Hauke Egermann

Contact details

Type of addressPostal address
Postal codeYO10 5DD
CountryUnited Kingdom
Address lines
  • Music
    University of York
    Heslington
    York
    YO10 5DD

Phone: (01904) 324303

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Dr. Hauke Egermann

Senior Lecturer

  1. 2021
  2. Physiological synchrony in audiences of live concerts

    Tschacher, W., Greenwood, S., Egermann, H., Wald-Fuhrmann, M., Czepiel, A., Tröndle, M. & Meier, D., 23 Sep 2021, (E-pub ahead of print)

    Article in Psychology of Aesthetics, Creativity, and the Arts

  3. Evidenzbasierte Praxis im Music Branding – Musikalische Markenkommunikation wird erwachsen

    Egermann, H., Lepa, S., Herzog, M. & Steffens, J., 8 Jul 2021, (Accepted/In press) Musik & Marken: Jahrbuch Musikwirtschafts- und Musikkulturforschung 2021. Schwetter, H., Grünewald-Schukalla, L. & Ahlers, M. (eds.). Springer

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Music Listening in Classical Concerts: Theory, Literature Review, and Research Program

    Wald-Fuhrmann, M., Egermann, H., O'Neill, K., Czepiel, A., Weining, C., Meier, D., Tschacher, W., Uhde, F., Toelle, J. & Tröndle, M., 27 Apr 2021

    Article in Frontiers in Psychology

  5. 2020
  6. A computational model for predicting perceived musical expression in branding scenarios

    Lepa, S., Herzog, M., Steffens, J., Schoenrock, A. & Egermann, H., 16 Jun 2020, (E-pub ahead of print)

    Article in Journal of New Music Research

  7. Towards a Common Terminology for Music Branding Campaigns

    Herzog, M., Lepa, S., Egermann, H., Schoenrock, A. & Steffens, J., 22 Jan 2020, (E-pub ahead of print)

    Article in Journal of Marketing Management

  8. 2019
  9. Creating a Brand Image through Music: Understanding the Psychological Mechanisms behind Audio Branding

    Egermann, H., Sep 2019, The Oxford Handbook of Sound and Imagination. Grimshaw, M., Walther-Hansen, M. & Knakkergaard, M. (eds.). Oxford: Oxford University Press, Vol. 2.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Measuring the audience experience - How can we capture audience experience with quantitative and qualitative methods?

    Egermann, H. W., Toelle, J. & Weining, C., 1 Feb 2019.

    Research output: Contribution to conferenceAbstractpeer-review

  11. Algorithmic music curation in audio branding: Commercial and critical perspectives on an international research and innovation project

    Edwards, J. & Egermann, H. W., 2019, Algorithmic Music: Value, Creativity and Artificial Intelligence A One-day Symposium.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  12. An Interactive Spatial Audio Experience for Children with Autism Spectrum Disorder

    Johnston, D. I., Egermann, H. W. & Kearney, G. C., 2019, Proceedings of the 2019 AES International Conference on Immersive and Interactive Audio. Audio Engineering Society

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  13. Are musical emotions different from emotions experienced in everyday life?

    Kayser, D. & Egermann, H., 2019.

    Research output: Contribution to conferenceAbstractpeer-review

  14. Psychological and Environmental Factors in the Onset of Musician’s Focal Dystonia: An Exploratory Grounded Theory Study

    Detari, A. & Egermann, H., 2019.

    Research output: Contribution to conferenceAbstractpeer-review

  15. Psychosocial Work Environment of Musicians: How does it differ from the general workforce?

    Detari, A., Vaag, J. & Egermann, H. W., 2019.

    Research output: Contribution to conferenceAbstractpeer-review

  16. The Effect of Temperament Systems on Goodness-of-Fit Ratings in Turkish Makam Music

    Altun, F. & Egermann, H., 2019.

    Research output: Contribution to conferencePosterpeer-review

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