response measurements in public outdoor spaces. Preliminary results gathered through multiple impulse responses are presented. Finally, the initial stages of the design of a computer model of Stonegate are explained.

M3 - Conference contribution

BT - The Acoustics of Ancient Theatres

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Y2 - 18 September 2011 through 21 September 2011

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