Writing the Mother in Anita Desai's Where Shall We Go This Summer?

TY - JOUR

T1 - Writing the Mother in Anita Desai's Where Shall We Go This Summer?

AU - Chambers, Claire Gail

AU - Karmakar, Indrani

PY - 2017/12/20

Y1 - 2017/12/20

N2 - In his famous thesis on the Indian nationalist division of the home versus the world, Partha Chatterjee rightly exposes the ‘new patriarchy’ generated by this dichotomy. However, mindful of the cultural specificity of this new patriarchal discourse, he observes that this has taken hold among India’s rapidly emerging middle class, and is ‘irrelevant to the large mass of subordinate class’ (632). This article takes as its point of departure Chatterjee’s analysis of the intersections of gendered and class oppression in order to explore Anita Desai’s somewhat neglected 1975 novel Where Shall We Go This Summer? Desai’s protagonist Sita, the supposed ‘new woman’ of postcolonial India, has to confront dominant attitudes towards motherhood that accrete to her as a member of the upper middle class. The novel builds up to a crisis that reveals the ambivalences surrounding motherhood – both small rebellions against, and acquiescence to, patriarchy – and shadows forth a maternal subjectivity formed out of resistance. We investigate how nationalist and religious discourses around motherhood and the Mother Goddess, as well as constructions of femininity pertaining to the middle class, together shape the maternal experiences of women like Desai’s Sita. We conclude by considering how in a postcolonial context, the author’s literary representation of motherhood responds or offers a counter-narrative to these constructions of motherhood through the depictions of potentially disruptive and contingent maternal subjectivity.

AB - In his famous thesis on the Indian nationalist division of the home versus the world, Partha Chatterjee rightly exposes the ‘new patriarchy’ generated by this dichotomy. However, mindful of the cultural specificity of this new patriarchal discourse, he observes that this has taken hold among India’s rapidly emerging middle class, and is ‘irrelevant to the large mass of subordinate class’ (632). This article takes as its point of departure Chatterjee’s analysis of the intersections of gendered and class oppression in order to explore Anita Desai’s somewhat neglected 1975 novel Where Shall We Go This Summer? Desai’s protagonist Sita, the supposed ‘new woman’ of postcolonial India, has to confront dominant attitudes towards motherhood that accrete to her as a member of the upper middle class. The novel builds up to a crisis that reveals the ambivalences surrounding motherhood – both small rebellions against, and acquiescence to, patriarchy – and shadows forth a maternal subjectivity formed out of resistance. We investigate how nationalist and religious discourses around motherhood and the Mother Goddess, as well as constructions of femininity pertaining to the middle class, together shape the maternal experiences of women like Desai’s Sita. We conclude by considering how in a postcolonial context, the author’s literary representation of motherhood responds or offers a counter-narrative to these constructions of motherhood through the depictions of potentially disruptive and contingent maternal subjectivity.

KW - Anita Desai

KW - Motherhood

KW - Indian literature

KW - Julia Kristeva

KW - perinatal depression

KW - Feminism

UR - http://store.leeds.ac.uk/product-catalogue/faculty-of-arts/moving-worlds-sales-for-institutions

M3 - Article

SN - 1474-4600

VL - 17

SP - 16

EP - 26

JO - Moving Worlds

JF - Moving Worlds

IS - 2

M1 - 3

ER -